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- Herausgeber: DigiCat
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
- Veröffentlichungsjahr: 2022
Bret Harte's 'Jeff Briggs's Love Story' is a captivating novella that explores themes of love, betrayal, and redemption. Set in the American West during the mid-19th century, the narrative follows Jeff Briggs, a rugged frontiersman, as he navigates the complexities of romance and loyalty. Harte's prose is descriptive and evocative, painting a vivid picture of the harsh yet beautiful landscape. The dialogue is authentic, giving voice to the characters' hopes and fears. This novella exemplifies Harte's mastery of storytelling and his ability to capture the spirit of the Wild West in a poignant and engaging manner. Harte's deep understanding of human nature and his keen observations of society shine through in this timeless tale. Fans of Western literature and those interested in the human experience will find 'Jeff Briggs's Love Story' to be a compelling and thought-provoking read that resonates long after the final page. Bret Harte's unique perspective and literary talent make this novella a must-read for anyone seeking a deeper understanding of the human condition.
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Jeff Briggs's Love Story
Table of Contents
I.
It was raining and blowing at Eldridge's Crossing. From the stately pine-trees on the hill-tops, which were dignifiedly protesting through their rigid spines upward, to the hysterical willows in the hollow, that had whipped themselves into a maudlin fury, there was a general tumult. When the wind lulled, the rain kept up the distraction, firing long volleys across the road, letting loose miniature cataracts from the hill-sides to brawl in the ditches, and beating down the heavy heads of wild oats on the levels; when the rain ceased for a moment the wind charged over the already defeated field, ruffled the gullies, scattered the spray from the roadside pines, and added insult to injury. But both wind and rain concentrated their energies in a malevolent attempt to utterly disperse and scatter the “Half-way House,” which seemed to have wholly lost its way, and strayed into the open, where, dazed and bewildered, unprepared and unprotected, it was exposed to the taunting fury of the blast. A loose, shambling, disjointed, hastily built structure—representing the worst features of Pioneer renaissance—it rattled its loose window-sashes like chattering teeth, banged its ill-hung shutters, and admitted so much of the invading storm, that it might have blown up or blown down with equal facility.
Jefferson Briggs, proprietor and landlord of the “Half-way House,” had just gone through the formality of closing his house for the night, hanging dangerously out of the window in the vain attempt to subdue a rebellious shutter that had evidently entered into conspiracy with the invaders, and, shutting a door as against a sheriff's posse, was going to bed—i. e., to read himself asleep, as was his custom. As he entered his little bedroom in the attic with a highly exciting novel in his pocket and a kerosene lamp in his hand, the wind, lying in wait for him, instantly extinguished his lamp and slammed the door behind him. Jefferson Briggs relighted the lamp, as if confidentially, in a corner, and, shielding it in the bosom of his red flannel shirt, which gave him the appearance of an illuminated shrine, hung a heavy bear-skin across the window, and then carefully deposited his lamp upon a chair at his bedside. This done, he kicked off his boots, flung them into a corner, and, rolling himself in a blanket, lay down upon the bed. A habit of early rising, bringing with it, presumably, the proverbial accompaniment of health, wisdom, and pecuniary emoluments, had also brought with it certain ideas of the effeminacy of separate toilettes and the virtue of readiness.
In a few moments he was deep in a chapter.
A vague pecking at his door—as of an unseasonable woodpecker, finally asserted itself to his consciousness. “Come in,” he said, with his eye still on the page.
The door opened to a gaunt figure, partly composed of bed-quilt and partly of plaid shawl. A predominance of the latter and a long wisp of iron-gray hair determined her sex. She leaned against the post with an air of fatigue, half moral and half physical.
“How ye kin lie thar, abed, Jeff, and read and smoke on sich a night! The sperrit o' the Lord abroad over the yearth—and up stage not gone by yet. Well, well! it's well thar ez SOME EZ CAN'T SLEEP.”
“The up coach, like as not, is stopped by high water on the North Fork, ten miles away, aunty,” responded Jeff, keeping to the facts. Possibly not recognizing the hand of the beneficent Creator in the rebellious window shutter, he avoided theology.
“Well,” responded the figure, with an air of delivering an unheeded and thankless warning, “it is not for ME to say. P'raps it's all His wisdom that some will keep to their own mind. It's well ez some hezn't narves, and kin luxuriate in terbacker in the night watches. But He says, 'I'll come like a thief in the night!'—like a thief in the night, Jeff.”
Totally unable to reconcile this illustration with the delayed “Pioneer” coach and Yuba Bill, its driver, Jeff lay silent. In his own way, perhaps, he was uneasy—not to say shocked—at his aunt's habitual freedom of scriptural quotation, as that good lady herself was with an occasional oath from his lips; a fact, by the way, not generally understood by purveyors of Scripture, licensed and unlicensed.
“I'd take a pull at them bitters, aunty,” said Jeff feebly, with his wandering eye still recurring to his page. “They'll do ye a power of good in the way o' calmin' yer narves.”
“Ef I was like some folks I wouldn't want bitters—though made outer the simplest yarbs of the yearth, with jest enough sperrit to bring out the vartoos—ez Deacon Stoer's Balm 'er Gilead is—what yer meaning? Ef I was like some folks I could lie thar and smoke in the lap o' idleness—with fourteen beds in the house empty, and nary lodger for one of 'em. Ef I was that indifferent to havin' invested my fortin in the good will o' this house, and not ez much ez a single transient lookin' in, I could lie down and take comfort in profane literatoor. But it ain't in me to do it. And it wasn't your father's way, Jeff, neither!”
As the elder Briggs's way had been to seek surcease from such trouble at the gambling table, and eventually, in suicide, Jeff could not deny it. But he did not say that a full realization of his unhappy venture overcame him as he closed the blinds of the hotel that night; and that the half desperate idea of abandoning it then and there to the warring elements that had resented his trespass on Nature seemed to him an act of simple reason and justice. He did not say this, for easy-going natures are not apt to explain the processes by which their content or resignation is reached, and are therefore supposed to have none. Keeping to the facts, he simply suggested the weather was unfavorable to travelers, and again found his place on the page before him. Fixing it with his thumb, he looked up resignedly. The figure wearily detached itself from the door-post, and Jeff's eyes fell on his book. “You won't stop, aunty?” he asked mechanically, as if reading aloud from the page; but she was gone.
A little ashamed, although much relieved, Jeff fell back again to literature, interrupted only by the charging of the wind and the heavy volleys of rain. Presently he found himself wondering if a certain banging were really a shutter, and then, having settled in his mind that it WAS, he was startled by a shout. Another, and in the road before the house!
Jeff put down the book, and marked the place by turning down the leaf, being one of that large class of readers whose mental faculties are butter-fingered, and easily slip their hold. Then he resumed his boots and was duly caparisoned. He extinguished the kerosene lamp, and braved the outer air, and strong currents of the hall and stairway in the darkness. Lighting two candles in the bar-room, he proceeded to unlock the hall door. At the same instant a furious blast shook the house, the door yielded slightly and impelled a thin, meek-looking stranger violently against Jeff, who still struggled with it.
“An accident has occurred,” began the stranger, “and”—but here the wind charged again, blew open the door, pinned Jeff behind it back against the wall, overturned the dripping stranger, dashed up the staircase, and slammed every door in the house, ending triumphantly with No. 14, and a crash of glass in the window.
“'Come, rouse up!” said Jeff, still struggling with the door, “rouse up and lend a hand yer!”
Thus abjured, the stranger crept along the wall towards Jeff and began again, “We have met with an accident.” But here another and mightier gust left him speechless, covered him with spray of a wildly disorganized water-spout that, dangling from the roof, seemed to be playing on the front door, drove him into black obscurity and again sandwiched his host between the door and the wall. Then there was a lull, and in the midst of it Yuba Bill, driver of the “Pioneer” coach, quietly and coolly, impervious in waterproof, walked into the hall, entered the bar-room, took a candle, and, going behind the bar, selected a bottle, critically examined it, and, returning, poured out a quantity of whiskey in a glass and gulped it in a single draught.
All this while Jeff was closing the door, and the meek-looking man was coming into the light again.
Yuba Bill squared his elbows behind him and rested them on the bar, crossed his legs easily and awaited them. In reply to Jeff's inquiring but respectful look, he said shortly—
“Oh, you're thar, are ye?”
“Yes, Bill.”
“Well, this yer new-fangled road o' yours is ten feet deep in the hollow with back water from the North Fork! I've taken that yar coach inter fower feet of it, and then I reckoned I couldn't hev any more. 'I'll stand on this yer hand,' sez I; I brought the horses up yer and landed 'em in your barn to eat their blessed heads off till the water goes down. That's wot's the matter, old man, and jist about wot I kalkilated on from those durned old improvements o' yours.”
Coloring a little at this new count in the general indictment against the uselessness of the “Half-way House,” Jeff asked if there were “any passengers?”
Yuba Bill indicated the meek stranger with a jerk of his thumb. “And his wife and darter in the coach. They're all right and tight, ez if they was in the Fifth Avenue Hotel. But I reckon he allows to fetch 'em up yer,” added Bill, as if he strongly doubted the wisdom of the transfer.
The meek man, much meeker for the presence of Bill, here suggested that such indeed was his wish, and further prayed that Jeff would accompany him to the coach to assist in bringing them up. “It's rather wet and dark,” said the man apologetically; “my daughter is not strong. Have you such a thing as a waterproof?”
Jeff had not; but would a bear-skin do?
It would.
Jeff ran, tore down his extempore window curtain, and returned with it. Yuba Bill, who had quietly and disapprovingly surveyed the proceeding, here disengaged himself from the bar with evident reluctance.
“You'll want another man,” he said to Jeff, “onless ye can carry double. Ez HE,” indicating the stranger, “ez no sort o' use, he'd better stay here and 'tend bar,' while you and me fetch the wimmen off. 'Specially ez I reckon we've got to do some tall wadin' by this time to reach 'em.”
The meek man sat down helplessly in a chair indicated by Bill, who at once strode after Jeff. In another moment they were both fighting their way, step by step, against the storm, in that peculiar, drunken, spasmodic way so amusing to the spectator and so exasperating to the performer. It was no time for conversation, even interjectional profanity was dangerously exhaustive.
