100% - Upton Sinclair - E-Book

100% E-Book

Upton Sinclair



Prolific author and political activist Upton Sinclair throws the upheaval of the early twentieth century into sharp relief in 100%. In a matter of instants, a bomb blast transmutes Peter Gudge's entire existence into chaos, and in the resulting pandemonium, he's forced to reexamine all of his values and beliefs. Upton Sinclair (September 20, 1878 – November 25, 1968) was an American writer who wrote nearly one hundred books and other works in several genres. Sinclair's work was well-known and popular in the first half of the twentieth century, and he won the Pulitzer Prize for Fiction in 1943. In 1906, Sinclair acquired particular fame for his classic muck-raking novel The Jungle, which exposed labor and sanitary conditions in the U.S. meat packing industry, causing a public uproar that contributed in part to the passage a few months later of the 1906 Pure Food and Drug Act and the Meat Inspection Act. In 1919, he published The Brass Check, a muck-raking exposé of American journalism that publicized the issue of yellow journalism and the limitations of the "free press" in the United States. Four years after publication of The Brass Check, the first code of ethics for journalists was created. Time magazine called him "a man with every gift except humor and silence". He is also well remembered for the line: "It is difficult to get a man to understand something, when his salary depends upon his not understanding it." He used this line in speeches and the book about his campaign for governor as a way to explain why the editors and publishers of the major newspapers in California would not treat seriously his proposals for old age pensions and other progressive reforms.

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Copyright © 2018 by Upton Sinclair.

All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations em- bodied in critical articles or reviews.

This book is a work of fiction. Names, characters, businesses, organiza- tions, places, events and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

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Book and Cover design by Sheba Blake Publishing

First Edition: January 2018


Section 18

Section 2

Section 3

Section 4

Section 5

Section 6

Section 7

Section 8

Section 9

Section 10

Section 11

Section 12

Section 13

Section 14

Section 15

Section 16

Section 17

Section 18

Section 19

Section 20

Section 21

Section 22

Section 23

Section 24

Section 25

Section 26

Section 27

Section 28

Section 29

Section 30

Section 31

Section 32

Section 33

Section 34

Section 35

Section 36

Section 37

Section 38

Section 39

Section 40

Section 41

Section 42

Section 43

Section 44

Section 45

Section 46

Section 47

Section 48

Section 49

Section 50

Section 51

Section 52

Section 53

Section 54

Section 55

Section 56

Section 57

Section 58

Section 59

Section 60

Section 61

Section 62

Section 63

Section 64

Section 65

Section 66

Section 67

Section 68

Section 69

Section 70

Section 71

Section 72

Section 73

Section 74

Section 75

Section 76

Section 77

Section 78

Section 79

Section 80

Section 81

Section 82

Section 83

Section 84

Section 85

Section 86



Who is the creator of the most charming character in this story, "Mrs. Godd," and who positively refuses to permit the book to go to press until it has been explained that the character is a Grecian Godd and not a Hebrew Godd, so that no one may accuse the creator of sacrilege.

Section 1

Now and then it occurs to one to reflect upon what slender threads of accident depend the most important circumstances of his life; to look back and shudder, realizing how close to the edge of nothingness his being has come. A young man is walking down the street, quite casually, with an empty mind and no set purpose; he comes to a crossing, and for no reason that he could tell he takes the right hand turn instead of the left; and so it happens that he encounters a blue-eyed girl, who sets his heart to beating. He meets the girl, marries her--and she became your mother. But now, suppose the young man had taken the left hand turn instead of the right, and had never met the blue-eyed girl; where would you be now, and what would have become of those qualities of mind which you consider of importance to the world, and those grave affairs of business to which your time is devoted?

Something like that it was which befell Peter Gudge; just such an accident, changing the whole current of his life, and making the series of events with which this story deals. Peter was walking down the street one afternoon, when a woman approached and held out to him a printed leaflet. "Read this, please," she said.

And Peter, who was hungry, and at odds with the world, answered gruffly: "I got no money." He thought it was an advertising dodger, and he said: "I can't buy nothin'."

"It isn't anything for sale," answered the woman. "It's a message."

"Religion?" said Peter. "I just got kicked out of a church."

"No, not a church," said the woman. "It's something different; put it in your pocket." She was an elderly woman with gray hair, and she followed along, smiling pleasantly at this frail, poor-looking stranger, but nagging at him. "Read it some time when you've nothing else to do." And so Peter, just to get rid of her, took the leaflet and thrust it into his pocket, and went on, and in a minute or two had forgotten all about it.

Peter was thinking--or rather Peter's stomach was thinking for him; for when you have had nothing to eat all day, and nothing on the day before but a cup of coffee and one sandwich, your thought-centers are transferred from the top to the middle of you. Peter was thinking that this was a hell of a life. Who could have foreseen that just because he had stolen one miserable fried doughnut, he would lose his easy job and his chance of rising in the world? Peter's whole being was concentrated on the effort to rise in the world; to get success, which means money, which means ease and pleasure--the magic names which lure all human creatures.

But who could have foreseen that Mrs. Smithers would have kept count of those fried doughnuts every time anybody passed thru her pantry? And it was only that one ridiculous circumstance which had brought Peter to his present misery. But for that he might have had his lunch of bread and dried herring and weak tea in the home of the shoe-maker's wife, and might have still been busy with his job of stirring up dissension in the First Apostolic Church, otherwise known as the Holy Rollers, and of getting the Rev. Gamaliel Lunk turned out, and Shoemaker Smithers established at the job of pastor, with Peter Gudge as his right hand man.

Always it had been like that, thru Peter's twenty years of life. Time after time he would get his feeble clutch fixed upon the ladder of prosperity, and then something would happen--some wretched thing like the stealing of a fried doughnut--to pry him loose and tumble him down again into the pit of misery.

So Peter walked along, with his belt drawn tight, and his restless blue eyes wandering here and there, looking for a place to get a meal. There were jobs to be had, but they were hard jobs, and Peter wanted an easy one. There are people in this world who live by their muscles, and others who live by their wits; Peter belonged to the latter class; and had missed many a meal rather than descend in the social scale.

Peter looked into the faces of everyone he passed, searching for a possible opening. Some returned his glance, but never for more than a second, for they saw an insignificant looking man, undersized, undernourished, and with one shoulder higher than the other, a weak chin and mouth, crooked teeth, and a brown moustache too feeble to hold itself up at the corners. Peters' straw hat had many straws missing, his second-hand brown suit was become third-hand, and his shoes were turning over at the sides. In a city where everybody was "hustling," everybody, as they phrased it, "on the make," why should anyone take a second glance at Peter Gudge? Why should anyone care about the restless soul hidden inside him, or dream that Peter was, in his own obscure way, a sort of genius? No one did care; no one did dream.

It was about two o'clock of an afternoon in July, and the sun beat down upon the streets of American City. There were crowds upon the streets, and Peter noticed that everywhere were flags and bunting. Once or twice he heard the strains of distant music, and wondered what was "up." Peter had not been reading the newspapers; all his attention bad been taken up by the quarrels of the Smithers faction and the Lunk faction in the First Apostolic Church, otherwise known as the Holy Rollers, and great events that had been happening in the world outside were of no concern to him. Peter knew vaguely that on the other side of the world half a dozen mighty nations were locked together in a grip of death; the whole earth was shaken with their struggles, and Peter had felt a bit of the trembling now and then. But Peter did not know that his own country had anything to do with this European quarrel, and did not know that certain great interests thruout the country had set themselves to rouse the public to action.

This movement had reached American City, and the streets had broken out in a blaze of patriotic display. In all the windows of the stores there were signs: "Wake up, America!" Across the broad Main Street there were banners: "America Prepare!" Down in the square at one end of the street a small army was gathering--old veterans of the Civil War, and middle-aged veterans of the Spanish War, and regiments of the state militia, and brigades of marines and sailors from the ships in the harbor, and members of fraternal lodges with their Lord High Chief Grand Marshals on horseback with gold sashes and waving white plumes, and all the notables of the city in carriages, and a score of bands to stir their feet and ten thousand flags waving above their heads. "Wake up America!" And here was Peter Gudge, with an empty stomach, coming suddenly upon the swarming crowds in Main Street, and having no remotest idea what it was all about.

A crowd suggested one thing to Peter. For seven years of his young life he had been assistant to Pericles Priam, and had traveled over America selling Priam's Peerless Pain Paralyzer; they had ridden in an automobile, and wherever there was a fair or a convention or an excursion or a picnic, they were on hand, and Pericles Priam would stop at a place where the crowds were thickest, and ring a dinner bell, and deliver his super-eloquent message to humanity--the elixir of life revealed, suffering banished from the earth, and all inconveniences of this mortal state brought to an end for one dollar per bottle of fifteen per cent opium. It had been Peter's job to handle the bottles and take in the coin; and so now, when he saw the crowd, he looked about him eagerly. Perhaps there might be here some vender of corn-plasters or ink-stain removers, or some three card monte man to whom Peter could attach himself for the price of a sandwich.

Peter wormed his way thru the crowd for two or three blocks, but saw nothing more promising than venders of American flags on little sticks, and of patriotic buttons with "Wake up America!" But then, on the other side of the street at one of the crossings Peter saw a man standing on a truck making a speech, and he dug his way thru the crowd, elbowing, sliding this way and that, begging everybody's pardon--until at last he was out of the crowd, and standing in the open way which had been cleared for the procession, a seemingly endless road lined with solid walls of human beings, with blue-uniformed policemen holding them back. Peter started to run across--and at that same instant came the end of the world.

Section 2

One who seeks to tell about events in words comes occasionally upon a fundamental difficulty. An event of colossal and overwhelming significance may happen all at once, but the words which describe it have to come one by one in a long chain. The event may reveal itself without a moment's warning; but if one is to give a sense of it in words, one must prepare for it, build up to it, awaken anticipation, establish a climax. If the description of this event which fate sprung upon Peter Gudge as he was crossing the street were limited to the one word "BANG" in letters a couple of inches high across the page, the impression would hardly be adequate.

The end of the world, it seemed to Peter, when he was able to collect enough of his terrified wits to think about it. But at first there was no thinking; there was only sensation--a terrific roar, as if the whole universe had suddenly turned to sound; a blinding white glare, as of all the lightnings of the heavens; a blow that picked him up as if he had been a piece of thistledown, and flung him across the street and against the side of a building. Peter fell upon the sidewalk in a heap, deafened, blinded, stunned; and there he lay--he had no idea how long-until gradually his senses began to return to him, and from the confusion certain factors began to stand out: a faint gray smoke that seemed to lie upon the ground, a bitter odor that stung the nostrils and tongue, and screams of people, moaning and sobbing and general uproar. Something lay across Peter's chest, and he felt that he was suffocating, and struggled convulsively to push it away; the hands with which he pushed felt something hot and wet and slimy. and the horrified Peter realized that it was half the body of a mangled human being.

Yes, it was the end of the world. Only a couple of days previously Peter Gudge had been a devout member of the First Apostolic Church, otherwise known as the Holy Rollers, and had listened at prayer-meetings to soul-shaking imaginings out of the Book of Revelations. So Peter knew that this was it; and having many sins upon his conscience, and being in no way eager to confront his God, he looked out over the bodies of the dead and the writhing wounded, and saw a row of boxes standing against the building, having been placed there by people who wished to see over the heads of the crowd. Peter started to crawl, and found that he was able to do so, and wormed his way behind one of these packing-boxes, and got inside and lay hidden from his God.

There was blood on him, and he did not know whether it was his own or other peoples'. He was trembling with fright, his crooked teeth were hammering together like those of an angry woodchuck. But the effects of the shock continued to pass away, and his wits to come back to him, and at last Peter realized that he never had taken seriously the ideas of the First Apostolic Church of American City. He listened to the moans of the wounded, and to the shouts and uproar of the crowd, and began seriously figuring out what could have happened. There had once been an earthquake in American City; could this be another one? Or had a volcano opened up in the midst of Main Street? Or could it have been a gas-main? And was this the end, or would it explode some more? Would the volcano go on erupting, and blow Peter and his frail packing-box thru the walls of Guggenheim's Department-store?

So Peter waited, and listened to the horrible sounds of people in agony, and pleading with others to put them out of it. Peter heard voices of men giving orders, and realized that these must be policemen, and that no doubt there would be ambulances coming. Maybe there was something the matter with him, and he ought to crawl out and get himself taken care of. All of a sudden Peter remembered his stomach; and his wits, which had been sharpened by twenty years' struggle against a hostile world, realized in a flash the opportunity which fate had brought to him. He must pretend to be wounded, badly wounded; he must be unconscious, suffering from shock and shattered nerves; then they would take him to the hospital and put him in a soft bed and give him things to eat--maybe he might stay there for weeks, and they might give him money when he came out.

Or perhaps he might get a job in the hospital, something that was easy, and required only alert intelligence. Perhaps the head doctor in the hospital might want somebody to watch the other doctors, to see if they were neglecting the patients, or perhaps flirting with some of the nurses--there was sure to be something like that going on. It had been that way in the orphans' home where Peter had spent a part of his childhood till he ran away. It had been that way again in the great Temple of Jimjambo, conducted by Pashtian el Kalandra, Chief Magistrian of Eleutherinian Exoticism. Peter had worked as scullion in the kitchen in that mystic institution, and had worked his way upward until he possessed the confidence of Tushbar Akrogas, major-domo and right hand man of the Prophet himself.

Wherever there was a group of people, and a treasure to be administered, there Peter knew was backbiting and scandal and intriguing and spying, and a chance for somebody whose brains were "all there." It might seem strange that Peter should think about such things, just then when the earth had opened up in front of him and the air had turned to roaring noise and blinding white flame, and had hurled him against the side of a building and dropped the bleeding half of a woman's body across his chest; but Peter had lived from earliest childhood by his wits and by nothing else, and such a fellow has to learn to use his wits under any and all circumstances, no matter how bewildering. Peter's training covered almost every emergency one could think of; he had even at times occupied himself by imagining what he would do if the Holy Rollers should turn out to be right, and if suddenly Gabriel's trumpet were to blow, and be were to find himself confronting Jesus in a long white night-gown.

Section 3

Peter's imaginings were brought to an end by the packing-box being pulled out from the wall. "Hello!" said a voice.

Peter groaned, but did not look up. The box was pulled out further, and a face peered in. "What you hidin' in there for?"

Peter stammered feebly: "Wh-wh-what?"

"You hurt?" demanded the voice.

"I dunno," moaned Peter.

The box was pulled out further, and its occupant slid out. Peter looked up, and saw three or four policemen bending over him; he moaned again.

"How did you get in there?" asked one.

"I crawled in."

"What for?"

"To g-g-get away from the--what was it?"

"Bomb," said one of the policemen; and Peter was astounded that for a moment he forgot to be a nervous wreck.

"Bomb!" he cried; and at the same moment one of the policemen lifted him to his feet.

"Can you stand up?" he demanded; and Peter tried, and found that he could, and forgot that he couldn't. He was covered with blood and dirt, and was an unpresentable object, but he was really relieved to discover that his limbs were intact.

"What's your name?" demanded one of the policemen, and when Peter answered, he asked, "Where do you work?"

"I got no job," replied Peter.

"Where'd you work last?" And then another broke in, "What did you crawl in there for?"

"My God!" cried Peter. "I wanted to get away!"

The policemen seemed to find it suspicious that he had stayed hidden so long. They were in a state of excitement themselves, it appeared; a terrible crime had been committed, and they were hunting for any trace of the criminal. Another man came up, not dressed in uniform, but evidently having authority, and he fell onto Peter, demanding to know who he was, and where he had come from, and what he had been doing in that crowd. And of course Peter had no very satisfactory answers to give to any of these questions. His occupations had been unusual, and not entirely credible, and his purposes were hard to explain to a suspicious questioner. The man was big and burly, at least a foot taller than Peter, and as he talked he stooped down and stared into Peter's eyes as if he were looking for dark secrets hidden back in the depths of Peter's skull. Peter remembered that he was supposed to be sick, and his eyelids drooped and he reeled slightly, so that the policemen had to hold him up.

"I want to talk to that fellow," said the questioner. "Take him inside." One of the officers took Peter under one arm, and the other under the other arm, and they half walked and half carried him across the street and into a building.

Section 4

It was a big store which the police had opened up. Inside there were wounded people lying on the floor, with doctors and others attending them. Peter was marched down the corridor, and into a room where sat or stood several other men, more or less in a state of collapse like himself; people who had failed to satisfy the police, and were being held under guard.

Peter's two policemen backed him against the wall and proceeded to go thru his pockets, producing the shameful contents--a soiled rag, and two cigarette butts picked up on the street, and a broken pipe, and a watch which had once cost a dollar, but was now out of order, and too badly damaged to be pawned. That was all they had any right to find, so far as Peter knew. But there came forth one thing more--the printed circular which Peter had thrust into his pocket. The policeman who pulled it out took a glance at it, and then cried, "Good God!" He stared at Peter, then he stared at the other policeman and handed him the paper.

At that moment the man not in uniform entered the room. "Mr. Guffey!" cried the policeman. "See this!" The man took the paper, and glanced at it, and Peter, watching with bewildered and fascinated eyes, saw a most terrifying sight. It was as if the man went suddenly out of his mind. He glared at Peter, and under his black eyebrows the big staring eyes seemed ready to jump out of his head.

"Aha!" he exclaimed; and then, "So I've got you!" The hand that held the paper was trembling, and the other hand reached out like a great claw, and fastened itself in the neck of Peter's coat, and drew it together until Peter was squeezed tight. "You threw that bomb!" hissed the man.

"Wh-what?" gasped Peter, his voice almost fainting. "B-b-bomb?"

"Out with it!" cried the man, and his face came close to Peter's, his teeth gleaming as if he were going to bite off Peter's nose. "Out with it! Quick! Who helped you?"

"My G-God!" said Peter. "I d-dunno what you mean."

"You dare lie to me?" roared the man; and he shook Peter as if he meant to jar his teeth out. "No nonsense now! Who helped you make that bomb?"

Peter's voice rose to a scream of terror: "I never saw no bomb! I dunno what you're talkin' about!"

"You, come this way," said the man, and started suddenly toward the door. It might have been more convenient if he had turned Peter around, and got him by the back of his coat-collar; but he evidently held Peter's physical being as a thing too slight for consideration--he just kept his grip in the bosom of Peter's jacket, and half lifted him and half shoved him back out of the room, and down a long passage to the back part of the building. And all the time he was hissing into Peter's face: "I'll have it out of you! Don't think you can lie to me! Make up your mind to it, you're going to come thru!"

The man opened a door. It was some kind of storeroom, and he walked Peter inside and slammed the door behind him. "Now, out with it!" he said. The man thrust into his pocket the printed circular, or whatever it was--Peter never saw it again, and never found out what was printed on it. With his free hand the man grabbed one of Peter's hands, or rather one finger of Peter's hand, and bent it suddenly backward with terrible violence. "Oh!" screamed Peter. "Stop!" And then, with a wild shriek, "You'll break it."

"I mean to break it! mean to break every bone in your body! I'll tear your finger-nails out; I'll tear the eyes out of your head, if I have to! You tell me who helped you make that bomb!"

Peter broke out in a storm of agonized protest; he had never heard of any bomb, he didn't know what the man was talking about; he writhed and twisted and doubled himself over backward, trying to evade the frightful pain of that pressure on his finger.

"You're lying!" insisted Guffey. "I know you're lying. You're one of that crowd."

"What crowd? Ouch! I dunno what you mean!"

"You're one of them Reds, aint you?"

"Reds? What are Reds?"

"You want to tell me you don't know what a Red is? Aint you been giving out them circulars on the street?"

"I never seen the circular!" repeated Peter. "I never seen a word in it; I dunno what it is."

"You try to stuff me with that?"

"Some woman gimme that circular on the street! Ouch! Stop! Jesus! I tell you I never looked at the circular!"

"You dare go on lying?" shouted the man, with fresh access of rage. "And when I seen you with them Reds? I know about your plots, I'm going to get it out of you." He grabbed Peter's wrist and began to twist it, and Peter half turned over in the effort to save himself, and shrieked again, in more piercing tones, "I dunno! I dunno!"

"What's them fellows done for you that you protect them?" demanded the other. "What good'll it do you if we hang you and let them escape?"

But Peter only screamed and wept the louder.

"They'll have time to get out of town," persisted the other. "If you speak quick we can nab them all, and then I'll let you go. You understand, we won't do a thing to you, if you'll come thru and tell us who put you up to this. We know it wasn't you that planned it; it's the big fellows we want."

He began to wheedle and coax Peter; but then, when Peter answered again with his provoking "I dunno," he would give another twist to Peter's wrist, and Peter would yell, almost incoherent with terror and pain--but still declaring that he could tell nothing, he knew nothing about any bomb.

So at last Guffey wearied of this futile inquisition; or perhaps it occurred to him that this was too public a place for the prosecution of a "third degree"--there might be some one listening outside the door. He stopped twisting Peter's wrist, and tilted back Peter's head so that Peter's frightened eyes were staring into his.

"Now, young fellow," he said, "look here. I got no time for you just now, but you're going to jail, you're my prisoner, and make up your mind to it, sooner or later I'm going to get it out of you. It may take a day, or it may take a month, but you're going to tell me about this bomb plot, and who printed this here circular opposed to Preparedness, and all about these Reds you work with. I'm telling you now--so you think it over; and meantime, you hold your mouth, don't say a word to a living soul, or if you do I'll tear your tongue out of your throat."

Then, paying no attention to Peter's wailings, he took him by the back of the collar and marched him down the hall again, and turned him over to one of the policemen. "Take this man to the city jail," he said, "and put him in the hole, and keep him there until I come, and don't let him speak a word to anybody. If he tries it, mash his mouth for him." So the policeman took poor sobbing Peter by the arm and marched him out of the building.

Section 5

The police had got the crowds driven back by now, and had ropes across the street to hold them, and inside the roped space were several ambulances and a couple of patrol-wagons. Peter was shoved into one of these latter, and a policeman sat by his side, and the bell clanged, and the patrol-wagon forced its way slowly thru the struggling crowd. Half an hour later they arrived at the huge stone jail, and Peter was marched inside. There were no formalities, they did not enter Peter on the books, or take his name or his finger prints; some higher power had spoken, and Peter's fate was already determined. He was taken into an elevator, and down into a basement, and then down a flight of stone steps into a deeper basement, and there was an iron door with a tiny slit an inch wide and six inches long near the top. This was the "hole," and the door was opened and Peter shoved inside into utter darkness. The door banged, and the bolts rattled; and then silence. Peter sank upon a cold stone floor, a bundle of abject and hideous misery.

These events had happened with such terrifying rapidity that Peter Gudge had hardly time to keep track of them. But now he had plenty of time, he had nothing but time. He could think the whole thing out, and realize the ghastly trick which fate had played upon him. He lay there, and time passed; he had no way of measuring it, no idea whether it was hours or days. It was cold and clammy in the stone cell; they called it the "cooler," and used it to reduce the temperature of the violent and intractable. It was a trouble-saving device; they just left the man there and forgot him, and his own tormented mind did the rest.

And surely no more tormented mind than the mind of Peter Gudge had ever been put in that black hole. It was the more terrible, because so utterly undeserved, so preposterous. For such a thing to happen to him, Peter Gudge, of all people--who took such pains to avoid discomfort in life, who was always ready to oblige anybody, to do anything he was told to do, so as to have'an easy time, a sufficiency of food, and a warm corner to crawl into! What could have persuaded fate to pick him for the victim of this cruel prank; to put him into this position, where he could not avoid suffering, no matter what he did? They wanted him to tell something, and Peter would have been perfectly willing to tell anything--but how could he tell it when he did not know it?

The more Peter thought about it, the more outraged he became. It was monstrous! He sat up and glared into the black darkness. He talked to himself, he talked to the world outside, to the universe which had forgotten his existence. He stormed, he wept. He got on his feet and flung himself about the cell, which was six feet square, and barely tall enough for him to stand erect. He pounded on the door with his one hand which Guffey had not lamed, he kicked, and he shouted. But there was no answer, and so far as he could tell, there was no one to hear.

When he had exhausted himself, he sank down, and fell into a haunted sleep; and then he wakened again, to a reality worse than any nightmare. That awful man was coming after him again! He was going to torture him, to make him tell what he did not know! All the ogres and all the demons that had ever been invented to frighten the imagination of children were as nothing compared to the image of the man called Guffey, as Peter thought of him.

Several ages after Peter had been locked up, he heard sounds outside, and the door was opened. Peter was cowering in the corner, thinking that Guffey had come. There was a scraping on the floor, and then the door was banged again, and silence fell. Peter investigated and discovered that they had put in a chunk of bread and a pan of water.

Then more ages passed, and Peter's impotent ragings were repeated; then once more they brought bread and water, and Peter wondered, was it twice a day they brought it, or was this a new day? And how long did they mean to keep him here? Did they mean to drive him mad? He asked these questions of the man who brought the bread and water, but the man made no answer, he never at any time spoke a word. Peter had no company in that "hole" but his God; and Peter was not well acquainted with his God, and did not enjoy a tete-a-tete with Him.

What troubled Peter most was the cold; it got into his bones, and his teeth were chattering all the time. Despite all his moving about, he could not keep warm. When the man opened the door, he cried out to him, begging for a blanket; each time the man came, Peter begged more frantically than ever. He was ill, he had been injured in the explosion, he needed a doctor, he was going to die! But there was never any answer. Peter would lie there and shiver and weep, and writhe, and babble, and lose consciousness for a while, and not know whether he was awake or asleep, whether he was living or dead. He was becoming delirious, and the things that were happening to him, the people who were tormenting him, became monsters and fiends who carried him away upon far journeys, and plunged him thru abysses of terror and torment.

And yet, many and strange as were the phantoms which Peter's sick imagination conjured up, there was no one of them as terrible as the reality which prevailed just then in the life of American City, and was determining the destiny of a poor little man by the name of Peter Gudge. There lived in American City a group of men who had taken possession of its industries and dominated the lives of its population. This group, intrenched in power in the city's business and also in its government, were facing the opposition of a new and rapidly rising power, that of organized labor, determined to break the oligarchy of business and take over its powers. The struggle of these two groups was coming to its culmination. They were like two mighty wrestlers, locked in a grip of death; two giants in combat, who tear up trees by the roots and break off fragments of cliffs from the mountains to smash in each other's skulls. And poor Peter--what was he? An ant which happened to come blundering across the ground where these combatants met. The earth was shaken with their trampling, the dirt was kicked this way and that, and the unhappy ant was knocked about, tumbled head over heels, buried in the debris; and suddenly--Smash!--a giant foot came down upon the place where he was struggling and gasping!

Section 6

Peter had been in the "hole" perhaps three days, perhaps a week--he did not know, and no one ever told him. The door was opened again, and for the first time he heard a voice, "Come out here."

Peter had been longing to hear a voice; but now he shrunk terrified into a corner. The voice was the voice of Guffey, and Peter knew what it meant. His teeth began to rattle again, and he wailed, "I dunno anything! I can't tell anything!"

A hand reached in and took him by the collar, and he found himself walking down the corridor in front of Guffey. "Shut up!" said the man, in answer to all his wailings, and took him into a room and threw him into a chair as if he had been a bundle of bedding, and pulled up another chair and sat down in front of Peter.

"Now look here," he said. "I want to have an understanding with you. Do you want to go back into that hole again?"

"N-n-no," moaned Peter.

"Well, I want you to know that you'll spend the rest of your life in that hole, except when you're talking to me. And when you're talking to me you'll be having your arms twisted off you, and splinters driven into your finger nails, and your skin burned with matches--until you tell me what I want to know. Nobody's going to help you, nobody's going to know about it. You're going to stay here with me until you come across."

Peter could only sob and moan.

"Now," continued Guffey, "I been finding out all about you, I got your life story from the day you were born, and there's no use your trying to hide anything. I know your part in this here bomb plot, and I can send you to the gallows without any trouble whatever. But there's some things I can't prove on the other fellows. They're the big ones, the real devils, and they're the ones I want, so you've got a chance to save yourself, and you better be thankful for it."

Peter went on moaning and sobbing.

"Shut up!" cried the man. And then, fixing Peter's frightened gaze with his own, he continued, "Understand, you got a chance to save yourself. All you got to do is to tell what you know. Then you can come out and you won't have any more trouble. We'll take good care of you; everything'll be easy for you."

Peter continued to gaze like a fascinated rabbit. And such a longing as surged up in his soul--to be free, and out of trouble, and taken care of! If only he had known anything to tell; if only there was some way he could find out something to tell!

Section 7

Suddenly the man reached out and grasped one of Peter's hands. He twisted the wrist again, the sore wrist which still ached from the torture. "Will you tell?"

"I'd tell if I could!" screamed Peter. "My God, how can I?"

"Don't lie to me," hissed the man. "I know about it now, you can't fool me. You know Jim Goober."

"I never heard of him!" wailed Peter.

"You lie!" declared the other, and he gave Peter's wrist a twist.

"Yes, yes, I know him!" shrieked Peter.

"Oh, that's more like it!" said the other. "Of course you know him. What sort of a looking man is he?"

"I--I dunno. He's a big man."

"You lie! You know he's a medium-sized man!"

"He's a medium-sized man."

"A dark man?"

"Yes, a dark man."

"And you know Mrs. Goober, the music teacher?"

"Yes, I know her."

"And you've been to her house?"

"Yes, I've been to her house."

"Where is their house?"

"I dunno--that is--"

"It's on Fourth Street?"

"Yes, it's on Fourth Street."

"And he hired you to carry that suit-case with the bombs in it, didn't he?"

"Yes, he hired me."

"And he told you what was in it, didn't he?"

"He--he--that is--I dunno."

"You don't know whether he told you?"

"Y-y-yes, he told me."

"You knew all about the plot, didn't you?"

"Y-y-yes, I knew."

"And you know Isaacs, the Jew?"

"Y-y-yes, I know him."

"He was the fellow that drove the jitney, wasn't he?"

"Y-y-yes, he drove the jitney."

"Where did he drive it?"

"H-h-he drove it everywhere."

"He drove it over here with the suit-case, didn't he?"

"Yes, he did."

"And you know Biddle, and you know what he did, don't you?"

"Yes, I know."

"And you're willing to tell all you know about it, are you?"

"Yes, I'll tell it all. I'll tell whatever you--"

"You'll tell whatever you know, will you?"

"Y-y-yes, sir."

"And you'll stand by it? You'll not try to back out? You don't want to go back into the hole?"

"No, sir."

And suddenly Guffey pulled from his pocket a paper folded up. It was several typewritten sheets. "Peter Gudge," he said, "I been looking up your record, and I've found out what you did in this case. You'll see when you read how perfectly I've got it. You won't find a single mistake in it." Guffey meant this for wit, but poor Peter was too far gone with terror to have any idea that there was such a thing as a smile in the world.

"This is your story, d'you see?" continued Guffey. "Now take it and read it."

So Peter took the paper in his trembling hand, the one which had not been twisted lame. He tried to read it, but his hand shook so that he had to put it on his knee, and then he discovered that his eyes had not yet got used to the light. He could not see the print. "I c-c-can't," he wailed.

And the other man took the paper from him. "I'll read it to you," he said. "Now you listen, and put your mind on it, and make sure I've got it all right."

And so Guffey started to read an elaborate legal document: "I, Peter Gudge, being duly sworn do depose and declare--" and so on. It was an elaborate and detailed story about a man named Jim Goober, and his wife and three other men, and how they had employed Peter to buy for them certain materials to make bombs, and how Peter had helped them to make the bombs in a certain room at a certain given address, and how they had put the bombs in a suit-case, with a time clock to set them off, and how Isaacs, the jitney driver, had driven them to a certain corner on Main Street, and how they had left the suit-case with the bombs on the street in front of the Preparedness Day parade.

It was very simple and clear, and Peter, as he listened, was almost ready to cry with delight, realizing that this was all he had to do to escape from his horrible predicament. He knew now what he was supposed to know; and he knew it. Why had not Guffey told him long ago, so that he might have known it without having his fingers bent out of place and his wrist twisted off?

"Now then," said Guffey, "that's your confession, is it?"

"Y-y-yes," said Peter.

"And you'll stand by it to the end?"

"Y-y-yes, sir."

"We can count on you now? No more nonsense?"

"Y-y-yes, sir."

"You swear it's all true?"

"I do."

"And you won't let anybody persuade you to go back on it--no matter what they say to you?"

"N-n-no, sir," said Peter.

"All right," said Guffey; and his voice showed the relief of a business man who has closed an important deal. He became almost human as lie went on. "Now, Peter," he said, "you're our man, and we're going to count on you. You understand, of course, that we have to hold you as a witness, but you're not to be a prisoner, and we're going to treat you well. We'll put you in the hospital part of the jail, and you'll have good grub and nothing to do. In a week or so, we'll want you to appear before the grand jury. Meantime, you understand--not a word to a soul! People may try to worm something out of you, but don't you open your mouth about this case except to me. I'm your boss, and I'll tell you what to do, and I'll take care of you all the way. You got that all straight?"

"Y-y-yes, sir," said Peter.

Section 8

There was once, so legend declares, a darky who said that he liked to stub his toe because it felt so good when it stopped hurting. On this same principle Peter had a happy time in the hospital of the American City jail. He had a comfortable bed, and plenty to eat, and absolutely nothing to do. His sore joints became gradually healed, and he gained half a pound a day in weight, and his busy mind set to work to study the circumstances about him, to find out how he could perpetuate these comfortable conditions, and add to them the little luxuries which make life really worth living.

In charge of this hospital was an old man by the name of Doobman. He had been appointed because he was the uncle of an alderman, and he had held the job for the last six years, and during that time had gained weight almost as rapidly as Peter was gaining. He had now come to a condition where he did not like to get out of his armchair if it could be avoided. Peter discovered this, and so found it possible to make himself useful in small ways. Also Mr. Doobman had a secret vice; he took snuff, and for the sake of discipline he did not want this dreadful fact to become known. Therefore he would wait until everybody's back was turned before he took a pinch of snuff; and Peter learned this, and would tactfully turn his back.

Everybody in this hospital had some secret vice, and it was Mr. Doobman's duty to repress the vices of the others. The inmates of the hospital included many of the prisoners who had money, and could pay to make themselves comfortable. They wanted tobacco, whiskey, cocaine and other drugs, and some of them wanted a chance to practice unnamable horrors. All the money they could smuggle in they were ready to spend for license to indulge themselves. As for the attendants in the hospital, they were all political appointees, derelicts who had been unable to hold a job in the commercial world, and had sought an easy berth, like Peter himself. They took bribes, and were prepared to bribe Peter to outwit Mr. Doobman; Mr. Doobman, on the other hand, was prepared to reward Peter with many favors, if Peter would consent to bring him secret information. In such a situation it was possible for a man with his wits about him to accumulate quite a little capital.

For the most part Peter stuck by Doobman; having learned by bitter experience that in the long run it pays to be honest. Doobman was referred to by the other attendants as the "Old Man"; and always in Peter's life, from the very dawn of childhood, there had been some such "Old Man," the fountain-head of authority, the dispenser of creature comforts. First had been "Old Man" Drubb, who from early morning until late at night wore green spectacles, and a sign across his chest, "I am blind," and made a weary little child lead him thru the streets by the hand. At night, when they got home to their garret-room, "Old Man" Drubb would take off his green goggles, and was perfectly able to see Peter, and if Peter had made the slightest mistake during the day he would beat him.

When Drubb was arrested, Peter was taken to the orphan asylum, and there was another "Old Man," and the same harsh lesson of subservience to be learned. Peter had run away from the asylum; and then had come Pericles Priam with his Pain Paralyzer, and Peter had studied his whims and served his interests. When Pericles had married a rich widow and she had kicked Peter out, there had come the Temple of Jimjambo, where the "Old Man" had been Tushbar Akrogas, the major-domo--terrible when he was thwarted, but a generous dispenser of favors when once you had learned to flatter him, to play upon his weaknesses, to smooth the path of his pleasures. All these years Peter had been forced to "crook the pregnant hinges of the knee"; it had become an instinct with him--an instinct that went back far behind the twenty years of his conscious life, that went back twenty thousand years, perhaps ten times twenty thousand years, to a time when Peter had chipped flint spear-heads at the mouth of some cave, and broiled marrow-bones for some "Old Man" of the borde, and seen rebellious young fellows cast out to fall prey to the sabre-tooth tiger.

Section 9

Peter found that he was something of a personality in this hospital. He was the "star" witness in the sensational Goober case, about which the whole city, and in fact the whole country was talking. It was known that he had "turned State's"; but just what he knew and what he had told was a mighty secret, and Peter "held his mouth" and looked portentous, and enjoyed thrills of self-importance.

But meantime there was no reason why he should not listen to others talk; no reason why he should not inform himself fully about this case, so that in future he might be able to take care of himself. He listened to what "Old Man" Doobman had to say, and to what Jan Christian, his Swedish assistant had to say, and to what Gerald Leslie, the "coke" fiend, had to say. All these, and others, had friends on the outside, people who were "in the know." Some told one thing, and others told exactly the opposite; but Peter put this and that together, and used his own intrigue-sharpened wits upon it, and before long he was satisfied that he had got the facts.

Jim Goober was a prominent labor leader. He had organized the employees of the Traction Trust, and had called and led a tremendous strike. Also he had called building strikes, and some people said he had used dynamite upon uncompleted buildings, and made a joke of it. Anyhow, the business men of the city wanted to put him where he could no longer trouble them; and when some maniac unknown had flung a dynamite bomb into the path of the Preparedness parade, the big fellows of the city had decided that now was the opportunity they were seeking. Guffey, the man who had taken charge of Peter, was head of the secret service of the Traction Trust, and the big fellows had put him in complete charge. They wanted action, and would take no chances with the graft-ridden and incompetent police of the city. They had Goober in jail, with his wife and three of his gang, and thru the newspapers of the city they were carrying on a propaganda to prepare the public for the hanging of all five.

And that was all right, of course; Jim Goober was only a name to Peter, and of less importance than a single one of Peter's meals. Peter understood what Guffey had done, and his only grudge was because Guffey had not had the sense to tell him his story at the beginning, instead of first nearly twisting his arm off. However, Peter reflected, no doubt Guffey had meant to teach him a lesson, to make sure of him. Peter had learned the lesson, and his purpose now was to make this clear to Guffey and to Doobman.

"Hold your mouth," Guffey had said, and Peter never once said a word about the Goober case. But, of course, he talked about other matters. A fellow could not go around like a mummy all day long, and it was Peter's weakness that he liked to tell about his exploits, the clever devices by which he had outwitted his last "Old Man." So to Gerald Leslie, the "coke" fiend, he told the story of Pericles Priam, and how many thousands of dollars he had helped to wheedle out of the public, and how twice he and Pericles bad been arrested for swindling. Also he told about the Temple of Jimjambo, and all the strange and incredible things that had gone on there. Pashtian el Kalandra, who called himself the Chief Magistrian of Eleutherinian Exoticism, gave himself out to his followers to be eighty years of age, but as a matter of fact he was less than forty. He was supposed to be a Persian prince, but had been born in a small town in Indiana, and had begun life as a grocer-boy. He was supposed to live upon a handful of fruit, but every day it had been Peter's job to assist in the preparation of a large beef-steak or a roast chicken. These were "for sacrificial purposes," so the prophet explained to his attendants; and Peter would get the remains of the sacrificial beef-steaks and chickens, and would sacrificially devour them behind the pantry door. That had been one of his private grafts, which he got in return for keeping secret from the prophet some of the stealings of Tushbar Akrogas, the major-domo.

A wonderful place had been this Temple of Jimjambo. There were mystic altars with seven veils before them, and thru these the Chief Magistrian would appear, clad in a long cream-colored robe with gold and purple borders, and with pink embroidered slippers and symbolic head-dress. His lectures and religious rites had been attended by hundreds--many of them rich society women, who came rolling up to the temple in their limousines. Also there had been a school, where children had been initiated into the mystic rites of the cult. The prophet would take these children into his private apartments, and there were awful rumors--which had ended in the raiding of the temple by the police, and the flight of the prophet, and likewise of the majordomo, and of Peter Gudge, his scullion and confederate.

Also, Peter thought it was fun to tell Gerald Leslie about his adventures with the Holy Rollers, into whose church he had drifted during his search for a job. Peter had taken up with this sect, and learned the art of "talking in tongues," and how to fall over the back of your chair in convulsions of celestial glory. Peter had gained the confidence of the Rev. Gamaliel Lunk, and had been secretly employed by him to carry on a propaganda among the congregation to obtain a raise in salary for the underpaid convulsionist. But certain things which Peter had learned had caused him to go over to the faction of Shoemaker Smithers, who was trying to persuade the congregation that he could roll harder and faster than the Rev. Gamaliel. Peter had only held this latter job a few days before he had been fired for stealing the fried doughnut.

Section 10

All these things and more Peter told; thinking that he was safe now, under the protection of authority. But after he had spent about two months in the hospital, he was summoned one day into the office, and there stood Guffey, glowering at him in a black fury. "You damned fool!" were Guffey's first words.

Peter's knees went weak and his teeth began to chatter again. "Wh-wh-what?" he cried.

"Didn't I tell you to hold your mouth?" And Guffey looked as if he were going to twist Peter's wrist again.

"Mr. Guffey, I ain't told a soul! I ain't said one word about the Goober case, not one word!"

Peter rushed on, pouring out protests. But Guffey cut him short. "Shut up, you nut! Maybe you didn't talk about the Goober case, but you talked about yourself. Didn't you tell somebody you'd worked with that fellow Kalandra?"

"Y-y-yes, sir."

"And you knew the police were after him, and after you, too?"

"Y-y-yes, sir."

"And you said you'd been arrested selling fake patent medicines?"

"Y-y-yes, sir."

"Christ almighty!" cried Guffey. "And what kind of a witness do you think you'll make?"

"But," cried Peter in despair, "I didn't tell anybody that would matter. I only--"

"What do you know what would matter?" roared the detective, adding a stream of furious oaths. "The Goober people have got spies on us; they've got somebody right here in this jail. Anyhow, they've found out about you and your record. You've gone and ruined us with your blabbing mouth!"

"My Lord!" whispered Peter, his voice dying away.

"Look at yourself on a witness-stand! Look at what they'll do to you before a jury! Traveling over the country, swindling people with patent medicines--and getting in jail for it! Working for that hell-blasted scoundrel Kalandra--" and Guffey added some dreadful words, descriptive of the loathsome vices of which the Chief Magistrian had been accused. "And you mixed up in that kind of thing!"

"I never done anything like that!" cried Peter wildly. "I didn't even know for sure."

"Tell that to the jury!" sneered Guffey. "Why, they've even been to that Shoemaker Smithers, and they'll put his wife on the stand to prove you a sneak thief, and tell how she kicked you out. And all because you couldn't hold your mouth as I told you to!"

Peter burst into tears. He fell down on his knees, pleading that he hadn't meant any harm; he hadn't had any idea that he was not supposed to talk about his past life; he hadn't realized what a witness was, or what he was supposed to do. All he had been told was to keep quiet about the Goober case, and he had kept quiet. So Peter sobbed and pleaded--but in vain. Guffey ordered him back to the hole, declaring his intention to prove that Peter was the one who had thrown the bomb, and that Peter, instead of Jim Goober, had been the head and front of the conspiracy. Hadn't Peter signed a confession that he had helped to make the bomb?

Section 11