Mary Stuart - Friedrich Schiller - E-Book
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Friedrich Schiller

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Beschreibung

In Friedrich Schiller's poignant play "Mary Stuart," the author masterfully weaves a complex narrative that examines the tragic intersection of personal ambition and political intrigue. Set against the backdrop of 16th-century England, the drama unfolds the harrowing fate of Mary, Queen of Scots, and her contentious relationship with her cousin, Queen Elizabeth I. Schiller's lyrical dialogue and rich character development reflect the Sturm und Drang movement, which sought to explore intense human emotions and conflicts, ultimately critiquing the moral ambiguities of power and the role of fate in human affairs. This play not only presents a story of two formidable queens but also delves into themes of identity, loyalty, and ethereal beauty juxtaposed with tragic consequences. Friedrich Schiller, a prominent figure of German literature and philosophy, was deeply influenced by the tumultuous political landscape of his time and his own experiences with freedom and tyranny. His background in law and his fervent fascination with classical antiquity instilled in him a profound understanding of human nature and ethics. These elements coalesce in "Mary Stuart," revealing his insights into the inexorable pull of destiny and the moral dilemmas faced by leaders. This compelling drama is recommended for readers who yearn to explore the intricate dance of power, passion, and tragedy. Schiller's evocative portrayal of Mary and Elizabeth's tragic fates not only captivates but also provokes critical reflection on the nature of sovereignty and sacrifice. "Mary Stuart" is essential reading for anyone interested in literary history, political drama, or the complexities of the human condition. In this enriched edition, we have carefully created added value for your reading experience: - A succinct Introduction situates the work's timeless appeal and themes. - The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists. - A detailed Historical Context immerses you in the era's events and influences that shaped the writing. - An Author Biography reveals milestones in the author's life, illuminating the personal insights behind the text. - A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings. - Reflection questions prompt you to engage personally with the work's messages, connecting them to modern life. - Hand‐picked Memorable Quotes shine a spotlight on moments of literary brilliance. - Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

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Veröffentlichungsjahr: 2019

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Friedrich Schiller

Mary Stuart

A Tragedy
Published by Good Press, 2022
EAN 4057664187123

Table of Contents

Format Choice
A TRAGEDY.
By Friedrich Schiller
DRAMATIS PERSONAE.
ACT I.
SCENE I.
SCENE II.
SCENE III.
SCENE IV.
SCENE V.
SCENE VI.
SCENE VII.
SCENE VIII.
ACT II.
SCENE I.
SCENE II.
SCENE III.
SCENE IV.
SCENE V.
SCENE VI.
SCENE VII.
SCENE VIII.
SCENE IX.
ACT III.
SCENE I.
SCENE II.
SCENE III.
SCENE IV.
SCENE V.
SCENE VI.
SCENE VII.
SCENE VIII.
ACT IV.
SCENE I.—Antechamber.
SCENE II.
SCENE III.
SCENE IV.
SCENE V.
SCENE VI.
SCENE VII.
SCENE VIII.
SCENE IX.
SCENE X.
SCENE XI.
SCENE XII.
ACT V.
SCENE I.
SCENE II.
SCENE III.
SCENE IV.
SCENE V.
SCENE VI.
SCENE VII.
SCENE VIII.
SCENE IX.
SCENE X.
SCENE XI.
SCENE XII.
SCENE XIII.
SCENE XIV.
SCENE XV.

Format Choice

Table of Contents
The present format is best for most laptops and computers, and generates well to .mobi and .epub files. The higher quality images in this file do not reduce in size to fit the small screens of Tablets and Smart Phones—part of the larger images may run off the side. Two other formats are available by clicking on the following lines:1. The original ebook which was split into several small files.2. A file with images which automatically accomodate to any screen size; this is the best choice for the small screens of Tablets and Smart Phones.

MARY STUART.

Table of Contents

A TRAGEDY.

Table of Contents

By Friedrich Schiller

Table of Contents

NOTE: The translation of MARY STUART is that by the late Joseph Mellish, who appears to have been on terms of intimate friendship with Schiller. His version was made from the prompter's copy, before the play was published, and, like Coleridge's Wallenstein, contains many passages not found in the printed edition. These are distinguished by brackets. On the other hand, Mr. Mellish omitted many passages which now form part of the printed drama, all of which are now added. The translation, as a whole, stands out from similar works of the time (1800) in almost as marked a degree as Coleridge's Wallenstein, and some passages exhibit powers of a high order; a few, however, especially in the earlier scenes, seemed capable of improvement, and these have been revised, but, in deference to the translator, with a sparing hand.

DRAMATIS PERSONAE.

ACT I.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

ACT II.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

ACT III.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

ACT IV.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

ACT V.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE XV.

DRAMATIS PERSONAE.

Table of Contents
ELIZABETH, Queen of England. MARY STUART, Queen of Scots, a Prisoner in England. ROBERT DUDLEY, Earl of Leicester. GEORGE TALBOT, Earl of Shrewsbury. WILLIAM CECIL, Lord Burleigh, Lord High Treasurer. EARL OF KENT. SIR WILLIAM DAVISON, Secretary of State. SIR AMIAS PAULET, Keeper of MARY. SIR EDWARD MORTIMER, his Nephew. COUNT L'AUBESPINE, the French Ambassador. O'KELLY, Mortimer's Friend. COUNT BELLIEVRE, Envoy Extraordinary from France. SIR DRUE DRURY, another Keeper of MARY. SIR ANDREW MELVIL, her House Steward. BURGOYNE, her Physician. HANNAH KENNEDY, her Nurse. MARGARET CURL, her Attendant. Sheriff of the County. Officer of the Guard. French and English Lords. Soldiers. Servants of State belonging to ELIZABETH. Servants and Female Attendants of the Queen of Scots.

ACT I.

Table of Contents

SCENE I.

Table of Contents
A common apartment in the Castle of Fotheringay. HANNAH KENNEDY, contending violently with PAULET, who is about to break open a closet; DRURY with an iron crown. KENNEDY. How now, sir? what fresh outrage have we here? Back from that cabinet! PAULET. Whence came the jewel? I know 'twas from an upper chamber thrown; And you would bribe the gardener with your trinkets. A curse on woman's wiles! In spite of all My strict precaution and my active search, Still treasures here, still costly gems concealed! And doubtless there are more where this lay hid. [Advancing towards the cabinet. KENNEDY. Intruder, back! here lie my lady's secrets. PAULET. Exactly what I seek. [Drawing forth papers. KENNEDY. Mere trifling papers; The amusements only of an idle pen, To cheat the dreary tedium of a dungeon. PAULET. In idle hours the evil mind is busy. KENNEDY. Those writings are in French. PAULET. So much the worse! That tongue betokens England's enemy. KENNEDY. Sketches of letters to the Queen of England. PAULET. I'll be their bearer. Ha! what glitters here? [He touches a secret spring, and draws out jewels from a private drawer. A royal diadem enriched with stones, And studded with the fleur-de-lis of France. [He hands it to his assistant. Here, take it, Drury; lay it with the rest. [Exit DRURY. [And ye have found the means to hide from us Such costly things, and screen them, until now, From our inquiring eyes?] KENNEDY. Oh, insolent And tyrant power, to which we must submit. PAULET. She can work ill as long as she hath treasures; For all things turn to weapons in her hands. KENNEDY (supplicating). Oh, sir! be merciful; deprive us not Of the last jewel that adorns our life! 'Tis my poor lady's only joy to view This symbol of her former majesty; Your hands long since have robbed us of the rest. PAULET. 'Tis in safe custody; in proper time 'Twill be restored to you with scrupulous care. KENNEDY. Who that beholds these naked walls could say That majesty dwelt here? Where is the throne? Where the imperial canopy of state? Must she not set her tender foot, still used To softest treading, on the rugged ground? With common pewter, which the lowliest dame Would scorn, they furnish forth her homely table. PAULET. Thus did she treat her spouse at Stirling once; And pledged, the while, her paramour in gold. KENNEDY. Even the mirror's trifling aid withheld. PAULET. The contemplation of her own vain image Incites to hope, and prompts to daring deeds. KENNEDY. Books are denied her to divert her mind. PAULET. The Bible still is left to mend her heart. KENNEDY. Even of her very lute she is deprived! PAULET. Because she tuned it to her wanton airs. KENNEDY. Is this a fate for her, the gentle born, Who in her very cradle was a queen? Who, reared in Catherine's luxurious court, Enjoyed the fulness of each earthly pleasure? Was't not enough to rob her of her power, Must ye then envy her its paltry tinsel? A noble heart in time resigns itself To great calamities with fortitude; But yet it cuts one to the soul to part At once with all life's little outward trappings! PAULET. These are the things that turn the human heart To vanity, which should collect itself In penitence; for a lewd, vicious life, Want and abasement are the only penance. KENNEDY. If youthful blood has led her into error, With her own heart and God she must account: There is no judge in England over her. PAULET. She shall have judgment where she hath transgressed. KENNEDY. Her narrow bonds restrain her from transgression. PAULET. And yet she found the means to stretch her arm Into the world, from out these narrow bonds, And, with the torch of civil war, inflame This realm against our queen (whom God preserve). And arm assassin bands. Did she not rouse From out these walls the malefactor Parry, And Babington, to the detested crime Of regicide? And did this iron grate Prevent her from decoying to her toils The virtuous heart of Norfolk? Saw we not The first, best head in all this island fall A sacrifice for her upon the block? [The noble house of Howard fell with him.] And did this sad example terrify These mad adventurers, whose rival zeal Plunges for her into this deep abyss? The bloody scaffold bends beneath the weight Of her new daily victims; and we ne'er Shall see an end till she herself, of all The guiltiest, be offered up upon it. Oh! curses on the day when England took This Helen to its hospitable arms. KENNEDY. Did England then receive her hospitably? Oh, hapless queen! who, since that fatal day When first she set her foot within this realm, And, as a suppliant—a fugitive— Came to implore protection from her sister, Has been condemned, despite the law of nations, And royal privilege, to weep away The fairest years of youth in prison walls. And now, when she hath suffered everything Which in imprisonment is hard and bitter, Is like a felon summoned to the bar, Foully accused, and though herself a queen, Constrained to plead for honor and for life. PAULET. She came amongst us as a murderess, Chased by her very subjects from a throne Which she had oft by vilest deeds disgraced. Sworn against England's welfare came she hither, To call the times of bloody Mary back, Betray our church to Romish tyranny, And sell our dear-bought liberties to France. Say, why disdained she to subscribe the treaty Of Edinborough—to resign her claim To England's crown—and with one single word, Traced by her pen, throw wide her prison gates? No:—she had rather live in vile confinement, And see herself ill-treated, than renounce The empty honors of her barren title. Why acts she thus? Because she trusts to wiles, And treacherous arts of base conspiracy; And, hourly plotting schemes of mischief, hopes To conquer, from her prison, all this isle. KENNEDY. You mock us, sir, and edge your cruelty With words of bitter scorn:—that she should form Such projects; she, who's here immured alive, To whom no sound of comfort, not a voice Of friendship comes from her beloved home; Who hath so long no human face beheld, Save her stern gaoler's unrelenting brows; Till now, of late, in your uncourteous cousin She sees a second keeper, and beholds Fresh bolts and bars against her multiplied. PAULET. No iron-grate is proof against her wiles. How do I know these bars are not filed through? How that this floor, these walls, that seem so strong Without, may not be hollow from within, And let in felon treachery when I sleep? Accursed office, that's intrusted to me, To guard this cunning mother of all ill! Fear scares me from my sleep; and in the night I, like a troubled spirit, roam and try The strength of every bolt, and put to proof Each guard's fidelity:—I see, with fear, The dawning of each morn, which may confirm My apprehensions:—yet, thank God, there's hope That all my fears will soon be at an end; For rather would I at the gates of hell Stand sentinel, and guard the devilish host Of damned souls, than this deceitful queen. KENNEDY. Here comes the queen. PAULET. Christ's image in her hand. Pride, and all worldly lusts within her heart.

SCENE II.

Table of Contents
The same. Enter MARY, veiled, a crucifix in her hand. KENNEDY (hastening toward her). O gracious queen! they tread us under foot; No end of tyranny and base oppression; Each coming day heaps fresh indignities, New sufferings on thy royal head. MARY. Be calm— Say, what has happened? KENNEDY. See! thy cabinet Is forced—thy papers—and thy only treasure, Which with such pains we had secured, the last Poor remnant of thy bridal ornaments From France, is in his hands—naught now remains Of royal state—thou art indeed bereft! MARY. Compose yourself, my Hannah! and believe me, 'Tis not these baubles that can make a queen— Basely indeed they may behave to us, But they cannot debase us. I have learned To use myself to many a change in England; I can support this too. Sir, you have taken By force what I this very day designed To have delivered to you. There's a letter Amongst these papers for my royal sister Of England. Pledge me, sir, your word of honor, To give it to her majesty's own hands, And not to the deceitful care of Burleigh. PAULET. I shall consider what is best to do. MARY. Sir, you shall know its import. In this letter I beg a favor, a great favor of her,— That she herself will give me audience,—she Whom I have never seen. I have been summoned Before a court of men, whom I can ne'er Acknowledge as my peers—of men to whom My heart denies its confidence. The queen Is of my family, my rank, my sex; To her alone—a sister, queen, and woman— Can I unfold my heart. PAULET. Too oft, my lady, Have you intrusted both your fate and honor To men less worthy your esteem than these. MARY. I, in the letter, beg another favor, And surely naught but inhumanity Can here reject my prayer. These many years Have I, in prison, missed the church's comfort, The blessings of the sacraments—and she Who robs me of my freedom and my crown, Who seeks my very life, can never wish To shut the gates of heaven upon my soul. PAULET. Whene'er you wish, the dean shall wait upon you. MARY (interrupting him sharply). Talk to me not of deans. I ask the aid Of one of my own church—a Catholic priest. PAULET. [That is against the published laws of England. MARY. The laws of England are no rule for me. I am not England's subject; I have ne'er Consented to its laws, and will not bow Before their cruel and despotic sway. If 'tis your will, to the unheard-of rigor Which I have borne, to add this new oppression, I must submit to what your power ordains; Yet will I raise my voice in loud complaints.] I also wish a public notary, And secretaries, to prepare my will— My sorrows and my prison's wretchedness Prey on my life—my days, I fear, are numbered— I feel that I am near the gates of death. PAULET. These serious contemplations well become you. MARY. And know I then that some too ready hand May not abridge this tedious work of sorrow? I would indite my will and make disposal Of what belongs to me. PAULET. This liberty May be allowed to you, for England's queen Will not enrich herself by plundering you. MARY. I have been parted from my faithful women, And from my servants; tell me, where are they? What is their fate? I can indeed dispense At present with their service, but my heart Will feel rejoiced to know these faithful ones Are not exposed to suffering and to want! PAULET. Your servants have been cared for; [and again You shall behold whate'er is taken from you And all shall be restored in proper season.] [Going. MARY. And will you leave my presence thus again, And not relieve my fearful, anxious heart From the fell torments of uncertainty? Thanks to the vigilance of your hateful spies, I am divided from the world; no voice Can reach me through these prison-walls; my fate Lies in the hands of those who wish my ruin. A month of dread suspense is passed already Since when the forty high commissioners Surprised me in this castle, and erected, With most unseemly haste, their dread tribunal; They forced me, stunned, amazed, and unprepared, Without an advocate, from memory, Before their unexampled court, to answer Their weighty charges, artfully arranged. They came like ghosts,—like ghosts they disappeared, And since that day all mouths are closed to me. In vain I seek to construe from your looks Which hath prevailed—my cause's innocence And my friends' zeal—or my foes' cursed counsel. Oh, break this silence! let me know the worst; What have I still to fear, and what to hope. PAULET. Close your accounts with heaven. MARY. From heaven I hope For mercy, sir; and from my earthly judges I hope, and still expect, the strictest justice. PAULET. Justice, depend upon it, will be done you. MARY. Is the suit ended, sir? PAULET. I cannot tell. MARY. Am I condemned? PAULET. I cannot answer, lady. MARY. [Sir, a good work fears not the light of day. PAULET. The day will shine upon it, doubt it not.] MARY. Despatch is here the fashion. Is it meant The murderer shall surprise me, like the judges? PAULET. Still entertain that thought and he will find you Better prepared to meet your fate than they did. MARY (after a pause). Sir, nothing can surprise me which a court Inspired by Burleigh's hate and Hatton's zeal, Howe'er unjust, may venture to pronounce: But I have yet to learn how far the queen Will dare in execution of the sentence. PAULET. The sovereigns of England have no fear But for their conscience and their parliament. What justice hath decreed her fearless hand Will execute before the assembled world.