Rossella Ferrari is Reader in Chinese and Theatre Studies at SOAS University of London, UK. She is the author of
Pop Goes the Avant-garde: Experimental Theatre
in Contemporary China (Seagull Books/University of Chicago Press, 2012), the first English-language monograph to examine the development of Chinese avant-garde theatre since the Cultural Revolution, and
Da Madre Coraggio e i suoi figli a
Jiang Qing e i suoi mariti: Percorsi brechtiani in Cina (Cafoscarina, 2004), on the reception of Bertolt Brecht in China.