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In the wild hills of Willer Crick, a peculiar clan reigns with their own twisted laws. When cowpunchers Hashknife Hartley and Sleepy Stevens stumble into their midst, they find themselves entangled in a web of family feuds, forbidden love, and a fight for justice.
Amidst the chaos, an unlikely bond forms between Hashknife and a spirited young boy named Buddy. As tensions mount and danger lurks at every turn, the two friends must navigate the treacherous landscape of Willer Crick, risking everything to protect the innocent and bring order to the lawless land.
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Seitenzahl: 69
Veröffentlichungsjahr: 2024
Table of Contents
COPYRIGHT INFORMATION
INTRODUCTION, by Karl Wurf
LAW RUSTLERS, by W. C. Tuttle
Copyright © 2024 by Wildside Press LLC.
Story originally published in Adventure, Sept., 1921.
Published by Wildside Press LLC.
wildsidepress.com
W.C. Tuttle (William Cunningham Tuttle, 1883-1969) was an American writer renowned for his contributions to the Western genre. Born in Montana, Tuttle's deep understanding of the American West came naturally, and his stories reflect a vivid authenticity. He wrote prolifically for pulp magazines, creating a legacy that spanned over four decades. Tuttle's engaging narratives and memorable characters made him a favorite among readers of the early 20th century.
Tuttle is most famous for his series featuring Hashknife Hartley, a cowboy detective who, along with his sidekick Sleepy Stevens, solves mysteries and rights wrongs in the rugged West. Hashknife, known for his sharp intellect and quick thinking, is perfectly complemented by the more laid-back and humorous Sleepy. Together, they form an iconic duo whose adventures captivated readers and stood out in the crowded field of pulp fiction.
Throughout his career, Tuttle's stories appeared in popular magazines such as Adventure and Argosy, cementing his status as a significant figure in the pulp magazine era. His ability to blend mystery, humor, and Western action made his work distinct and beloved.
Some of W.C. Tuttle's most famous books include Hashknife of the Double Bar 8, The Medicine Man, and The Sheriff of Tonto Town. These works exemplify his skill in creating compelling, action-packed narratives that continue to be appreciated by fans of classic Western literature.
Me and “Hashknife” Hartley sets there on our broncs and spells out the old sign, just like it was the first time we ever seen it. The good Lord only knows why we’re back at the old sign. Willer Crick don’t mean nothing to us. Glory Sillman lives, or did live, on Willer Crick, but her name ain’t never figured in any of our conversations since the day we fogged away from Willer Crick.
We kinda left that part of the range in a hurry that day; left a surprised bunch of folks watching our dust, while a couple of enterprising bad-men went home to get patched up and another bunch throwing lead at the wrong parties, just because said parties had a gray and a roan horse.
No, Willer Crick has been a closed incident to us. Not that we’re silent folks, ’cause we ain’t. I can talk the bark off a greasewood, and Hashknife Hartley—man, he’s a conversationalist. It’s kinda funny that we never talked about the Willer Crick folks, ’cause they sure are worth talking about. Sol Vane, who does the lawin’ for the Crick, Jim Sillman, one of the Council of Three, old Ebenezer Godfrey—they’re one goshawful layout.
Of course Ebenezer Godfrey is dead. Jim Albright and Pete Godfrey, his illegal heirs, are dead, we think, but there’s a plenty of that misguided tribe left. Ebenezer was killed by Pete and Jim, ’cause the old man wouldn’t die soon enough for one of them to get visible means of support, in order to marry Glory. The old man was hard-boiled enough to hang on to life until he could will everything he owned to me and Hashknife. Willer Crick, being a closed corporation, didn’t accept me and Hashknife to any great extent.
They stole old Godfrey’s body in order to establish what Sol Vane called “corpus delectable,” but we got it back, or rather hid it again. We buried some dynamite in the front yard and Sol, Pete and Jim dug into it, thinking we had planted the old man there. Sol lost all his hair and all we could find of Jim and Pete was a hat with the crown gone.
Me and Hashknife weathered considerable storm, but there wasn’t no use in defying the lightning too much, so we got out by the skin of our teeth, with a Winchester rifle and a vest-pocket derringer.
Me and Hashknife cut cards to see which of us would marry Glory Sillman, accept five hundred dollars in place of a wife and then leave the country. This was to save Jim Sillman from the law of the Crick, and would also allow Glory to go outside and get educated like a human being. Willer Crick had a peculiar law. It seems that they rules that a girl has to stay on the crick until she gets married. After she’s hooked up she can leave. Of course, they means to make her marry one of their own bunch, but their law don’t specify that. It also seems that the sins of one of the family is visited upon all the rest of that family.
Jim Sillman explains that everything he owns is on the crick, and that if Glory breaks the law they’re liable to take away his property as punishment. Kind of a weak way of looking at things, but we can’t all think alike thataway. He offers us five hundred dollars cash if one of us will marry her. This gives her the right to pull her freight out of there and also saves him from their locoed law.
Glory don’t want a regular husband, and it’s a cinch that me and Hashknife ain’t noways hankering for a wife, but it’s a sporting chance and we takes it. We never collected that five hundred for the simple reason that the “uncle,” who was financing the law-breaking scheme, turned out to be the sheriff of Yolo, who had been trailing me and Hashknife for six months.
Sometimes I’m kinda sorry we didn’t smoke up that bunch and take Glory along with us. I spoke to Hashknife about it the day we left there.
“Easy enough,” says he. “I could ’a’ downed her uncle and her pa—easy. Any girl would whoop with joy to see her uncle and paw full of lead. Maybe she’d ’a’ married you, Sleepy, dang your homely face. Maybe she’d ’a’ married me—me bein’ handsome; but any old way yuh take it, we’d ’a’ busted up—me and you. Yuh can’t keep a wife and a bunkie.”
“Hashknife,” says I, “would yuh rather have me than a wife?”
“You danged porkypine, I don’t have to support you.”
It’s been quite a while since me and Hashknife hit for the open trails. We stayed at the Circle Dot a lot longer than we ever stayed any one place before, but when the snow fades off the hills and the grass shows green on the slopes and you can smell the sunshine—we’re traveling.
“Where?” I asks.
“Anywhere,” says Hashknife, jingling three months’ pay. “We’re follerin’ our noses, cowboy. Maybe we’ll get to Alaska this time.”
I reckon that mostly all human beings have some outlook in life. Some of ’em looks forward to the day when they can set down by the fire and let a hired man herd the sheep, while some looks forward to the day when they can hunt a warm climate in the Winter and know that somebody is at home to do the chores.
Me and Hashknife looks forward to Alaska. What in —— we are going to do up there has nothing to do with it. It’s something to look forward to, as the horse-thief said to the posse when they comes in sight of a limbless tree.
* * * *
Three days after we leaves the Circle Dot, we cuts a wagon-road and there is that same old sign, sagging a little more and maybe a little more faded, but still showing:
THERE IS A CLICK ON WILLER CRICKTHE WORST IN ALL THIS NASHUN.THE HITE OF THEIR AMBISHUNIS TO BEAT THEIR OWN RELASHUN.
“Still advertisin’, I see,” grins Hashknife. “Them folks sure are a caution to ——, Sleepy. I wonder if Sol Vane’s hair ever growed on his head again. Wonder if Glory—say, Sleepy, there was a reg’lar girl. ’Member how she used to fill the magazine of her rifle after shootin’ once or twice? Reg’lar little he-woman. If I wanted to git married——”
“Which you don’t.”
“No-o-o, but if I did I’d—”
Hashknife squints down the road.
“By the antlers on a desert toad!” he gasps. “Here comes the joker.”