Light Shining in Buckinghamshire E-Book

Caryl Churchill

• Herausgeber: Nick Hern Books
• Kategorie: Poesie und Drama
• Serie: NHB Modern Plays
• Sprache: Englisch

Seitenzahl: 94

Veröffentlichungsjahr: 2015

Beschreibung

Caryl Churchill's Light Shining in Buckinghamshire, set during the English Civil War, tells the story of the men and women who went into battle for the soul of England. Passionate, moving and provocative, it speaks of the revolution we never had and the legacy it left behind. In the aftermath of the Civil War, England stands at a crossroads. Food shortages, economic instability, and a corrupt political system threaten to plunge the country into darkness and despair. The Parliament men who fought against the tyranny of the King now argue for stability and compromise, but the people are hungry for change. For a brief moment, a group of rebels, preachers, soldiers and dissenters dare to imagine an age of hope, a new Jerusalem in which freedom will be restored to the land. Premiered by Joint Stock at the Traverse Theatre, Edinburgh, in September 1976 during the Edinburgh Festival Fringe, it toured the UK including the Royal Court Theatre, London, in 1976. The play was revived at the National Theatre, London, in 1996 and again in 2015, in a production directed by Lyndsey Turner.

Leseprobe

Caryl Churchill

LIGHT SHINING INBUCKINGHAMSHIRE

NICK HERN BOOKS

London

www.nickhernbooks.co.uk

Contents

Title Page

Original Production

Introduction

Documentary Material

Light Shining in Buckinghamshire

Characters

About the Author

Copyright and Performing Rights Information

Light Shining in Buckinghamshire was revived in the Lyttelton auditorium at the National Theatre, London, on 15 April 2015, with the following cast:

COBBE, a gentleman  

Joshua James

VICAR  

Daniel Flynn

JP 1  

Jonathan Dryden Taylor

JP 2  

Simon Manyonda

MARGARET BROTHERTON, a vagrant  

Ashley McGuire

STAR, a corn merchant  

Nicholas Gleaves

BRIGGS, a working man  

Trystan Gravelle

FRIEND, a working man  

Leo Bill

MAN, a vagrant  

Alan Williams

PREACHER  

Sargon Yelda

HOSKINS, a vagrant preacher  

Adelle Leonce

CLAXTON, a working man  

Joe Caffrey

CLAXTON’S WIFE  

Amanda Lawrence

WOMAN WITH MIRROR  

Elizabeth Chan

HER FRIEND  

Ann Ogbomo

COLONEL THOMAS RAINBOROUGH, a Leveller, from Cromwell’s army  

Sargon Yelda

EDWARD SEXBY, an elected representative from Cromwell’s army  

Steffan Rhodri

COLONEL NATHANIEL RICH  

Ash Hunter

JOHN WILDMAN, a gentleman  

Simon Manyonda

OLIVER CROMWELL  

Daniel Flynn

GENERAL IRETON  

Leo Bill

GERRARD WINSTANLEY  

Alan Williams

WOMAN WITH BABY  

Ann Ogbomo

HER FRIEND  

Amanda Lawrence

BUTCHER  

Steffan Rhodri

DRUNK, a poor man  

Alan Williams

DIGGER  

Joseph Rowe

Director  

Lyndsey Turner

Set Designer  

Es Devlin

Costume Designer  

Soutra Gilmour

Lighting Designer  

Bruno Poet

Music  

Helen Chadwick

Movement Director  

Joseph Alford

Sound Designer  

Christopher Shutt

Light Shining in Buckinghamshire was written for Joint Stock Theatre Group after a research workshop and was first performed at the Traverse Theatre, Edinburgh, in September 1976, before touring, including a run at the Royal Court Theatre Upstairs. The cast was as follows:

Janet Chappell

Linda Goddard

Bob Hamilton

Will Knightley

Colin McCormack

Nigel Terry

Director

Max Stafford-Clark

Designer

Sue Plummer

Lighting Designer

Steve Whitson

Music

Colin Sell

Introduction

You great Curmudgeons, you hang a man for stealing, when you yourselves have stolen from your brethren all land and creatures.

More Light Shining in Buckinghamshire, a Digger pamphlet 1649

A revolutionary belief in the millennium went through the Middle Ages and broke out strongly in England at the time of the civil war. Soldiers fought the King in the belief that Christ would come and establish heaven on earth. What was established instead was an authoritarian parliament, the massacre of the Irish, the development of capitalism.

For a short time when the King had been defeated anything seemed possible, and the play shows the amazed excitement of people taking hold of their own lives, and their gradual betrayal as those who led them realised that freedom could not be had without property being destroyed. At the Putney Debates Cromwell and Ireton argued for property; Gerrard Winstanley led Diggers to take over the common land: ‘There can be no universal liberty till this universal community be established.’ The Levellers and Diggers were crushed by the Army, and many turned in desperation to the remaining belief in the millennium, that Christ would come to do what they had failed in. The last long scene of the play is a meeting of Ranters, whose ecstatic and anarchic belief in economic and sexual freedom was the last desperate burst of revolutionary feeling before the Restoration.

The simple ‘Cavaliers and Roundheads’ history taught at school hides the complexity of the aims and conflicts of those to the left of Parliament. We are told of a step forward to today’s democracy but not of a revolution that didn’t happen; we are told of Charles and Cromwell but not of the thousands of men and women who tried to change their lives. Though nobody now expects Christ to make heaven on earth, their voices are surprisingly close to us.

C.C.

DOCUMENTARY MATERIAL

Fear, and the pit… Isaiah 24, xvii–xx

A Fiery Flying Roll Abiezer Coppe, 1649

All Seems Beautiful… Song of Myself Walt Whitman

The Putney Debates 1647

The True Levellers’ Standard Advanced Gerrard Winstanley, 1649

The English Soldier’s Standard to Repair to 1649

The Moderate, a Leveller newspaper, 1649

The sleep of the labouring man… Ecclesiastes 5

LIGHT SHINING IN BUCKINGHAMSHIRE

Caryl Churchill

Characters

in order of appearance

COBBE, a gentleman

VICAR, an Anglican

SERVANT

JP 1

JP 2

MARGARET BROTHERTON, a vagrant

STAR, a corn merchant

BRIGGS, a working man

FRIEND, a working man

MAN, a vagrant

PREACHER, a Calvinist

HOSKINS, a vagrant preacher

CLAXTON, a working man

CLAXTON’S WIFE

WOMAN WITH MIRROR

HER FRIEND

COLONEL THOMAS RAINBOROUGH, a Leveller, from Cromwell’s army

EDWARD SEXBY, an elected representative from Cromwell’s army

COLONEL NATHANIEL RICH

JOHN WILDMAN, a gentleman

OLIVER CROMWELL

GENERAL IRETON

WINSTANLEY

WOMAN WITH BABY

HER FRIEND

BUTCHER

DRUNK, a poor man

The characters Claxton and Cobbe are loosely based on Laurence Clarkson, or Claxton, and Abiezer Coppe, or Cobbe, two Ranters whose writings have survived; the others are fictional, except for those in the Putney Debates, which is a much condensed transcript of three days of debate among Army officers and soldiers’ delegates which took place in 1647.

ACT ONE

ALL (sing Isaiah 24 xvii-xx).

 Fear, and the pit, and the snare are upon thee, O inhabitant of the earth.

 And it shall come to pass that he who fleeth from the noise of the fear shall fall into the pit; and he that cometh out of the midst of the pit shall be taken in the snare; for the windows from on high are open, and the foundations of the earth do shake.

 The earth is utterly broken down, the earth is clean dissolved, the earth is moved exceedingly.

 The earth shall reel to and fro like a drunkard, and shall be removed like a cottage; and the transgression thereof shall be heavy upon it; and it shall fall and not rise again.

COBBE PRAYS

COBBE.Forgive my sins of the night and already this new day. Oh prevent me today from all the sins I will note – action, word, thought or faint motion less than any of these – or commit unknowing despite my strict guard set. Sloth not rising when Mother called, the air so cold, lay five minutes of sin till she called again. Break me, God, to welcome your cold. Lust when the girl gave meat last night, not keeping my eyes on my plate but followed her hand.

 Repented last night with groans to you, O God, and still dreamt. Guard me today. Let me not go to Hell, hot nor cold Hell, let me be one of your elect. What is worst, I am not praying to you about the worst sin. I sin in my fear of praying about that sin, I sin in denying my fear. But you cut through that mesh, knowing. Why is it not enough to use your name in prayer, oh God, oh Lord Jesus Christ, amen, this is prayer, oh God, no swearing. Rich men of Antichrist on horses swear, King’s officers say ‘dammee’ laughing. The beggar swore when they whipped him through the street and my heart leapt at each curse, a curse for each lash. Is he damned? Would I be? At table last night when Father said grace I wanted to seize the table and turn it over so the white cloth slid, silver, glass, capon, claret, comfits overturned. I wanted to shout your name and damn my family and myself eating so quietly when what is going on outside our gate? Words come out of my mouth like toads, I swear toads, toads will sit on me in Hell. And what light on my father, still no light? Not to honour my father is sin, and sin to honour a greedy, cruel, hypocritical – Is it sin to kneel here till he leave the house? I cannot go down to him. It is sin to go down. I will wait till I hear the door. To avoid his blessing.

THE VICAR TALKS TO HIS SERVANT (CLAXTON)

 The VICAR sits at table, with wine and oranges.

VICAR.How’s the baby today? Any better?

SERVANT.No, sir.

VICAR.You saw who were missing again from morning service.

SERVANT.Sir.

VICAR.No better – no worse, I hope?

SERVANT.Yes, sir.

VICAR.Good, good. The sermon would have done them good. It wasn’t my own, you could probably tell. The Bishop’s naturally more gifted. But it’s no good having it read in every parish if nobody compels the tenants to hear it. It’s the ones who weren’t there that I was talking to. ‘From whence come wars and fightings among you?’ From their lusts, from greed and envy and pride, which are from the Devil, that’s where the wars come from. When you said yes, you meant no worse?

SERVANT.No sir.

VICAR.Worse.

SERVANT.Sir.

VICAR.God tries you severely in your children. It must have been a comfort this morning to have the Bishop himself encourage you to suffer. ‘Be afflicted and mourn and weep.’ That is the way to Heaven.

SERVANT.Sir.

 He pours more wine.

VICAR.Why we have this war is because men want Heaven now. If God meant us to have heaven on earth, why did he throw us out of paradise? They’re fighting God himself, do they know that? They must be brought before the magistrates and forced to come next Sunday, and I’ll tell them in my own words. Thank you, a little. This is a godly estate and they will be evicted if they don’t submit.

 Still we must pray your baby is spared this time. Take it an orange.

 He gives SERVANT an orange.

SERVANT.Thank you, sir.

VICAR.And if it is not spared, we must submit. We all have to suffer in this life.

 He drinks.

MARGARET BROTHERTON IS TRIED

 She is barely audible.

JP 1.Is this the last?

JP 2.One more.

JP 1.It’s a long list.

JP 2.Hard times.

JP 1.Soft hearts. Yours.

JP 2.Step forward please.

JP 1.I still say he should have been hanged.

JP 2.He’ll die in jail. Name?

BROTHERTON. Margaret Brotherton.

JP 1.That’s no example, nobody sees it.

JP 2.Margaret Brotherton. Begging. Guilty or not guilty?

BROTHERTON. I don’t know what you mean…

JP 1.You’re not of this parish?

JP 2.Where do you come from?

BROTHERTON. Last week I was… and before that…

JP 1.I don’t want to be told every place you’ve ever been. Where were you born?

BROTHERTON (inaudible).

JP 1.If you belong fifty miles away what are you doing here?

JP 2.Have you relations here? Friends you could stay with?

JP 1.Tell us about your third cousin’s wife’s brother who has work for you. No? Or have you been told you get something for nothing here?

JP 2.It’s only our own poor who get help from this parish.

JP 1.