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Anthony Eastwood, a writer of crime thrillers, tries to find inspiration in front of his blank page. Suddenly he receives a phone call from a woman desperately begging for help. Eastwood will attend and will find himself involved in an interesting mystery. He will be deceived and even robbed... but he will have the necessary drive to write a great detective novel.
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Veröffentlichungsjahr: 2023
Mr Eastwood looked at the ceiling. Then he looked down at the floor. From the floor his gaze travelled slowly up the right-hand wall. Then, with a sudden stern effort, he focused his gaze once more upon the typewriter before him. The virgin white of the sheet of paper was defaced by a title written in capital letters.
“THE MYSTERY OF THE SECOND CUCUMBER,” so it ran. A pleasing tide. Anthony Eastwood felt that anyone reading that tide would be at once intrigued and arrested by it “The Mystery of the Second Cucumber,” they would say. “What can that be about? A cucumber? The second cucumber? I must certainly read that story.” And they would be thrilled and charmed by the consummate ease with which this master of detective fiction had woven an exciting plot round this simple vegetable.
That was all very well. Anthony Eastwood knew as well as anyone what the story ought to be like — the bother was that somehow or other he couldn’t get on with it. The two essentials for a story were a title and a plot — the rest was mere spade-work; sometimes the tide led to a plot all by itself, as it were, and then all was plain sailing — but in this case the title continued to adorn the top of the page, and not the vestige of a plot was forthcoming.
Again Anthony Eastwood’s gaze sought inspiration from the ceiling, the floor, and the wallpaper, and still nothing materialized. “I shall call the heroine Sonia,” said Anthony, to urge himself on. “Sonia or possibly Dolores - she shall have a skin of ivory pallor — the kind that’s not due to ill—health, and eyes like fathomless pools. The hero shall be called George, or possibly John — something short and British. Then the gardener — I suppose there will have to be a gardener, we’ve got to drag that beastly cucumber in somehow or other — the gardener might be Scottish, and amusingly pessimistic about the early frosts.”
This method sometimes worked, but it didn’t seem to be going to this morning. Although Anthony could see Sonia and George and the comic gardener quite clearly, they didn’t show any willingness to be active and do things.
“I could make it a banana, of course,” thought Anthony desperately. “Or a lettuce, or a Brussels sprout — Brussels sprout, now, how about that? Really a cryptogram for Brussels — stolen bearer bonds — sinister Belgian baron.” For a moment a gleam of light seemed to show, but it died down again. The Belgian baron wouldn’t materialize, and Anthony suddenly remembered that early frosts and cucumbers were incompatible, which seemed to put the lid on the amusing remarks of the Scottish gardener.
“Oh! Damn!” said Mr Eastwood. He rose and seized the Daily Mail. It was just possible that someone or other had been done to death in such a way as to lend inspiration to a perspiring author. But the news this morning was mainly political and foreign. Mr Eastwood cast down the paper in disgust.
Next seizing a novel from the table, he closed his eyes and dabbed his finger down on one of the pages. The word thus indicated by fate was “sheep.” Immediately, with starding brilliance, a whole story unrolled itself in Mr Eastwood’s brain. Lovely girl — lover killed in the war, her brain unhinged — tends sheep on the Scottish mountains — mystic meeting with dead lover, final effect of sheep and moonlight like Academy picture, with girl lying dead in the snow, and two trails of footsteps...
It was a beautiful story. Anthony came out of its conception with a sigh and a sad shake of the head. He knew only too well that the editor in question did not want that kind of story - beautiful though it might be. The kind of story he wanted, and insisted on having (and incidentally paid handsomely for getting), was all about mysterious dark women, stabbed to the heart, a young hero unjustly suspected, and the sudden unraveling of the mystery and fixing of the guilt on the least likely person, by means of wholly inadequate clues — in fact, “THE MYSTERY OF THE SECOND CUCUMBER.”
“Although,” reflected Anthony, “ten to one he’ll alter the tide and call it something rotten, like ‘Murder Most Foul.’ without so much as asking me! Oh, curse that telephone.”
