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William Shakespeare - Alls Well That Ends Well is a play by William Shakespeare. It is believed to have been written between 1604 and 1605, and was originally published in the First Folio in 1623.Though originally the play was classified as one of Shakespeare's comedies, the play is now considered by some critics to be one of his problem plays, so named because they cannot be neatly classified as tragedy or comedy.
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Veröffentlichungsjahr: 2017
by William Shakespeare
KING OF FRANCE THE DUKE OF FLORENCE BERTRAM, Count of Rousillon LAFEU, an old lord PAROLLES, a follower of Bertram TWO FRENCH LORDS, serving with Bertram
STEWARD, Servant to the Countess of Rousillon LAVACHE, a clown and Servant to the Countess of Rousillon A PAGE, Servant to the Countess of Rousillon
COUNTESS OF ROUSILLON, mother to Bertram HELENA, a gentlewoman protected by the Countess A WIDOW OF FLORENCE. DIANA, daughter to the Widow
VIOLENTA, neighbour and friend to the Widow MARIANA, neighbour and friend to the Widow
Lords, Officers, Soldiers, etc., French and Florentin
Enter BERTRAM, the COUNTESS OF ROUSILLON, HELENA, and LAFEU, all in black
COUNTESS. In delivering my son from me, I bury a second husband. BERTRAM. And I in going, madam, weep o'er my father's death anew; but I must attend his Majesty's command, to whom I am now in ward, evermore in subjection. LAFEU. You shall find of the King a husband, madam; you, sir, a father. He that so generally is at all times good must of necessity hold his virtue to you, whose worthiness would stir it up where it wanted, rather than lack it where there is such abundance. COUNTESS. What hope is there of his Majesty's amendment? LAFEU. He hath abandon'd his physicians, madam; under whose practices he hath persecuted time with hope, and finds no other advantage in the process but only the losing of hope by time. COUNTESS. This young gentlewoman had a father- O, that 'had,' how sad a passage 'tis!-whose skill was almost as great as his honesty; had it stretch'd so far, would have made nature immortal, and death should have play for lack of work. Would, for the King's sake, he were living! I think it would be the death of the King's disease. LAFEU. How call'd you the man you speak of, madam? COUNTESS. He was famous, sir, in his profession, and it was his great right to be so- Gerard de Narbon. LAFEU. He was excellent indeed, madam; the King very lately spoke of him admiringly and mourningly; he was skilful enough to have liv'd still, if knowledge could be set up against mortality. BERTRAM. What is it, my good lord, the King languishes of? LAFEU. A fistula, my lord. BERTRAM. I heard not of it before. LAFEU. I would it were not notorious. Was this gentlewoman the daughter of Gerard de Narbon? COUNTESS. His sole child, my lord, and bequeathed to my overlooking. I have those hopes of her good that her education promises; her dispositions she inherits, which makes fair gifts fairer; for where an unclean mind carries virtuous qualities, there commendations go with pity-they are virtues and traitors too. In her they are the better for their simpleness; she derives her honesty, and achieves her goodness. LAFEU. Your commendations, madam, get from her tears. COUNTESS. 'Tis the best brine a maiden can season her praise in. The remembrance of her father never approaches her heart but the tyranny of her sorrows takes all livelihood from her cheek. No more of this, Helena; go to, no more, lest it be rather thought you affect a sorrow than to have- HELENA. I do affect a sorrow indeed, but I have it too. LAFEU. Moderate lamentation is the right of the dead: excessive grief the enemy to the living. COUNTESS. If the living be enemy to the grief, the excess makes it soon mortal. BERTRAM. Madam, I desire your holy wishes. LAFEU. How understand we that? COUNTESS. Be thou blest, Bertram, and succeed thy father In manners, as in shape! Thy blood and virtue Contend for empire in thee, and thy goodness Share with thy birthright! Love all, trust a few, Do wrong to none; be able for thine enemy Rather in power than use, and keep thy friend Under thy own life's key; be check'd for silence, But never tax'd for speech. What heaven more will, That thee may furnish, and my prayers pluck down, Fall on thy head! Farewell. My lord, 'Tis an unseason'd courtier; good my lord, Advise him. LAFEU. He cannot want the best That shall attend his love. COUNTESS. Heaven bless him! Farewell, Bertram. Exit BERTRAM. The best wishes that can be forg'd in your thoughts be servants to you! [To HELENA] Be comfortable to my mother, your mistress, and make much of her. LAFEU. Farewell, pretty lady; you must hold the credit of your father. Exeunt BERTRAM and LAFEU HELENA. O, were that all! I think not on my father; And these great tears grace his remembrance more Than those I shed for him. What was he like? I have forgot him; my imagination Carries no favour in't but Bertram's. I am undone; there is no living, none, If Bertram be away. 'Twere all one That I should love a bright particular star And think to wed it, he is so above me. In his bright radiance and collateral light Must I be comforted, not in his sphere. Th' ambition in my love thus plagues itself: The hind that would be mated by the lion Must die for love. 'Twas pretty, though a plague, To see him every hour; to sit and draw His arched brows, his hawking eye, his curls, In our heart's table-heart too capable Of every line and trick of his sweet favour. But now he's gone, and my idolatrous fancy Must sanctify his relics. Who comes here?
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!