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- Herausgeber: Krill Press
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
- Veröffentlichungsjahr: 2016
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LOST LEADERS
Andrew Lang
DOSSIER PRESS
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This book is a work of nonfiction and is intended to be factually accurate.
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Copyright © 2016 by Andrew Lang
Interior design by Pronoun
Distribution by Pronoun
TABLE OF CONTENTS
PREFACE.
SCOTCH RIVERS.
SALMON-FISHING.
WINTER SPORTS.
HUMAN LEVITATION.
A CHINAMAN’S MARRIAGE.
SIEUR DE MONTAIGNE.
THACKERAY’S DRAWINGS.
GOLF.
ART OF DINING.
AMERICAN HUMOUR.
SUSPENDED ANIMATION.
BREAKING UP.
ON SHAVING.
STREET NOISES.
LENDING OF BOOKS.
CLUB BORES.
PHIZ.
THEORY AND PRACTICE OF PROPOSALS.
MASTER SAMUEL PEPYS.
INVOLUNTARY BAILEES.
SUMMER NIGHTS.
ON HYPOCHONDRIACS.
THACKERAY’S LONDON.
TORRID SUMMER.
WESTERN DROLLS.
SHOW SUNDAY.
THE DRY FLY.
AMATEUR AUTHORS.
SOME RARE THINGS FOR SALE.
CURIOSITY HUNTING.
Footnotes:
Lost Leaders
By
Andrew Lang
Lost Leaders
Published by Dossier Press
New York City, NY
First published circa 1912
Copyright © Dossier Press, 2015
All rights reserved
Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
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PREFACE.
THESE ARTICLES ARE REPRINTED, BY the permission of the Editor, from the Daily News. They were selected and arranged by Mr. Pett Ridge, who, with the Publishers, will perhaps kindly take a share in the responsibility of republishing them.
SCOTCH RIVERS.
SEPTEMBER IS THE SEASON OF the second and lovelier youth of the river-scenery of Scotland. Spring comes but slowly up that way; it is June before the woods have quite clothed themselves. In April the angler or the sketcher is chilled by the east wind, whirling showers of hail, and even when the riverbanks are sweet with primroses, the bluff tops of the border hills are often bleak with late snow. This state of things is less unpropitious to angling than might be expected. A hardy race of trout will sometimes rise freely to the artificial fly when the natural fly is destroyed, and the angler is almost blinded with dusty snowflakes. All through midsummer the Scotch rivers lose their chief attractions. The bracken has not yet changed its green for the fairy gold, the hue of its decay; the woods wear a uniform and sombre green; the waters are low and shrunken, and angling is almost impossible. But with September the pleasant season returns for people who love “to be quiet, and go a-fishing,” or a-sketching. The hills put on a wonderful harmony of colours, the woods rival the October splendours of English forests. The bends of the Tweed below Melrose and round Mertoun—a scene that, as Scott says, the river seems loth to leave—may challenge comparison with anything the Thames can show at Nuneham or Cliefden. The angler, too, is as fortunate as the lover of the picturesque. The trout that have hidden themselves all summer, or at best have cautiously nibbled at the worm-bait, now rise freely to the fly. Wherever a yellow leaf drops from birch tree or elm the great trout are splashing, and they are too eager to distinguish very subtly between flies of nature’s making and flies of fur and feather. It is a time when every one who can manage it should be by the water-side, and should take with him, if possible, the posthumous work of Sir Thomas Dick Lauder on the “Rivers of Scotland.”
This book, as the author of “Rab and his Friends” tells us in the preface, is a re-publication of articles written in 1848, on the death-bed of the author, a man of many accomplishments and of a most lovable nature. He would lie and dictate or write in pencil these happy and wistful memories of days passed by the banks of Tweed and Tyne. He did not care to speak of the northern waters: of Tay, which the Roman invaders compared to Tiber; of Laxford, the river of salmon; or of the “thundering Spey.” Nor has he anything to say of the west, and of Galloway, the country out of which young Lochinvar came, with its soft and broken hills, like the lower spurs of the Pyrenees, and its streams, now rushing down defiles of rock, now stealing with slow foot through the plains. He confines himself to the limits of the Scottish Arcadia; to the hills near Edinburgh, where Ramsay’s Gentle Shepherd loved and sang in a rather affected way; and to the main stream and the tributaries of the Tweed. He tells, with a humour like that of Charles Lamb in his account of his youthful search for the mysterious fountain-head of the New River, how he sought among the Pentland Hills for the source of the brook that flowed past his own garden. The wandering stream led him through many a scene renowned in Border history, up to the heights whence Marmion surveyed the Scottish forces encamped on Borough Moor before the fatal day of Flodden. These scenes are described with spirit and loving interest; but it is by Tweedside that the tourist will find his most pleasant guide in Lauder’s book. Just as Cicero said of Athens, that in every stone you tread on a history, so on Tweedside by every nook and valley you find the place of a ballad, a story, or a legend. From Tweed’s source, near the grave of the Wizard Merlin, down to Berwick and the sea, the Border “keeps” and towers are as frequent as castles on the Rhine. Each has its tradition, its memory of lawless times, which have become beautiful in the magic of poetry and the mist of the past. First comes Neidpath Castle, with its vaulted “hanging chamber” in the roof, and the rafter, with the iron ring to which prisoners were hanged, still remaining to testify to the lawless power of Border lords. Neidpath has a softer legend of the death of the lady of the house, when her lover failed to recognize the features that had wasted with sorrow for his absence. Lower down the river comes Clovenfords, with its memories of Christopher North, and Peebles, where King James sings that there was “dancing and derray” in his time; and still lower Ashiesteel, where Scott was young and happy, and Abbotsford, where his fame and his misfortunes found him out. It was on a bright afternoon in late September that he died there, and the mourners by his bed heard through the silence the murmuring of Tweed How many other associations there are by the tributary rivers! what a breath of “pastoral melancholy”! There is Ettrick, where the cautious lover in the old song of Ettrick banks found “a canny place of meeting.” Oakwood Tower, where Michael Scott, the wizard, wove his spells, is a farm building—the haunted magician’s room is a granary, Earlstone, where Thomas the Rhymer dwelt, and whence the two white deer recalled him to Elfland and to the arms of the fairy queen, is noted “for its shawl manufactory.” Only Yarrow still keeps its ancient quiet, and the burn that was tinged by the blood of Douglas is unstained by more commonplace dyes.
All these changes make the “Rivers of Scotland” rather melancholy reading. Thirty years have not passed since Lauder died, and how much he would miss if he could revisit his beloved water! Spearing salmon by torchlight is a forbidden thing. The rocks are no longer lit up with the red glow; they resound no longer with the shouts and splashing of the yeomen. You might almost as readily find a hart on Harthope, or a wild cat at Catslack, or a wolf at Wolf-Cleugh, as catch three stone-weight of trout in Meggat-water. The days of guileless fish and fabulous draughts of trout are over. No sportsman need take three large baskets to the Gala now, as Lauder did, and actually filled them with thirty-six dozen of trout. The modern angler must not allow his expectations to be raised too highly by these stories. Sport has become much more difficult in these times of rapidly growing population. It is a pleasant sight to see the weavers spending their afternoons beside the Tweed; it is such a sight as could not be witnessed by the closely preserved rivers of England. But the weavers have taught the trout caution, and the dyes and various pollutions of trade have thinned their numbers. Mr. Ruskin sees no hope in this state of things; he preaches, in the spirit of old Hesiod, that there is no piety in a race which defiles the “holy waters.” But surely civilization, even if it spoil sport and degrade scenery, is better than a state of things in which the laird would hang up his foes to an iron ring in the roof. The hill of Cowden Knowes may be a less eligible place for lovers’ meetings than it was of old. But in those times the lord of Cowden Knowes is said by tradition to have had a way of putting his prisoners in barrels studded with iron nails, and rolling them down a brae. This is the side of the good old times which should not be overlooked. It may not be pleasant to find blue dye and wool yarn in Teviot, but it is more endurable than to have to encounter the bandit Barnskill, who hewed his bed of flint, Scott says, in Minto Crags. Still, the reading of the “Rivers of Scotland” leaves rather a sad impression on the reader, and makes him ask once more if there is no way of reconciling the beauty of rude ages with the comforts and culture of civilization. This is a question that really demands an answer, though it is often put in a mistaken way. The teachings of Mr. Ruskin and of his followers would bring us back to a time when printing was not, and an engineer would have been burned for a wizard. But there is a point at which civilization and production must begin to respect the limits of the beautiful, on which they so constantly encroach. Who is to settle the limit, and escape the charge of being either a dilettante and a sentimentalist on the one hand, or a Philistine on the other?
SALMON-FISHING.
SALMON-FISHING FOR THIS SEASON IS over, and, in spite of the fresh and open weather, most anglers will feel that the time has come to close the fly-book, to wind up the reel, and to consign the rod to its winter quarters. Salmon-fishing ceases to be very enjoyable when the snaw broo, or melted snow from the hilltops, begins to mix with the brown waters of Tweed or Tay; when the fallen leaves hamper the hook; and when the fish are becoming sluggish, black, and the reverse of comely. Now the season of retrospect commences, the time of the pleasures of memory, and the delights of talking shop dear to anglers Most sporting talk is dull to every one but the votaries of the particular amusement. Few things can be drearier to the outsider than the conversation of cricketers, unless it be the recondite lore which whist-players bring forth from the depths of their extraordinary memories. But angling talk has a variety, recounts an amount of incident and adventure, and wakens a feeling of free air in a way with which the records of no other sport, except perhaps deer-stalking, can compete. The salmon is, beyond all rivalry, the strongest and most beautiful, and most cautious and artful, of fresh-water fishes. To capture him is not a task for slack muscles or an uncertain eye. There is even a slight amount of personal risk in the sport. The fisher must often wade till the water reaches above the waist in cold and rushing streams, where his feet are apt to slip on the smooth stones or trip on the rough rocks beneath him. When the salmon takes the fly, there is no time for picking steps. The line rushes out so swiftly as to cut the fingers if it touches them, and then is the moment when the angler must follow the fish at the top of his speed. To stand still, or to go cautiously in pursuit, is to allow the salmon to run out with an enormous length of line; the line is submerged—technically speaking, drowned—in the water, the strain of the supple rod is removed from the fish, who finds the hook loose in his mouth, and rubs it off against the bottom of the river. Thus speed of foot, in water or over rocks, is a necessary quality in the angler; at least in the northern angler. By the banks of the Usk a contemplative man who likes to take things easily may find pretty sure footing on grassy slopes, or on a gravelly bottom. But it is a different thing to hook a large salmon where the Tweed foams under the bridge of Yair down to the narrows and linns below. If the angler hesitates there, he is lost. Does he stand still and give the fish line? The astute creature cuts it against the sharp rocks below the bridge, and the rod, relieved of the weight, leaps straight in the fisher’s hand, and in his heart there is a sense of emptiness and sudden desolation. Does he try to follow, the chances are that his feet slip; after one or two wild struggles he is on his back in the water, and nearly strangled with his fishing-basket. In either case the fish goes on his way rejoicing, and, after the manner of his kind, leaps out of the water once or twice—a maddening sight.
Adventures like this are among the bitter memories of the angler. The fish that break away are monstrous animals; imagination increases their bulk, and fond desire paints them clean-run and bright as silver. There are other chances of the angler’s life scarcely less sad than this. When a hook breaks just as the salmon was losing strength, was ceasing to struggle, and beginning to sway with the mere force of the stream, and to show his shining sides—when a hook breaks at such a moment, it is very hard to bear. The oath of Ernulphus seems all too weak to express the feelings of the sportsman and his wrath against the wretched tackle-maker. Again, when the fish is actually conquered; when he is being towed gently into some little harbour among the tall slim water-grasses, or into a pebbly cove, or up to a green bank; when the bitterness of struggle is past, and he seems resigned and almost happy; when at this crisis the clumsy gilly with the gaff scratches him, rouses him to a last exertion, and entangles the line, so that the salmon breaks free—that is an experience to which language cannot do justice. The ancient painter drew his veil over the face of Agamemnon present at his daughter’s sacrifice. Silence and sympathy are all one can offer to the angler who has toiled all day, and in this wise caught nothing. There is yet another very bitter sorrow. It is a hard thing for a man to leave town and hurry to a river in the west, a river that perhaps he has known since he fished for minnows with a bent pin in happy childhood. The west is not a dry land; effeminate tourists complain that the rain it raineth every day. But the heavy soft rain is the very life of an angler. It keeps the stream of that clear brown hue, between porter and amber, which he loves; and it encourages the salmon to keep rushing from the estuary and the sea right up to the mountain loch, where they rest. But suppose there is a dry summer—and such things have been even in Argyleshire. The heart of the tourist is glad within him, but as the river shrinks and shrinks, a silver thread among slimy green mosses in the streams, a sheet of clear water in the pools, the angler repines. Day after sultry day goes by, and there is no hope. There is a cloud on the distant hill; it is only the smoke from some moor that has caught fire. The river grows so transparent that it is easy to watch the lazy fish sulking at the bottom. Then comes a terrible temptation. Men, men calling themselves sportsmen, have been known to fish in the innocent dewy morning, with worm, with black lob worm. Worse remains behind. Persons of ungoverned passions, maddened by the sight of the fish, are believed to have poached with rake-hooks, a cruel apparatus made of three hooks fastened back to back and loaded with lead. These are thrown over the fish, and then struck into him with a jerk. But the mind willingly turns away from the contemplation of such actions.
It is pleasanter to think of not unsuccessful days by lowland or highland streams, when the sun was veiled, the sky pearly grey, the water, as the people say, in grand order. There is the artistic excitement of choosing the hook, gaudy for a heavy water, neat and modest for a clearer stream. There is the feverish moment of adjusting rod and line, while you mark a fish “rising to himself.” You begin to cast well above him, and come gradually down, till the fly lights on the place where he is lying. Then there is a slow pull, a break in the water, a sudden strain at the line, which flies through the rings of the rod. It is not well to give too much line; best to follow his course, as he makes off as if for Berwick and the sea. Once or twice he leaps clean into the air, a flying bar of silver. Then he sulks at the bottom, a mere dead weight, attempting devices only to be conjectured. A common plan now is to tighten the line, and tap the butt end of the rod. This humane expedient produces effects not unlike neuralgia, it may be supposed, for the fish is off in a new fury. But rush after rush grows tamer, till he is drawn within reach of the gaff, and so on to the grassy bed, where a tap on the head ends his sorrows, and the colours on his shining side undulate in delicate and beautiful radiance. It may be dreadfully cruel, as cruel as nature and human life; but those who eat salmon or butcher’s meat cannot justly protest, for they, desiring the end, have willed the means. As the angler walks home, and watches the purple Eildon grow grey in the twilight, or sees the hills of Mull delicately outlined between the faint gold of sky and sea, it is not probable that his conscience reproaches him very fiercely. He has spent a day among the most shy and hidden beauties of nature, surprising her here and there in places where, unless he had gone a-fishing, he might never have penetrated. He has set his skill against the strength and skill of the monarch of rivers, and has mastered him among the haunts of fairies and beneath the ruined towers of feudalism. These are some of the delights that to-day end for a season.
WINTER SPORTS.
PEOPLE TO WHOM COLD MEANS misery, who hate to be braced, and shudder at the word “seasonable,” can have little difficulty in accounting for the origin of the sports of winter. They need only adapt to the circumstances that old Lydian tradition which says that games of chance were invented during a great famine. Men permitted themselves to eat only every second day, and tried to forget their hunger in playing at draughts and dice. That is clearly the invention of a southern people, which never had occasion to wish it could become oblivious of the weather, as too many of us would like to be in England. Such shivering and indolent folks may be inclined to say that skating and curling and wildfowl-shooting, and the other diversions which seduce the able-bodied from the warm precincts of the cheerful fire, were only contrived to enable us to forget the state of the thermometer. Whether or not that was the purpose of the first northerner who fixed sheep-bones beneath his feet, to course more smoothly over the frozen sound, there can be no doubt that winter sports answer their presumed purpose. They keep up that glow which only exercise in the open air can give, and promote the health which shows itself in the complexion. It is the young lady who interprets literally the Scotch invitation “come into the fire,” and who spoils the backs of library novels by holding them too near the comfortable hearth, she it is who suffers from the ignoble and unbecoming liberties that winter takes with the human countenance. Happier and wiser is she who studies the always living and popular Dutch roll rather than the Grecian bend, and who blooms with continual health and good temper. Our changeful climate affords so few opportunities of learning to skate, that it is really extraordinary to find so much skill, and to see feats so difficult and graceful. In Canada, where frost is a certainty, and where the covered “rinks” make skating an indoor sport, it is not odd that great perfection should be attained. But as fast as Canadians bring over a new figure or a new trick it is picked up, and critics may dispute as to whether the bold and dashing style of the English school of skaters is not preferable to the careful and smooth, but somewhat pretty and niggling manner of the colonists. Our skating stands to the Canadian fashion somewhat as French does to English etching. We have the dash and the chic with skates which Frenchmen show with the etching-needle, and the Canadian, on the other hand, is apt to decline into the mere prettiness which is the fault of English etchers.
