Haunted London
Haunted LondonHAUNTED LONDONPREFACE.CHAPTER I.CHAPTER II.CHAPTER III.CHAPTER IV.CHAPTER V.CHAPTER VI.CHAPTER VII.CHAPTER VIII.CHAPTER IX.CHAPTER X.CHAPTER XI.CHAPTER XII.CHAPTER XIII.CHAPTER XIV.APPENDIX.Footnotes:Copyright
Haunted London
Walter Thornbury
HAUNTED LONDON
Dr. Johnson’s Opinions of London.—“It is not
in the showy evolution of buildings, but in the multiplicity of
human habitations, that the wonderful immensity of London
consists.... The happiness of London is not to be conceived but by
those who have been in it. I will venture to say there is more
learning and science within the circumference of where we now sit
than in all the rest of the kingdom.... A man stores his mind [in
London] better than anywhere else.... No place cures a man’s vanity
or arrogance so well as London, for no man is either great or
good,per se, but as compared with others,
not so good or great, and he is sure to find in the metropolis many
his equals and some his superiors.... No man of letters leaves
London without regret.... By seeing London I have seen as much of
life as the world can show.... When a man is tired of London he is
tired of life, for there is in London all life can afford, and
[London] is the fountain of intelligence and
pleasure.”—Boswell’s Life of
Johnson.Boswell’s
Opinion of London.—“I have often amused myself with thinking how
different a place London is to different people. They whose narrow
minds are contracted to the consideration of some one particular
pursuit, view it only through that medium, a politician thinks of
it merely as the seat of government, etc.; but the intellectual man
is struck with itas comprehending the whole of human
life in all its variety, the contemplation of which is
inexhaustible.”—Boswell’s Life of
Johnson(Croker, 1848), p.
144.
PREFACE.
This book deals less with the London of the ghost-stories,
the scratching impostor in Cock Lane, or the apparition of Parson
Ford at the Hummums, than with the London consecrated by manifold
traditions—a city every street and alley of which teems with
interesting associations, every paving-stone of which marks, as it
were, the abiding-place of some ancient legend or biographical
story; in short, this London of the present haunted by the memories
of the past.The slow changes of time, the swifter destructions of
improvement, and the inevitable necessities of modern civilisation,
are rapidly remodelling London.It took centuries to turn the bright, swift little rivulet of
the Fleet into a fœtid sewer, years to transform the palace at
Bridewell into a prison; but events now move faster: the alliance
of money with enterprise, and the absence of any organised
resistance to needful though sometimes reckless improvements, all
combine to hurry forward modern changes.If an alderman of the last century could arise from his
sleep, he would shudder to see the scars and wounds from which
London is now suffering. Viaducts stalk over our chief roads; great
square tubes of iron lie heavy as nightmares on the breast of
Ludgate Hill. In Finsbury and Blackfriars there are now to be seen
yawning chasms as large and ghastly as any that breaching cannon
ever effected in the walls of a besieged city. On every hand
legendary houses, great men’s birthplaces, the haunts of poets, the
scenes of martyrdoms, and the battle-fields of old factions, heave
and totter around us. The tombs of great men, in the chinks of
which the nettles have grown undisturbed ever since the Great Fire,
are now being uprooted. Milton’s house has become part of
thePunchoffice. A printing
machine clanks where Chatterton was buried. Almost every moment
some building worthy of record is shattered by the pickaxes of
ruthless labourers. The noise of falling houses and uprooted
streets even now in my ears tells me how busily Time, the Destroyer
and the Improver, is working; erasing tombstones, blotting out
names on street-doors, battering down narrow thoroughfares, and
effacing one by one the memories of the good, the bad, the
illustrious, and the infamous.A sincere love of the subject, and a strong conviction of the
importance of the preservation of such facts as I have dredged up
from the Sea of Oblivion, have given me heart for my work. The
gradual changes of Old London, and the progress of civilisation
westward, are worth noting by all students of the social history of
England. It will be found that many traits of character, many
anecdotes of interest, as illustrating biography, are essentially
connected with the habitations of the great men who have either
been born in London, or have resorted to it as the centre of
progress, art, commerce, government, learning, and culture. The
fact of the residence of a poet, a painter, a lawyer, or even a
rogue, at any definite date, will often serve to point out the
social status he either aimed at or had acquired. It helps also to
show the exact relative distinctions in fashion and popularity of
different parts of London at particular epochs, and contributes to
form an illustrated history of London, proceeding not by mere
progression of time, and dealing with the abstract city—the whole
entity of London—but marching through street after street, and
detailing local history by districts at a time.A century after the martyrs of the Covenant had shed their
blood for the good old cause, an aged man, mounted on a little
rough pony, used periodically to make the tour of their graves;
with a humble and pious care he would scrape out the damp green
moss that filled up the letters once so sharp and clear, cut away
the thorny arches of the brambles, tread down the thick, prickly
undergrowth of nettles, and leave the brave names of the dead men
open to the sunlight. It is something like this that I have sought
to do with London traditions.I have especially avoided, in every case, mixing truth with
fiction. I have never failed to give, where it was practicable, the
actual words of my authorities, rather than run the risk of warping
or distorting a quotation even by accident, or losing the flavour
and charm of original testimony. Aware of the paramount value of
sound and verified facts, I have not stopped to play with words and
colours, nor to sketch imaginary groups and processions. Such
pictures are often false and only mislead; but a fact proved,
illustrated, and rendered accessible by index and heading, is,
however unpretentious, a contribution to history, and has with
certain inquirers a value that no time can lesson.In a comprehensive work, dealing with so many thousand dates,
and introducing on the stage so many human beings, it is almost
impossible to have escaped errors. I can only plead for myself that
I have spared no pains to discover the truth. I have had but one
object in view, that of rendering a walk through London a journey
of interest and of pilgrimage to many shrines.In some cases I have intentionally passed over, or all but
passed over, outlying streets that I thought belonged more
especially to districts alien to my present plan. Maiden Lane, for
example, with its memories of Voltaire, Marvell, and Turner,
belongs rather to a chapter on Covent Garden, of which it is a
palpable appanage; and Chancery Lane I have left till I come to
Fleet Street.I should be ungrateful indeed if, in conclusion, I did not
thank Mr. Fairholt warmly for his careful and valuable drawings on
wood. To that accomplished antiquary I am indebted, as my readers
will see, for several original sketches of bygone places, and for
many curious illustrations which I should certainly not have
obtained without the aid of his learning and research.
CHAPTER I.
INTRODUCTION.One day when Fuseli and Haydon were walking together, they
reached the summit of a hill whence they could catch a glimpse of
St. Paul’s.There was the grey dome looming out by fits through
rolling drifts of murky smoke. The two little lion-like men stood
watching “the sublime canopy that shrouds the city of the
world.”[1]Now it spread and seethed
like the incense from Moloch’s furnace; now it lifted and thinned
into the purer blue, like the waft of some great sacrifice, or
settled down to deeper and gloomier grandeur over “the vastness of
modern Babylon.” That brown cloud hid a huge ants’ nest teeming
with three millions of people. That dome, with its golden coronet
and cross, rose like the globe in an emperor’s hand—a type of the
civilisation, and power, and Christianity of
England.The hearts of the two men beat faster at the great
sight.
“ Be George!” said Fuseli, shaking his white hair and
stamping his little foot, “be George! sir, it’s like the smoke of
the Israelites making bricks for the Egyptians.”
“ It is grander, Fuseli,” said Haydon, “for it is the
smoke of a people who wouldhave made the
Egyptians make bricks for them.”It is of the multitudinous streets of this more than Egyptian
city, their traditions, and their past and present inhabitants,
that I would now write. I shall not pass by many houses where any
eminent men dwell or dwelt, without some biographical anecdote,
some epigram, some illustration; yet I will not stop long at any
door, because so many others await me. I have “set down,” I hope,
“nought in malice.” Truth I trust has been, and truth alone shall
be, my object. I shall stay at Charing Cross to point out the
heroism of the dying regicides; I shall pause at Whitehall to
narrate some redeeming traits even in the character of a wilful
king.The growth of London, and its conquest of suburb after
suburb, has roused the imagination of poets and essayists ever
since the days of Queen Elizabeth.When James I. forbade the building of fresh houses outside
London walls, he little foresaw the time when the City would become
almost impassable; when practical men would burrow roads under
ground, or make subterranean railways to drain off the choking
traffic; when cool-headed people would seriously propose to have
flying bridges thrown over the chief thoroughfares; when new
manners and customs, new diseases, new follies, new social
complications would arise, from the fact of three millions of men
silently agreeing to live together on only eleven square miles of
land; when fish would cease to inhabit the poisoned river; when the
roar of the traffic would render it almost impossible to converse;
when, in fact, London would grow too large for comfort, safety,
pleasure, or even social intercourse.It is difficult to select from what centre to commence a
pilgrimage. For old Roman London we might start from the Exchange
or the Tower; for mediæval London from Chepe or Aldermanbury; for
fashionable London from Charing Cross; for Shaksperean London from
the Globe or Blackfriars. Even then our tours would be circuitous,
and sometimes retrograde, and we should turn and double like hares
before the hounds.I have for several reasons, therefore, and after some
consideration, decided to start from Temple Bar, and walk westward
along the Strand to Charing Cross; then to turn up St. Martin’s
Lane, and return by Longacre and Drury Lane to
Lincoln’s-Inn-Fields.That walk embraces the long line of palaces which once
adorned the Strand, or river-bank street, the countless haunts of
artists in St. Martin’s Lane, the legends of Longacre, the
theatrical reminiscences of Drury Lane, and the old noblemen’s
houses in Lincoln’s-Inn-Fields. It comprises a period not so remote
as East London, and not so modern as that of the West End. It
brings us acquainted not only with many of the contemporaries of
Shakspere and Dryden, but also with many celebrities of Garrick’s
time and of Dr. Johnson’s age.If this is not the best point of departure, it has at least
much to be said in its favour, as the loop I have drawn includes
nothing intramural, and comprises a part of London inhabited by
persons who lived more within the times of memoir-writing than
those in the farther East,—a district, too, more within the range
of the antiquary than the newer region of the West.I trust that in these remarks I have in some degree explained
why I have spent so much time in pouring “old wine into new
bottles.”A preface is too often a pillory made by an author, in which
he exposes himself to a shower of the most unsavoury missiles. I
trust that mine may be considered only as a wayside stone on which
I stand to offer a fitting apology for what I trust is a venial
fault.It is the glory of my old foster-mother, London, I would
celebrate; it is her virtues and her crimes I would record. Her
miles of red-tiled roofs, her quiet green squares, her vast black
mountain of a cathedral, her silver belt of a river, her acres and
acres of stony terraces, her beautiful parks, her tributary fleets,
seem to me as so many episodes in one great epic, the true
delineation of which would form a new chapter in the History of
Mankind.
CHAPTER II.
TEMPLE BAR.Temple Bar, that old dingy gateway of blackened Portland
stone which separates the Strand from Fleet Street, the City from
the Shire, and the Freedom of the City of London from the Liberty
of the City of Westminster, was built by Sir Christopher Wren in
the year 1670, four years after the Great Fire, and ten after the
Restoration.In earlier days there were at this spot only posts,
rails, and a chain, as at Holborn, Smithfield, and Whitechapel. In
later times, however, a house of timber was erected, with a narrow
gateway and one passage on the south side.[2]The original Bar seems to have crossed Fleet Street, several
yards farther to the east of its successor. In the time of James I.
it consisted of an iron railing with a gate in the middle. A man
sat on the spot for many years after the erection of the new gate,
to take toll from all carts which had not the City arms painted on
them.Temple Bar, if described now in an architect’s catalogue,
would be noted as pierced with two side posterns for foot
passengers, and having a central flattened archway for carriages.
In the upper story is an apartment with semicircular arched windows
on the eastern and western sides, and the whole is crowned with a
sweeping pediment.On the western or Westminster side there are two niches, in
which are placed mean statues of Charles I. and Charles II. in
fluttering Roman robes, and on the east or Fleet Street side there
are statues of James I. and Queen Elizabeth. They are all
remarkable for their small feeble heads, their affected and
crinkled drapery, and the piebald look produced by their projecting
hands and feet being washed white by years of rain, while the rest
of their bodies remains a sooty black.The upper room is held of the City by the partners of
the very ancient firm of Messrs. Child, bankers. There they store
their books and records, as in an old muniment-chamber. The north
side ground floor, next to Shire Lane, was occupied as a barber’s
shop from the days of Steele and theTatler.The centre slab on the east side of Temple Bar once contained
the following inscription, now all but obliterated:—“Erected in the
year 1670, Sir Samuel Sterling, Mayor; continued in the year 1671,
Sir Richard Ford, Lord Mayor; and finished in the year 1672, Sir
George Waterman, Lord Mayor.” It is probable that the corresponding
western slab, and also the smaller one over the postern, once bore
inscriptions.Temple Bar was doomed to destruction by the City as
early as 1790, through the exertions of Alderman Picket.
“Threatened men live long,” says an old Italian proverb. Temple Bar
still stands[3]a narrow neck to an
immense decanter; an impeder of traffic, a venerable nuisance, with
nothing interesting but its associations and its dirt. But then let
us remember that as Holborn Hill has tormented horses and drivers
ever since the Conquest, and its steepness is not yet in any way
mitigated,[4]we must not expect hasty
reforms in London.It does not enter into my purpose (unless I walked like
a crab, backwards) to give the history of Child’s bank. Suffice it
for me to say that it stands on part of the site of the old Devil
Tavern, kept by old Simon Wadloe, where Ben Jonson held his club.
It was taken down in 1788, and Child’s Place built in its
stead.[5]Alderman Backwell, who was
ruined by the shutting up of the Exchequer in the reign of Charles
II., and became a partner in this, the oldest banking-house in
London, was the agent for Government in the sale of Dunkirk to the
French.Pepys makes frequent allusions to his friend Child, probably
one of the founders of this bank. The Duke of York opposed his
interference in Admiralty matters, and had a quarrel with a
gentleman who declared that whoever impugned Child’s honesty must
be a knave. Child wrote an enlightened work on Indian trade,
supporting the interests of the East India Company.Apollo Court, exactly opposite the bank, marks a passage that
once faced the Apollo room, from whose windows Ben Jonson must have
often glowered and Herrick laughed.Archenholz says that in his day there were forty-eight
bankers in London. “The Duke of Marlborough,” writes the Prussian
traveller, “had some years ago in the hands of Child the banker, a
fund of ten, fifteen, or twenty thousand pounds. Drummond had often
in his hands several hundred thousand pounds at one time belonging
to the Government.”[6]In the earliest London Directory (1677),[7]among “the goldsmiths that keep running
cashes,” we find “Richard Blanchard and Child, at the Marygold in
Fleet Street.” The huge marigold (really a sun in full shine),
above four feet high, the original street-sign of the old
goldsmiths at Temple Bar, is still preserved in one of the rooms of
Child’s bank.John Bushnell, the sculptor who executed the statues on
Temple Bar, being compelled by his master, Burman, of St.
Martin’s-in-the-Fields, to marry a discarded servant-maid, went to
Italy, and resided in Rome and Venice, and in the latter place
executed a monument to a Procuratore, representing a naval
engagement between the Venetians and the Turks. His best works are
Cowley’s monument, that of Sir Palmes Fairborne in Westminster
Abbey, and Lord Mordaunt’s statue in Fulham church. He also
executed the statues of Charles I., Charles II., and Sir Thomas
Gresham for the Royal Exchange. He had agreed to complete the set
of kings, but Cibber being also engaged, Bushnell would not finish
the six or seven he had begun. Being told by rival sculptors that
he could carve only drapery, and not the naked figure, he produced
a very despicable Alexander the Great.The next whim of this vain, fantastic, and crazy man,
was to prove that the Trojan Horse could really have been
constructed.[8]He therefore had a
wooden horse built with huge timbers, which he proposed to cover
with stucco. The head held twelve men and a table; the eyes served
as windows. Before it was half completed, however, it was
demolished by a storm of wind, and no entreaties of the two
vintners who had contracted to use the horse for a drinking booth
could induce the mortified projector to rebuild the monster, which
had already cost him £500. A wiser plan of his, that of bringing
coal to London by sea, also miscarried; and the loss of an estate
in Kent, through an unsuccessful lawsuit, completed the overthrow
of Bushnell’s never very well-balanced brain. He died in 1701, and
was buried at Paddington. His two sons (to one of whom he left £100
a year, and to the other £60) became recluses, moping in an
unfinished house of their father’s, facing Hyde Park, in the lane
leading from Piccadilly to Tyburn, now Park Lane. This strange
abode had neither staircase nor doors, but there they brooded,
sordid and impracticable, saying that the world had not been worthy
of their father. Vertue, in 1728, describes a visit to the house,
which was then choked with unfinished statues and pictures. There
was a ruined cast of an intended brass equestrian statue of Charles
II.: an Alexander and other unfinished kings completed the
disconsolate brotherhood. Against the wall leant a great picture of
a classic triumph, almost obliterated; and on the floor lay a bar
of iron, as thick as a man’s wrist, that had been broken by some
forgotten invention of Bushnell’s.After the discovery of the absurd Meal-Tub Plot, in
1679, the 17th of November, the anniversary of the accession of
Queen Elizabeth was kept, according to custom, as a high Protestant
festival, and celebrated by an extraordinary procession, at the
expense of the Green-Ribbon Club, a few citizens, and some
gentlemen of the Temple. The bells began to ring out at three
o’clock in the morning; at dusk the procession began at Moorgate,
and passed through Cheapside and Fleet Street, where it ended with
a huge bonfire, “just over against the Inner Temple gate.”[9]The stormy procession was thus constituted:—1. Six whifflers, in pioneer caps and red waistcoats, who
cleared the way. 2. A bellman, ringing his bell, and with a doleful
voice crying, “Remember Justice Godfrey.” 3. A dead body,
representing the wood-merchant of Hartshorne Lane (Sir E. Godfrey),
in a decent black habit, white gloves, and the cravat wherewith he
was murdered about his neck, with spots of blood on his wrists,
breast, and shirt. This figure was held on a white horse by a man
representing one of the murderers. 4. A priest in a surplice and
cope, embroidered with bones, skulls, and skeletons. He handed
pardons to all who would meritoriously murder Protestants. 5. A
priest, bearing a great silver cross. 6. Four Carmelite friars, in
white and black robes. 7. Four Grey Friars. 8. Six Jesuits with
bloody daggers. 9. The waits, playing all the way. 10. Four bishops
in purple, with lawn sleeves, golden crosses on their breasts, and
croziers in their hands. 11. Four other bishops, in full
pontificals (copes and surplices), wearing gilt mitres. 12. Six
cardinals, in scarlet robes and caps. 13. The Pope’s chief
physician, with Jesuits’ powder and other still more grotesque
badges of his office. 14. Two priests in surplices, bearing golden
crosses. 15. Then came the centre of all this pageant, the Pope
himself, sitting in a scarlet and gilt fringed chair of state. His
feet were on a cushion, supported by two boys in surplices, with
censers and white silk banners, painted with red crosses and bloody
consecrated daggers. His Holiness wore a scarlet gown, lined with
ermine and daubed with gold and silver lace. On his head he had the
triple tiara, and round his neck a gilt collar, strung with
precious stones, beads, Agnus Dei’s, and St. Peter’s keys. At the
back of his chair climbed and whispered the devil, who hugged and
caressed him, and sometimes urged him aloud to kill King Charles,
or to forge a Protestant plot and to fire the city again, for which
purpose he kept a torch ready lit.The number of spectators in the balconies and windows was
computed at two hundred thousand. A hundred and fifty flambeaux
followed the procession by order, and as many more came as
volunteers.Roger North also describes a fellow with a
stentorophonic tube (a speaking-trumpet), who kept bellowing
out—“Abhorrers! abhorrers!”[10]Lastly came a complaisant, civil gentleman, who was meant to
represent either Sir Roger l’Estrange, or the King of France, or
the Duke of York. “Taking all in good part, he went on his way to
the fire.”At Temple Bar some of the mob had crowned the statue of
Elizabeth with gilt laurel, and placed in her hand a gilt shield
with the motto, “The Protestant Religion and Magna Charta.” A spear
leant against her arm, and the niche was lit with candles and
flambeaux, so that, as North said, she looked like the goddess
Pallas, the object of some solemn worship and
sacrifice.All this time perpetual battles and skirmishes went on
between the Whigs and Tories at the different windows, and
thousands of volleys of squibs were discharged.When the pope was at last toppled into the fire a prodigious
shout was raised, that spread as far as Somerset House, where the
queen then was, and, as a pamphleteer of the time says, before it
ceased, reached Scotland, France, and even Rome.From these processions the word MOB (mobile vulgus) became introduced into
our language.[11]In 1682, Charles II.
tried to prohibit this annual festival, but it continued
nevertheless till the reign of Queen Anne, or even later.[12]At Temple Bar, where the houses seemed turned into mountains
of heads, and many fireworks were let off, a man representing the
English cardinal (Philip Howard, brother of the Duke of Norfolk)
sang a rude part-song with other men who personated the people of
England. The cardinal first began:—
“ From York to London town we come
To talk of Popish ire,
To reconcile you all to Rome,
And prevent Smithfield fire.”To which the people replied, valorously:—
“ Cease, cease, thou Norfolk cardinal,
See! yonder stands Queen Bess,
Who saved our souls from Popish thrall:
Oh, Bess! Queen Bess! Queen Bess!
“Your Popish plot, and Smithfield threat,
We do not fear at all,
For, lo! beneath Queen Bess’s feet,
You fall! you fall! you fall!
“’Tis true our king’s on t’other side,
A looking t’wards Whitehall,
But could we bring him round about,
He’d counterplot you all.
“Then down with James and up with Charles,
On good Queen Bess’s side,
That all true commons, lords, and earls
May wish him a fruitful bride.
“Now God preserve great Charles our king,
And eke all honest men,
And traitors all to justice bring:
Amen! Amen! Amen!”It was formerly the barbarous and brutal custom to place the
heads and quarters of traitors upon Temple Bar as scarecrows to all
persons who did not consider William of Orange, or the Elector of
Hanover, the rightful possessors of the English crown.Sir Thomas Armstrong was the first to help to deck Wren’s new
arch. When Shaftesbury fled in 1683, and the Court had partly
discovered his intrigues with Monmouth and the Duke of Argyle, the
more desperate men of the Exclusion Party plotted to stop the
king’s coach as he returned from Newmarket to London, at the Rye
House, a lonely mansion near Hoddesden. The plot was discovered,
and Monmouth escaped to Holland. In the meantime the informers
dragged Russell and Sydney into the scheme, for which they were
falsely put to death. Sir Thomas Armstrong, who had been taken at
Leyden and delivered up to the English Ambassador at the Hague,
claimed a trial as a surrendered outlaw, according to the 6th
Edward VI. But Judge Jeffreys refused him his request, as he had
not surrendered voluntarily, but had been brought by force.
Armstrong still claiming the benefit of the law, the brutal judge
replied:—“And the benefit of the law you shall have, by the grace
of God. See that execution be done on Friday next, according to
law.”Armstrong had sinned deeply against the king. He had
sold himself to the French ambassador, he had urged Monmouth on in
his undutiful conduct to his father, and he had been an active
agent in the Rye House Plot. Charles would listen to no voice in
his favour. On the scaffold he denied any intention of
assassinating the king or changing the form of government.[13]Sir William Perkins and Sir John Friend were the next
unfortunate gentlemen who lent their heads to crown the Bar. They
were rash, hot-headed Jacobites, who, too eagerly adopting the
“ultima ratio” of political partisans, had planned, in 1696, to
stop King William’s coach in a deep lane between Brentford and
Turnham Green, as he returned from hunting at Richmond. Sir John
Friend was a person who had acquired wealth and credit from mean
beginnings, but Perkins was a man of fortune, violently attached to
King James, though as one of the six clerks of Chancery he had
taken the oath to the new Government. Friend owned that he had been
at a treasonable meeting at the King’s Head Tavern in Leadenhall
Street, but denied connivance in the assassination-plot. Perkins
made an artful and vigorous defence, but the judge acted as counsel
for the Crown and guided the jury. They both suffered at Tyburn,
three nonjuring clergymen absolving them, much to the indignation
of the loyal bystanders.[14]John Evelyn calls the sight of Temple Bar “a dismal
sight.”[15]Thank God, this revolting
spectacle of traitors’ heads will never be seen here
again.In 1716 Colonel Henry Oxburgh’s head was added to the
quarters of Sir John Friend (a brewer) and the skull of Sir William
Perkins. Oxburgh was a Lancashire gentleman, who had served in the
French army. General Foster (who escaped from Newgate, in 1716) had
made him colonel directly he joined the Pretender’s army. To him,
too, had been entrusted the humiliating task of proposing
capitulation to the king’s troops at Preston, when the Highlanders,
frenzied with despair, were eager to sally out and cut their way
through the enemy’s dragoons. He met death with a serene temper. A
fellow-prisoner described his words as coming “like a gleam from
God. You received comfort,” he says, “from the man you came to
comfort.” Oxburgh was executed at Tyburn, May 14; his body was
buried at St. Giles’, all but his head, and that was placed on
Temple Bar two days afterwards.A curious print of 1746 represents Temple Bar with the three
heads raised on tall poles or iron rods. The devil looks down in
triumph and waves the rebel banner, on which are three crowns and a
coffin, with the motto, “A crown or a grave.” Underneath are
written these wretched verses:
“ Observe the banner which would all enslave,
Which ruined traytors did so proudly wave.
The devil seems the project to despise;
A fiend confused from off the trophy flies.
“While trembling rebels at the fabrick gaze,
And dread their fate with horror and amaze,
Let Briton’s sons theemblematickview,
And plainly see what to rebellion’s due.”A curious little book “by a member of the Inner Temple,”
which has preserved this print, has also embalmed the following
stupid and cold-blooded impromptu on the heads of Oxburgh, Townley,
and Fletcher:—
“ Three heads here I spy,
Which the glass did draw nigh,
The better to have a good sight;
Triangle they’re placed,
Old, bald, and barefaced,
Not one of them e’er was upright.”[16]The heads of Fletcher and Townley were put up on Temple Bar
August 2, 1746. On August 16, Walpole writes to Montague to say
that he had “passed under the new heads at Temple Bar, where people
made a trade of letting spying-glasses at a halfpenny a
look.”Townley was a young officer about thirty-eight years of age,
born at Wigan, and of a good family. His uncle had been out in
1715, but was acquitted on his trial. Townley had been fifteen
years abroad in the French army, and was close to the Duke of
Berwick when the duke’s head was shot off at the siege of
Philipsburgh. When the Highlanders came into England he met them
near Preston, and received from the young Pretender a commission to
raise a regiment of foot. He had been also commandant at Carlisle,
and directed the sallies from thence.Fletcher, a young linen chapman at Salford, had been
seen pulling off his hat and shouting when a sergeant and a drummer
were beating up for volunteers at the Manchester Exchange. He had
been seen also at Carlisle, dressed as an officer, with a white
cockade in his hat and a plaid sash round his waist.[17]Seven other Jacobites were executed on Kennington Common with
Fletcher and Townley. They were unchained from the floor of their
room in Southwark new gaol early in the morning, and having taken
coffee, had their irons knocked off. They were then, at about ten
o’clock, put into three sledges, each drawn by three horses. The
executioner, with a drawn scimitar, sat in the first sledge with
Townley; a party of dragoons and a detachment of foot-guards
conducted him to the gallows, near which a pile of faggots and a
block had been placed. While the prisoners were stepping from their
sledges into a cart drawn up beneath a tree, the wood was set on
fire, and the guards formed a circle round the place of execution.
The prisoners had no clergyman, but Mr. Morgan, one of their
number, put on his spectacles and read prayers to them, which they
listened and responded to with devoutness. This lasted above an
hour. Each one then threw his prayer-book and some written papers
among the spectators; they also delivered notes to the sheriff, and
then flung their hats into the crowd. “Six of the hats,” says the
quaint contemporary account, “were laced with gold,—all of these
prisoners having been genteelly dressed.” Immediately after, the
executioner took a white cap from each man’s pocket and drew it
over his eyes; then they were turned off. When they had hung about
three minutes, the executioner pulled off their shoes, white
stockings, and breeches, a butcher removing their other clothes.
The body of Mr. Townley was then cut down and laid upon a block,
and the butcher seeing some signs of life remaining, struck it on
the breast, then took out the bowels and the heart, and threw them
into the fire. Afterwards, with a cleaver, they severed the head
and placed it with the body in the coffin. When the last heart,
which was Mr. Dawson’s, was tossed into the fire, the executioner
cried, “God save King George!” and the immense multitude gave a
great shout. The heads and bodies were then removed to Southwark
gaol to await the king’s pleasure.According to another account the bodies were cloven into
quarters; and as the butcher held up each heart he cried, “Behold
the heart of a traitor!”Mr. James Dawson, one of the unhappy men thus cruelly
punished, was a young Lancashire gentleman of fortune, just engaged
to be married. The unhappy lady followed his sledge to the place of
execution, and approached near enough to see the fire kindled and
all the other dreadful preparations. She bore it well till she
heard her lover was no more, but then drew her head back into the
coach, and crying out, “My dear, I follow thee!—I follow thee!
Sweet Jesus, receive our souls together!” fell on the neck of a
companion and expired. Shenstone commemorated this occurrence in a
plaintive ballad called “Jemmy Dawson.”Mr. Dawson is described as “a mighty gay gentleman, who
frequented much the company of the ladies, and was well respected
by all his acquaintance of either sex for his genteel deportment.
He was as strenuous for their vile cause as any one in the rebel
army. When he was condemned and double fettered, he said he did not
care if they were to put a ton weight of iron on him; it would not
in the least daunt his resolution.”[18]On January 20 (between 2 and 3 A.M.), 1766, a man was
taken up for discharging musket-bullets from a steel crossbow at
the two remaining heads upon Temple Bar. On being examined he
affected a disorder in his senses, and said his reason for doing so
was “his strong attachment to the present Government, and that he
thought it was not sufficient that a traitor should merely suffer
death; that this provoked his indignation, and that it had been his
constant practice for three nights past to amuse himself in the
same manner. And it is much to be feared,” says the recorder of the
event, “that he is a near relation to one of the unhappy
sufferers.”[19]Upon searching this man,
about fifty musket-bullets were found on him, wrapped up in a paper
with a motto—“Eripuit ille vitam.”
“ Yesterday,” says a news-writer of the 1st of April, 1772,
“one of the rebel heads on Temple Bar fell down. There is only one
head now remaining.”The head that fell was probably that of Councillor
Layer, executed for high treason in 1723. The blackened head was
blown off the spike during a violent storm. It was picked up by Mr.
John Pearce, an attorney, one of the Nonjurors of the
neighbourhood, who showed it to some friends at a public-house,
under the floor of which it was buried. In the meanwhile Dr.
Rawlinson, a Jacobite antiquarian, having begged for the relic, was
imposed on with another. In his will the doctor desired to be
buried with this head in his right hand,[20]and the request was complied with.This Dr. Rawlinson, one of the first promoters of the Society
of Antiquaries, and son of a lord mayor of London, died in 1755.
His body was buried in St. Giles’ churchyard, Oxford, and his heart
in St. John’s College. The sale of his effects lasted several days,
and produced £1164. He left upwards of 20,000 pamphlets; his coins
he bequeathed to Oxford.The last of the iron poles or spikes on which the heads
of the unfortunate Jacobite gentlemen were fixed, was removed only
at the commencement of the present century.[21]The above-named Christopher Layer was a barrister, living in
Old Southampton Buildings, who had engaged in a plot to seize the
Bank and the Tower, to arm the Minters in Southwark, to seize the
king, Walpole, and Lord Cadogan, to place cannon on the terrace of
Lincoln’s-Inn-Fields gardens, and to draw a force of armed men
together at the Exchange. The prisoner had received blank
promissory-notes signed in the Pretender’s own hand, and also
treasonable letters full of cant words of the party in disguised
names—such as Mr. Atkins for the Pretender, Mrs. Barbara Smith for
the army, and Mr. Fountaine for himself.It was proved that, at an audience in Rome, Layer had assured
the Pretender that the South Sea losses had done good to his cause;
and the Pretender and the Pretender’s wife (through their proxies,
Lord North and Grey, and the Duchess of Ormond) had stood as
godfather and godmother to his (Layer’s) daughter’s
child.He was executed at Tyburn in May 1723, and avowed his
principles even under the gallows. His head was taken to Newgate,
and the next day fixed upon Temple Bar; but his quarters were
delivered to his relations to be decently interred.In April 1773 Boswell dined at Mr. Beauclerk’s with Dr.
Johnson, Lord Charlemont, Sir Joshua Reynolds, and some other
members of the Literary Club—it being the evening when Boswell was
to be balloted for as candidate for admission into that
distinguished society.[22]The
conversation turned on Westminster Abbey, and on the new and
commendable practice of erecting monuments to great men in St.
Paul’s; upon which the doctor observed—
“ I remember once being with Goldsmith in Westminster Abbey.
While we surveyed the Poets’ Corner, I said to him—
‘ Forsitan et nostrum nomen miscebitur illis.’When we got to Temple Bar he stopped me, pointed to the heads
upon it, and slily whispered—
‘ Forsitan et nostrum nomen miscebituristis.’”[23]This walk must have taken place a year or two before 1773,
for in 1772, as we have seen, the last head but one
fell.O’Keefe, the dramatist, who arrived in England on
August 12, 1762, the day on which the Prince of Wales (afterwards
George IV.) was born, describes the heads of poor Townley and
Fletcher as stuck up on high poles, not over the central archway,
but over the side posterns. Parenthetically he mentions that he had
also seen the walls of Cork gaol garnished with heads, like the
ramparts of the seraglio at Constantinople.[24]O’Keefe tells us that he heard the unpopular peace of
1763 proclaimed at Temple Bar, and witnessed the heralds in the
Strand knock at the city gate. The duke of Nivernois, the French
ambassador on that occasion, was a very little man, who wore a coat
of richly-embroidered blue velvet, and a smallchapeau, which set the fashion of the
Nivernois hat.[25]At the proclamation of the short peace of Amiens, the king’s
marshal, with his officers, having ridden down the Strand from
Westminster, stopped at Temple Bar, which was kept shut to show
that there commenced the Lord Mayor’s jurisdiction. The herald’s
trumpets were blown thrice; the junior officer then tapped at the
gate with his cane, upon which the City marshal, in the most
unconscious way possible, answered, “Who is there?” The herald
replied, “The officers-of-arms, who seek entrance into the City to
publish his majesty’s proclamation of peace.” On this the gates
were flung open, and the herald alone was admitted, and conducted
to the Lord Mayor. The latter then read the royal warrant, and
returning it to the bearer, ordered the City marshal to open the
gate for the whole procession. The Lord Mayor and aldermen then
joined it, and proceeded to the Royal Exchange, where the
proclamation, that was to bid the cannon cease and chain up the
dogs of war, was read for the last time.The timber work and doors of Temple Bar have been often
renewed since 1672. New doors were hung for Nelson’s funeral, when
the Bar was to be closed; and again at the funeral of Wellington,
when the plumes and trophies had to be removed in order that the
car might pass through the gate, which was covered with dull
theatrical finery.[26]The old, black, mud-splashed gates of Temple Bar are also
shut whenever the sovereign has occasion to enter the City. This is
an old custom, a tradition of the times when the city was proud of
its privileges, and sometimes even jealous of royalty. When the
cavalcade approaches, a herald, in his tabard of crimson and gold
lace, sounds a trumpet before the portal of the City; another
herald knocks; a parley ensues; the gates are then thrown open, and
the Lord Mayor appearing, kneels and hands the sword of the city to
his sovereign, who graciously returns it.Stow describes a scene like this in the old days of the
“timber house,” when Queen Elizabeth was on her way to old St.
Paul’s to return thanks to God for the discomfiture of the Armada.
The City waits fluted, trumpeted, and fiddled from the roof of the
gate; while below, the Lord Mayor and his brethren, in scarlet
gowns, received and welcomed their brave queen, delivering up the
sword which, after certain speeches, she re-delivered to the mayor,
who, then taking horse, rode onward to St. Paul’s bearing it in its
shining sheath before her.[27]In the June after the execution of Charles I., when Cromwell
had dispersed the mutinous regiments with his horse, and pistolled
or hanged their leaders, a day of thanksgiving was appointed, and
the Parliament, the Council of State, and the Council of the Army,
after endless sermons, dined together at Grocers’ Hall; on that day
Lenthall, the Speaker, received the sword of state from the mayor
at the Bar, and assumed the functions of royalty.The same ceremony took place when Queen Anne went to St.
Paul’s to return thanks for the Duke of Marlborough’s victories,
and again when George III. came to return thanks for a recovery
from his fit of insanity, and when Queen Victoria passed on her way
to Cornhill to open the Royal Exchange.Temple Bar naturally does not figure much in the early City
pageants, because, after proceeding to Westminster by water, the
mayor and aldermen usually landed at St. Paul’s
Stairs.It is, we believe, first mentioned in the great
festivities when the City brought poor Anne Boleyn, in 1533, from
Greenwich to the Tower, and on the second day after conducted her
through the chief streets and honoured her with shows. On that day
the Fleet Street conduit ran claret, and Temple Bar was newly
painted and repaired; there also stood singing men and children,
till the company rode on to Westminster Hall. The next day was the
coronation.[28]On the 19th of February 1546-7 the young King Edward
VI. passed through London, the day before his coronation. At the
Fleet Street conduit two hogsheads of wine were given to the
people. The gate at Temple Bar was also painted and fashioned with
varicoloured battlements and buttresses, richly hung with cloth of
arras, and garnished with fourteen standards. There were eight
French trumpeters blowing their best, besides a pair of “regals,”
with children singing to the same.[29]In September 1553 Queen Mary rode through London, the
day before her coronation, in a chariot covered with cloth of
tissue, and drawn by six horses draped with the same. Minstrels
played at Ludgate, and the Temple Bar was newly painted and
hung.[30]But even a greater time came for the old City boundary
in January 1558-9, when Queen Elizabeth went from the Tower to
Westminster. Temple Bar was “finely dressed” up with the two
giants—Gog and Magog (now in the Guildhall)—who held between them a
poetical recapitulation of all the other pageantries, both in Latin
and English. On the south side was a noise of singing children, one
of whom, richly attired as a poet, gave the queen farewell in the
name of the whole city.[31]In 1603 King James, Queen Anne of Denmark, and Prince Henry
Frederick passed through “the honourable City and Chamber” of
London, and were welcomed with pageants. The last arch, that of
Temple Bar, represented a temple of Janus. The principal character
was Peace, with War grovelling at her feet; by her stood Wealth;
below sat the four handmaids of Peace,—Quiet treading on Tumult,
Liberty on Servitude, Safety on Danger, and Felicity on
Unhappiness. There was then recited a poetical dialogue by the
Flamen Martialis and the Genius Urbis, written by Ben
Jonson.Here, hitherto, the pageantry had always ceased, but
the Strand suburbs having now greatly increased, there was an
additional pageant beyond Temple Bar, which had been thought of and
perfected in only twelve days. The invention was a rainbow; and the
moon, sun, and pleiades advanced between two magnificent pyramids
seventy feet high, on which were drawn out the king’s pedigrees
through both the English and the Scottish monarchs. A speech
composed by Ben Jonson was delivered by Electra.[32]When Charles II. came through London, according to custom,
the day before his coronation, I suspect that “the fourth arch in
Fleet Street” was close to Temple Bar. It was of the Doric and
Ionic orders, and was dedicated to Plenty, who made a speech,
surrounded by Bacchus, Ceres, Flora, Pomona, and the Winds; but
whether the latter were alive or only dummies, I cannot
say.TheLondon Gazetteof February 8, 1665-6, announces the proclamation of war
against France; and Pepys mentions this as also the day on which
they went into mourning at court for the King of Spain. War was
proclaimed by the herald-at-arms and two of his brethren, his
majesty’s sergeants-at-arms, and trumpeters, with the other usual
officers before Whitehall, and afterwards (the Lord Mayor and his
brethren assisting) at Temple Bar, and in other usual parts of the
City.James II., in 1687, honoured Sir John Shorter as Lord Mayor
with his presence at an inaugurative banquet at Guildhall. The king
was accompanied by Prince George of Denmark, and was met by the two
sheriffs at Temple Bar.TEMPLE BAR, 1746.On Lord Mayor’s Day, 1689, when King William and Queen
Mary came to the City to see the show, the City militia regiments
lined the street as far as Temple Bar, and beyond came the red and
blue regiments of Middlesex and Westminster; the soldiers, at
regulated distances, holding lighted flambeaux in their hands, and
all the houses being illuminated.[33]In 1697, when Macaulay’s hero, William III., made a
triumphant entry into London to celebrate the conclusion of the
peace of Ryswick, the procession included fourscore state coaches,
each with six horses; the three City regiments guarded Temple Bar,
and beyond them came the liveries of the several companies, with
their banners and ensigns displayed.[34]George III. in his day, and Queen Victoria in her and our
own, passed through Temple Bar in state more than once, on their
way into the City; the last occasion was on February 1872, when the
Queen proceeded to St. Paul’s to offer thanks for the recovery of
her son the Prince of Wales. Through it also the bodies of Nelson
and of Wellington were borne to their last resting place in St.
Paul’s.On the auspicious entrance into London of the fair Princess
Alexandra, the old gate was hung with tapestry of gold tissue,
powdered with crimson hearts; and very mediæval and gorgeous it
looked; but the real days of pageants are gone by. We shall never
again see fountains running wine, nor maidens blowing gold-leaf
into the air, as in the luxurious days of our Plantagenet
kings.There are many portals in the world loftier and more
beautiful than our dull, black arch of Temple Bar. The Vatican has
grander doorways, the Louvre more stately entrances, but through no
gateway in the world have surely passed onwards to death so many
millions of wise and brave men, or so many thinkers who have urged
forward learning and civilisation, and carried the standard of
struggling humanity farther into space.
CHAPTER III.
THE STRAND (SOUTH SIDE).Essex Street was formerly part of the Outer Temple, the
western wing of the Knight Templars’ quarter. The outer district of
these proud and wealthy Crusaders stretched as far as the present
Devereux Court; those gentler spoilers, the mediæval lawyers,
having extended their frontiers quite as far as their rooted-out
predecessors. From the Prior and Canons of the Holy
Sepulchre[35]it was transferred, in the
reign of Edward II. to the Bishops of Exeter, who built a palace
here and occupied it till the reign of Henry VII. or Henry
VIII.The first tenant of Exeter House was the ill-fated
Walter Stapleton, Lord Treasurer of England, a firm adherent to the
luckless Edward II., against his queen and the turbulent barons. In
1326, when Isabella landed from France to chase the Spensers from
her husband’s side, and advanced on London, the weak king and his
evil counsellors fled to the Welsh frontier; but the bishop held
out stoutly for his king, and, as custos of the City of London,
demanded the keys from the Lord Mayor, Hammond Chickwell, to
prevent the treachery of the disaffected city. The watchful
populace, roused by Isabella’s proclamation that had been hung on
the new cross in Cheapside, rose in arms, seized the vacillating
mayor, and took the keys. They next ran to Exeter House, then newly
erected, fired the gates, and burnt all the plate, jewels, money,
and goods. The bishop, at that time in the fields, being almost too
proud to show fear, rode straight to the northern door of St.
Paul’s to take sanctuary. There the mob tore him from his horse,
stripped him of his armour, and dragging him to Cheapside,
proclaimed him a traitor, a seducer of the king, and an enemy of
their liberties, and lopping off his head, set it on a pole. The
corpse was buried without funeral service in an old churchyard of
the Pied Friars.[36]His brother and
some servants were also beheaded, and their bleeding and naked
bodies thrown on a heap of rubbish by the river
side.Exeter Place was shortly afterwards rebuilt, but the new
house seemed a doomed place, and brought no better fortune to its
new owners. Lord Paget, who changed its name to Paget House, fought
at Boulogne under the poet Earl of Surrey, was ambassador at the
court of Charles V., and on his return obtained a peerage and the
garter. He fell with the Protector Somerset, being accused of
having planned the assassination of the Duke of Northumberland at
Paget House. Released from the Tower, he was deprived of the garter
upon the malicious pretence that he was not a gentleman by blood.
Queen Mary, however, restored the fallen man to honour, made him
Lord Privy Seal, and sent him on an embassy.The next occupier of the unlucky house, Thomas Howard, fourth
Duke of Norfolk, and son of the poet Earl of Surrey, maintained in
its chambers an almost royal magnificence. It was here he was
arrested for conspiring, with the aid of Mary Queen of Scots, the
Pope, and the King of Spain, to marry Mary and restore the Popish
religion.The duke’s ambition and treason were fully proved by
his own intercepted letters; indeed, he himself confessed his
guilt, though he had denounced Mary to Elizabeth as a “notorious
adulteress and murderer.” To crown his rashness, meanness, and
treason, he wrote from the Tower the most abject letters to
Elizabeth, imploring her clemency. He was privately beheaded in
1572, but his estates were restored to his children.[37]It was under the mat, hard by a window in
the entry towards the duke’s bedchamber, that the celebrated
alphabet in cipher[38]was hidden, which
the duke afterwards concealed under a roof tile, where it was
found, unmasking all his plans.In the Tower the unhappy plotter had written affecting
letters to his son Philip, bidding him worship God, avoid courts,
and beware of ambition.[39]The warning
of the man whose eyes had been opened too late is touching. The
writer, speaking of court life, remarks, “It hath no certainty.
Either a man, by following thereof, hath too much worldly pomp,
which in the end throws him down headlong, or else he liveth there
unsatisfied, either that he cannot obtain to himself that he would,
or else that he cannot do for his friends as his heart
desireth.”Poor Philip did not benefit much by these lessons, but
remained simple Earl of Arundel, was repeatedly committed to the
Tower, as by necessity an ill-wisher to Elizabeth, and eventually
died there after ten weary years of imprisonment. His initials are
still to be found on the walls of one of the chambers in the
Beauchamp Tower.Fools never learn the lessons which Time tries so hard to
beat into them. Plotter succeeds plotter, and the rough lesson of
the headsman seldom teaches the conspirator’s successor to cease
from conspiring.To the Norfolks succeeded Dudley, the false Earl of
Leicester, the black or gipsy earl, as he was called from his
swarthy Italian complexion. Leicester, like the duke before him,
plotted with Mary’s Jesuits and assassins, and at the same time
contrived to keep in favour with his own jealous queen, in spite of
all his failures and schemings in Holland, and his suspected
assassinations of his enemies in England. Leicester died of fever
the year of the Armada (1588), on his return from the camp at
Tilbury, leaving Leicester Place to Robert Devereux, his step-son,
the Earl of Essex,[40]who succeeded to
his favour at court, but was doomed to an untimely
death.It was to the great Lord of Kenilworth—that dark, mysterious
man, who perhaps deserved more praise than historians usually give
him—that Spenser dedicated his poem of “Virgil’s Gnat.” In his
beautiful “Prothalamion” on the marriage of Lady Elizabeth and Lady
Catherine Somerset, he speaks somewhat abjectly of Leicester,
ingeniously contriving to remind Essex of his father-in-law’s
bounty. “Near to the Temple,” the needy poet says,
“ Stands a stately place,Where
I gayned giftesand the goodly grace
Of that great lord who there was wont to dwell,
Whose want too well now feels my friendless case;
But, ah! here fits not well
Old woes.”Then the poet goes on to eulogise Essex, who, however, it is
supposed, after all allowed him to die in want. But there is a
mystery about Spenser’s death. He returned from Ireland, beggared
and almost broken-hearted, in October or November 1599, and died in
the January following, just as Essex was preparing to start to
Ireland. In that whirl of ambition, the poor poet may perhaps have
been rather overlooked than wilfully slighted. This at least is
certain, that he was buried in Westminster Abbey, near Chaucer’s
tomb, the Earl of Essex defraying the expenses of his public
funeral.It was in his prison-house near the Temple that the
hair-brained Earl of Essex shut himself sulkily up, when Queen
Elizabeth had given him a box on the ears, after a dispute about
the new deputy for Ireland, in which the earl had shown a petulant
violence unworthy of the pupil of Burleigh.Far too much sympathy has been shown with this rash,
imperious, and unbearable young noble. He was sent to Ireland, and
there concluded a disgraceful, wilful, and traitorous treaty with
one of England’s most inveterate and dangerous enemies. He returned
from that “cursedest of all islands,” as he called it, against
express command, and was with difficulty dissuaded from landing in
open rebellion. Generous and frank he may have been, but his
submission to the mild and well-deserved punishment of confinement
to his own house was as base and abject as it was false and
hypocritical.Alarmed, mortified, and enraged at the duration of his
banishment from court, and at the refusal of a renewed grant for
the monopoly of sweet wines, Essex betook himself to open
rebellion, urged on by ill-advisers and his own reckless impatient
spirit. He invited the Puritan preachers to prayers and sermons; he
plotted with the King of Scotland. It was arranged at secret
meetings at Drury House (then Sir Charles Daver’s) to seize
Whitehall and compel the queen to dismiss Cecil and other ministers
hostile to Essex.Sir Christopher Blount was to seize the palace gates, Davies
the hall, Davers the guard-room and presence-chamber, while Essex,
rushing in from the Mews with some hundred and twenty adherents,
was to compel the queen to assemble a parliament to dismiss his
enemies, and to fix the succession. All these plans were proposed
to Essex in writing—the arch-conspirator was never himself
present.The delay of letters from Scotland led to the premature
outbreak of the plot. An order was at once sent summoning Essex to
the council, and the palace guards were doubled.On Sunday, February 7, 1601, Essex, fearing instant arrest,
assembled his friends, and determined to arm and sally forth to St.
Paul’s Cross, where the Lord Mayor and aldermen were hearing the
sermon, and urge them to follow him to the palace. On the Lord
Keeper and other noblemen coming to the house to know the cause of
the assembly, Essex locked them into a back parlour, guarded by
musketeers, and followed by two hundred gentlemen, drew his sword
and rushed into the street like a madman “running
a-muck.”Temple Bar was opened for him; but at St. Paul’s Cross he
found no meeting. The citizens crowded round him, but did not join
his band. When he reached the house of Sheriff Smith, the crafty
Sheriff had stolen away.In the meantime Lord Burleigh and the Earl of Cumberland,
with a herald, had entered the City and proclaimed Essex a traitor;
a thousand pounds being offered for his apprehension. Despairing of
success, the mad earl then turned towards his own house, and
finding Ludgate barricaded by a strong party of citizens under Sir
John Levison, attempted to force his way, killing two or three
citizens, and losing Tracy, a young friend of his own. Then
striking down to Queenhithe, the earl and some fifty followers who
were left took boat for Essex Gardens.On entering his house, he found that his treacherous
confidant, Sir Ferdinand Gorges, had made terms with the court and
released the hostages. Essex then, by the advice of Lord Sandys,
resolved to fortify the place, hold out to the last extremity, and
die sword in hand. In a few minutes, however, the Lord Admiral’s
troops surrounded the building. A parley ensued between Sir Robert
Sidney in the garden, and Essex and his rash ally, Shakspere’s
patron, the Earl of Southampton, who were on the roof. The earl’s
demands were proudly refused, but a respite of two hours was given
him, that the ladies and female servants might retire. About six
the battering train arrived from the Tower, and Essex then wisely
surrendered at discretion.[41]The night being very dark, and the tide not serving to pass
the dangers of London Bridge, Essex and Southampton were taken by
boat to Lambeth Palace, and the next morning to the
Tower.Essex had fully deserved death. He was executed privately, by
his own request, at the Tower, February 25, 1601. Meyrick, his
steward, and Cuffe, his secretary, were hanged and quartered at
Tyburn. Sir Charles Davers and Sir Christopher Blount perished on
Tower Hill. Other prisoners were fined and imprisoned, and the Earl
of Southampton pined in durance till the accession of James I.
(1603).Among the even older tenants of Essex House, we must
not forget that unhappy woman, the earl’s mother, who, first as
Lettice Knollys, then as Countess of Essex, afterwards as Lady
Leicester, and next as wife of Sir Christopher Blount, was a barb
in Elizabeth’s side for thirty years. Married as a girl to a noble
husband, she gave up her honour to a seducer, and there is reason
to think that she consented to the taking of his life. While
Devereux lived, she deceived the queen by a scandalous amour, and,
after his death, by a clandestine marriage with the Earl of
Leicester. While Dudley lived, she wallowed in licentious love with
Christopher Blount, his groom of the horse. When her second husband
expired in agony at Cornbury, not an hour’s gallop from the place
in which Amy Robsart died, she again mortified the queen by a
secret union with her last seducer, Blount. Her children rioted in
the same vices. Essex himself, with his ring of favourites, was not
more profligate than his sister Penelope, Lady Rich.[42]This sister was the (Platonic?) mistress of Sydney,
whose stolen love for her is pictured in his most voluptuous verse.
On his death at Zütphen, she lived with Lord Montjoy, though her
husband, Lord Rich, was still alive. Nor was her sister Dorothy one
whit better. After marrying one husband secretly and against the
canon, she wedded Percy, the wizard Earl of Northumberland, whom
she led the life of a dog, until he indignantly turned her out of
doors.[43]It is not easy, observes Mr.
Dixon, except in Italian story, to find a group of women so
depraved and so detestable as the mother and sisters of the Earl of
Essex.Essex, the rash noble, who died at the untimely age of
thirty-three, had a dangerous, ill-tempered face, if we may judge
by More’s portrait of him. He stooped in walking, danced badly, and
was slovenly in his dress;[44]yet being
a generous, frank friend, an impetuous and chivalrous if not wise
soldier, and an enemy of Spain and the Cecils, he became a
favourite of the people. The legend of the ring sent by Essex to
the queen,[45]and maliciously detained
by the Countess of Nottingham, we shall presently discuss. No
applications for mercy by Essex (and he made many during his trial)
affect the question of his deserving death. That the queen
consented with regret to the death of Essex, on the other hand,
needs no doubtful legend to serve as proof.Elizabeth had forgiven the earl’s joining the Cadiz fleet
against her wish, she forgave his secret marriage, she forgave his
shameful abandonment of his Irish command and even his
dishonourable treaty with Tyrone, but she could not forgive an open
and flagrant rebellion at a time when she was so surrounded by
enemies.An historical writer, gifted with an eminently analytical
mind, Mr. Hepworth Dixon, has lately, with great ingenuity,
endeavoured to refute the charges of ingratitude brought against
Bacon for his time serving and (to say the least) undue eagerness
in aggravating the crimes of his old and generous friend. There can
be, however, no doubt that Bacon too soon abandoned the unfortunate
Essex, and, moreover, threw the weight of much misapplied learning
into the scale against the prisoner. No minimising of the favours
received by him from Essex can in my mind remove this stain from
Bacon’s reputation.