Detective Ebenezer Gryce - Complete Murder-Mysteries Collection: 11 Novels in One Volume E-Book
Anna Katharine Green
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- Herausgeber: Booksell-Verlag
- Kategorie: Krimi
- Sprache: Englisch
In "Detective Ebenezer Gryce - Complete Murder-Mysteries Collection: 11 Novels in One Volume," Anna Katharine Green masterfully crafts a compendium of detective narratives that intricately weave suspense, psychological complexity, and deductive reasoning. This collection showcases Green's pioneering contributions to the mystery genre, characterized by meticulous attention to detail and the elegant style typical of 19th-century literature. Through the astute observations of her protagonist, Detective Gryce, the stories explore themes of justice, morality, and human psychology, situating them within the rich tapestry of early American crime fiction, paving the way for later luminaries such as Arthur Conan Doyle and Agatha Christie. Anna Katharine Green, often hailed as the mother of American detective fiction, was profoundly influenced by her legal background and her experiences in a society grappling with changing social mores. Her literary career, which burgeoned in the late 1800s, reflected a pressing need for formidable female characters and unique narrative structures in a male-dominated genre. By creating Detective Gryce, Green not only advanced the craft of plotting but also enriched the representation of women, an endeavor close to her heart. This remarkable collection is highly recommended for lovers of classic detective fiction and scholars alike, as it offers a thorough exploration of the genre's evolution through one of its most significant figures. Readers will find themselves captivated by the intricate plots and enlightening character studies, presenting an experience that is both intellectually stimulating and richly entertaining. In this enriched edition, we have carefully created added value for your reading experience: - A comprehensive Introduction outlines these selected works' unifying features, themes, or stylistic evolutions. - A Historical Context section situates the works in their broader era—social currents, cultural trends, and key events that underpin their creation. - A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists. - A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different work's strengths. - Reflection questions inspire deeper contemplation of the author's overarching message, inviting readers to draw connections among different texts and relate them to modern contexts. - Lastly, our hand‐picked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collection's central themes.
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Veröffentlichungsjahr: 2023
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Detective Ebenezer Gryce - Complete Murder-Mysteries Collection: 11 Novels in One Volume
Table of Contents
Introduction
This single-author collection gathers the complete cycle of murder-mystery novels featuring Detective Ebenezer Gryce by Anna Katharine Green. Spanning from The Leavenworth Case to The Mystery of the Hasty Arrow, the eleven works assembled here trace nearly four decades in the maturation of American detective fiction while following a persistent New York investigator through varied social and criminal landscapes. Presented in one volume, the series can be read continuously, revealing patterns of method, recurring associates, and evolving concerns. The purpose is both archival and experiential: to preserve a cornerstone of the genre and to offer readers an uninterrupted encounter with Green’s sustained achievement.
The contents of this volume are full-length novels of detective and mystery fiction. Each work is a sustained narrative that blends elements of police investigation, domestic intrigue, and, at times, legal and inquest proceedings. No short stories, poems, essays, plays, or letters are included; the collection focuses exclusively on prose novels that develop complex cases across multiple chapters and viewpoints. Within that shared form, Green varies structure and emphasis—some narratives foreground official procedure, others probe social settings and private households—yet all remain within the ambit of the novel, providing the room necessary for layered characterization, carefully planted clues, and cumulative suspense.
Read together, these novels reveal unifying themes that extend beyond any single case. Green repeatedly explores the intersection of public justice and private life, the pressures of reputation and inheritance, and the moral ambiguities that arise within households and institutions. Urban spaces—drawing rooms, boardinghouses, offices, museums—become theaters of secrecy and exposure, where small objects and casual gestures carry decisive weight. The series also reflects a sustained interest in observation, testimony, and the reliability of perception. Across the collection, social distinctions, gendered expectations, and the choreography of polite society serve as both camouflage and clue, shaping motives and framing the search for truth.
Stylistically, Green is marked by intricate plotting, fair but artfully disguised clueing, and a measured release of information through interviews, documents, and staged revelations. She varies narrative perspective—sometimes adopting a witness or collaborator’s viewpoint, at other times employing third-person narration—to modulate distance and surprise. Recurring figures enrich the tapestry: Amelia Butterworth, an acute society observer, and the younger operative Sweetwater bring complementary energies to Gryce’s patient methods. Settings are carefully furnished for investigative purpose; objects and spatial arrangements are charged with meaning. The cumulative effect is an atmosphere of steady, accumulating pressure that honors reasoned inquiry while acknowledging the opacity of human motive.
As a whole, the collection is significant for consolidating one of the earliest recurring police detectives in American literature and for demonstrating how the novel form could sustain a continuing investigative intelligence. Anna Katharine Green’s work helped stabilize conventions that later became central to the genre: the primacy of material clues, the interview as a dramatic engine, the strategic use of misdirection, and the eventual unveiling grounded in prior evidence. The Leavenworth Case established a durable template, and subsequent entries refine it without repetition. The result is both historically important and immediately readable, offering puzzles whose craftsmanship and social observation retain their force.
The variety within the series broadens its appeal while reinforcing shared concerns. The Leavenworth Case opens with a murder in a prominent New York household; A Strange Disappearance centers on a vanishing domestic; Hand and Ring and One of My Sons test family loyalties and public probity; That Affair Next Door and Lost Man’s Lane draw Amelia Butterworth into close partnership with official inquiry; The Circular Study deepens character interplay; The House of the Whispering Pines tightens the net around an enclosed setting; Initials Only turns on suggestive traces; and The Mystery of the Hasty Arrow moves to a museum, testing perception amid curated order.
Beyond convenience, this compendium offers a coherent pathway through Green’s evolving craft and the changing textures of American urban life. It facilitates comparative reading—of voices, structures, and investigative tactics—while preserving the continuity of a single fictional world anchored by Gryce’s steady presence. Scholars will find a consolidated foundation for studying early detective conventions; general readers will encounter sustained suspense joined to clear narrative logic and rich period detail. Taken together, these eleven novels show how a series can deepen through repetition without stasis, turning each new case into a fresh lens on character, community, and the long pursuit of justice.
Historical Context
Anna Katharine Green (1846–1935), born in Brooklyn, launched American series-detective fiction with Ebenezer Gryce in The Leavenworth Case (1878). Over nearly four decades she returned to Gryce across A Strange Disappearance (1880), The Sword of Damocles (1881), Hand and Ring (1883), That Affair Next Door (1897), Lost Man’s Lane (1898), The Circular Study (1900), One of My Sons (1901), The House of the Whispering Pines (1910), Initials Only (1911), and The Mystery of the Hasty Arrow (1917). After marrying actor–designer Charles Rohlfs in 1884, she settled in Buffalo while setting many plots in New York City and its environs, capturing the passage from the Gilded Age into the Progressive Era.
Green’s New York is the boomtown of the Gilded Age: brownstone rows, boardinghouses, law offices, and parlors of Fifth Avenue mansions pressed against overcrowded tenements. The Brooklyn Bridge opened in 1883; the consolidation of Greater New York in 1898 redefined municipal identity across Manhattan, Brooklyn, Queens, the Bronx, and Staten Island. Public institutions proliferated, including the Metropolitan Museum of Art (founded 1870) and the American Museum of Natural History (1869), emblematic settings for cultured crime. Her cases move between drawing rooms and precinct rooms, reflecting a city negotiating rapid growth, conspicuous wealth, and the daily frictions of servants, clerks, and immigrants living in close quarters.
Policing and forensic methods professionalized alongside her fiction. The New York City Police Department, established in 1845, modernized through the late nineteenth century with centralized record-keeping and Thomas Byrnes’s celebrated Rogues’ Gallery of mug shots in the 1880s. Coroners’ inquests, medical jurisprudence, and courtroom theatrics shaped public understanding of evidence, while the Bertillon system of anthropometric identification spread in the 1880s and fingerprinting gained official footholds in the United States in the early 1900s. Theodore Roosevelt’s tenure as Police Commissioner (1895–1897) symbolized reformist zeal. Gryce’s methodical attention to witnesses, timelines, and material traces mirrors these shifts from intuition to procedure in urban crime control.
Her career unfolded within a transatlantic detective tradition. Edgar Allan Poe’s tales (1840s), Wilkie Collins’s The Moonstone (1868), and Dickens’s Inspector Bucket in Bleak House (1853) set models that Green adapted to American law and manners; Arthur Conan Doyle’s Sherlock Holmes debuted in 1887 after Gryce. The expanding publishing economy—New York houses such as G. P. Putnam’s Sons, mass-circulation magazines, and lending libraries—broadened the readership for intricate plots. The International Copyright Act of 1891 regularized literary markets, while dime novels and pulp weeklies popularized rougher detective types like Nick Carter (from 1886). Green’s tightly clued, domestic yet legalistic designs answered a more respectable middle-class appetite.
Gender and the household were central to her era and to her plots. New York’s Married Women’s Property Acts (1848, 1860) and the rise of organized suffrage, culminating in the formation of NAWSA in 1890, reframed female autonomy. Within this context, Green crafted strong observers such as Amelia Butterworth—appearing beside Gryce from 1897 to 1900—as credible actors in detection. Domestic service was the largest urban employer of women in the 1880s and 1890s; governesses, seamstresses, and housemaids populate motives and alibis. The contrast between public male institutions and private female spaces allowed her to mine wills, marriages, inheritance law, and reputation as engines of crime.
Class conflict and mass immigration formed the social weather of her mysteries. Ellis Island opened in 1892, channeling millions into New York; tenement reform crested with Jacob Riis’s How the Other Half Lives (1890) and the Tenement House Act of 1901. Tammany Hall’s machine politics shaped policing and patronage, while private agencies like Pinkerton (founded 1850) influenced the image of detectives. Sensational trials—from the Lizzie Borden case (1892) to the Stanford White–Harry K. Thaw affair (1906)—fed newspaper appetite for crime narratives under Pulitzer’s World and Hearst’s Journal. Living in Buffalo after 1884, Green also wrote amid the Pan-American Exposition (1901) and McKinley’s assassination.
Technological change furnished both methods and mise-en-scène. Telegraphs and telephones (patented 1876) compressed time in investigations; electric lighting (Edison’s 1879 bulb) reshaped nocturnal cityscapes; elevators and apartment houses altered privacy. The Kodak camera (1888) and studio photography enhanced identification, while typewriters, carbon paper, and stenography standardized documents, signatures, and the trace evidence of initials and monograms. Transit advances—from elevated railways to the subway opening in 1904—expanded the city’s radius, as did commuter lines to Westchester and Long Island. Country resorts and Adirondack lodges, whispering pines and all, offered secluded stages for melodrama, balancing the museum, club, office, and townhouse interiors of Manhattan.
Spanning 1878 to 1917, the Gryce novels track America’s shift from Victorian certainties toward Progressive skepticism. Green’s recurring circle—Gryce, the keen amateur Amelia Butterworth, and the energetic operative Caleb Sweetwater—embodies a collaborative model of detection that blends police craft with civilian insight. Later critics and practitioners recognized her as a progenitor of clue-centered plotting that anticipated the interwar Golden Age. By the time The Mystery of the Hasty Arrow appeared in 1917, the United States was entering World War I, and modern science, bureaucracy, and media had fully transformed crime and its stories. Her oeuvre preserves the textures of that transformation.
Synopsis (Selection)
The Leavenworth Case
When a wealthy New York magnate is found shot in his library, Ebenezer Gryce and an earnest young lawyer untangle conflicting testimonies, a suspicious will, and delicate clues within the Leavenworth household.
A Strange Disappearance
The sudden vanishing of a domestic from a Fifth Avenue home draws Gryce into an inquiry that moves from servant quarters to society parlors, exposing concealed loyalties behind a seemingly simple disappearance.
The Mystery of the Hasty Arrow
A young woman is killed by an arrow inside a crowded museum, and Gryce—assisted by Sweetwater—reconstructs movements and motives to identify an unseen archer and the family history behind the attack.
The Sword of Damocles: A Story of New York Life
A chance event places a young woman's future in jeopardy as questions of identity, inheritance, and moral choice converge within a divided New York household, drawing official scrutiny to a web of private ties.
Hand and Ring
The murder of a reclusive woman and the discovery of a distinctive ring set off an investigation that pits Gryce and an ambitious prosecutor against a maze of alibis, social standing, and long-buried entanglements.
That Affair Next Door
Sharp-eyed society matron Amelia Butterworth witnesses suspicious comings and goings at a neighboring townhouse; partnering—sometimes contentiously—with Gryce, she helps dissect a drawing-room murder and its misleading clues.
Lost Man's Lane: A Second Episode in the Life of Amelia Butterworth
Summoned to a country estate shadowed by unexplained disappearances along a lonely road, Butterworth and Gryce probe a close-knit family and a pattern of nocturnal movements that point toward a hidden perpetrator.
The Circular Study
A man is found dead in a peculiar circular room, prompting Gryce, Butterworth, and Sweetwater to parse cryptic messages, family dynamics, and architectural quirks to explain how and why the crime was staged.
One of My Sons
After a family patriarch voices dark suspicions about his heirs, a sudden death turns his warning into a case; Gryce navigates rivalries among the sons, domestic staff, and confidants to isolate the hand behind the crime.
The House of the Whispering Pines
When a woman is discovered dead in a remote lodge, circumstantial evidence triggers a sensational trial; Gryce and Sweetwater pursue overlooked physical details to test the prosecution’s theory and uncover the truth.
Initials Only
A woman dies mysteriously in a public setting, leaving only a cryptic set of initials as a clue; Gryce and Sweetwater trace a series of linked incidents to expose an ingenious method and the motive behind it.
Detective Ebenezer Gryce - Complete Murder-Mysteries Collection: 11 Novels in One Volume
The Leavenworth Case
Book I. The Problem
Chapter I. “A Great Case”
I had been a junior partner in the firm of Veeley, Carr & Raymond, attorneys and counsellors at law, for about a year, when one morning, in the temporary absence of both Mr. Veeley and Mr. Carr, there came into our office a young man whose whole appearance was so indicative of haste and agitation that I involuntarily rose at his approach and impetuously inquired:
“What is the matter? You have no bad news to tell, I hope.”
“I have come to see Mr. Veeley; is he in?”
“No,” I replied; “he was unexpectedly called away this morning to Washington; cannot be home before to-morrow; but if you will make your business known to me——”
“To you, sir?” he repeated, turning a very cold but steady eye on mine; then, seeming to be satisfied with his scrutiny, continued, “There is no reason why I shouldn’t; my business is no secret. I came to inform him that Mr. Leavenworth is dead.”
“Mr. Leavenworth!” I exclaimed, falling back a step. Mr. Leavenworth was an old client of our firm, to say nothing of his being the particular friend of Mr. Veeley.
“Yes, murdered; shot through the head by some unknown person while sitting at his library table.”
“Shot! murdered!” I could scarcely believe my ears.
“How? when?” I gasped.
“Last night. At least, so we suppose. He was not found till this morning. I am Mr. Leavenworth’s private secretary,” he explained, “and live in the family. It was a dreadful shock,” he went on, “especially to the ladies.”
“Dreadful!” I repeated. “Mr. Veeley will be overwhelmed by it.”
“They are all alone,” he continued in a low businesslike way I afterwards found to be inseparable from the man; “the Misses Leavenworth, I mean—Mr. Leavenworth’s nieces; and as an inquest is to be held there to-day it is deemed proper for them to have some one present capable of advising them. As Mr. Veeley was their uncle’s best friend, they naturally sent me for him; but he being absent I am at a loss what to do or where to go.”
“I am a stranger to the ladies,” was my hesitating reply, “but if I can be of any assistance to them, my respect for their uncle is such——”
The expression of the secretary’s eye stopped me. Without seeming to wander from my face, its pupil had suddenly dilated till it appeared to embrace my whole person with its scope.
“I don’t know,” he finally remarked, a slight frown, testifying to the fact that he was not altogether pleased with the turn affairs were taking. “Perhaps it would be best. The ladies must not be left alone——”
“Say no more; I will go.” And, sitting down, I despatched a hurried message to Mr. Veeley, after which, and the few other preparations necessary, I accompanied the secretary to the street.
“Now,” said I, “tell me all you know of this frightful affair.”
“All I know? A few words will do that. I left him last night sitting as usual at his library table, and found him this morning, seated in the same place, almost in the same position, but with a bullet-hole in his head as large as the end of my little finger.”
“Dead?”
“Stone-dead.”
“Horrible!” I exclaimed. Then, after a moment, “Could it have been a suicide?”
“No. The pistol with which the deed was committed is not to be found.”
“But if it was a murder, there must have been some motive. Mr. Leavenworth was too benevolent a man to have enemies, and if robbery was intended——”
“There was no robbery. There is nothing missing,” he again interrupted. “The whole affair is a mystery.”
“A mystery?”
“An utter mystery.”
Turning, I looked at my informant curiously. The inmate of a house in which a mysterious murder had occurred was rather an interesting object. But the good-featured and yet totally unimpressive countenance of the man beside me offered but little basis for even the wildest imagination to work upon, and, glancing almost immediately away, I asked:
“Are the ladies very much overcome?”
He took at least a half-dozen steps before replying.
“It would be unnatural if they were not.” And whether it was the expression of his face at the time, or the nature of the reply itself, I felt that in speaking of these ladies to this uninteresting, self-possessed secretary of the late Mr. Leavenworth, I was somehow treading upon dangerous ground. As I had heard they were very accomplished women, I was not altogether pleased at this discovery. It was, therefore, with a certain consciousness of relief I saw a Fifth Avenue stage approach.
“We will defer our conversation,” said I. “Here’s the stage.”
But, once seated within it, we soon discovered that all intercourse upon such a subject was impossible. Employing the time, therefore, in running over in my mind what I knew of Mr. Leavenworth, I found that my knowledge was limited to the bare fact of his being a retired merchant of great wealth and fine social position who, in default of possessing children of his own, had taken into his home two nieces, one of whom had already been declared his heiress. To be sure, I had heard Mr. Veeley speak of his eccentricities, giving as an instance this very fact of his making a will in favor of one niece to the utter exclusion of the other; but of his habits of life and connection with the world at large, I knew little or nothing.
There was a great crowd in front of the house when we arrived there, and I had barely time to observe that it was a corner dwelling of unusual depth when I was seized by the throng and carried quite to the foot of the broad stone steps. Extricating myself, though with some difficulty, owing to the importunities of a bootblack and butcher-boy, who seemed to think that by clinging to my arms they might succeed in smuggling themselves into the house, I mounted the steps and, finding the secretary, by some unaccountable good fortune, close to my side, hurriedly rang the bell. Immediately the door opened, and a face I recognized as that of one of our city detectives appeared in the gap.
“Mr. Gryce!” I exclaimed.
“The same,” he replied. “Come in, Mr. Raymond.” And drawing us quietly into the house, he shut the door with a grim smile on the disappointed crowd without. “I trust you are not surprised to see me here,” said he, holding out his hand, with a side glance at my companion.
“No,” I returned. Then, with a vague idea that I ought to introduce the young man at my side, continued: “This is Mr. ——, Mr. ——, —excuse me, but I do not know your name,” I said inquiringly to my companion. “The private secretary of the late Mr. Leavenworth,” I hastened to add.
“Oh,” he returned, “the secretary! The coroner has been asking for you, sir.”
“The coroner is here, then?”
“Yes; the jury have just gone up-stairs to view the body; would you like to follow them?”
“No, it is not necessary. I have merely come in the hope of being of some assistance to the young ladies. Mr. Veeley is away.”
“And you thought the opportunity too good to be lost,” he went on; “just so. Still, now that you are here, and as the case promises to be a marked one, I should think that, as a rising young lawyer, you would wish to make yourself acquainted with it in all its details. But follow your own judgment.”
I made an effort and overcame my repugnance. “I will go,” said I.
“Very well, then, follow me.”
But just as I set foot on the stairs I heard the jury descending, so, drawing back with Mr. Gryce into a recess between the reception room and the parlor, I had time to remark:
“The young man says it could not have been the work of a burglar.”
“Indeed!” fixing his eye on a door-knob near by.
“That nothing has been found missing—”
“And that the fastenings to the house were all found secure this morning; just so.”
“He did not tell me that. In that case”—and I shuddered—“the murderer must have been in the house all night.”
Mr. Gryce smiled darkly at the door-knob.
“It has a dreadful look!” I exclaimed.
Mr. Gryce immediately frowned at the door-knob.
And here let me say that Mr. Gryce, the detective, was not the thin, wiry individual with the piercing eye you are doubtless expecting to see. On the contrary, Mr. Gryce was a portly, comfortable personage with an eye that never pierced, that did not even rest on you. If it rested anywhere, it was always on some insignificant object in the vicinity, some vase, inkstand, book, or button. These things he would seem to take into his confidence, make the repositories of his conclusions; but as for you—you might as well be the steeple on Trinity Church, for all connection you ever appeared to have with him or his thoughts. At present, then, Mr. Gryce was, as I have already suggested, on intimate terms with the door-knob.
“A dreadful look,” I repeated.
His eye shifted to the button on my sleeve.
“Come,” he said, “the coast is clear at last.”
Leading the way, he mounted the stairs, but stopped on the upper landing. “Mr. Raymond,” said he, “I am not in the habit of talking much about the secrets of my profession, but in this case everything depends upon getting the right clue at the start. We have no common villainy to deal with here; genius has been at work. Now sometimes an absolutely uninitiated mind will intuitively catch at something which the most highly trained intellect will miss. If such a thing should occur, remember that I am your man. Don’t go round talking, but come to me. For this is going to be a great case, mind you, a great case. Now, come on.”
“But the ladies?”
“They are in the rooms above; in grief, of course, but tolerably composed for all that, I hear.” And advancing to a door, he pushed it open and beckoned me in.
All was dark for a moment, but presently, my eyes becoming accustomed to the place, I saw that we were in the library.
“It was here he was found,” said he; “in this room and upon this very spot.” And advancing, he laid his hand on the end of a large baize-covered table that, together with its attendant chairs, occupied the centre of the room. “You see for yourself that it is directly opposite this door,” and, crossing the floor, he paused in front of the threshold of a narrow passageway, opening into a room beyond. “As the murdered man was discovered sitting in this chair, and consequently with his back towards the passageway, the assassin must have advanced through the doorway to deliver his shot, pausing, let us say, about here.” And Mr. Gryce planted his feet firmly upon a certain spot in the carpet, about a foot from the threshold before mentioned.
“But—” I hastened to interpose.
“There is no room for ‘but,’” he cried. “We have studied the situation.” And without deigning to dilate upon the subject, he turned immediately about and, stepping swiftly before me, led the way into the passage named. “Wine closet, clothes closet, washing apparatus, towel-rack,” he explained, waving his hand from side to side as we hurried through, finishing with “Mr. Leavenworth’s private apartment,” as that room of comfortable aspect opened upon us.
Mr. Leavenworth’s private apartment! It was here then that it ought to be, the horrible, blood-curdling it that yesterday was a living, breathing man. Advancing to the bed that was hung with heavy curtains, I raised my hand to put them back, when Mr. Gryce, drawing them from my clasp, disclosed lying upon the pillow a cold, calm face looking so natural I involuntarily started.
“His death was too sudden to distort the features,” he remarked, turning the head to one side in a way to make visible a ghastly wound in the back of the cranium. “Such a hole as that sends a man out of the world without much notice. The surgeon will convince you it could never have been inflicted by himself. It is a case of deliberate murder.”
Horrified, I drew hastily back, when my glance fell upon a door situated directly opposite me in the side of the wall towards the hall. It appeared to be the only outlet from the room, with the exception of the passage through which we had entered, and I could not help wondering if it was through this door the assassin had entered on his roundabout course to the library. But Mr. Gryce, seemingly observant of my glance, though his own was fixed upon the chandelier, made haste to remark, as if in reply to the inquiry in my face:
“Found locked on the inside; may have come that way and may not; we don’t pretend to say.”
Observing now that the bed was undisturbed in its arrangement, I remarked, “He had not retired, then?”
“No; the tragedy must be ten hours old. Time for the murderer to have studied the situation and provided for all contingencies.”
“The murderer? Whom do you suspect?” I whispered.
He looked impassively at the ring on my finger.
“Every one and nobody. It is not for me to suspect, but to detect.” And dropping the curtain into its former position he led me from the room.
The coroner’s inquest being now in session, I felt a strong desire to be present, so, requesting Mr. Gryce to inform the ladies that Mr. Veeley was absent from town, and that I had come as his substitute, to render them any assistance they might require on so melancholy an occasion, I proceeded to the large parlor below, and took my seat among the various persons there assembled.
Chapter II. The Coroner’s Inquest
For a few minutes I sat dazed by the sudden flood of light greeting me from the many open windows; then, as the strongly contrasting features of the scene before me began to impress themselves upon my consciousness, I found myself experiencing something of the same sensation of double personality which years before had followed an enforced use of ether. As at that time, I appeared to be living two lives at once: in two distinct places, with two separate sets of incidents going on; so now I seemed to be divided between two irreconcilable trains of thought; the gorgeous house, its elaborate furnishing, the little glimpses of yesterday’s life, as seen in the open piano, with its sheet of music held in place by a lady’s fan, occupying my attention fully as much as the aspect of the throng of incongruous and impatient people huddled about me.
Perhaps one reason of this lay in the extraordinary splendor of the room I was in; the glow of satin, glitter of bronze, and glimmer of marble meeting the eye at every turn. But I am rather inclined to think it was mainly due to the force and eloquence of a certain picture which confronted me from the opposite wall. A sweet picture—sweet enough and poetic enough to have been conceived by the most idealistic of artists: simple, too—the vision of a young flaxen-haired, blue-eyed coquette, dressed in the costume of the First Empire, standing in a wood-path, looking back over her shoulder at some one following—yet with such a dash of something not altogether saint-like in the corners of her meek eyes and baby-like lips, that it impressed me with the individuality of life. Had it not been for the open dress, with its waist almost beneath the armpits, the hair cut short on the forehead, and the perfection of the neck and shoulders, I should have taken it for a literal portrait of one of the ladies of the house. As it was, I could not rid myself of the idea that one, if not both, of Mr. Leavenworth’s nieces looked down upon me from the eyes of this entrancing blonde with the beckoning glance and forbidding hand. So vividly did this fancy impress me that I half shuddered as I looked, wondering if this sweet creature did not know what had occurred in this house since the happy yesterday; and if so, how she could stand there smiling so invitingly,—when suddenly I became aware that I had been watching the little crowd of men about me with as complete an absorption as if nothing else in the room had attracted my attention; that the face of the coroner, sternly intelligent and attentive, was as distinctly imprinted upon my mind as that of this lovely picture, or the clearer-cut and more noble features of the sculptured Psyche, shining in mellow beauty from the crimson-hung window at his right; yes, even that the various countenances of the jurymen clustered before me, commonplace and insignificant as most of them were; the trembling forms of the excited servants crowded into a far corner; and the still more disagreeable aspect of the pale-faced, seedy reporter, seated at a small table and writing with a ghoul-like avidity that made my flesh creep, were each and all as fixed an element in the remarkable scene before me as the splendor of the surroundings which made their presence such a nightmare of discord and unreality.
I have spoken of the coroner. As fortune would have it, he was no stranger to me. I had not only seen him before, but had held frequent conversation with him; in fact, knew him. His name was Hammond, and he was universally regarded as a man of more than ordinary acuteness, fully capable of conducting an important examination, with the necessary skill and address. Interested as I was, or rather was likely to be, in this particular inquiry, I could not but congratulate myself upon our good fortune in having so intelligent a coroner.
As for his jurymen, they were, as I have intimated, very much like all other bodies of a similar character. Picked up at random from the streets, but from such streets as the Fifth and Sixth Avenues, they presented much the same appearance of average intelligence and refinement as might be seen in the chance occupants of one of our city stages. Indeed, I marked but one amongst them all who seemed to take any interest in the inquiry as an inquiry; all the rest appearing to be actuated in the fulfilment of their duty by the commoner instincts of pity and indignation.
Dr. Maynard, the well-known surgeon of Thirty-sixth Street, was the first witness called. His testimony concerned the nature of the wound found in the murdered man’s head. As some of the facts presented by him are likely to prove of importance to us in our narrative, I will proceed to give a synopsis of what he said.
Prefacing his remarks with some account of himself, and the manner in which he had been summoned to the house by one of the servants, he went on to state that, upon his arrival, he found the deceased lying on a bed in the second-story front room, with the blood clotted about a pistol-wound in the back of the head; having evidently been carried there from the adjoining apartment some hours after death. It was the only wound discovered on the body, and having probed it, he had found and extracted the bullet which he now handed to the jury. It was lying in the brain, having entered at the base of the skull, passed obliquely upward, and at once struck the medulla oblongata, causing instant death. The fact of the ball having entered the brain in this peculiar manner he deemed worthy of note, since it would produce not only instantaneous death, but an utterly motionless one. Further, from the position of the bullet-hole and the direction taken by the bullet, it was manifestly impossible that the shot should have been fired by the man himself, even if the condition of the hair about the wound did not completely demonstrate the fact that the shot was fired from a point some three or four feet distant. Still further, considering the angle at which the bullet had entered the skull, it was evident that the deceased must not only have been seated at the time, a fact about which there could be no dispute, but he must also have been engaged in some occupation which drew his head forward. For, in order that a ball should enter the head of a man sitting erect at the angle seen here, of 45 degrees, it would be necessary, not only for the pistol to be held very low down, but in a peculiar position; while if the head had been bent forward, as in the act of writing, a man holding a pistol naturally with the elbow bent, might very easily fire a ball into the brain at the angle observed.
Upon being questioned in regard to the bodily health of Mr. Leavenworth, he replied that the deceased appeared to have been in good condition at the time of his death, but that, not being his attendant physician, he could not speak conclusively upon the subject without further examination; and, to the remark of a juryman, observed that he had not seen pistol or weapon lying upon the floor, or, indeed, anywhere else in either of the above-mentioned rooms.
I might as well add here what he afterwards stated, that from the position of the table, the chair, and the door behind it, the murderer, in order to satisfy all the conditions imposed by the situation, must have stood upon, or just within, the threshold of the passageway leading into the room beyond. Also, that as the ball was small, and from a rifled barrel, and thus especially liable to deflections while passing through bones and integuments, it seemed to him evident that the victim had made no effort to raise or turn his head when advanced upon by his destroyer; the fearful conclusion being that the footstep was an accustomed one, and the presence of its possessor in the room either known or expected.
The physician’s testimony being ended, the coroner picked up the bullet which had been laid on the table before him, and for a moment rolled it contemplatively between his fingers; then, drawing a pencil from his pocket, hastily scrawled a line or two on a piece of paper and, calling an officer to his side, delivered some command in a low tone. The officer, taking up the slip, looked at it for an instant knowingly, then catching up his hat left the room. Another moment, and the front door closed on him, and a wild halloo from the crowd of urchins without told of his appearance in the street. Sitting where I did, I had a full view of the corner. Looking out, I saw the officer stop there, hail a cab, hastily enter it, and disappear in the direction of Broadway.
Chapter III. Facts and Deductions
Turning my attention back into the room where I was, I found the coroner consulting a memorandum through a very impressive pair of gold eye-glasses.
“Is the butler here?” he asked.
Immediately there was a stir among the group of servants in the corner, and an intelligent-looking, though somewhat pompous, Irishman stepped out from their midst and confronted the jury. “Ah,” thought I to myself, as my glance encountered his precise whiskers, steady eye, and respectfully attentive, though by no means humble, expression, “here is a model servant, who is likely to prove a model witness.” And I was not mistaken; Thomas, the butler, was in all respects one in a thousand—and he knew it.
The coroner, upon whom, as upon all others in the room, he seemed to have made the like favorable impression, proceeded without hesitation to interrogate him.
“Your name, I am told, is Thomas Dougherty?”
“Yes, sir.”
“Well, Thomas, how long have you been employed in your present situation?”
“It must be a matter of two years now, sir.”
“You are the person who first discovered the body of Mr. Leavenworth?”
“Yes, sir; I and Mr. Harwell.”
“And who is Mr. Harwell?”
“Mr. Harwell is Mr. Leavenworth’s private secretary, sir; the one who did his writing.”
“Very good. Now at what time of the day or night did you make this discovery?”
“It was early, sir; early this morning, about eight.”
“And where?”
“In the library, sir, off Mr. Leavenworth’s bedroom. We had forced our way in, feeling anxious about his not coming to breakfast.”
“You forced your way in; the door was locked, then?”
“Yes, sir.”
“On the inside?”
“That I cannot tell; there was no key in the door.”
“Where was Mr. Leavenworth lying when you first found him?”
“He was not lying, sir. He was seated at the large table in the centre of his room, his back to the bedroom door, leaning forward, his head on his hands.”
“How was he dressed?”
“In his dinner suit, sir, just as he came from the table last night.”
“Were there any evidences in the room that a struggle had taken place?”
“No, sir.”
“Any pistol on the floor or table?”
“No, sir?”
“Any reason to suppose that robbery had been attempted?”
“No, sir. Mr. Leavenworth’s watch and purse were both in his pockets.”
Being asked to mention who were in the house at the time of the discovery, he replied, “The young ladies, Miss Mary Leavenworth and Miss Eleanore, Mr. Harwell, Kate the cook, Molly the upstairs girl, and myself.”
“The usual members of the household?”
“Yes, sir.”
“Now tell me whose duty it is to close up the house at night.”
“Mine, sir.”
“Did you secure it as usual, last night?”
“I did, sir.”
“Who unfastened it this morning?”
“I, sir.”
“How did you find it?”
“Just as I left it.”
“What, not a window open nor a door unlocked?”
“No, sir.”
By this time you could have heard a pin drop. The certainty that the murderer, whoever he was, had not left the house, at least till after it was opened in the morning, seemed to weigh upon all minds. Forewarned as I had been of the fact, I could not but feel a certain degree of emotion at having it thus brought before me; and, moving so as to bring the butler’s face within view, searched it for some secret token that he had spoken thus emphatically in order to cover up some failure of duty on his own part. But it was unmoved in its candor, and sustained the concentrated gaze of all in the room like a rock.
Being now asked when he had last seen Mr. Leavenworth alive, he replied, “At dinner last night.”
“He was, however, seen later by some of you?”
“Yes, sir; Mr. Harwell says he saw him as late as half-past ten in the evening.”
“What room do you occupy in this house?”
“A little one on the basement floor.”
“And where do the other members of the household sleep?”
“Mostly on the third floor, sir; the ladies in the large back rooms, and Mr. Harwell in the little one in front. The girls sleep above.”
“There was no one on the same floor with Mr. Leavenworth?”
“No, sir.”
“At what hour did you go to bed?”
“Well, I should say about eleven.”
“Did you hear any noise in the house either before or after that time, that you remember?”
“No, sir.”
“So that the discovery you made this morning was a surprise to you?”
“Yes, sir.”
Requested now to give a more detailed account of that discovery, he went on to say it was not till Mr. Leavenworth failed to come to his breakfast at the call of the bell that any suspicion arose in the house that all was not right. Even then they waited some little time before doing anything, but as minute after minute went by and he did not come, Miss Eleanore grew anxious, and finally left the room saying she would go and see what was the matter, but soon returned looking very much frightened, saying she had knocked at her uncle’s door, and had even called to him, but could get no answer. At which Mr. Harwell and himself had gone up and together tried both doors, and, finding them locked, burst open that of the library, when they came upon Mr. Leavenworth, as he had already said, sitting at the table, dead.
“And the ladies?”
“Oh, they followed us up and came into the room and Miss Eleanore fainted away.”
“And the other one,—Miss Mary, I believe they call her?”
“I don’t remember anything about her; I was so busy fetching water to restore Miss Eleanore, I didn’t notice.”
“Well, how long was it before Mr. Leavenworth was carried into the next room?”
“Almost immediate, as soon as Miss Eleanore recovered, and that was as soon as ever the water touched her lips.”
“Who proposed that the body should be carried from the spot?”
“She, sir. As soon as ever she stood up she went over to it and looked at it and shuddered, and then calling Mr. Harwell and me, bade us carry him in and lay him on the bed and go for the doctor, which we did.”
“Wait a moment; did she go with you when you went into the other room?”
“No, sir.”
“What did she do?”
“She stayed by the library table.”
“What doing?”
“I couldn’t see; her back was to me.”
“How long did she stay there?”
“She was gone when we came back.”
“Gone from the table?”
“Gone from the room.”
“Humph! when did you see her again?”
“In a minute. She came in at the library door as we went out.”
“Anything in her hand?”
“Not as I see.”
“Did you miss anything from the table?”
“I never thought to look, sir. The table was nothing to me. I was only thinking of going for the doctor, though I knew it was of no use.”
“Whom did you leave in the room when you went out?”
“The cook, sir, and Molly, sir, and Miss Eleanore.”
“Not Miss Mary?”
“No, sir.”
“Very well. Have the jury any questions to put to this man?”
A movement at once took place in that profound body.
“I should like to ask a few,” exclaimed a weazen-faced, excitable little man whom I had before noticed shifting in his seat in a restless manner strongly suggestive of an intense but hitherto repressed desire to interrupt the proceedings.
“Very well, sir,” returned Thomas.
But the juryman stopping to draw a deep breath, a large and decidedly pompous man who sat at his right hand seized the opportunity to inquire in a round, listen-to-me sort of voice:
“You say you have been in the family for two years. Was it what you might call a united family?”
“United?”
“Affectionate, you know,—on good terms with each other.” And the juryman lifted the very long and heavy watch-chain that hung across his vest as if that as well as himself had a right to a suitable and well-considered reply.
The butler, impressed perhaps by his manner, glanced uneasily around. “Yes, sir, so far as I know.”
“The young ladies were attached to their uncle?”
“O yes, sir.”
“And to each other?”
“Well, yes, I suppose so; it’s not for me to say.”
“You suppose so. Have you any reason to think otherwise?” And he doubled the watch-chain about his fingers as if he would double its attention as well as his own.
Thomas hesitated a moment. But just as his interlocutor was about to repeat his question, he drew himself up into a rather stiff and formal attitude and replied:
“Well, sir, no.”
The juryman, for all his self-assertion, seemed to respect the reticence of a servant who declined to give his opinion in regard to such a matter, and drawing complacently back, signified with a wave of his hand that he had no more to say.
Immediately the excitable little man, before mentioned, slipped forward to the edge of his chair and asked, this time without hesitation: “At what time did you unfasten the house this morning?”
“About six, sir.”
“Now, could any one leave the house after that time without your knowledge?”
Thomas glanced a trifle uneasily at his fellow-servants, but answered up promptly and as if without reserve;
“I don’t think it would be possible for anybody to leave this house after six in the morning without either myself or the cook’s knowing of it. Folks don’t jump from second-story windows in broad daylight, and as to leaving by the doors, the front door closes with such a slam all the house can hear it from top to bottom, and as for the back-door, no one that goes out of that can get clear of the yard without going by the kitchen window, and no one can go by our kitchen window without the cook’s a-seeing of them, that I can just swear to.” And he cast a half-quizzing, half-malicious look at the round, red-faced individual in question, strongly suggestive of late and unforgotten bickerings over the kitchen coffee-urn and castor.
This reply, which was of a nature calculated to deepen the forebodings which had already settled upon the minds of those present, produced a visible effect. The house found locked, and no one seen to leave it! Evidently, then, we had not far to look for the assassin.
Shifting on his chair with increased fervor, if I may so speak, the juryman glanced sharply around. But perceiving the renewed interest in the faces about him, declined to weaken the effect of the last admission, by any further questions. Settling, therefore, comfortably back, he left the field open for any other juror who might choose to press the inquiry. But no one seeming to be ready to do this, Thomas in his turn evinced impatience, and at last, looking respectfully around, inquired:
“Would any other gentleman like to ask me anything?”
No one replying, he threw a hurried glance of relief towards the servants at his side, then, while each one marvelled at the sudden change that had taken place in his countenance, withdrew with an eager alacrity and evident satisfaction for which I could not at the moment account.
But the next witness proving to be none other than my acquaintance of the morning, Mr. Harwell, I soon forgot both Thomas and the doubts his last movement had awakened, in the interest which the examination of so important a person as the secretary and right-hand man of Mr. Leavenworth was likely to create.
Advancing with the calm and determined air of one who realized that life and death itself might hang upon his words, Mr. Harwell took his stand before the jury with a degree of dignity not only highly prepossessing in itself, but to me, who had not been over and above pleased with him in our first interview, admirable and surprising. Lacking, as I have said, any distinctive quality of face or form agreeable or otherwise—being what you might call in appearance a negative sort of person, his pale, regular features, dark, well-smoothed hair and simple whiskers, all belonging to a recognized type and very commonplace—there was still visible, on this occasion at least, a certain self-possession in his carriage, which went far towards making up for the want of impressiveness in his countenance and expression. Not that even this was in any way remarkable. Indeed, there was nothing remarkable about the man, any more than there is about a thousand others you meet every day on Broadway, unless you except the look of concentration and solemnity which pervaded his whole person; a solemnity which at this time would not have been noticeable, perhaps, if it had not appeared to be the habitual expression of one who in his short life had seen more of sorrow than joy, less of pleasure than care and anxiety.
The coroner, to whom his appearance one way or the other seemed to be a matter of no moment, addressed him immediately and without reserve:
“Your name?”
“James Trueman Harwell.”
“Your business?”
“I have occupied the position of private secretary and amanuensis to Mr. Leavenworth for the past eight months.”
“You are the person who last saw Mr. Leavenworth alive, are you not?”
The young man raised his head with a haughty gesture which well-nigh transfigured it.
“Certainly not, as I am not the man who killed him.”
This answer, which seemed to introduce something akin to levity or badinage into an examination the seriousness of which we were all beginning to realize, produced an immediate revulsion of feeling toward the man who, in face of facts revealed and to be revealed, could so lightly make use of it. A hum of disapproval swept through the room, and in that one remark, James Harwell lost all that he had previously won by the self-possession of his bearing and the unflinching regard of his eye. He seemed himself to realize this, for he lifted his head still higher, though his general aspect remained unchanged.
“I mean,” the coroner exclaimed, evidently nettled that the young man had been able to draw such a conclusion from his words, “that you were the last one to see him previous to his assassination by some unknown individual?”
The secretary folded his arms, whether to hide a certain tremble which had seized him, or by that simple action to gain time for a moment’s further thought, I could not then determine. “Sir,” he replied at length, “I cannot answer yes or no to that question. In all probability I was the last to see him in good health and spirits, but in a house as large as this I cannot be sure of even so simple a fact as that.” Then, observing the unsatisfied look on the faces around, added slowly, “It is my business to see him late.”
“Your business? Oh, as his secretary, I suppose?”
He gravely nodded.
“Mr. Harwell,” the coroner went on, “the office of private secretary in this country is not a common one. Will you explain to us what your duties were in that capacity; in short, what use Mr. Leavenworth had for such an assistant and how he employed you?”
“Certainly. Mr. Leavenworth was, as you perhaps know, a man of great wealth. Connected with various societies, clubs, institutions, etc., besides being known far and near as a giving man, he was accustomed every day of his life to receive numerous letters, begging and otherwise, which it was my business to open and answer, his private correspondence always bearing a mark upon it which distinguished it from the rest. But this was not all I was expected to do. Having in his early life been engaged in the tea-trade, he had made more than one voyage to China, and was consequently much interested in the question of international communication between that country and our own. Thinking that in his various visits there, he had learned much which, if known to the American people, would conduce to our better understanding of the nation, its peculiarities, and the best manner of dealing with it, he has been engaged for some time in writing a book on the subject, which same it has been my business for the last eight months to assist him in preparing, by writing at his dictation three hours out of the twenty-four, the last hour being commonly taken from the evening, say from half-past nine to half-past ten, Mr. Leavenworth being a very methodical man and accustomed to regulate his own life and that of those about him with almost mathematical precision.”
“You say you were accustomed to write at his dictation evenings? Did you do this as usual last evening?”
“I did, sir.”
“What can you tell us of his manner and appearance at the time? Were they in any way unusual?”
A frown crossed the secretary’s brow.
“As he probably had no premonition of his doom, why should there have been any change in his manner?”
This giving the coroner an opportunity to revenge himself for his discomfiture of a moment before, he said somewhat severely:
“It is the business of a witness to answer questions, not to put them.”
The secretary flushed and the account stood even.
“Very well, then, sir; if Mr. Leavenworth felt any forebodings of his end, he did not reveal them to me. On the contrary, he seemed to be more absorbed in his work than usual. One of the last words he said to me was, ‘In a month we will have this book in press, eh, Trueman?’ I remember this particularly, as he was filling his wine-glass at the time. He always drank one glass of wine before retiring, it being my duty to bring the decanter of sherry from the closet the last thing before leaving him. I was standing with my hand on the knob of the hall-door, but advanced as he said this and replied, ‘I hope so, indeed, Mr. Leavenworth.’ ‘Then join me in drinking a glass of sherry,’ said he, motioning me to procure another glass from the closet. I did so, and he poured me out the wine with his own hand. I am not especially fond of sherry, but the occasion was a pleasant one and I drained my glass. I remember being slightly ashamed of doing so, for Mr. Leavenworth set his down half full. It was half full when we found him this morning.”
Do what he would, and being a reserved man he appeared anxious to control his emotion, the horror of his first shock seemed to overwhelm him here. Pulling his handkerchief from his pocket, he wiped his forehead. “Gentlemen, that is the last action of Mr. Leavenworth I ever saw. As he set the glass down on the table, I said good-night to him and left the room.”
The coroner, with a characteristic imperviousness to all expressions of emotion, leaned back and surveyed the young man with a scrutinizing glance. “And where did you go then?” he asked.
“To my own room.”
“Did you meet anybody on the way?”
“No, sir.”
“Hear any thing or see anything unusual?”
The secretary’s voice fell a trifle. “No, sir.”
“Mr. Harwell, think again. Are you ready to swear that you neither met anybody, heard anybody, nor saw anything which lingers yet in your memory as unusual?”
His face grew quite distressed. Twice he opened his lips to speak, and as often closed them without doing so. At last, with an effort, he replied:
“I saw one thing, a little thing, too slight to mention, but it was unusual, and I could not help thinking of it when you spoke.”
“What was it?”
“Only a door half open.”
“Whose door?”
“Miss Eleanore Leavenworth’s.” His voice was almost a whisper now.
“Where were you when you observed this fact?”
“I cannot say exactly. Probably at my own door, as I did not stop on the way. If this frightful occurrence had not taken place I should never have thought of it again.”
“When you went into your room did you close your door?”
“I did, sir.”
“How soon did you retire?”
“Immediately.”
“Did you hear nothing before you fell asleep?”
Again that indefinable hesitation.
“Barely nothing.”
“Not a footstep in the hall?”
“I might have heard a footstep.”
“Did you?”
“I cannot swear I did.”
“Do you think you did?”
“Yes, I think I did. To tell the whole: I remember hearing, just as I was falling into a doze, a rustle and a footstep in the hall; but it made no impression upon me, and I dropped asleep.”
“Well?”
“Some time later I woke, woke suddenly, as if something had startled me, but what, a noise or move, I cannot say. I remember rising up in my bed and looking around, but hearing nothing further, soon yielded to the drowsiness which possessed me and fell into a deep sleep. I did not wake again till morning.”
Here requested to relate how and when he became acquainted with the fact of the murder, he substantiated, in all particulars, the account of the matter already given by the butler; which subject being exhausted, the coroner went on to ask if he had noted the condition of the library table after the body had been removed.
“Somewhat; yes, sir.”
“What was on it?”
“The usual properties, sir, books, paper, a pen with the ink dried on it, besides the decanter and the wineglass from which he drank the night before.”
“Nothing more?”
“I remember nothing more.”
“In regard to that decanter and glass,” broke in the juryman of the watch and chain, “did you not say that the latter was found in the same condition in which you saw it at the time you left Mr. Leavenworth sitting in his library?”
“Yes, sir, very much.”
“Yet he was in the habit of drinking a full glass?”
“Yes, sir.”
“An interruption must then have ensued very close upon your departure, Mr. Harwell.”
A cold bluish pallor suddenly broke out upon the young man’s face. He started, and for a moment looked as if struck by some horrible thought. “That does not follow, sir,” he articulated with some difficulty. “Mr. Leavenworth might—” but suddenly stopped, as if too much distressed to proceed.
“Go on, Mr. Harwell, let us hear what you have to say.”
“There is nothing,” he returned faintly, as if battling with some strong emotion.
As he had not been answering a question, only volunteering an explanation, the coroner let it pass; but I saw more than one pair of eyes roll suspiciously from side to side, as if many there felt that some sort of clue had been offered them in this man’s emotion. The coroner, ignoring in his easy way both the emotion and the universal excitement it had produced, now proceeded to ask: “Do you know whether the key to the library was in its place when you left the room last night?”
“No, sir; I did not notice.”
“The presumption is, it was?”
“I suppose so.”
“At all events, the door was locked in the morning, and the key gone?”
“Yes, sir.”
“Then whoever committed this murder locked the door on passing out, and took away the key?”
“It would seem so.”
The coroner turning, faced the jury with an earnest look. “Gentlemen,” said he, “there seems to be a mystery in regard to this key which must be looked into.”
Immediately a universal murmur swept through the room, testifying to the acquiescence of all present. The little juryman hastily rising proposed that an instant search should be made for it; but the coroner, turning upon him with what I should denominate as a quelling look, decided that the inquest should proceed in the usual manner, till the verbal testimony was all in.
“Then allow me to ask a question,” again volunteered the irrepressible. “Mr. Harwell, we are told that upon the breaking in of the library door this morning, Mr. Leavenworth’s two nieces followed you into the room.”
“One of them, sir, Miss Eleanore.”
“Is Miss Eleanore the one who is said to be Mr. Leavenworth’s sole heiress?” the coroner here interposed.
