Romance E-Book

Conrad

• Herausgeber: Enrico Conti
• Kategorie: Abenteuer, Thriller, Horror
• Sprache: Englisch
• Veröffentlichungsjahr: 2017

Beschreibung

Romance is a novel written by Joseph Conrad and Ford Madox Ford. It was the second of their three collaborations. It recounts the adventures of a Regency youth from the lower reaches of the British nobility in the rough and tumble world of the Caribbean, complete with pirates, Romance, and courageous Spanish damsels, and several last-minute escapes, the clichés of romantic adventure fictions.

Leseprobe

Romance

Joseph Conrad and F.M. Hueffer

First published in 1903.

This web edition published by eBooks@Adelaide.

Last updated Wednesday, December 17, 2014 at 12:59.

To the best of our knowledge, the text of this work is in the “Public Domain” in Australia. HOWEVER, copyright law varies in other countries, and the work may still be under copyright in the country from which you are accessing this website. It is your responsibility to check the applicable copyright laws in your country before downloading this work.

eBooks@Adelaide The University of Adelaide Library University of Adelaide South Australia 5005

https://ebooks.adelaide.edu.au/c/conrad/joseph/romance/index.html

Last updated Sunday, March 27, 2016 at 11:52

Romance, by Joseph Conrad

Table of Contents

Part First — The Quarry and the Beach

Chapter one

Chapter two

Chapter three

Chapter four

Chapter five

Part Second — The Girl with the Lizard

Chapter one

Chapter two

Chapter three

Chapter four

Chapter five

Chapter six

Chapter seven

Part Third — Casa Riego

Chapter one

Chapter two

Chapter three

Chapter four

Chapter five

Chapter six

Part Fourth — Blade and Guitar

Chapter one

Chapter two

Chapter three

Chapter four

Chapter five

Chapter six

Chapter seven

Chapter eight

Chapter nine

Chapter ten

Chapter eleven

Part Fifth — The Lot of Man

Chapter one

Chapter two

Chapter three

Chapter four

Chapter five

https://ebooks.adelaide.edu.au/c/conrad/joseph/romance/contents.html

Last updated Sunday, March 27, 2016 at 11:52

Romance, by Joseph Conrad

“C’est toi qui dors dans Vombre, O sacré Souvenir.”

If we could have remembrance now

And see, as in the days to come

We shall, what’s venturous in these hours:

The swift, intangible romance of fields at home,

The gleams of sun, the showers,

Our workaday contentments, or our powers

To fare still forward through the uncharted haze

Of present days . . . .

For, looking back when years shall flow

Upon this olden day that’s now,

We’ll see, romantic in dimm’d hours,

These memories of ours.

https://ebooks.adelaide.edu.au/c/conrad/joseph/romance/frontmatter.html

Last updated Sunday, March 27, 2016 at 11:52

Romance, by Joseph Conrad

Part First

The Quarry and the Beach

https://ebooks.adelaide.edu.au/c/conrad/joseph/romance/part1.html

Last updated Sunday, March 27, 2016 at 11:52

Romance

by

Joseph Conrad

To the best of our knowledge, the text of this

work is in the “Public Domain”.

HOWEVER, copyright law varies in other countries, and the work may still be under

copyright in the country from which you are accessing this website. It is your

responsibility to check the applicable copyright laws in your country before

downloading this work.

Chapter one

To yesterday and to today I say my polite “vaya usted con Dios.” What are these days to me? But that far-off day of my romance, when from between the blue and white bales in Don Ramon’s darkened storeroom, at Kingston, I saw the door open before the figure of an old man with the tired, long, white face, that day I am not likely to forget. I remember the chilly smell of the typical West Indian store, the indescribable smell of damp gloom, of locos, of pimento, of olive oil, of new sugar, of new rum; the glassy double sheen of Ramon’s great spectacles, the piercing eyes in the mahogany face, while the tap, tap, tap of a cane on the flags went on behind the inner door; the click of the latch; the stream of light. The door, petulantly thrust inwards, struck against some barrels. I remember the rattling of the bolts on that door, and the tall figure that appeared there, snuffbox in hand. In that land of white clothes, that precise, ancient, Castilian in black was something to remember. The black cane that had made the tap, tap, tap dangled by a silken cord from the hand whose delicate blue-veined, wrinkled wrist ran back into a foam of lawn ruffles. The other hand paused in the act of conveying a pinch of snuff to the nostrils of the hooked nose that had, on the skin stretched tight over the bridge, the polish of old ivory; the elbow pressing the black cocked-hat against the side; the legs, one bent, the other bowing a little back — this was the attitude of Seraphina’s father.

Having imperiously thrust the door of the inner room open, he remained immovable, with no intention of entering, and called in a harsh, aged voice: “Señor Ramon! Señor Ramon!” and then twice: “Sera-phina — Seraphina!” turning his head back.

Then for the first time I saw Seraphina, looking over her father’s shoulder. I remember her face on that day; her eyes were gray — the gray of black, not of blue. For a moment they looked me straight in the face, reflectively, unconcerned, and then travelled to the spectacles of old Ramon.

This glance — remember I was young on that day — had been enough to set me wondering what they were thinking of me; what they could have seen of me.

“But there he is — your Señor Ramon,” she said to her father, as if she were chiding him for a petulance in calling; “your sight is not very good, my poor little father — there he is, your Ramon.”

The warm reflection of the light behind her, gilding the curve of her face from ear to chin, lost itself in the shadows of black lace falling from dark hair that was not quite black. She spoke as if the words clung to her lips; as if she had to put them forth delicately for fear of damaging the frail things. She raised her long hand to a white flower that clung above her ear like the pen of a clerk, and disappeared. Ramon hurried with a stiffness of immense respect towards the ancient grandee. The door swung to.

I remained alone. The blue bales and the white, and the great red oil jars loomed in the dim light filtering through the jalousies out of the blinding sunlight of Jamaica. A moment after, the door opened once more and a young man came out to me; tall, slim, with very bright, very large black eyes aglow in an absolute pallor of face. That was Carlos Riego.

Well, that is my yesterday of romance, for the many things that have passed between those times and now have become dim or have gone out of my mind. And my day before yesterday was the day on which I, at twenty-two, stood looking at myself in the tall glass, the day on which I left my home in Kent and went, as chance willed it, out to sea with Carlos Riego.

That day my cousin Rooksby had become engaged to my sister Veronica, and I had a fit of jealous misery. I was rawboned, with fair hair, I had a good skin, tanned by the weather, good teeth, and brown eyes. I had not had a very happy life, and I had lived shut in on myself, thinking of the wide world beyond my reach, that seemed to hold out infinite possibilities of romance, of adventure, of love, perhaps, and stores of gold. In the family my mother counted; my father did not. She was the daughter of a Scottish earl who had ruined himself again and again. He had been an inventor, a projector, and my mother had been a poor beauty, brought up on the farm we still lived on — the last rag of land that had remained to her father. Then she had married a good man in his way; a good enough catch; moderately well off, very amiable, easily influenced, a dilettante, and a bit of a dreamer, too. He had taken her into the swim of the Regency, and his purse had not held out. So my mother, asserting herself, had insisted upon a return to our farm, which had been her dowry. The alternative would have been a shabby, ignominious life at Calais, in the shadow of Brummel and such.

My father used to sit all day by the fire, inscribing “ideas” every now and then in a pocket-book. I think he was writing an epic poem, and I think he was happy in an ineffectual way. He had thin red hair, untidy for want of a valet, a shining, delicate, hooked nose, narrow-lidded blue eyes, and a face with the colour and texture of a white-heart cherry. He used to spend his days in a hooded chair. My mother managed everything, leading an out-of-door life which gave her face the colour of a wrinkled pippin. It was the face of a Roman mother, tight-lipped, brown-eyed, and fierce. You may understand the kind of woman she was from the hands she employed on the farm. They were smugglers and night-malefactors to a man — and she liked that. The decent, slow-witted, gently devious type of rustic could not live under her. The neighbours round declared that the Lady Mary Kemp’s farm was a hotbed of disorder. I expect it was, too; three of our men were hung up at Canterbury on one day — for horse-stealing and arson. . . . Anyhow, that was my mother. As for me, I was under her, and, since I had my aspirations, I had a rather bitter childhood. And I had others to contrast myself with. First there was Rooksby: a pleasant, well-spoken, amiable young squire of the immediate neighbourhood; young Sir Ralph, a man popular with all sorts, and in love with my sister Veronica from early days. Veronica was very beautiful, and very gentle, and very kind; tall, slim, with sloping white shoulders and long white arms, hair the colour of amber, and startled blue eyes — a good mate for Rooksby. Rooksby had foreign relations, too. The uncle from whom he inherited the Priory had married a Riego, a Castilian, during the Peninsular war. He had been a prisoner at the time — he had died in Spain, I think. When Ralph made the grand tour, he had made the acquaintance of his Spanish relations; he used to talk about them, the Riegos, and Veronica used to talk of what he said of them until they came to stand for Romance, the romance of the outer world, to me. One day, a little before Ralph and Veronica became engaged, these Spaniards descended out of the blue. It was Romance suddenly dangled right before my eyes. It was Romance; you have no idea what it meant to me to talk to Carlos Riego.