Perfect Love E-Book

Elizabeth Buchan

• Herausgeber: Corvus
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2022

Seitenzahl: 587

Beschreibung

Lose yourself in the captivating novels by bestselling author Elizabeth Buchan, perfect if you love Harriet Evans or Deborah Moggach.'Modern marriage and its compromises ... a terrific, compassionate, compelling novel' Daily MailOver twenty years of marriage to Max, Prue has remained a busy, contented mother and stepmother. Now, Prue's stepdaughter, Violet, has returned with her new husband from New York and, suddenly, Prue is precipitated into a secret life.As she moves between a sleepy village in Hampshire and buzzing London, Prue finds herself crossing the boundary between innocence and knowledge, exploring the line between the gluttony and surrender of desire and facing the stark realities that result.Because while marriage can be a battleground, extraordinary bargains and accommodations are often struck between people who love one another.

Leseprobe

Elizabeth Buchan was a fiction editor at Random House before leaving to write full time. Her novels include the prize-winning Consider the Lily, international bestseller Revenge of the Middle-Aged Woman, The New Mrs Clifton, The Museum of Broken Promises and Two Women in Rome. Buchan’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for the Sunday Times, The Times and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She was a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award. She is a patron of the Guildford Book Festival and co-founder of the Clapham Book Festival.

Also by Elizabeth Buchan

Daughters of the Storm

Light of the Moon

Consider the Lily

Against Her Nature

Beatrix Potter: The Story of the Creator of Peter Rabbit Perfect Love

Secrets of the Heart

Revenge of the Middle-Aged Woman

The Good Wife

That Certain Age

The Second Wife

Separate Beds

Daughters

I Can’t Begin to Tell You

The New Mrs Clifton

The Museum of Broken Promises

Two Women in Rome

First published in hardback in Great Britain in 1995 by Macmillan, an imprint of Macmillan Publishers Ltd.

First published in paperback in Great Britain in 1996 by Macmillan, an imprint of Macmillan Publishers Ltd.

This eBook edition published in 2022 by Corvus, an imprint of Atlantic Books Ltd.

Copyright © Elizabeth Buchan, 1995

The moral right of Elizabeth Buchan to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act of 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of both the copyright owner and the above publisher of this book.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities, is entirely coincidental.

10 9 8 7 6 5 4 3 2 1

A CIP catalogue record for this book is available from the British Library.

eBook ISBN: 978 1 83895 542 7

Corvus

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In memory of my much loved and much missed parents

‘Love seems the swiftest but it is the slowest of all growths. No man or woman really knows what perfect love is until they have been married for a quarter of a century.’

Mark Twain

PROLOGUE

OUTSIDE, A WINTER WIND BLEW DOWN FROM THE ridge but, to all appearances, the frost of the financial recession had only touched the fringes of the village of Dainton – the parish being a Nazareth to Winchester’s Jerusalem – for the money expended on the Christmas flowers had been generous. Euphorbia, lilies, and imported narcissi do not come cheaply. Making a rough computation of the cost, Prue Valour was puzzled. Perhaps a newcomer, buying their way into the village, had donated them. Perhaps the church flowers had been put above other claims on the Christmas purse (the insulated mats for the homeless, for example) but Prue thought it unlikely.

Kate Eliot, Prue’s friend and confidante, and a woman fond of a challenge, providing there was every chance she could master it, had taken the trouble to decorate the Christmas tree with real candles – not, of course, to be lit because of the insurance veto. This was a shame because the candles looked beautiful elsewhere in the church. Nevertheless, swaying on the tree, forced through the green like white asparagus, they cocked a snook at regulations, their colour suggesting the purity and hope so lacking elsewhere.

Content, certainly better-looking and more serene at forty-one than she had ever been at twenty-one, and just about organized (turkey stuffed, extra fruit salad made, emergency presents wrapped and stacked in the cupboard) Prue joined in the singing of the last carol. If God had withdrawn from England in disgust, there was still a chance he might drop in, briefly, to Dainton’s parish church to cast an eye over his faithful: struggling, well-meaning, frayed and nibbled at the edges by existence, imperfect and, in Prue’s case, a little cushioned, a little unwilling to listen to new voices . . .

Unlike Joan of Arc, who had listened to them all too well. As Prue had discovered during her researches into the life of the saint, apparently Joan had been in her father’s garden in Domrémy when she first heard the voices towards noon on a summer’s day. After that, they visited her at various times, often when bells were ringing – the bell for vespers, compline, or the lovely clear tone of the evening angelus.

The bells were important. They introduced order into lives that had none. They told the time, they spread news, issued warnings and because France lay split open – so many segments of a peach over which fought French, Burgundians and English – many warnings were needed.

Whatever time it was does not matter. For into the broken silence, the backwash of displaced air that shuddered over the fields and village torn and ravaged by war, came the voices of St Michael and St Catherine and changed Joan’s life for ever.

Oh, yes, thought Prue into whose consciousness was creeping the knowledge that her own life had remained much the same during the past twenty years, it was right that the voices spoke when they did – and for Joan to listen to their message.

SPRING

CHAPTER ONE

‘IT’S IN THE STORIES,’ JANE HAD ONCE INSISTED ON A Friday car journey home from school. ‘Everyone hates the wicked stepmother, and the wicked stepmother schemes to get rid of the beautiful stepdaughter. Think of Snow White.’

‘I don’t go “Mirror, mirror on the wall”,’ Prue protested, only half amused.

‘You don’t have to, Mum.’

‘Thank you,’ said Prue with dignity. Beauty had never been her problem – and now that she was older and understood that more elements lay below the surface than on it, she realized that beauty was a problem for those who had it. Not that she considered the problem to apply to herself for, in Prue’s view but not necessarily in the opinion of those who came to love her, she did not possess it. Whereas Violet did, in bucketfuls.

Happily, Violet was safely in New York with her new husband and baby and well out of Prue’s way. Or she had been until that morning in January.

‘When did you say they’re coming?’ asked Prue, pouring milk into her saucer for the cat. Bella placed an elegant, bangled paw on Prue’s knee, leapt into her lap and was surprised when Prue clutched her hard against her midriff.

‘I wish you wouldn’t do that. It’s so unhygienic,’ replied Max, her husband, watching the milk spray the tablecloth. It was not the first time he had protested. Nor would it be the last. ‘February. Because of the recession the bank is cutting staffing levels on its overseas operations. Anyway, apparently they want Jamie back home to head up the London bit of the European arm.’ He pushed the airmail letter over to Prue.

Prue picked it up with reluctance and Max, aware of what was going through her mind, said, ‘It’s only till they can buy a house in London. Jamie can commute and Violet will be looking for a job.’

‘Lucky Jamie.’ Prue gave the letter a brief glance and then ignored it. Meanwhile, Max creased The Times into a raging sea.

‘You don’t object too much, do you, Prue?’

She leant over the table, nipped the paper out of his grasp and folded it into order. ‘I object to you doing that.’

‘Do you mind?’

She considered his question, the familiar sleepy look in place that meant she was thinking hard. Was sharing a kitchen with her stepdaughter a good thing because it would shake Prue’s moral fibre into a bracing workout, or a bad thing because the inevitable clash would cancel any Brownie points thus gained?

I hate you, Prue . . .

‘It’s Violet’s home and you’re her father.’ Fairness, she reflected bitterly, was the curse of so-called civilized, the fatal weakness. ‘They can look after themselves.’

Bella’s purr broke the uneasy silence which fell between them. Oh, Max, thought Prue, you look so pleased at the prospect of your daughter coming home. How can I possibly deny you?

Max looked at his watch and got to his feet, wincing at the twinge that occasionally attacked his right hip. ‘Time to go.’ He retrieved The Times, which he had no intention of yielding up. Prue swallowed half a cup of coffee so strong it made her tongue go dry, but that was how she liked it. One day she intended to renounce caffeine, being reminded daily by the inside of her cafetière what her stomach lining must resemble – but not yet. She squinted at Max. He looked irritable and impatient, two things which until recently had been alien to his nature, brought on, she suspected, by panic. For Max was sixty and he did not like the idea of retirement.

Tick, tock.

These days he maintained, a little too frequently, that he was still in his prime. Still capable of good things. Oh, yes, his listeners agreed, but then they were not likely to disagree. To be fair, Max’s large, fit-looking body gave the impression of strength and a well-oiled mind, both of which were true.

Prue did not relish the idea of his retirement either, but there was nothing to be done. Sometimes, she caught Max looking at her as if to say: It’s unfair that you’re twenty years younger. Other times, she sensed that he almost disliked her for it. I can’t help it, she wanted to cry out. I would take on your years if I could. It did not occur to her that it was not her business to shoulder Max’s advance into old age, it was his. But, then, it is almost impossible for the lives of people who are bound together by deep feeling and habit, not to seep into each other’s.

Meanwhile, it was Prue’s business to help negotiate this tricky period. She pushed a reluctant cat on to the floor.

‘You’ve got the big meeting today, haven’t you? I won’t expect you home until late.’ She paused to insert the first plank in the bolstering-Max programme. ‘I don’t know what the firm would do without you.’

Max tapped his right hand on the table and the little white scar on his index finger – Helen’s wound – attracted Prue’s gaze as it had done a hundred thousand times during their marriage. ‘I’ve made noises that I would like to take over the working party into setting up the European structure.’ Max’s large and profitable law firm in the City was in the process of setting up a working relationship with like-minded firms in France, Germany and Spain, the idea being that clients would get the best advice on all fronts. ‘I would like to get it,’ said Max, whose fluency in French, German and Spanish certainly put him in the running, ‘so spare a thought.’

‘I will, darling. I will.’ She fingered her coffee-cup. ‘They would be foolish to ignore you, I think.’

‘Thanks,’ he said, a touch drily. He adjusted the silk handkerchief in his lapel pocket, his only sartorial indulgence, and flashed her one of his disconcerting smiles, which told her that he was not going to let his feelings get the better of him. ‘Good try, darling. Butter the old boy up. I might just bring a decent bottle back for supper on the strength of it.’

Palm up, he stretched out a hand across the table and curled his fingers in invitation. Prue tapped the edge of the table with hers and her mouth twitched.

‘Darling Prue . . .’ said Max. ‘Don’t be mean. Give me a kiss.’

She laughed, leant forward and traced a circle on the exposed palm. He caught her hand and kissed it.

‘My lovely Prue,’ he said.

‘I love you really,’ she said.

‘That’s fortunate,’ said her husband. ‘You’ve got me for life.’

Prue removed her hand, looked down at her lap and endeavoured to brush the cat hairs from her skirt.

*

The car nosed into Winchester station only just in time. Max wrenched open the passenger door to show his annoyance at Prue for insisting on changing her skirt at the last minute. It had made them late and the road from Stockbridge had been full of feeble drivers unwilling to go above 40 m.p.h.

‘Nobody looks at your bottom half if you’re behind the counter,’ Max had pointed out, not unreasonably, which exasperated Prue – unfairly she knew. All the same, the goodwill of breakfast had vanished.

She swerved to avoid a squashed hedgehog, which had made the mistake of imagining the station was a safe place. There was no need to add insult to grievous injury and, besides, the idea of going over the bloody little body was too much at this time of the morning.

‘I’m sorry I made you late,’ she said.

‘So I should think.’ Max dropped his large, squarish hand on to her thigh for a second and she covered it with hers.

Although Prue’s life was oriented around her husband’s, the minute he was out of her sight she forgot him. She often puzzled over the conundrum. Was it a normal stage in a twenty-year-old marriage? She supposed it was. After all, she did not notice her wedding ring from one week to the next, despite its tendency to make her finger swell. It was there, much as her nose was (which she disliked), or her legs (marginally better) or the rather startling mole, positioned above her right eyebrow.

Once upon a time, as all good stories go, there would not have been a day not dedicated to the idea of Max. Every breath she took, every meal she ate, every stamp she licked (Prue had been a secretary when they met) had revolved around a Maxshaped space. And why not? He was older, wiser and infinitely sadder, and, thus, irresistible to a nineteen-year-old, a young nineteen-year-old whose favourite childhood game had been to re-enact Florence Nightingale’s lamp-lit passage through suffering men at Scutari. Perhaps a too-young nineteen-yearold?

What she got with Max was love that showed no sign of running out, fishing rods, a pair of guns to which he was devoted, gentleness in all their dealings, a village life and a degree of comfort.

Prue drove through the city and concluded that too much reflection on what constituted normal was not a good idea.

With a lot of extra exhaust and gear changes, she manoeuvred the car into her secret parking place behind the market square. The morning was still sharp and exuded depression, and wherever Prue looked as she made her way to the bookshop she was accosted by ‘For Sale’ signs.

Whatever else she had expected, she had learnt quickly that bookshops are not peaceful places. Certainly not Forsight’s. It was busy, which was good, but it was also haphazardly organized, which was bad. Any ideas Prue had entertained for browsing, paid, through Fict., Class. and Fict., Pop., or even Hist., Med., vanished by the end of the first week. Since then, she had tried for two years to impose order, but never managed it.

Books were delivered daily, others were piled up waiting to be returned, publicity material buckled in corners and gangways, and Gerald, the owner, had a knack of sabotaging Prue’s ideas for display with his own. Still, most days the shop was full, and not only with browsers who had no intention of buying. You might be experiencing trauma, she reasoned, you might be a witness to the repossession of your house, be forced to sell your assets, weep at the destruction of your life, but buying a book remained an achievable goal.

‘What do you think?’ Gerald held up a paperback with an explicit cover.

She directed a look at it. ‘It will sell.’

‘Winchester doesn’t like sex. Hadn’t you noticed? But stack it on the table, will you, Prue, after you’ve served the customer by the till who wants a book on hats.’

Sometimes, Gerald sounded remarkably like Max. Prue threw her scarf into her basket, twitched at her blouse and refrained from asking if he had had a bad night.

By half past one, three people had placed orders for a book on coping with bankruptcy.

‘You should stock some,’ Prue informed Gerald, much struck by this neglected window in the market, as she put on her coat.

‘Can they pay for it, dear?’

Next door to Forsight’s was a bakery, the kind that sells ‘Olde Worlde Bread’ and pipes a smell of cooking yeast into the retail area. Prue bought a sausage roll and an almond croissant to which she allotted four out of ten and ate them as she walked to the public library. It gave her satisfaction – still – to flout one of her mother’s rules: never eat in the street. In fact, the transgression gave her so much pleasure that she tried to remember the others.

The enduringness of habit . . . and Prue, now accustomed to the library and its best seats, made for ‘her’ niche and was forced to restrain a frown when she saw it was occupied. She retreated to a position by the door, arranged her books and began to write.

‘It was in my thirteenth year when God sent a voice to guide me . . .’

This was Jeanne la Pucelle, fille de Dieu, as those mysterious voices addressed her, describing the moment when her life, the hardworking, simple life of a daughter of a well-to-do peasant, was stopped in its tracks. ‘Say what you will’, Prue wrote in her notes, then came to a halt. Say that Joan was born with the compulsive exhibitionism of many of our public figures, which drove her to invent something, anything, which would stamp her life in bas-relief on the often dark and frightening medieval chronicle of life and death. That she was schizophrenic, that she was driven to extremes by the limits of the age in which she lived. Say anything you like, but as Joan stood in the garden, carpeted with lilies-of-the-valley and wild strawberries, a heroic poetry, a meaning, a clash of arms and a terrible beauty flowed into her life.

Prue did not regard herself as a woman given to a hot rush of feeling, or a candidate for the steel grip of the idée fixe, and her ambition to write a biography of this woman and saint, Joan of Arc, took her, and anyone to whom she confided it, by surprise.

Do it, Max urged, when Prue faltered out the idea to him. Do it. Do it.

Do it, echoed the obstinate part of Prue which she kept hidden, folded into the dark areas of her mind (of which she was secretly afraid). She obeyed, and that was why she was to be found in the public library on every spare afternoon.

Prue’s biography was intended to be the unacademic, ordinary woman’s view of the medieval equivalent. Where the idea had arrived from was mysterious, but arrive it had as a sunburst over a bleak landscape. Even now, Prue maintained a level of extreme surprise at her daring, for nothing in her life had trained her for a project like this. That obstinacy, a quivering response to the colour, the boldness, the surrender, the excess of St Joan, and perhaps an unconscious need to change an element in her own life, fuelled Prue’s researches. Not that she would explain it as such.

The results so far were headings, ‘Life’, ‘Death’, ‘Battles’, in a red-and-black notebook imported from China, and notes made on A4 paper which she kept meaning to transcribe under the headings, once she had got through the stack of reading she had set herself. This was composed of biography, to guide her as to what she should be doing, history, for its background information on labyrinthine politics, gold-encrusted artefacts, and the collection of John the Bolds, the Fearless, the Bads, and degenerate Valois that had littered medieval France.

The library smelt of polish and, less fortunately, of sweat, which was not surprising for the central heating had been turned up to furnace level, and the faces at the tables were varnished with an unnatural sheen, Prue’s included. She sensed the stain that crept up her neck when she was hot and bothered, spreading like red ink above her blouse. Somebody should tell the council. She should tell the council.

Shopping. St Joan. Ironing. Jane. Bank managers. Max. Councils. This was a life indeed.

She looked at her watch. It was time to pick up Jane from the school where she was a weekly boarder. She stacked her books together and got up.

Outside, the cold wind blew, cooling Prue’s flush and she put up a hand to her neck in a gesture that was becoming habitual. Still smooth, she thought, a little guilty that she minded.

In front of her flowed the life of the city – an arterial stream of traffic, punctuated by the ganglia of shops, precincts and the market. Looming over this commercial activity was the cathedral, whose massive symbolic and physical presence used to exert an osmotic force on the life of the city. Mutandus mutandi . . . (Prue was learning some Latin.) Today, having been modified by the rush towards science and commercialism, its supremacy was composed mostly of memory and the reverence the British accorded to the past. But Prue took delight in the building, and often made a detour as she did today to wander in its precincts or look inside. The January light failed to penetrate the dim interior, lit here and there by the bright, isolated stars of candles. The aisle was shrouded and echoed to the half-whispers of tourists and church officials going about their business.

Her basket weighing on her arm, Prue hovered in the transept, thinking about people and their separate circles of isolation, sometimes overlapping others, sometimes moving forward without contact. It was perfectly possible to live a life thoroughly boxed in by Christian habits but lacking the essential core of belief. She knew because she was making a good job of it herself.

A group of Japanese tourists fluttered and fussed in the aisle, and some nuns were praying in the pews. Presumably God loved this stone tribute to him. She trusted that he did, for it had been built on sweat, lives and ambition.

Prue left the smell of wax and ripe flowers and returned to the daylight.

‘Wicked, Mum, you’re on time.’

Jane was preceded by a collection of bags slung into the back seat, then a great deal of green uniform and green tights, and plaited fair hair.

‘How’s the week been?’

‘Fine.’ Jane always made the question sound irrelevant.

‘The French test?’

‘Oh, Mum. Don’t ask me those questions the minute you see me.’

It was windy and rather bleak on the hill where the school was situated. To the east the motorway, always crowded, cut away to London, and to the west a new section was being hacked out of the chalk downland, much to the bitterness of local protesters. That view was not pretty.

Jane sighed.

‘What, my sweetie?’

‘Nothing. Just glad you’re here.’

Prue drove out of the school yard. ‘Violet and her family are coming to stay for a bit.’

Jane sat up. ‘Oh, Mum,’ she repeated, this time with a dying inflection indicating her disapproval. ‘That’s a real pain. Where will they all sleep?’

‘In the spare room, of course. Luckily it’s big enough for the baby as well. If not, they can put him in the guest bathroom.’

Jane bit her lip.

‘Aren’t you curious to see your new cousin?’

‘Not really,’ said Jane, who preferred computers to ballet and software to clothes. ‘Babies are boring.’

Prue smiled. ‘You weren’t. You were marvellous.’ She observed her daughter from the corner of her eye. The approach always worked, mainly because she meant every word. ‘I used to wonder what I’d done to deserve such a good baby. Sometimes, I imagined a big foot in the sky waiting to squash me because I was too lucky.’

‘Truly?’

‘Truly.’

Actually, there had been the equivalent of the foot in the sky and that had been Violet. But Prue would not permit herself to say so to Jane.

Jane went quiet for several minutes. They drove on between hedges lightly tipped with new life – nature always got on with things much earlier than you imagined – over mud islands from last night’s rain and past telegraph wires on which rooks and moisture were equally strung. The landscape was suspended, but also secretly in flux, waiting for the moment it tipped over into spring proper. Every so often, a cascade of water hit the windscreen and, as they descended the hill to Stockbridge, the road became slippery.

What had I done to deserve such a good baby – and such an awful stepdaughter?

The car skidded slightly and a vision of Jane lying crushed and bleeding by a roadside, calling for her mother, flashed by Prue, so vivid it almost made her choke. It was the old nightmare, come back to visit, the old anxiety. It meant many things.

Prue tried to explain her fears for Jane to Max, and how they were connected to the idea of perfection. They’ll vanish quickly enough when she’s a teenager with a safety-pin through her nose, he said.

Jane broke the silence. ‘It’s a pity you don’t like Violet. You don’t, do you, Mum?’

‘Why do you ask?’

‘My intuition,’ said her eleven-year-old daughter. ‘Don’t worry, it’s quite normal in the circumstances.’

It was then that Jane explained the Snow White theory.

CHAPTER TWO

‘CAN YOU MEET US AT HEATHROW?’ VIOLET NEVER bothered to ingratiate herself with her stepmother – that point had long ago been passed if it had ever existed – but since the last thing she wished was to struggle to Dainton by public transport or incur the expense of hiring a car, she managed, ‘If you would, Prue.’

Prue made an effort and said she would, adding, ‘It will be lovely to see you and to meet Jamie and the baby.’

‘Five a.m., terminal four.’

‘Five a.m.!’

‘Afraid so.’

‘Violet, that’s hideously early.’

‘Well, if you feel you can’t, Prue, could you organize hiring a car for us?’ Violet calculated two things. One, the request might shame Prue into agreement. Two, if it did not then the likelihood was that her father would pay. It was a measure of her current state of mind that she forgot that Jamie’s bank was paying most expenses. Or perhaps she wished to put Prue to considerable trouble.

Same old tricks, thought Prue, powerless before Violet’s determination. ‘Don’t worry, I think we can make it.’

‘See you, then.’

In Dainton, Prue was accounted something of a saint – older husband with two tragedies, or at least incidents, in his past, and a stepdaughter who thought rather too well of herself and made it her business not to cooperate. Violet was well aware of Prue’s putative sainthood and had lived with it for those difficult, uneasy years before she had left home; it had sharpened her quick, but essentially unsubtle, mind. Character is shaped by those we hate, as much as by those we profess to love, and Violet was very much Prue’s creation, a fact that would have astonished both women.

‘I hope we’re not too much trouble.’ Violet pondered the coup de grâce, which proved too tempting not to use. ‘After all,’ she modulated her voice sweetly, ‘you don’t have that much else to do.’

The conversation left Prue to stare at the calendar on the wall, unsettled and disturbed. Only Violet managed to prick the skin, so soft and gracious, in which Prue clothed herself without having to try. Only Violet could make her feel so angry and unwilling. Picking up a pen, she scrawled: ‘Heathrow, 5 a.m.’, in such a way that the whole of the day’s space for 7 February 1992 was obscured.

Violet’s recollection of her childhood was a fractured, uneasy jumble of dreams and memory. On one hand, she took comfort from a cosy, firelit nursery, a cross between Enid Blyton and Charles Dickens where she knew she was safe (OED ‘safe’: uninjured, entire, healthy). But, perhaps, this was wishful thinking. On the other hand, and the sensation was indisputable, her memories or dreams, whichever, precipitated Violet into a terrain across which she fled, running from a terror she found impossible to describe.

Oh, that white dust churning in her face and choking her mouth and nostrils as she panted across her inner landscape. The torn nails she used to batten on to blank rock faces blocking her way. The sweat that ran like lava down her body. The terror that clawed at her back.

She supposed that those who lose their mothers young can be subjected to mirages like a warm nursery, and the terror swimming in the darkness outside. Violet’s dream figurations could have been less obvious, but that did not diminish either their import or their impact. They were cruel fantasies, both for the fear they stirred and, worse, for the false suggestion of safety enshrined in a leaping nursery fire, the rag-rug, the rocking-chair and the cupboard in which lived Ned the Teddy and Muffin the Mule. Oddest of all, Violet bore no recollection of her mother and she had been almost six when Helen had gone away for the last time – all of six when she died.

Jamie understood. ‘By dying, your mother let you down,’ he said, ‘and you’re angry with her and you’ve blocked her out.’

Violet regretted her impulse to confide in Jamie – but the marriage was still young. ‘I wonder,’ she commented acidly, ‘what the world would have been like before Freud reinvented it. Fresh and innocent, perhaps?’

‘I don’t mind my concern being rejected or abused,’ said Jamie. ‘My humour remains intact.’

His reproof did not go unnoticed. ‘Sorry,’ said Violet, who was still delighted by the acquisition of a new, handsome husband and, furthermore, loved him.

They were in the bedroom of the New York apartment packing the last bits of luggage. Jamie inserted a pastel wedge of Brooks Brothers shirts into his suitcase and closed it. Violet watched. Because she could not fathom them, she distrusted Jamie’s occasional silences.

‘I am sorry, Jamie.’

He placed the suitcase alongside the others by the door. ‘I’ll think about accepting the apology.’ He had his back to her and she was unable to see his smile.

Uncertain how to take the last remark, she sat down on the bed. ‘I never know where I am with you, Jamie.’ When baffled, Violet had a habit of clicking a nail against another. The sound filled the pause. Then she continued, ‘I don’t want to be left out, if you see what I mean . . . Because I am your wife and I want to share everything.’

‘It’s simple.’ Jamie came over and pushed her back on to the pillows. ‘I love you and I can take your nastiness.’

Violet should have replied, ‘I love you, too, and thank you for being nice.’ Instead she said, ‘Mind my breasts. They’re sore.’

‘I won’t.’ Jamie edged closer. ‘Beautiful, clever wives must put up with interest in their breasts.’

This was familiar ground. Violet gave a laugh and ran her hand down Jamie’s back. ‘Friends?’ she asked softly, meaning lovers.

His arm reached over her body. ‘Friends.’

After a moment, she wriggled free. ‘I must pack.’

Jamie rolled over and folded his hands behind his head. ‘Are you going to have a minor panic or a major one?’

‘Neither – and do you have to joke all the time?’ Violet pulled open the top drawer of the chest and surveyed the contents. Muddle, she hated muddle, and muddle stared back at her. ‘Jamie?’

‘Yes.’

‘You don’t think having a baby addles your brain permanently, do you?’ She bit her lip as the words left it. A bundle of crawling, post-partum neuroses was not the best aphrodisiac.

‘It’s not your brain I’m interested in.’

She raised her eyebrows. ‘Ignoring the base metal of yours, do you think I’ll ever be normal again?’ She sifted her fingers through a Liz Claiborne scarf and a Ralph Lauren belt and let them drop. ‘My memory is haywire, so’s my ability to organize. I’ve always been so good at remembering.’ She wanted to say, ‘I’ve always shone at whatever I’ve turned my hand to’, which would have been true.

She poked furiously at the scarves and belts and slammed the drawer shut, trapping a belt. There was another silence. ‘Jamie. I seem to have lost my will to do things,’ she said helplessly.

It was so uncharacteristic of Violet. In a flash, Jamie was on his feet and cradling her in his arms. ‘Listen,’ he said, ‘having a baby, running a department and the home takes a toll. Your body is telling you to slow down, that’s all, just until you recoup your energies.’

‘You think?’

Jamie stared over Violet’s dark, glossy head to the New York landscape framed by the apartment window. ‘I know so.’

Violet stiffened. Before meeting her, Jamie had lived with Lara and her daughter, Jenny, for ten years. That meant he had ten years’ extra experience and nothing would ever alter this advantage. Violet’s competitive instinct was nettled. It was not so much that she had missed out on ten years at Jamie’s side, rather that she had launched herself into a relay race where she was forever condemned to the outside track. Whatever Violet did, however fast she ran, Jamie was pounding away on the inside track.

She leant against Jamie’s cashmere-clad shoulder. Then she pulled back and stared into his face. I want to read you, she thought to herself. I want to gather up what is you. But I can’t.

Under her scrutiny, Jamie’s eyebrows lifted a fraction and Violet was swept by desolation for she was failing to grasp something important, and she did not know what. She reached up and pulled his head down and gave him one of her soft, dry kisses on the lips which he always found incredibly erotic. ‘Thanks, Jamie.’

A howl from the second bedroom made her jump. The howl increased and Violet folded her arms across her stomach and tightened her mouth. (If she had known how the gesture changed her face for the worse, she would not have done it.) ‘I can’t, Jamie. He was only fed a couple of hours ago. I just can’t.’

Jamie pushed his wife gently away. ‘You stay there and I’ll bring him in.’

As it was fashionably situated – they had agreed on fashion over comfort – the apartment was tiny and, thus, Jamie was back thirty seconds later. He held a squalling Edward out to Violet. Reluctantly, she accepted him. The baby was red and furious, and the rash sprayed over his face appeared embossed into his skin.

‘Oh, baby,’ said Violet, angry at his thoughtlessness. ‘How could you?’

‘I’ll get you a cup of tea,’ said Jamie.

Edward smelt and it was a toss-up between enduring the crying or the smell. The second option was easier. Violet forced herself to hold the baby and, hating herself for hating him, dragged up the front of her designer jersey and allowed him to latch on. Silence broke over the room, the kind when the breath hisses out in release.

Jamie came back with a tray and gave her a mug. With her free hand, Violet engineered it to her lips but, worried about dropping hot tea on the baby, only managed an unsatisfactory sip. Even having a cup of tea was an effort, these days. The biscuits remained on the saucer. Officially, she ignored them but unofficially their sweet and infinitely desirable image burnt a hole in her stomach.

Edward made satisfied sounds. Bully for him, she thought. She was sucked dry, an arid, slackened arrangement of tubes and organs, no longer pumping sweet juices but bile. The baby’s mouth at her breast tugged and worried her flesh with the arrogance of complete possession. Violet looked down at the incubus that had recast her life, and tried not to hate him for his being hideous with spots, because he had made her hideous and her clothes did not fit, and because she was stretched to screaming point by sleeplessness and the scars from her stitches still hurt.

Nobody had warned Violet.

What shall I do? she thought with real panic. A baby and leaving New York. Can’t we turn the clock back, Jamie? she asked him silently. Why are you making us go back home?

It had been four hugely exciting years. Of all the great, glorious metropolitan cities to choose from in the world, New York was Violet’s. She had made herself there, and the pulsebeat of urban life thudding day and night thudded in time to hers.

New York suited her brand of good looks, her sharp, smart shrewdness, and applauded the terrier quality that made Violet excel in the rights department of a publishing conglomerate.

‘I know, I know,’ Jamie had said four months ago when he told Violet that the American arm of the bank was being scaled down because of the recession. He knelt in front of the white sofa where she had been sitting. ‘But I’m going back to a good job.’

Violet had not moved. ‘What about my job?’ she had asked him. ‘Can’t you get another one over here?’ In reply, Jamie had gently splayed his fingers over her pregnant stomach. ‘There are other things,’ he said.

‘Evidently not for you,’ she spat at him. ‘Your job comes first.’

Edward continued to feed at her breast as though his life depended on it which, of course, it did. She placed a thumb on his chin and, with a sound of released vacuum, Edward was forced to relinquish the nipple. Face averted, Violet held him up against her shoulder and waited. After he had belched into her ear, she transferred him to the other breast.

A future of eternal broken nights, feeds, milk dripping down her shoulder and an enlarged stomach – almost worse than anything – was visited on Violet. It seemed so awful, and she felt so desperate that she bent her head over the baby and cried. Afterwards, she took Edward into his room to change his nappy.

She had taken infinite pains with the room – more pains, Jamie had commented wickedly, than she had with the baby. It had had to be blue and white, ordered, stacked with white towels, clean-smelling and resolutely non-adult. As with most things, Violet achieved her aim and by the time the nursery was finished it was a strong candidate for Interiors magazine.

That was before Edward was born and cotton-wool balls had migrated like starlings across the floor and the snowy towels had acquired indelible marks.

Violet pushed back a lock of hair which fell stylishly on to her cheek – the haircut by Kelvin requiring a bank loan. The cut was terrific with the power-suit but irritating at home. Skewering Edward to the changing mat with one hand, she felt in her pocket for a kirby-grip and jammed it into her hair. Edward whinged.

‘Be quiet,’ she told him.

The Filippino maid who came in once a day had left everything as per Violet’s instructions, except for the Beatrix Potter cot bumper which, for some reason, she always tied on upside down. A protest? Perhaps Peter Rabbit made more sense that way. Violet untied and retied it correctly.

The baby settled into the cot without too much fuss. Violet checked his position, stuffed a nappy under his back, rewound the tape of Womb Concerto and clicked it on.

Unspeakable noises filled the room and she backed out.

How long? An hour? An hour and a half? Two hours? How long before it all started again?

Goodbye, New York. Goodbye, joggers, muggers, impeccably dressed women walking to work in trainers, designer salads, designer sex, designer divorce. Goodbye, Canal Street, SoHo and the best pasta bar in the world on 5th.

Goodbye, where I made myself.

Violet craned out of the plane window to suck in the last traces of land. Below, the gigantic spawn of the city heaved with life and death. Once again, New York girded itself for another night.

Goodbye, sweet, sweet New York.

Jamie smiled at his wife across the BA flying cradle into which Edward had been lowered. I understand, said the smile. No, you don’t, thought Violet, because you have got your own way. Then she repented and returned the smile before settling back in her seat. Night flights were hell.

They flew on into the dawn, and it was so cold in the stratosphere that the rising sun failed to melt the ice crystals on the aircraft’s wings. The light turned from bruise purple to mauve, to lilac and then rose pink. After that, came opal and turquoise and tender pink-grey. Violet caught her breath, for up here the world was beautiful and unstained.

‘We’ll look for a house with a reasonable garden,’ murmured Jamie, who was not sleeping either. ‘Near a common or something.’

‘Not too far out.’ Violet’s instinct for the city did not desert her. A new thought imposed itself. ‘And near a good school.’

‘Near a good school,’ confirmed Jamie.

‘With an extra room downstairs so we don’t have baby things cluttering up our room.’

‘Anything you wish, Violet.’

Jamie was happy. After eighteen months of marriage, Violet knew him well enough to gauge a mood. She sneaked a look at him as he peered into the cradle and talked to a wakeful Edward. There were such huge areas in Jamie’s life of which Violet knew nothing, and Lara was one of them. Not that Violet wished to explore the past – she was not a Titanic survivor who went back to look at the iceberg. No, it was better to sail on.

At that point, Edward decided to be thoroughly traumatized by the unfamilar surroundings, the strange cot and the popping in his ears. An hour later, Violet thrust a still-crying baby into Jamie’s arms.

‘You take him,’ she whispered, spitting vitriol, and scrambled out of the seat.

She reached the lavatory and slammed shut the folding door. Inside, she examined her reflection in the mirror: The Woman Who Could Not Keep Her Baby Quiet, the object of every eye on board. She dabbed with a tissue at a stain on her blouse. That was mistake number two, dressing up to fly home with a manic baby. For a second, the humour of the situation struck Violet, which was not usual, and she flashed a grin at herself. Then it disappeared and did not return.

When she got back to the seat, she found Jamie holding a peacefully sleeping Edward in his arms. The baby’s features were slack with sleep and his skin had acquired its usual translucence.

‘Nothing to it,’ said Jamie, and it was all Violet could do not to whack her handbag down on the complacent head of her husband.

*

Her father never changed much. Huge, grey-haired, a little shambling, given to corduroy trousers and green sweaters and to taking off and putting on his bifocal spectacles, Max was a reserved man except when it came to his daughters. When he saw Violet, he stepped forward and swept her into one of his bear-hugs, which came close to inflicting injury.

‘Darling,’ he said, with the brand of awkward tenderness that always made Violet’s throat tighten, ‘I had to come.’

It was a minute or two before Violet worked out what Max was talking about, until her jet-lagged mind took in that it was Friday. Max had taken a day off work because, he told Prue, he could not miss the homecoming, and added as an afterthought that she might need help with the driving.

Although neither of them had made it to the wedding – so quickly decided on, so romantic – Max had been over to the States to meet Jamie and pronounced that he was a good choice. But he had not met Edward, and as soon as he released Violet, he turned to examine his grandson, who was almost obscured by his wrappings. Virtually ignoring the other two, father and daughter bent over the pushchair, which also did duty as a pram.

‘He’s a fine little chap,’ said Max. ‘Handsome, too.’

‘No, he’s not,’ said Violet. ‘But I’m glad you like him.’

‘Hallo,’ said Jamie, standing by the heap of hand luggage. ‘You can only be Prue.’

Prue transferred her attention from the family vignette to Jamie. For a second her eyebrows were pulled together in a frown, as if she was trying to sort out a problem, then her eyes widened a fraction. Violet’s husband reminded her of someone. Who?

He turned to see to the luggage, and then she realized that Jamie was a younger version of Max. He was very tall and brown-haired, with a similarly shaped face and large but elegant hands. He wore better clothes than Max, and an expensive aftershave, which would never darken the bathroom shelves at Hallet’s Gate. But, like Max, there were humour and curiosity in Violet’s husband’s face and the suggestion of deep feelings that the photographs had ignored. The photographs had, she concluded in that second’s assessment, conveyed only two dimensions and missed the third.

‘Hallo, Jamie.’ Prue held out her hand.

The Basingstoke stretch of the M3 was even uglier than she remembered, Violet announced in the car after surveying, admittedly, some of the worst excesses that had mushroomed during the last four years. If that was possible. Violet tended to have A Subject tucked up her sleeve which she aired at parties and dinners. It was a useful defence. Having reasoned that motorway architecture was a conversation in which she could adopt the politically correct stance, she embarked on a trial run on the way back to Dainton. Max joined in and while they batted the topic back and forth, Violet searched assiduously, and unobtrusively, for signs of age in her stepmother.

It had taken her years to realize it, but Prue’s were the sort of looks that responded to scrutiny. At first sight, the verdict on her was good-looking, attractive, pleasing. On second and third sight, a curve of her eyebrow, the set of her eyelids, the suggestive mouth and thin wrists prodded the onlooker into thinking: There is more.

Search as she might, Violet could not isolate much. An extra pound on the hips and stomach, perhaps. A line under the eye, which Violet hoped she had not seen before, but nothing else. Otherwise Prue’s dark brown hair, swept behind her ears, and clear skin were as she remembered. Nor did her breasts show any sign of sag. Somehow, Violet reflected bitterly, her stepmother always managed not to look her age.

Violet had reached the stage where she no longer endeavoured to censor her reflections; from early in their acquaintance, Prue had been fair game. Occasionally she wondered if Prue knew how much she disliked her, and, if so, did it hurt? Prue never gave anything much away – that was what made her so infuriating, and such a difficult enemy. To the angry, grieving child, her soft implacableness had been . . . terrible.

Motorway architecture having had its airing, Violet moved on to discuss the job that was possibly on offer in the publishing house she most favoured. Underneath the Armani trouser suit, the child that she had been wept at yet another change and beat out her grief.

‘Can I help?’ Prue stood in the doorway of the spare bedroom at Hallet’s Gate. ‘You must be dead tired.’

The men had gone off for a walk to work off the bottle of wine that both, unwisely, had tackled over lunch. Edward was asleep and Violet was unpacking.

‘I can’t believe it was yesterday I put this lot in.’

Prue knew that Violet had not wished to leave New York and felt some sympathy. She picked up a pin-striped skirt and shook it out. ‘Liz Claiborne,’ she read on the label. ‘How chic.’

‘Yes, isn’t it?’ Violet handed Prue a tartan-padded coat-hanger from a stack. ‘Hang it up for me,’ She paused. ‘Please.’

Prue shoved the wire coathangers she had saved from the dry-cleaners to one end of the cupboard and did as she was asked. The exiled hangers rattled as she arranged dresses, suits and skirts on their padded rivals, and inserted them in special wardrobe bags. ‘I never do this,’ she said.

Violet threw her a look, and Prue declined to interpret it. ‘Do you have any rough clothes?’ she asked. ‘You’ll need them here.’

‘Jesus H. Christ, Prue, I’ve only lived here for twenty years.’ Longer than you, Prue, she wanted to add, although that wasn’t true any longer. But I was in the house long, long before you. All those years ago, when Helen, beautiful, drunken Helen, had abandoned her little daughter and sent shock waves through the village equivalent to the death of Grace Archer. Prue had not arrived until three years later, an interloper from London. ‘I know the mud-flats as well as my face. And yes, I have plenty of sweaters and leggings.’ Violet pronounced ‘sweaters’ with an American twang.

She flung her hairbrush on to the dressing-table, and Prue winced for the glass top. ‘I think I’ll get some sleep now.’

Prue did her bit. She fetched and carried hot-water bottles, a cup of tea, an extra rug and Violet, who did look grey with exhaustion, settled down gratefully.

She got half an hour’s rest before Edward let everyone in the house know that he, too, had taken up residence. Further-more, he demonstrated it throughout the small hours of Saturday and Sunday night, but spent the days in exhausted slumber. Thus, it was a frayed group that convened for Monday morning breakfast.

‘I thought you said, Mum, that you can sleep through other babies’ cries,’ said Jane, who had been kept back from school for a dental appointment. She spooned up cornflakes in a dazed fashion. ‘I would like to remind you I have a Latin test this afternoon.’

Violet was washing Edward’s bottle at the sink. She swirled round. ‘Think yourself lucky it isn’t every night – which I have to put up with.’

Jane’s spoon descended to the bowl and she observed her half-sister without affection. ‘I was giving fair warning as to why I will do badly in the test,’ she said. ‘That’s all.’

Prue broke an egg into the frying-pan for Max’s breakfast. Anyone who caught the 7.33 day in day out deserved padding, even if it was pure cholesterol.

‘Would you mind if I use a ring?’ Violet brushed up against Prue.

Prue endeavoured to make herself as small as possible. ‘Of course not.’

Violet produced a bag of organic, cold-pressed porridge oats, labelled ‘DelMonico’s New York, Your Organically Sound Delicatessen’ and measured a cupful into a saucepan. ‘Part of the strategy to keep Jamie healthy,’ she said. ‘All those business lunches.’

Prue assessed the porridge, which certainly had ‘organic’ written all over it, and transferred her attention to achieving, within the limited space available, the perfect fried egg, sunny side up.

‘Good morning,’ said Jamie arriving in the kitchen smelling of soap and Vetiver. ‘That bacon and eggs looks good. Can I have some?’

Violet placed the organically OK, ecologically sound breakfast in front of her husband. ‘No, Jamie,’ she said. ‘I’ve done this for you.’

CHAPTER THREE

EXPENSIVE, LACY, WISPY; VIOLET’S KNICKERS STARED UP at Prue from the pile of clean laundry in the basket. Prue entertained a vision of the slender torso and entirely cellulitefree thighs to which they belonged, and sighed. Once Violet had been a skinny, burning-eyed little girl, all bones and angles, who proceeded, in the course of only one year, to surprise onlookers by developing beauty.

Beside the fantasies in the basket lay Prue’s own knickers, safe and sensible ones. She bent down and picked up one of Violet’s daring black numbers. Comfort versus style. The terrible old sofa versus the love seat. Knickers were a clever way of deploying and maintaining an ingrained male fantasy, and Violet would know just how it was done. If pressed, most women would admit that keeping their kidneys covered was a great deal more comfortable than wearing minuscule bits of lace but, like Violet, endured the chill and unsightly lines. As it happened, Prue was misjudging her stepdaughter – something to which well-intentioned Prue was prone. Violet wore her underwear entirely to please herself.

Prue did not doubt that Jamie loved his wife and, because she herself was loved and therefore understood its language, read the signs, but she wondered if he was at all smug at his trophy? She let the knickers drop back into the basket.

‘Day-dreaming, Prue?’

Jamie entered the kitchen with the evening paper under his arm. It was seven o’clock on a Wednesday evening and he had changed into corduroys. Prue’s answering smile was particularly sleepy.

‘Thinking about laundry, actually.’ She kicked the basket under the table because the notion of Jamie making the same knicker comparison and arriving at the same conclusion did not please her somehow.

‘Can I help with the supper?’

The request stopped her mid-track. ‘Is that a serious question?’

‘Surely.’

She indicated the potato peeler and Jamie dumped the newspaper, ran cold water into the sink and set to. Taking pleasure as always in the routine, Prue chopped an onion and fried it and watched while the slices softened and turned translucent.

‘Did you ever see that play when they fried an onion on the stage? The audience was in agony from hunger.’

‘No, I didn’t.’ Jamie replenished the water in the sink, adding, ‘I don’t go to the theatre much.’

Prue added mince to the frying pan and the slightly rank smell of meat joined the other smells in the kitchen.

‘We must be a lot of extra work,’ said Jamie.

‘Yes and no. Max always has a cooked meal in the evening.’

‘Where is he?’

Max had phoned to say he would be late, she told him. Although he would never breathe a word of criticism against Violet, Max, Prue suspected, was finding the full house as trying as she was. Extra noise. Night activity. Stuff everywhere. A borrowed pram blocking the hall. Baby clothes overflowing in the laundry basket. A half-emptied suitcase on the landing. Every room had an occupant and the house had shrunk.

Where are the spaces in my tranquil, drowsy house? she cried silently.

‘Still,’ Jamie persisted, ‘it’s extra work for you and we’re grateful.’

Prue nudged back a lock of hair with her wrist. Provisioning and providing were her business, but it was nice to have it acknowledged. ‘Any luck with a house?’

‘Well, yes.’ Jamie launched into a description of one they had seen in Wandsworth and for which they had offered, explaining that it was expensive but he could get a cheap mortgage.

‘Ah,’ said Prue.

There had been a report in Max’s Economist which demonstrated that the richest 1 per cent of the population owned 18 per cent of the marketable wealth – a member of which category was helping her to make shepherd’s pie in her kitchen. This was in contrast to the poorest 50 per cent who owned only 6 per cent of the marketable wealth.

Of course Jamie Beckett would be able to secure a cheap mortgage, he was that sort of person. The sort who knew people and who had a network thrumming discreetly to his wishes.

The knowledge did not enrage Prue for, she reasoned, it did not mean that Jamie was not lacking in either morality or feeling and, although she worried about the disadvantaged and was happy to make cakes and sell raffle tickets for the homeless, the Bosnians, etc., etc., she had never burned with passionate involvement in their fate. How, then, could she cast a stone?

‘How are you doing with the potatoes?’

Jamie pushed a full saucepan towards her. ‘Anything else?’

‘Could you lay the table? But are you sure?’

‘It’s my duty day,’ he said. ‘Or rather night. I share the nights with Violet.’

Gosh, thought Prue, silenced.

Jamie’s night duty did not run smoothly. Violet had decided to get Edward completely off the breast within a week and he hated the bottle he was offered at one-thirty a.m., and the bottle he was offered at two-thirty. He cried and cried, emitting the angry, despairing wails of an air-raid siren. The members of the household not involved in the drama cowered beneath their bedclothes, including the baby’s mother who informed his father that Edward had got to learn.

At three o’clock, Jamie took Edward downstairs and, in desperation, walked him through the hall, around the dining room, up and down the drawing room and round and round the kitchen table. In the dark, he whispered to his son to shut up and, in the dark, he remembered his own childhood nightmares and terrors.

‘Please be quiet,’ he begged Edward.

The baby’s down-dusted skull pulsed angrily under Jamie’s chin, and the little body was rigid. Back Jamie paced through the hall, and a shape emerged on the stairs.

‘Is he ill?’ asked Prue in a normal voice. Under the circumstances, it seemed pointless to whisper.

‘I don’t know,’ said Jamie. ‘He won’t take the bottle and I’m not sure if it’s obstinacy or stomach-ache.’ Jamie was beginning to feel exhausted and, not unreasonably, panicked.

Prue led the way into the kitchen and turned out the light. ‘Shall I have a try?’

Jamie handed over the baby thankfully. Prue took him and, in an automatic gesture, drew him into her breast. Conscious then of his gaze, she said without looking up, ‘I wanted more after Jane, but it didn’t happen.’

She was wearing a blue dressing-gown, minus its belt, revealing a soft, white-cotton nightdress underneath. She looked warm and rather sensual, with the blurry languor of mussed hair and drowsiness, and he was suddenly conscious that he was looking at a private side of her. Perhaps fatigue acted as a filter on Jamie, for the colours that made up Prue, blue, brown hair, and the white skin, veined and intimate at the junction of her neck and collarbone, dry and slightly stretched on her hands, painted themselves on to his vision.

‘Where’s the bottle?’ she asked, after a slight pause, aware of his scrutiny.

Jamie handed it over. She settled Edward in her arms and tested the milk. ‘It’s cold,’ she said. ‘I bet he doesn’t like that.’

‘We never heat it up at night.’