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Eye of the Hare affirms a spirituality for healing a shattered world. In a richly textured collection, layered with Biblical echoes and the music of the Psalms, John F. Deane explores the possibilities of poetry to redress the failures of care towards the planet and the needs of society. Deane revives the language of sacrament and celebration with raw and tender grace; in sonnets, narratives and lyrics Eye of the Hare advances towards redemption. In the book's final section, Deane honours the places and landscapes of Achill, that beautiful, demanding island off the west coast of Ireland.
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Veröffentlichungsjahr: 2011
JOHN F. DEANE
For Laura,
Catherine & Mary
The Furrow, The SHOp, RTÉ Sunday Miscellany, Poetry Review (UK), PN Review (UK), World Literature Today (USA), The Warwick Review (UK), Harvard Divinity Bulletin (USA), RTÉ Living Word, Image Magazine (USA), The Irish Times, Southword, Temenos (UK), La traductière (France), The Forward Book of Poetry 2010 (Faber, 2009), From the Marrow-Bone (Columba Press, 2008).
A limited edition book, ‘Achill: The Island’, was published by Red Fox Press (www.redfoxpress.com) in 2009.
The Poem ‘Shoemaker’ was awarded the Gregory O’Donoghue International Poetry Prize 2009.
Some of the poems appeared in The Wake Forest Series of Irish Poetry, Volume 2 (Wake Forest University Press, 2009).
Title Page
Dedication
Acknowledgements
One
Travelling Man
Public House
Shelf Life
The Marble Rail
The Tombs
On the Edge
Still Life
Bats
Eye of the Hare
Cedar
The Disappointed
Who Have Gone Before
Song of the Suffering Servant
Chewing on Stones
Lives of the Minor Poets
Abundance
Two
Edge of the Known World
Paris
The Colours
The Colliers
The Colliery
Words of the Unknown Soldier
Down to the Shore
Sissie
Roots
Shoemaker
Almost
The Garden, Waiting
Shorewards
The Hare
Birds, Beasts and Buttercups
World, Flesh and Devil
Three
Between Worlds
Mayo Theology
The Great Skellig
Sheets
Riddle
Weeds and Wilderness
Piano
Well-Tempered Clavier
Bikes
Ever This Night
Footfalls
Midsummer Poem
Mimizan Plage
More
Body Parts
In the Dark Wood
Sketch for the Statue of a Slave
Body Parts
The Caves
Wings
Snow
Dusk
Four
Achill: The Island
Gob an Choire: The Sound
The Major
Sraheens: na Sraithníní: Small Holms
Derreens: Small Woods
Cloghmore: Big Stone
Bunafahy: Lower Grassland
Bunnacurry
The Monastery
Purteen Harbour
Inishgalloon
Trawmore: Big Strand
An Caol: Keel
Slievemore: Big Mountain
The Heinrich Böll Cottage
Also by John F. Deane from Carcanet Press
About the Author
Copyright
I was sitting in the waiting lounge, watching out onto the apron.
There were, as usual, works,
men in hard hats, yellow orange blue, with trucks and JCBs and such
chaos everywhere you would wonder if there could be
anyone in charge.
An Exxon Mobil aviation-fuel truck went by;
I heard its thundering through the thick-glass window,
felt the floor
shuddering and I thought
of the earthedness of islands, of grandmother kneading dough
for her apple and blackberry tart,
a small flouring through the hairs on her arms. Thought, too,
of the island crossroads on a Fair day, loud voices greeting,
animals skittering, the agreeable
racketing of hooves and cart-wheels across the tarred road;
left, to Keel, right to Achill Sound, long silences between passings,
and the sea, in the near distance, sounding.
Here, in Heathrow, Terminal 2, an organised confusion, an all-ways
drift and hurrying, chattering, baby-cries; alarming
head-shapes and body-forms,
children calling out in babelish grunts and noises;
left, to Athens, Düsseldorf, Algiers, right
to Munich, Sibiu and – later – home.
Then I was thirty thousand feet above the fields and towns of
Europe,
on a pitted and upflung untarred highway of air, the craft
pitched to left, to right,
like the twig I floated down the drain after a heavy
summer shower, and I thought once more of the hold,
the bold solidity, of islands
for how can you forget the sea
sounding perpetually within you, its lift
and fall, its lift
and fall, for I have come from far from such earthedness
where you may go down through layer and layer of man-bone,
of fish-bone, fish-clay, shale and scale,
from the washed-out dust of mountains, down to original molluscs
and the shaking fingers of the God.
It stood, discreet, amongst honest houses,
porter barrels tolling by the wall outside; within,
a flagstone floor, a fudge of smoke and hawking,
the round man behind the bar taciturn, graceless;
mother said it was the heaving weather of original sin
drew him in, for we are transients, pilgrims, falling
to our knees at times before unholy shrines. Began,
for him, as a faltering of resolution and he ducked,
disarmed, into the darkness, as the will falls
like a green bottle smashing itself against the flags.
But there were times, countering it, he crossed
the highest furrows of the mountainside, hunting
for goat, its wild slithering, its grazing; the bullet
in the flesh-flank of the beast was a love-song
and a gesture of despair. He stood to watch
the richening gold-light on the corrie hill,
a heaven-beam, Genesis-feet, that moved across
the mountain-side; and stood to listen to the gulls
in the next-door harbour at their disputations
speak the week’s histories of calamitous events:
the tarnished china of a sheepskull and the windy
acres of its eyes, the battling through against harsh days.
Thislife, say the gulls, is that unstable province
where we scavenge behind the trawlers’ arabesques,
while the human dead are taken down
into the heaving, unlit corrie
of the waves, where they fall, disarmed and slow,
down, down out of all weathers, down, like seeds.