Dante: His Times and His Work - Arthur John Butler - E-Book

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Arthur John Butler

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Beschreibung

The person who sets to work to write about Dante at the present day has two great difficulties to reckon with: the quantity which has already been written on the subject, and the quantity which remains to be written. The first involves the reading of an enormous mass of literature in several languages, and very various in quality; but for the comfort of the young student, it may at once, and once for all, be stated that he can pretty safely ignore everything written between 1400 and 1800. The subject of commentaries, biographies, and other helps, or would-be helps, will be treated of later on. Here we need only say that the Renaissance practically stifled anything like an intelligent study of Dante for those four centuries; and it was not until a new critical spirit began to apply to it the methods which had hitherto been reserved for the Greek and Latin classics, that the study got any chance of development. How enormously it has developed during the present century needs not to be said. It may suffice to point out that the British Museum Catalogue shows editions of the Commedia at the rate of one for every year since 1800, and other works on Dante in probably five times that proportion.

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Seitenzahl: 196

Veröffentlichungsjahr: 2019

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Dante: His Times and His Work

Dante: His Times and His WorkPREFACECHAPTER I.THE THIRTEENTH CENTURYCHAPTER II.GUELFS AND GHIBELINES[8]CHAPTER III.DANTE’S EARLY DAYSCHAPTER IV.FLORENTINE AFFAIRS TILL DANTE’S EXILECHAPTER V.DANTE’S EXILECHAPTER VI.THE “COMMEDIA”CHAPTER VII.THE MINOR WORKSAPPENDIX I.SOME HINTS TO BEGINNERSAPPENDIX II.DANTE’S USE OF CLASSICAL LITERATURECopyright

Dante: His Times and His Work

Arthur John Butler

PREFACE

This little book is mainly compounded of papers which appeared, part in theMonthly Packet, and part in the Magazine of the Home Reading Union. It will be seen, therefore, that it is not intended for those whom Italians call “Dantists,” but for students at an early stage of their studies. To the former class there will be nothing in the book that is not already familiar—except where they happen to find mistakes, from which, in so extensive a field for blundering as Dante affords, I cannot hope to have kept it free. In the domain of history alone fresh facts are constantly rewarding the indefatigable research of German and Italian scholars—a research of which only the most highly specialised specialist can possibly keep abreast. Even since the following pages were for the most part in print, we have had Professor Villari’sTwo Centuries of Florentine History, correcting in many particulars the chroniclers on whom the Dante student has been wont to rely. This book should most emphatically be added to those named in the appendix as essential to the study of our author.In connection with some of the remarks in the opening chapter, Professor Butcher’s Essay onThe Dawn of Romanticism in Greek Poetryshould be noticed. I do not think that the accomplished author’s view is incompatible with mine; though I admit that I had not taken much account of the Greek writers whom we call “post-classical.” But it is to be noted, as bearing on the question raised in the second footnote onp. 9, that most or all of the writers whom he cites were either Asiatics or nearly touched by Asiatic influences.I have made some attempt to deal in a concise way with two subjects which have not, I think, hitherto been handled in English books on Dante, other than translations. One of these is the development of the Guelf and Ghibeline struggle from a rivalry between two German houses to a partisan warfare which rent Italy for generations. I am quite aware that I have merely touched the surface of the subject, which seems to me to contain in it the essence of all political philosophy, with special features such as could only exist in a country which, like Italy, had, after giving the law to the civilised world, been unable to consolidate itself into a nation like the other nations of Europe. I have, I find, even omitted to notice what seem to have been the ruling aims of at any rate the honest partisans on either side: unity, that of the Ghibelines; independence, that of the Guelfs. Nor have I drawn attention to a remarkable trait in Dante’s own character, which, so far as I know, has never been discussed—I mean his apparent disregard of the “lower classes.” Except for one or two similes drawn from the “villano” and his habits, and one or two contemptuous allusions to “Monna Berta e Ser Martino” and their like, it would seem as if for him the world consisted of what now would be called “the upper ten thousand.” In an ordinary politician or partisan, or even in a mere man of letters this would not be strange; but when we reflect that Dante was a man who went deeply into social and religious questions, that he was born less than forty years after the death of St. Francis, and was at least closely enough associated with Franciscans for legend to make him a member of the order, and that most of the so-called heretical sects of the time—Paterines, Cathari, Poor Men—started really more from social than from religious discontent, it is certainly surprising that his interest in the “dim, common populations” should have been so slight.The other object at which I have aimed is the introduction of English students to the theories which seem to have taken possession of the most eminent Continental Dante scholars, and of which some certainly seem to be quite as much opposed to common sense and knowledge of human nature as the conjectures of Troya and Balbo, for instance, were to sound historical criticism. Here, again, I have but touched on the more salient points; feeling sure that before long some of the scholarship in our Universities and elsewhere, which at present devotes itself to Greek and Latin, having reached the point of realizing that Greek and Latin texts may be worth studying though written outside of so-called classical periods, will presently extend the principle to the further point of applying to mediæval literature, which hitherto has been too much the sport ofdilettanti, the methods that have till now been reserved for the two favoured (and rightly favoured) languages. Unless I am much mistaken, the finest Latin scholar will find that a close study of early Italian will teach him “a thing or two” that he did not know before in his own special subject; so that his labour will not be lost, even from that point of view. Then we shall get the authoritative edition of Dante, which I am insular enough to believe will never come from either Germany or Italy, or from any intervening country.February, 1895.

CHAPTER I.THE THIRTEENTH CENTURY

CHAPTER II.GUELFS AND GHIBELINES[8]

Mention was made, in the last chapter, of the “Guelf” party, and this, with its opposite, the party of the “Ghibelines,” fills the entire field of Italian politics during Dante’s life, and indeed for long afterwards. It would be impossible in the space of these pages to follow up all the tangled threads which have attached themselves to those famous names; but since we may be, to use a picturesque phrase of Carlyle’s, “thankful for any hook whatever on which to hang half-an-acre of thrums in fixed position,” a few of the more prominent points in the early history of the great conflict shall be noted here.

As every one knows, the names originally came from Germany, and to that country we must turn for a short time to know their import.