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- Herausgeber: DigiCat
- Kategorie: Sachliteratur, Reportagen, Biografien
- Sprache: Englisch
In "Giordano Bruno," Walter Pater delves into the life and philosophical contributions of the enigmatic Renaissance thinker and martyr, Giordano Bruno. Through a meticulous blend of literary critique and biographical narrative, Pater employs an impressionistic style to explore themes of infinite universe, the nature of existence, and the power of individual thought. The book is situated within the context of the 19th-century aesthetic movement, where Pater's emphasis on sensory experience and intellectual exploration challenges convention, echoing Bruno's own defiance against dogma and authority. Walter Pater, a prominent figure of the aesthetic movement, was deeply influenced by his background in classics and philosophy, which informed his appreciation for Renaissance humanism. His scholarly pursuits led him to Bruno—a figure emblematic of intellectual liberation and the pursuit of truth in an era of intense theological conflict. Pater's engagement with Bruno's radical ideas reflects his own quest for artistic and personal freedom, making the book both a homage and a critical exploration. This compelling work is recommended for readers interested in philosophical thought, Renaissance history, and the interplay between art and intellect. Pater not only illuminates Bruno's profound ideas but also invites readers to reflect on the broader implications of free thought and creativity in their own lives.
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Veröffentlichungsjahr: 2022
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Giordano Bruno
Table of Contents
GIORDANO BRUNO, PARIS: 1586.+
WALTER HORATIO PATER
"Jetzo, da ich ausgewachsen, Viel gelesen, viel gereist, Schwillt mein Herz, und ganz von Herzen, Glaub' ich an den Heilgen Geist."—Heine+
[234] IT was on the afternoon of the Feast of Pentecost that news of the death of Charles the Ninth went abroad promptly. To his successor the day became a sweet one, to be noted unmistakably by various pious and other observances; and it was on a Whit-Sunday afternoon that curious Parisians had the opportunity of listening to one who, as if with some intentional new version of the sacred event then commemorated, had a great deal to say concerning the Spirit; above all, of the freedom, the independence of its operation. The speaker, though understood to be a brother of the Order of St. Dominic, had not been present at the mass—the usual university mass, De Spiritu Sancto, said to-day according to the natural course of the season in the chapel of the Sorbonne, by the Italian Bishop of Paris. It was the reign of the Italians just then, a doubly refined, somewhat morbid, somewhat ash-coloured, Italy in France, more Italian still. Men of Italian birth, "to the great suspicion of simple people," swarmed in Paris, already "flightier, less constant, than the girouettes on its steeples," and it was love for Italian fashions that had brought king and courtiers here to-day, with great eclat, as they said, frizzed and starched, in the beautiful, minutely considered dress of the moment, pressing the university into a perhaps not unmerited background; for the promised speaker, about whom tongues had been busy, not only in the Latin quarter, had come from Italy. In an age in which all things about which Parisians much cared must be Italian there might be a hearing for Italian philosophy. Courtiers at least would understand Italian, and this speaker was rumoured to possess in perfection all the curious arts of his native language. And of all the kingly qualities of Henry's youth, the single one that had held by him was that gift of eloquence, which he was able also to value in others—inherited perhaps; for in all the contemporary and subsequent historic gossip about his mother, the two things certain are, that the hands credited with so much mysterious ill-doing were fine ones, and that she was an admirable speaker.
