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- Herausgeber: Booksell-Verlag
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
In "Brownlows," Mrs. Oliphant delves into the intricate lives of her characters, illuminating the societal constraints and personal dilemmas faced by the Victorian British middle class. With her characteristic wit and keen psychological insight, Oliphant weaves a narrative that explores themes of ambition, romance, and the often stifling nature of societal expectations. The novel is marked by a rich, descriptive prose style that invites readers into the world of its characters, while also providing a critical lens on the evolving social landscape of the time. Mrs. Margaret Oliphant, a prolific Scottish novelist and biographer, crafted over 100 works spanning various genres, greatly influenced by her experiences as a widow and a mother struggling to maintain her family's livelihood. Living through a tumultuous period marked by shifting class dynamics and feminist movements, Oliphant's own trials imbued her writing with authenticity and depth. Her blend of realism and keen observations of human nature resonate throughout "Brownlows," a novel that reflects her astute commentary on gender and class. This thoughtful exploration of character and society makes "Brownlows" an invaluable read for those interested in Victorian literature and the nuances of human relationships. Readers who appreciate richly drawn characters and critical social commentary will find Oliphant's work both engaging and enlightening, making it a significant addition to any literary collection. In this enriched edition, we have carefully created added value for your reading experience: - A succinct Introduction situates the work's timeless appeal and themes. - The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists. - A detailed Historical Context immerses you in the era's events and influences that shaped the writing. - A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings. - Reflection questions prompt you to engage personally with the work's messages, connecting them to modern life. - Hand‐picked Memorable Quotes shine a spotlight on moments of literary brilliance. - Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.
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Veröffentlichungsjahr: 2019
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Brownlows
Table of Contents
Introduction
At its heart, Brownlows is a study of how respectability is constructed, tested, and quietly renegotiated when a family’s public standing collides with private loyalties, competing claims on money and affection, and the stubborn demands of conscience; set against the measured rhythms of Victorian domestic life, where conversation, custom, and the ever-watchful eye of the community turn small choices into decisive moments, it asks how people decide what they owe and to whom, and what remains when reputation begins to waver, pressing readers to consider the difference between legality, propriety, and justice.
Written by Margaret Oliphant (widely credited as Mrs. Oliphant), Brownlows is a Victorian domestic and social novel set in nineteenth-century England. First appearing in the late 1860s, it belongs to the phase of Oliphant’s career when she produced a steady succession of widely read works that charted middle-class life with moral acuity. The book situates readers within parlors, local obligations, and formal proprieties, where reputation and kinship carry material weight. Its stance is realist rather than sensational, attentive to the ordinary textures of daily existence even as it observes how quietly disruptive events ripple through households and the communities that judge them.
The narrative follows the fortunes of a household bearing the Brownlow name, whose seemingly settled prosperity is disturbed by questions that touch money, obligation, and identity. Without racing toward dramatic revelations, Oliphant initiates a situation that asks who owes what to whom, and on what grounds such debts—emotional as well as material—should be honored. The opening movement establishes a web of relationships across drawing rooms and offices, allowing readers to feel the accumulating pressure when private matters edge toward public knowledge. The experience is immersive, measured, and quietly suspenseful, favoring moral inquiry over shock while still sustaining a strong desire to know what will follow.
Oliphant’s narrative voice is observant, judicious, and often gently ironic, inviting readers to weigh competing claims rather than dictating conclusions. The prose is lucid and precise, attentive to the social signals embedded in small exchanges and the subtle ways people test one another’s character. Dialogue carries much of the ethical debate, while the descriptions ground events in lived spaces and routines. The prevailing mood is poised and humane, extending sympathy to multiple sides. Instead of grand theatrics, tensions accumulate through the friction of principle against convenience, and through the dawning recognition that what seems lawful may not be entirely right—or entirely sufficient.
Brownlows considers the fragility of respectability, the reach of social judgment into domestic life, and the responsibilities that arise from care, obligation, and the material conditions that underpin home and kin. It probes how communities surveil one another, how rumor shapes outcomes, and how those with less power—particularly women and younger dependents—navigate choices bounded by custom and expectation. Central, too, is the question of what constitutes a family: whether it is defined by bloodline, by duty and affection, or by a complex blend tested by circumstance. Material security and moral clarity rarely align neatly, and the story asks what kind of integrity can endure compromise.
For contemporary readers, these concerns feel strikingly current: the speed with which reputations are made and unmade, the vulnerability that follows financial entanglements, and the ethical weight of promises negotiated across unequal positions. Brownlows rewards patience with a moral landscape that resists easy answers, inviting reflection on how to balance compassion with fairness and how to act when the rules of society lag behind a sense of what is due. Its careful realism offers a counterpoint to spectacle, reminding us that lives are shaped by incremental choices and by the narratives communities tell about them, sometimes long after the original facts have blurred.
Approached as a study of character under pressure, Brownlows offers the satisfactions of Victorian realism without grandiosity: steady plotting, lucid prose, and an abiding interest in how people justify themselves. It serves as a clear entry point into Oliphant’s broader achievement, demonstrating her capacity to make ethical conflict feel intimate, consequential, and recognizably human. Readers drawn to domestic drama with social bite, or to novels that probe the boundaries between what is permissible and what is right, will find it engaging. It leaves the sense of lives continuing beyond the page, altered by choices that felt small at the time yet proved decisive.
Synopsis
The story opens with a prosperous household named for its head, Mr. Brownlow, a self-made man who has acquired a comfortable country place and a respected position in a provincial town. Domestic routines, social visits, and the expectations of neighbors establish the setting. Mr. Brownlow’s pride in his family and his sense of order define the early tone. Younger members of the house look outward toward new friendships and the prospects of adulthood, while the older generation values security and reputation. Beneath the surface, however, quiet hints suggest a past not fully disclosed, foreshadowing questions that may unsettle the carefully arranged present.
An unexpected encounter introduces uncertainty to this stable world. A stranger with connections to events long before Mr. Brownlow’s success appears on the margins of local society. His presence provokes curiosity and, in some quarters, gossip. Mr. Brownlow’s manner grows guarded and watchful, suggesting knowledge he has not shared with his children or friends. The young people, intrigued yet unaware of stakes, extend ordinary courtesies. The stranger’s motives remain opaque, but references to a former life, lost opportunities, and disputed rights begin to surface. The narrative balances ordinary scenes—calls, walks, small festivities—with a steadily intensifying question about rightful possession and truth.
Social life amplifies the tension. A round of dinners and visits throws the Brownlows and the newcomer into closer contact, where small awkwardnesses hint at deeper conflicts. The community’s informal tribunal—its drawing rooms—extends sympathy and skepticism in equal measure. Mr. Brownlow, usually decisive, becomes evasive when particular facts are raised. Younger members of the household, especially those nearing courtship age, find their prospects complicated by whispers they cannot quite interpret. The contrast between public civility and private fear grows sharper. The stranger remains courteous but insistent, advancing by implication a claim that seems to touch the very foundation of the Brownlow domain.
A formal challenge follows. Papers are produced, recollections gathered, and the outlines of a legal question emerge: whether Mr. Brownlow’s standing rests on arrangements that might be reinterpreted or reversed. Consultation with a trusted solicitor sets inquiries in motion. Letters are dispatched, records examined, and names from another era return with inconvenient clarity. The family’s everyday life becomes punctuated by interviews and errands, as the adults strive to manage appearances while seeking certainty. The possibility of a trial or negotiated settlement takes shape. Throughout, the narrative preserves ambiguity, showing how incomplete knowledge and conflicting memories complicate judgments about property, promise, and honor.
Alongside the legal matter, a gentle romance develops among the younger figures, rendered with attention to manners, misread signals, and the influence of elders. Courtship proceeds under the shadow of secrecy, heightening misunderstandings and testing loyalty. Social events—a country walk, a concert, a gathering in the Brownlow drawing room—provide occasions for small disclosures and quiet retreats. The motif of partnership, both marital and familial, echoes the central theme of obligation. The prospect of union is never merely personal; it intersects with reputation, means, and the family’s uncertain future. A minor scandal threatens to crystallize doubts, raising the stakes for confidences kept and confessions deferred.
Investigation widens beyond the town. Journeys are undertaken to consult distant witnesses and to verify the authenticity of signatures, dates, and transactions. Accounts diverge yet illuminate a consistent pattern: decisions made hastily, kindness mixed with calculation, and good intentions complicated by opportunity. The stranger’s story gains weight without resolving every contradiction, and Mr. Brownlow must confront the gap between what is lawful, what is equitable, and what is bearable for those he loves. In quiet conversations and solitary reflections, the novel explores responsibility as a lived burden rather than an abstract principle, while separating the sensational from what can be conscientiously affirmed.
Circumstances bring matters to a head. A reversal—financial, social, or bodily—compresses time and narrows options, compelling Mr. Brownlow to act. The household, once a place of cordial routine, becomes a forum for difficult announcements and deliberate silences. Friends reveal their character: some counsel prudence, others urge openness; a few calculate advantage. The claimant’s position, though persistent, is not simply adversarial; the narrative admits moral shades and conflicting sympathies. The younger generation, exposed to uncertainty earlier than expected, learns the cost of adult promises. Reputation, hospitality, and the duty to make amends converge, pressing toward a decisive settlement.
The climax is shaped by revelation rather than spectacle. Facts long obscured are put plainly, and a path is chosen that reconciles, as far as possible, conscience and law. Specific outcomes are withheld here to preserve the novel’s design, but relationships are altered by the acknowledgment of prior claims. Some hopes are tempered, others unexpectedly affirmed. The tone remains humane rather than punitive, attentive to the consequences of silence and the necessity of restitution. The resolution of the legal question clears the air, allowing affections to assume their proper form, and demonstrating the delicate equilibrium between private feeling and public right.
In the concluding chapters, the Brownlow household settles into a new, more candid order. Material arrangements reflect decisions made, while daily life resumes with adjustments that signify growth rather than defeat. The younger figures look forward with grounded expectations, their choices informed by what loyalty and truth require. Mr. Brownlow’s authority persists, chastened by experience and exercised with clearer humility. The novel’s central message emerges quietly: stability rests less on possession than on the integrity with which claims are met and promises kept. By honoring duty without bitterness, the characters secure a durable peace that acknowledges both justice and affection.
Historical Context
Set in the later decades of the nineteenth century, Brownlows unfolds within the social geography of mid-Victorian England, in a prosperous provincial town oriented toward London by the railway and the telegraph. The world it depicts is governed by the codes of the professional and mercantile middle class—solicitors, bankers, clergymen, and shopkeepers—whose respectability depends on property, reputation, and orderly domestic life. Urban improvements, new civic institutions, and expanding suburbs frame daily routines, while the circulation of letters and newspapers accelerates gossip and public opinion. The setting reflects a society transitioning from traditional patronage to bureaucratic modernity, where law, finance, and municipal politics increasingly shape private destinies.
The Second Reform Act of 1867 reshaped English political life by extending the borough franchise to many urban male householders, roughly doubling the electorate from about 1.36 million in 1866 to approximately 2.48 million by 1868 under Benjamin Disraeli’s stewardship in Lord Derby’s government. Paired with the Ballot Act of 1872, which introduced secret voting, and earlier municipal reforms after 1835, the act strengthened local political participation and sharpened attention to civic respectability. Brownlows mirrors this climate by situating family prestige and professional standing within a competitive arena of town opinion, where votes, vestry decisions, and municipal appointments subtly influence social rank and the management of charitable and legal responsibilities.
Victorian inheritance and family law supply crucial historical scaffolding. The Wills Act 1837 standardized testamentary formalities, enabling extensive freedom of disposition, while the Court of Probate Act 1857 transferred will disputes from ecclesiastical to civil jurisdiction. Trustees Acts in 1850 and 1852 refined fiduciary powers, and the Divorce and Matrimonial Causes Act 1857 secularized divorce, exposing domestic matters to public scrutiny. Ongoing agitation culminated in the Married Women’s Property Act 1870, allowing wives control over earnings and certain property—though full parity awaited 1882. Brownlows engages this legal matrix through its focus on guardianship, moral duty in managing family funds, and the precarious status of women and dependents whose fortunes were legally tethered to male stewardship.
The 1866 financial crisis, ignited by the spectacular collapse of Overend, Gurney & Co. on 10 May 1866, sent shockwaves through London’s money market, pushed the Bank of England rate to 10 percent, and toppled dozens of firms linked to railways and speculative ventures. The Companies Act 1862 had already eased incorporation, enlarging the field for joint-stock promotion while increasing the risk of fraud and overextension; the Limited Liability Act 1855 altered personal exposure. Brownlows reflects the era’s anxiety over speculation versus prudence, portraying how a single imprudent investment, a compromised trustee, or a rumor in the City could imperil a household’s status, moral authority, and capacity to discharge obligations to heirs and dependents.
Victorian debates over poverty and relief define the novel’s ethical backdrop. The Poor Law Amendment Act 1834 centralized assistance in workhouses overseen by local Boards of Guardians; scandals such as Andover (exposed in 1845) spurred inquiries and the replacement of the Poor Law Commission by the Poor Law Board in 1847. Mid-century philanthropy professionalized: the Ragged School Union (1844) aided destitute children, Dr. Barnardo opened his first home in Stepney in 1867, and the Charity Organization Society formed in 1869 to coordinate relief and curb “overlapping” almsgiving. Brownlows invokes these currents in its concern with patronage, moral judgment of the poor, and the thin boundary between genuine charity and social control.
Transportation and communication revolutions reconfigured provincial life. Between 1860 and 1870, Britain’s railway network expanded to roughly 15,000 route miles, binding market towns to London and enabling professional commuting, swift legal correspondence, and rapid movement of capital. The uniform Penny Post (1840), the electric telegraph (nationalized by the Post Office in 1870), and the 1866 transatlantic cable accelerated news and rumor. The Post Office Savings Bank (established 1861) encouraged small investors. Brownlows builds upon this infrastructure: letters that alter inheritances, telegraphic summonses that precipitate legal action, and timely journeys that avert or seal reputational disaster all exemplify how Victorian technologies made private fortunes and secrets dramatically more mobile—and more exposed.
Religious and educational change shaped middle-class norms. The 1851 Religious Census revealed strong Nonconformist participation, while fierce disputes over church rates ended with their abolition in 1868. Anglican revivalism (since the 1830s Oxford Movement) and Evangelical philanthropy competed to define respectability and duty. After the Elementary Education Act of 1870, elected school boards began establishing non-denominational schools alongside voluntary Anglican and Dissenting efforts. In Brownlows, clergy households, chapel communities, and school committees articulate the moral grammar of the town: Sabbath observance, temperance, and charitable oversight regulate reputations, while denominational affiliations subtly influence marriages, careers, and the social reception of those who inherit without lineage or who arrive as wards and outsiders.
As social critique, the book illuminates how property, gender, and reputation governed access to security. It exposes the asymmetry by which male trusteeship could define—or derail—the futures of women and minors, critiques the moralizing uses of charity under the Poor Law and organized philanthropy, and questions the ethical authority of a class that feared speculation yet relied on expanding credit. By placing domestic fate at the mercy of civic opinion, electoral arithmetic, and legal technicalities, Brownlows reveals the vulnerability of those without independent rights, highlighting class boundaries, patriarchal control of wealth, and the uneasy fusion of moral judgment with financial and bureaucratic power.
Brownlows
CHAPTER I.MR. BROWNLOW’S MONEY.
Every body in the neighborhood was perfectly aware what was the origin of John Brownlow[1]’s fortune. There was no possibility of any mistake about it. When people are very well known and respectable, and inspire their neighbors with a hearty interest, some little penalty must be paid for that pleasant state of affairs. It is only when nobody cares for you, when you are of no importance to the world in general, that you can shroud your concerns in mystery; but the Brownlows were very well known, much respected, and quite unable to hide themselves in a corner. In all Dartfordshire[2] there was no family better known; not that they were county people, or had any pretensions to high connection, but then there was not one family in the county of whom John Brownlow did not know more than they knew themselves, and in his hands, and in the hands of his fathers before him, had reposed the papers and affairs of all the squires about, titled or otherwise, for more years than could be counted. It was clever of the Brownlows to have had so much business in their hands and yet not to be rich; but virtue, when it is exceptional, is perhaps always a little extreme,[1q] and so it is probable that an honest lawyer is honester than most honest men who have no particular temptation. They were not rich, and yet, of course, they were far from being poor. They had the kind of substantial old brick house, standing close up to the pavement in the best end of the High Street of Masterton, which would be described as a mansion in an auctioneer’s advertisement. It was very red and infinitely clean, and had a multitude of windows all blinking in the sun, and lighting up into impromptu illuminations every winter afternoon, when that blazing red luminary went down, not over the river and the open country, as he ought to have done, but into the rectory garden, which happened to lie in his way as he halted along toward the west. The Brownlows for generations back had lived very comfortably in this red house. It had a great, rich, luxuriant, warm garden behind, with all sorts of comforts attached to it, and the rooms were handsome and old-fashioned, as became a house that had served generations; and once upon a time many good dinners, and much good wine, and the most beautiful stores of fine linen, and crystal, and silver were in the house, for comfort, and not for show. All this was very well, and John Brownlow was born to the possession of it; but there can be no doubt that the house in the High Street was very different from the house he now inhabited and the establishment he kept up in the country. Even the house in the High Street had been more burdened than was usual in the family when it came to his turn to be its master. Arthur, the younger brother, who was never good for much, had just had his debts paid for the second time before his father died. It was not considered by many people as quite fair to John, though some did say that it was he above all who urged the step upon old Mr. Brownlow. Persons who professed to know, even asserted that the elder son, in his generosity, had quite a struggle with his father, and that his argument was always “for my mother’s sake.” If this, was true, it was all the more generous of him, because his mother was well known to have thought nothing of John in comparison with the handsome Arthur, whom she spoiled as long as she lived. Anyhow, the result was that John inherited the house and the business, the furniture and old crystal and silver, and a very comfortable income, but nothing that could be called a fortune, or that would in any way have justified him in launching out into a more expensive description of life.
At this time he was thirty at least[3], and not of a speculative turn of mind; and when old Mrs. Thomson’s will—a will not even drawn up in his office, which would have been a kind of preparation—was read to him, it is said that he lost his temper on the occasion, and used very unbecoming language to the poor woman in her coffin. What had he to do with the old hag? “What did she mean by bothering him with her filthy money?” he said, and did not show at all the frame of mind that might have been expected under the circumstances. Mrs. Thomson was an old woman, who had lived in a very miserly sort of way, with an old servant, in a little house in the outskirts of the town. Nobody could ever tell what attracted her toward John Brownlow, who never, as he himself said, had any thing to do with her; and she had relations of her own in Masterton—the Fennells[4]—who always knew she had money, and counted upon being her heirs. But they were distant relations, and perhaps they did not know all her story. What petrified the town, however, was, when it was found out that old Mrs. Thomson had left a fortune, not of a few hundreds, as people supposed, but of more than fifty thousand pounds, behind her, and that it was all left in a way to John Brownlow. It was left to him in trust for Mrs. Thomson’s daughter Phœbe, a person whose existence no one in Masterton had ever dreamed of, but who, it appeared had married a common soldier, and gone off with him ages before, and had been cursed and cast off by her hard-hearted mother. That was long, long ago, and perhaps the solitary old creature’s heart, if she had a heart, had relented to her only child; perhaps, as John Brownlow thought, it was a mere suggestion of Satan to trouble and annoy him, a man who had nothing to do with Phœbe Thomson[5]. Anyhow, this was the substance of the will. The money was all left to John Brownlow in trust for this woman, who had gone nobody knew where, and whose very name by marriage her mother did not state, and nobody could tell. If Phœbe Thomson did not make her appearance within the next twenty-five years, then the money was to pass to John Brownlow and his heirs in perpetuity beyond all power of reclamation. This was the strange event which fell like a shell into the young lawyer’s quiet life, and brought revolution and change to every thing around.
He was very much annoyed and put out about it at first; and the Fennells, who had expected to be Mrs. Thomson’s heirs, were furious, and not disinclined to turn upon him, blameless as he was. To tell the truth, theirs was a very hard case. They were very poor. Good-for-nothing sons are not exclusively reserved for the well-to-do portion of the community; and poor Mrs. Fennell, as well as the Brownlow family, had a good-for-nothing son[6], upon whom she had spent all her living. He had disappeared at this time into the darkness, as such people do by times, but of course it was always on the cards that he might come back and be a burden upon his people again. And the father was paralytic and helpless, not only incapable of doing any thing, but requiring to have every thing done for him, that last aggravation of poverty. Mrs. Fennell herself was not a prepossessing woman. She had a high temper and an eloquent tongue, and her disappointment was tragic and desperate. Poor soul! it was not much to be wondered at—she was so poor and so helpless and burdened; and this money would have made them all so comfortable. It was not that she thought of herself, the poor woman said, but there was Fennell, who was cousin to the Thomsons, and there was Tom out in the world toiling for his bread, and killing himself with work. And then there was Bessie and her prospects. When she had talked it all over at the highest pitch of her voice, and stormed at every body, and made poor Fennell shake worse than ever in his paralytic chair, and overwhelmed Bessie with confusion and misery, the poor woman would sit down and cry. Only one thousand pounds of it would have done them such a great deal of good; and there was fifty thousand, and it was all going to be tied up and given to John Brownlow. It was hard upon a woman with a hot head and a warm heart, and no temper or sense to speak of; and to storm at it was the only thing she took any comfort from, or that did her any good.
This money, which Mrs. Fennell regretted so bitterly for a long time, was nothing but a nuisance to John Brownlow. He advertised and employed detectives, and did every thing a man could do to find Phœbe Thomson and relieve himself of the burden. But Phœbe Thomson was not to be found. He sought her far and near, but no such person was to be heard of—for, to be sure, a poor soldier’s wife was not very likely to be in the way of seeing the second column of the “Times;” and if she should happen to be Mrs. Smith or Mrs. Doherty by marriage, nobody but herself and her husband might be aware that she had ever been Phœbe Thomson. Anyhow, all the advertisements and all the detectives failed; and after working very hard at it for a year or more, John Brownlow very quietly, and to his own consciousness alone, d—d Phœbe Thomson, and gave up the useless investigation.
But he was a man who had eyes, and a strong sense of justice. When he thought of the poor Fennells, his anger rose against the wretched old woman who had laid on him the burden of her money. Poor Mrs. Fennell’s son was good for nothing, but she had a daughter who was good for much; and Bessie had a lover who would gladly have married her, had that wicked old miser, as John Brownlow in his indignation said, left only a thousand pounds out of her fifty to help the paralytic father and passionate mother. Bessie’s lover was not mercenary—he was not covetous of a fortune with his wife; but he could not marry all the family, or work for the old people, as their daughter had to do. This was what Mrs. Fennell meant when she raved of poor Bessie and her prospects. But Bessie herself said nothing. The lover went very sorrowfully away, and Bessie was silent and went on with her work, and made no show of her trouble. John Brownlow, without knowing it, got to watch her. He was not aware for a long time why it was that, though he always had so much to do, he never missed seeing Bessie when by chance she passed his windows. As luck would have it, it was always at that moment he raised his eyes; and he did his best to get pupils for her, “taking an interest” in her which was quite unusual in so quiet a man. But it was not probable that Bessie could have had much of an education herself, much less was qualified to give it to others. And whether it was want of skill, or the poverty of her surroundings, her poor dress, or her mother’s aspect and temper, it is certain that, diligent and patient and “nice” as she was, pupils failed her. She did not get on; yet she kept struggling on, and toiling, keeping a smile in her eyes for every body that looked friendly on her, whatever sinking there might be in her heart. And she was a slight fragile little creature to bear all that weight on her shoulders. John Brownlow, without knowing it, watched her little figure about the streets all the year through, marveling at that “soft invincibility,” that steady standing up against defeat and every kind of ill which the gentle soul was capable of. And as he watched her, he had many thoughts in his mind. He was not rich, as we have said; on the contrary, it would have been his bounden duty, had he done his duty, to have married somebody with a modest little fortune, who would have helped him to keep up the house in the High Street, and give the traditionary dinners; and to maintain his wife’s family, if he were to marry, was something out of the question. But then that fifty thousand pounds—this money which did not belong to him but to Phœbe Thomson, whosoever she was, and wheresoever she might be. All this produced a confusion of thought which was of very strange occurrence in Mr. Brownlow’s office, where his ancestors for generations had pondered over other people’s difficulties—a more pleasing operation than attending to one’s own. Gradually, as time wore on, Phœbe Thomson grew into a more and more mythical figure to Mr. Brownlow’s mind, and Bessie Fennell became more and more real. When he looked up one winter’s afternoon and saw her passing the office window in the glow of the frosty sunset, which pointed at her in its clear-sighted way, and made thrice visible the thinness of her cheek and the shabbiness of her dress, Mr. Brownlow’s pen fell from his fingers in amaze and self-reproach. She was wearing herself out, and he had permitted her to do so, and had sat at his window thinking about it for two whole years. Two years had passed since Mrs. Thomson’s death. All the investigations in the world had not been able to find Phœbe; and John Brownlow was master of the old woman’s fifty thousand pounds; and the Fennells might be starving for any thing he could tell. The result was, that he proposed to Bessie, to the unbounded amazement not only of the town of Masterton, but even of the county people, who all knew Mr. Brownlow. Probably Bessie was as much surprised as any body; but she married him after a while, and made him a very good wife. And he pensioned her father and mother in the most liberal way, and saw as little of them as possible. And for a few years, though they did not give many dinners, every thing went on very well in the big brick house.
I tell the story thus briefly, instead of introducing these people to show their existence for themselves, because all this is much prior to the real date of this history. Mrs. Brownlow made a very good and sweet wife; and my own opinion is that she was fond of her husband in a quiet way. But, of course, people said she had married him for his money, and Bessie was one of those veiled souls who go through the world without much faculty of revealing themselves even to their nearest and dearest. When she did, nobody could make quite sure whether she had enjoyed her life or merely supported it. She had fulfilled all her duties, been very kind to every body, very faithful and tender to her husband, very devoted to her family; but she died, and carried away a heart within her of which no man seemed ever to have found the key. Sara and John were very little at the time of her death—so little, that they scarcely remembered their mother. And they were not like her. Little John, for his part, was like big John, as he had a right to be; and Sara was like nobody else that ever had been seen in Masterton. But that is a subject which demands fuller exposition. Mr. Brownlow lived very quietly for some years after he lost his wife; but then, as was natural, the ordinary course of affairs was resumed. And then it was that the change in his fortunes became fully evident. His little daughter was delicate, and he got a carriage for her. He got ponies for her, and costly governesses and masters down from town at the wildest expense; and then he bought that place in the country which had once been Something Hall or Manor, but which Dartfordshire, in its consternation, henceforward called Brownlow’s. Brownlow’s it was, without a doubt; and Brownlows it became—without the apostrophe—in the most natural way, when things settled down. It was, as old Lady Hetherton said, “quite a place, my dear; not one of your little bits of villas, you know.” And though it was so near Masterton that Mr. Brownlow drove or rode in every day to his office, its grounds and gardens and park were equal to those of any nobleman in the county. Old Mrs. Thomson’s fifty thousand pounds had doubled themselves, as money skillfully managed has a way of doing. It had got for her executor every thing a man could desire. First, the wife of his choice—though that gift had been taken from him—and every other worldly good which the man wished or could wish for. He was able to surround the daughter, who was every thing to him—who was more to him, perhaps, than even his wife had ever been—with every kind of delightsome thing; and to provide for his son, and establish him in the world according to his inclinations; and to assume, without departing from his own place, such a position as no former Brownlow had ever occupied in the county. All this came to John Brownlow through old Mrs. Thomson; and Phœbe Thomson, to whom the money in reality belonged, had never turned up to claim it, and now there was but one year to run of the five-and-twenty which limited his responsibilities. All this being made apparent, it is the history of this one year that I have now to tell.
CHAPTER II.SARA.
Mr. Brownlow had one son and one daughter—the boy, a very good natured, easy-minded, honest sort of young fellow, approaching twenty-one, and not made much account of either at home or abroad. The daughter was Sara. For people who know her, or indeed who are at all acquainted with society in Dartfordshire, it is unnecessary to say more; but perhaps the general public may prefer a clearer description. She was the queen of John Brownlow’s house, and the apple of his eye. At the period of which we speak she was between nineteen and twenty, just emerging from what had always been considered a delicate girlhood, into the full early bloom of woman. She had too much character, too much nonsense, too many wiles, and too much simplicity in her, to be, strictly speaking, beautiful; and she was not good enough or gentle enough to be lovely. And neither was she beloved by all, as a heroine ought to be. There were some people who did not like her, as well as some who did, and there were a great many who fluctuated between love and dislike, and were sometimes fond of her, and sometimes affronted with her; which, indeed, was a very common state of mind with herself. Sara was so much a girl of her age that she had even the hair of the period, as the spring flowers have the colors of spring. It was light-brown, with a golden tint, and abundant as locks of that color generally are; but it can not be denied that it was darker than the fashionable shade, and that Sara was not above being annoyed by this fact, nor even above a vague and shadowy idea of doing something to bring it to the correct tint; which may rank as one of the constantly recurring proofs that young women are in fact the least vain portion of the creation, and have less faith in the efficacy of their natural charms than any other section of the race. She had a little rosebud mouth, dewy and pearly, and full eyes, which were blue, or gray, or hazel, according as you looked at them, and according to the sentiment they might happen to express. She was very tall, very slight and flexible, and wavy like a tall lily, with the slightest variable stoop in her pretty shoulders, for which her life had been rendered miserable by many well-meaning persons, but which in reality was one of her charms. To say that she stooped is an ugly expression, and there was nothing ugly about Sara. It was rather that by times her head drooped a little, like the aforesaid lily swayed by the softest of visionary breezes. This, however, was the only thing lily-like or angelic about her. She was not a model of any thing, nor noted for any special virtues. She was Sara. That was about all that could be said for her; and it is to be hoped that she may be able to evidence what little bits of good there were in her during the course of this history, for herself.
“Papa,” she said, as they sat together at the breakfast-table, “I will call for you this afternoon, and bring you home. I have something to do in Masterton.”
“Something to do in Masterton?” said Mr. Brownlow; “I thought you had got every thing you could possibly want for three months at least when you were in town.”
“Yes,” said Sara, “every thing one wants for one’s bodily necessities—pins and needles and music, and all that sort of thing—but one has a heart, though you might not think it, papa; and I have an idea that one has a soul.”
“Do you think so?” said her father, with a smile; “but I can’t imagine what your soul can have to do in Masterton. We don’t cultivate such superfluities there.”
“I am going to see grandmamma,” said Sara. “I think it is my duty. I am not fond of her, and I ought to be. I think if I went to see her oftener perhaps it might do me good.”
“O! if it’s only for grandmamma,” said young John, “I go to see her often enough. I don’t think you need take any particular trouble to do her good.”
Upon which Sara sighed, and drooped a little upon its long stem her lily head. “I hope I am not so stupid and conceited as to think I can do any body good,” she said. “I may be silly enough, but I am not like that; but I am going to see grandmamma. It is my duty to be fond of her, and see after her; and I know I never go except when I can’t help it. I am going to turn over a new leaf.”
Mr. Brownlow’s face had been overshadowed at the first mention of the grandmother, as by a faint mist of annoyance. It did not go so far as to be a cloud. It was not positive displeasure or dislike, but only a shade of dissatisfaction, which he expressed by his silence. Sara’s resolutions to turn over a new leaf were not rare, and her father was generally much amused and interested by her good intentions; but at present he only went on with his breakfast and said nothing. Like his daughter, he was not fond of the grandmamma, and perhaps her sympathy with his own sentiments in this respect was satisfactory to him at the bottom of his heart; but it was not a thing he could talk about.
“There is a great deal in habit,” said Sara, in that experienced way which belongs to the speculatist of nineteen. “I believe you can train yourself to any thing, even to love people whom you don’t love by nature. I think one could get to do that if one was to try.”
“I should not care much for your love if that was how it came,” said young John.
“That would only show you did not understand,” said Sara, mildly. “To like people for a good reason, is not that better than liking them merely because you can’t help it? If there was any body that it suited papa, for instance, to make me marry, don’t you think I would be very foolish if I could not make myself fond of him? and ungrateful too?”
“Would you really do as much for me, my darling?” said Mr. Brownlow, looking up at her with a glimmer of weakness in his eyes; “but I hope I shall never require to put you to the test.”
“Why not, papa?” said Sara, cheerfully. “I am sure it would be a much more sensible reason for being fond of any body that you wished it, than just my own fancy. I should do it, and I would never hesitate about it,” said the confident young woman; and the father, though he was a man of some experience, felt his heart melt and glow over this rash statement with a fond gratification, and really believed it, foolish as it was.
“And I shall drive down,” said Sara, “and look as fine as possible; though, of course, I would far rather have Meg out, and ride home with you in the afternoon. And it would do Meg a world of good,” she added, pathetically. “But you know if one goes in for pleasing one’s grandmamma, one ought to be content to please her in her own way. She likes to see the carriage and the grays, and a great noise and fuss. If it is worth taking the trouble for at all, it is worth doing it in her own way.”
“I walk, and she is always very glad to see me,” said John, in what must be allowed was an unpleasant manner.
“Ah! you are different,” said Sara, with a momentary bend of her graceful head. And, of course, he was very different. He was a mere man or boy—whichever you prefer—not in the least ornamental, nor of very much use to any body—whereas Sara—But it is not a difference that could be described or argued about; it was a thing which could be perceived with half an eye. When breakfast was over, the two gentlemen went off to Masterton to their business; for young John had gone into his father’s office, and was preparing to take up in his turn the hereditary profession. Indeed, it is not clear that Mr. Brownlow ever intended poor Jack to profit at all by his wealth, or the additional state and grandeur the family had taken upon itself. To his eyes, so far as it appeared, Sara alone was the centre of all this magnificence; whereas Jack was simply the heir and successor of the Brownlows, who had been time out of mind the solicitors of Masterton. For Jack, the brick house in the High Street waited with all its old stores; and the fairy accessories of their present existence, all the luxury and grace and beauty—the grays—the conservatories—the park—the place in the country—seemed a kind of natural appanage to the fair creature in whom the race of Brownlow had come to flower, the father could not tell how; for it seemed strange to think that he himself, who was but a homely individual, should have been the means of bringing any thing so fair and fine into the world. Probably Mr. Brownlow, when it came to making his will, would be strictly just to his two children; but in the mean time, in his thoughts, that was, no doubt, how things stood; and Jack accordingly was brought up as he himself had been, rather as the heir of the Brownlows’ business, their excellent connection and long-established practice, than as the heir of Brownlows—two very different things, as will be perceived.
When they went away Sara betook herself to her own business. She saw the cook in the most correct and exemplary way. Fortunately the cook was also the housekeeper, and a very good-tempered woman, who received all her young mistress’s suggestions with amiability, and only complained sometimes that Miss Brownlow would order every thing that was out of season. “Not for the sake of extravagance,” Mrs. Stock said, in answer to Sara’s maid, who had made that impertinent suggestion; “oh, no, nothin’ of the sort—only out of always forgettin’, poor dear, and always wantin’ me to believe as she knows.” But as Sara fortunately paid but little attention to the dinner when produced, making no particular criticism—not for want of will, but for want of knowledge—her interview with the cook at least did no harm. And then she went into many small matters which she thought were of importance. She had an hour’s talk, for instance, with the gardener, who was, like most gardeners, a little pig-headed, and fond of having his own way; and Sara was rather of opinion that some of her hints had done him good; and she made him, very unwillingly, cut some flowers for her to take to her grandmother. Mrs. Fennell was not a woman to care for flowers if she could have got them for the plucking; but expensive hothouse flowers in the depth of winter were a different matter. Thus Sara reasoned as she carried them in her basket, with a ground-work of moss beneath to keep them fresh, and left them in the hall till the carriage should come round. And she went to the stables, and looked at every thing in a dainty way—not like your true enthusiast in such matters, but with a certain gentle grandeur, as of a creature to whom satin-skinned cattle and busy grooms were vulgar essentials of life, equally necessary, but equally far off from her supreme altitude. She cared no more for the grays in themselves than she did for Dick and Tom, which will be sufficient to prove to any body learned in such matters how imperfect her development was in this respect. All these little occupations were very different from the occupations of her father and brother, who were both of them in the office all day busy with other people’s wills and marriage-settlements and conveyances. Thus it would have been as evident to any impartial looker-on as it was to Mr. Brownlow, that the fortune which had so much changed his position in the county, and given him such very different surroundings, all centered in, and was appropriated to, his daughter, while his old life, his hereditary business, the prose and plain part of his existence, was to be carried out in his son.
When all the varieties of occupation in this useful day were about exhausted, Sara prepared for her drive. She wrapped herself up in fur and velvet, and every thing that was warmest and softest and most luxurious; and with her basket of flowers and another little basket of game, which she did not take any personal charge of, rolled away out of the park gates to Masterton. Brownlows had belonged to a very unsuccessful race before it came to be Brownlow’s. It had been in the hands of poor, failing, incompetent people, which was, perhaps, the reason why its original name had dropped so completely out of recollection. Now, for the first time in its existence, it looked really like “a gentleman’s place.” But yet there were eye-sores about. One of these was a block of red brick, which stood exactly opposite the park gates, opposite the lodge which Mr. Brownlow had made so pretty. There were only two cottages in the block, and they were very unpretending and very clean, and made the life of the woman in the lodge twice as lightsome and agreeable; but to Sara’s eyes at least, Swayne’s Cottages, as they were called, were very objectionable. They were two-storied houses, with windows and doors very flush with the walls; as if, which indeed was the case, the walls themselves were of the slightest construction possible; and Swayne himself, or rather Mrs. Swayne, who was the true head of the house, let a parlor and bedroom to lodgers who wanted country air and quiet at a cheap rate. “Any body might come,” Sara was in the habit of saying; “your worst enemy might come and sit down there at your very door, and spy upon every thing you were doing. It makes me shudder when I think of it.” Thus she had spoken ever since her father’s entrance upon the glories of his “place,” egging him up with all her might to attack this little Naboth’s vineyard. But there never was a Naboth more obstinate in his rights than Mr. Swayne, who was a carpenter and builder, and had put the two houses together himself, and was proud of them; and Sara was then too young and too much under the sway of her feelings to take upon her in cold blood Jezebel’s decisive part.
She could not help looking at them to-day as she swept out, with the two grays spurning the gravel under foot, and the lodge-woman at the gate looking up with awe while she made her courtesy as if to the queen. Mrs. Swayne, too, was standing at her door, but she did not courtesy to Sara. She stood and looked as if she did not care—the splendor and the luxury were nothing to her. She looked out in a calm sort of indifferent way, which was to Sara what, to continue a scriptural symbolism, Mordecai was to another less fortunate personage. And Mrs. Swayne had a ticket of “Lodgings” in her window. It could do her no good, for nobody ever passed along that road who could be desirous of country lodgings at a cheap rate, and this advertisement looked to Sara like an intentional insult. The wretched woman might get about eight shillings a week for her lodgings, and for that paltry sum she could allow herself to post up bills opposite the very gate of Brownlows; but then some people have so little feeling. This trifling incident occupied Sara’s mind during at least half her drive. The last lodger had been a consumptive patient, whose pale looks had filled her with compassionate impulses, against which her dislike of Mrs. Swayne contended vainly. Who would it be next? Some other invalid most likely, as pale and as poor, to make one discontented with the world and ashamed of one’s self the moment one issued forth from the park gates, and all because of the determination of the Swaynes to annoy their wealthy neighbors. The thought made Sara angry as she drove along; but it was a brisk winter afternoon, with frost in the air, and the hoofs of the grays rang on the road, and even the country waggons seemed to move along at an exhilarated pace. So Sara thought, who was young, and whose blood ran quickly in her veins, and who was wrapped up to the throat in velvet and fur. Now and then another carriage would roll past, when there were people who nodded or kissed their hands to Sara as they passed, with all that clang of hoofs and sweep of motion, merrily on over the hard road beneath the naked trees. And the people who were walking walked briskly, as if the blood was racing in their veins too, and rushing warm and vigorous to healthy cheeks. If any cheeks were blue rather than red, if any hearts were sick with the cold and the weary way, if any body she met chanced to be going heavily home to a hearth where there was no fire, or a house from which love and light had gone, Sara, glowing to the wind, knew nothing of that; and that the thought never entered her mind was no fault of hers.
The winter sky was beginning to dress itself in all the glories of sunset when she got to Masterton. It had come to be the time of the year when the sun set in the rectory garden, and John Brownlow’s windows in the High Street got all aglow. Perhaps it brought associations to his mind as the dazzling red radiance flashed in at the office window, and he laid down his pen. But the fact was that this pause was caused by a sound of wheels echoing along the market-place, which was close by. That must be Sara. Such was the thought that passed through Mr. Brownlow’s mind. He did not think, as the last gleam came over him, how he used to look up and see Bessie passing—that Bessie who had come to be his wife—nor of any other moving event that had happened to him when the sun was coming in at his windows aslant in that undeniable way. No; all that he thought was, There goes Sara; and his face softened, and he began to put his papers together. The child in her living importance, little lady and sovereign of all that surrounded her, triumphed thus even over the past and the dead.
Mrs. Fennell had lodgings in a street which was very genteel, and opened off the market-place. The houses were not very large, but they had pillars to the doors and balconies to all the first-floor windows; and some very nice people lived there. Mrs. Fennell was very old and not able to manage a house for herself, so she had apartments, she and her maid—one of the first floors with the balconies—a very comfortable little drawing-room, which the care of her friends had filled with every description of comfortable articles. Her paralytic husband was dead ages ago, and her daughter Bessie was dead, and her beloved but good-for-nothing son—and yet the old woman had lived on. Sometimes, when any thing touched her heart, she would mourn over this, and ask why she had been left when every thing was gone that made life sweet to her; but still she lived on; and at other times it must be confessed that she was not an amiable old woman. It is astonishing how often it happens that the sweet domestic qualities do not descend from mother to daughter, but leap a generation as it were, interjecting a passionate, peevish mother to bring out in full relief the devotion of her child—or a selfish exacting child to show the mother’s magnanimity. Such contrasts are very usual among women—I don’t know if they are visible to the same extent as between father and son. Mrs. Fennell was not amiable. She was proud and quarrelsome and bitter—exacting of every profit and every honor, and never contented. She was proud to think of her son-in-law’s fine house and her granddaughter’s girlish splendor; and yet it was the temptation of her life to rail at them, to tell how little he had done for her, and to reckon up all he ought to have done, and to declare if it had not been for the Fennells and their friends, it was little any body would ever have heard of John Brownlow. All this gave her a certain pleasure; and at the same time Sara’s visit with the grays and the state equipage and the tall footman, and her entrance in her rich dress with her sables, which had cost nobody could tell how much, and her basket of flowers which could not have been bought in Dartfordshire for their weight in gold, was the triumph of her life. As soon as she heard the sound of the wheels in the street—which was not visited by many carriages—she would steal out into her bedroom and change her cap with her trembling hands. She never changed her cap for Jack, who came on foot, and brought every kind of homely present to please her and make her comfortable. But Sara was different—and Sara’s presents added not to her comfort, but to her glory, which was quite another affair.
“Well, my dear,” she said, with a mixture of peevishness and pleasure, as the girl came in, “so this is you. I thought you were never coming to see me any more.”
“I beg your pardon, grandmamma,” said Sara. “I know I have been neglecting my duty, but I mean to turn over a new leaf. There are some birds down below that I thought you would like, and I have brought you some flowers. I will put them in your little vases if I may ring for Nancy to bring some water. I made Pitt cut me this daphne, though I think he would rather have cut off my head. It will perfume the whole room.”
“My dear, you know I don’t like strong smells,” said Mrs. Fennell. “I never could bear scents—a little whiff of musk, and that was all I ever cared for—though your poor mamma was such a one for violets and trash. And I haven’t got servants to be running up and down stairs as you have at your fine place. One maid for every thing is considered quite enough for me.”
“Well, grandmamma,” said Sara, “you have not very much to do, you know. If I were you, I would have a nice young maid that would look pleasant and cheerful instead of that cross old Nancy, who never looks pleased at any thing.”
“What good do you think I could have of a young maid?” said Mrs. Fennell—“nasty gossiping tittering things, that are twenty times more bother than they’re worth. I have Nancy because she suits me, and because she was poor old Mrs. Thomson’s maid, as every body has forgotten but her and me. The dead are soon out of mind, especially when they’ve got a claim on living folks’ gratitude. If it wasn’t for poor Mrs. Thomson where would your grand carriage have been, and your daphnes, and your tall footmen, and all your papa’s grandeur? But there’s nobody that thinks on her but me.”
“I am sure I have not forgotten her,” said Sara. “I wish I could. She must have been a horrible old wretch, and I wish she had left papa alone. I’d rather not have Brownlows if I am always to hear of that wretched old woman. I suppose Nancy is her ghost and haunts you. I hate to hear her horrid old name.”
“You are just like all the rest,” said the grandmother—“ashamed of your relations because you are so fine; and if it had not been for your relations—she was your poor mamma’s cousin, Miss Sairah—if it was only that, and out of respect to me—”
“Don’t call me Sairah, please,” said the indignant little visitor. “I do hate it so; and I have not done any thing that I know of to be called Miss for. What is the use of quarreling, grandmamma? Do let us be comfortable a little. You can’t think how cold it is out of doors. Don’t you think it is rather nice to be an old lady and sit by the fire and have every body come to see you, and no need to take any trouble with making calls or any thing? I think it must be one of the nicest things in the world.”
“Do you think you would like it?” the old woman said grimly from the other side of the fire.
“It is different, you know,” said Sara, drooping her pretty head as she sat before the fire with the red light gleaming in her hair. “You were once as young as me, and you can go back to that in your mind; and then mamma was once as young as me, and you can go back to that. I should think it must feel like walking out in a garden all your own, that nobody else has any right to; while the rest of us, you know—”
