Nikon D600 For Dummies - Julie Adair King - E-Book

Nikon D600 For Dummies E-Book

Julie Adair King

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Beschreibung

A full-color beginner guide to the basics of the Nikon D600 The Nikon D600 is a professional-level full-frame sensor that is sure to attract an audience of DSLR newcomers and pros. This friendly-and-thorough full-color guide shows you how to get a firm grasp on this powerful camera and helps you to ultimately get better photos. * Helps you shoot in Auto mode and manage playback options, and walks you through basic troubleshooting * Teaches you to take creative control by adjusting manual settings to get better results from exposure, lighting, focus, and color, then apply those settings to a photo session * Offers invaluable advice on video mode along with the new autofocus features * Details sending images to a computer for organizing, editing, and sharing Nikon D600 For Dummies takes aim at a fun-but-understandable way to help you better understand this amazing camera.

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Nikon® D600™ For Dummies®

Visit www.dummies.com/cheatsheet/nikond600 to view this book's cheat sheet.

Table of Contents

Introduction
A Quick Look at What’s Ahead
Icons and Other Stuff to Note
eCheat Sheet
Practice, Be Patient, and Have Fun!
Part I: Fast Track to Super Snaps
Chapter 1: Getting the Lay of the Land
Looking at Lenses
Choosing a lens
Attaching and removing lenses
Changing the focusing method (auto or manual)
Zooming in and out
Getting shake-free shots with Vibration Reduction (VR) lenses
Adjusting the Viewfinder Focus
Ordering from Camera Menus
Decoding the Displays
Working with Memory Cards
Using two cards at the same time
Formatting cards
Exploring External Camera Controls
Topside controls
Back-of-the-body controls
Front-left controls
Front-right controls
Hidden connections
Asking Your Camera for Help
Reviewing Basic Setup Options
Cruising the Setup menu
Browsing the Custom Setting menu
Choosing a storage folder
Restoring default settings
Chapter 2: Choosing Basic Picture Settings
Setting the Image Area (FX or DX Mode)
Choosing an Exposure Mode
Choosing the Shutter-Release Mode
Single Frame and Quiet modes
Continuous (burst mode) shooting
Self-timer shooting
Remote Control mode
Mirror lockup and exposure delay modes
Choosing the Right Quality Settings
Diagnosing quality problems
Considering image size: How many pixels are enough?
Understanding Image Quality options (JPEG or Raw)
JPEG: The imaging (and web) standard
Raw (NEF): The purist’s choice
Chapter 3: Taking Great Pictures, Automatically
Setting Up for Automatic Success
As Easy as It Gets: Auto and Auto Flash Off
Taking Advantage of Scene Modes
Selecting a Scene mode
Checking out the Scene(s)
Chapter 4: Exploring Live View Photography and Movie Making
Reviewing the Basics
Using Live View with a DX lens
Live View safety tips
Customizing the Live View display
Exploring Live View Focusing
Choosing an Autofocus mode: AF-S or AF-F?
Selecting an autofocus target (AF-area mode)
Choosing the right focusing pairs
Stepping through the autofocusing process
Manual focusing in Live View and movie mode
Shooting Still Pictures in Live View Mode
Shooting Digital Movies
Setting basic recording options
Reviewing a few final recording options
Starting and stopping recording
Adding index markers during recording
Screening Your Movies
Trimming Movies
Saving a Movie Frame as a Still Image
Part II: Working with Picture Files
Chapter 5: Playback Mode: Viewing, Erasing, and Protecting Photos
Customizing Basic Playback Options
Adjusting playback timing
Enabling automatic picture rotation
Viewing Images in Playback Mode
Viewing multiple images at a time
Displaying photos in Calendar view
Choosing which images to view
Magnifying photos during playback
Viewing Picture Data
Choosing data-display options
File Information mode
Highlights display mode
RGB Histogram mode
Shooting Data display mode
GPS Data mode
Overview Data mode
Deleting Photos
Deleting images one at a time
Deleting all photos
Deleting a batch of selected photos
Hiding Photos during Playback
Protecting Photos
Creating a Slide Show
Viewing Your Photos on a Television
Chapter 6: Downloading, Printing, and Sharing Your Photos
Choosing the Right Photo Software
Three free photo programs
Advanced photo programs
Sending Pictures to the Computer
Connecting the camera and computer for picture download
Starting the transfer process
Downloading using ViewNX 2
Processing Raw (NEF) Files
Processing Raw images in the camera
Processing Raw files in ViewNX 2
Planning for Perfect Prints
Check the pixel count before you print
Allow for different print proportions
Get print and monitor colors in sync
Preparing Pictures for E-Mail and Online Sharing
Prepping online photos using ViewNX 2
Creating screen-friendly copies in the camera
Copying Files from One Memory Card to Another
Part III: Taking Creative Control
Chapter 7: Getting Creative with Exposure and Lighting
Introducing the Exposure Trio: Aperture, Shutter Speed, and ISO
Understanding exposure-setting side effects
Doing the exposure balancing act
Exploring the Advanced Exposure Modes
Reading (And Adjusting) the Meter
Setting Aperture, Shutter Speed, and ISO
Adjusting aperture and shutter speed
Controlling ISO
Choosing an Exposure Metering Mode
Sorting through Your Camera’s Exposure-Correction Tools
Applying Exposure Compensation
Using Autoexposure Lock
Expanding tonal range with Active D-Lighting
Exploring high dynamic range (HDR) photography
Working with Flash
Setting the Flash mode
Adjusting flash output
Locking flash exposure on your subject
Exploring a few additional flash options
Bracketing Exposures
Bracketing exposure and flash
Bracketing Active D-Lighting
Chapter 8: Manipulating Focus and Color
Mastering the Autofocusing System
Choosing an Autofocus mode
Choosing an AF-area mode: One focus point or many?
Choosing the right autofocus combo
Selecting (and locking) an autofocus point
Autofocusing with still subjects: AF-S + Single Point
Focusing on moving subjects: AF-C + Dynamic Area
Exploring a few last autofocus tweaks
Focusing Manually
Manipulating Depth of Field
Controlling Color
Correcting colors with white balance
Changing the White Balance setting
Fine-tuning White Balance settings
Creating custom White Balance presets
Bracketing white balance
Choosing a Color Space: sRGB versus Adobe RGB
Taking a Quick Look at Picture Controls
Chapter 9: Putting It All Together
Recapping Basic Picture Settings
Shooting Still Portraits
Capturing Action
Capturing Scenic Vistas
Capturing Dynamic Close-Ups
Part IV: The Part of Tens
Chapter 10: Ten More Ways to Customize Your Camera
Creating Custom Exposure Modes (U1 and U2)
Creating Your Own Menu
Adding Image Comments
Embedding a Copyright Notice
Choosing Your Own File and Folder Names
Changing the Purpose of the OK Button
Changing the Behavior of the Command Dials
Customizing the Fn, Depth-of-Field Preview, and AE-L/AF-L Buttons
Customizing the buttons for still photography
Customizing buttons for movie recording
Modifying the Role of the Shutter Button
Chapter 11: Ten Features to Explore on a Rainy Day
Applying the Retouch Menu Filters
Removing Red-Eye
Solving Exposure and Color Problems
Straightening Tilting Horizon Lines
Correcting Perspective
Removing (Or Creating) Lens Distortion
Cropping Your Photo
Playing with Special Effects
Exploring Time-Lapse Photography
Shooting time-lapse photos
Creating a time-lapse movie
Two Roads to a Multi-Image Exposure
Cheat Sheet

Nikon® D600™ For Dummies®

by Julie Adair King

Nikon® D600™ For Dummies®

Published by John Wiley & Sons, Inc.111 River Street Hoboken, NJ 07030-5774

www.wiley.com

Copyright © 2013 by John Wiley & Sons, Inc., Hoboken, New Jersey

Published by John Wiley & Sons, Inc., Hoboken, New Jersey

Published simultaneously in Canada

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions.

Trademarks: Wiley, the Wiley logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, Making Everything Easier, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written permission. Nikon and D600 are trademarks or registered trademarks of Nikon Corporation. All other trademarks are the property of their respective owners. John Wiley & Sons, Inc. is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Website is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Website may provide or recommendations it may make. Further, readers should be aware that Internet Websites listed in this work may have changed or disappeared between when this work was written and when it is read.

For general information on our other products and services, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002.

For technical support, please visit www.wiley.com/techsupport.

Wiley publishes in a variety of print and electronic formats and by print-on-demand. Some material included with standard print versions of this book may not be included in e-books or in print-on-demand. If this book refers to media such as a CD or DVD that is not included in the version you purchased, you may download this material at http://booksupport.wiley.com. For more information about Wiley products, visit www.wiley.com.

Library of Congress Control Number: 2012954126

ISBN 978-1-118-53079-5 (pbk); ISBN 978-1-118-53081-8 (ebk); ISBN 978-1-118-53078-8 (ebk); ISBN 978-1-118-53057-3 (ebk)

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

About the Author

Julie Adair King is the author of many books about digital photography and imaging, including the best-selling Digital Photography For Dummies. Her most recent titles include a series of For Dummies guides to popular digital SLR cameras, including the Nikon D3200, D7000, D5100, and D300s. Other works include Digital Photography Before & After Makeovers, Digital Photo Projects For Dummies, Julie King’s Everyday Photoshop For Photographers, Julie King’s Everyday Photoshop Elements, and Shoot Like a Pro!: Digital Photography Techniques. When not writing, King teaches digital photography at such locations as the Palm Beach Photographic Centre. A native of Ohio and graduate of Purdue University, she resides in West Palm Beach, Florida.

Author’s Acknowledgments

I am deeply grateful for the chance to work once again with the wonderful publishing team at John Wiley and Sons. Rebecca Senninger, Jennifer Webb, Steve Hayes, Teresa Artman, and Sheree Montgomery are just some of the talented editors and designers who helped make this book possible. And finally, I am also indebted to technical editor Scott Proctor, without whose insights and expertise this book would not have been the same.

Publisher’s Acknowledgments

We’re proud of this book; please send us your comments at http://dummies.custhelp.com. For other comments, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002.

Some of the people who helped bring this book to market include the following:

Acquisitions, Editorial, and Vertical Websites

Project Editor: Rebecca Senninger

Executive Editor: Steven Hayes

Sr. Copy Editor: Teresa Artman

Technical Editor: Scott Proctor

Editorial Manager: Leah Michael

Editorial Assistant: Leslie Saxman

Sr. Editorial Assistant: Cherie Case

Cover Photo: © Nadya Lukic / iStockphoto

Cartoons: Rich Tennant (www.the5thwave.com)

Composition Services

Project Coordinator: Sheree Montgomery

Layout and Graphics: Carrie Cesavice, Joyce Haughey, Christin Swinford

Proofreaders: Tricia Liebig, Lauren Mandelbaum

Indexer: Ty Koontz

Publishing and Editorial for Technology Dummies

Richard Swadley, Vice President and Executive Group Publisher

Andy Cummings, Vice President and Publisher

Mary Bednarek, Executive Acquisitions Director

Mary C. Corder, Editorial Director

Publishing for Consumer Dummies

Kathleen Nebenhaus, Vice President and Executive Publisher

Composition Services

Debbie Stailey, Director of Composition Services

Introduction

Nikon. The name has been associated with top-flight photography equipment for generations. And the introduction of the D600 has only enriched Nikon’s well-deserved reputation, offering all the control a die-hard photography enthusiast could want — including a full-frame image sensor at a previously unheard of price — while at the same time providing easy-to-use, point-and-shoot features for the beginner.

In fact, the D600 offers so many features that sorting them all out can be more than a little confusing, especially if you’re new to digital photography, SLR photography, or both. For starters, you may not even be sure what SLR means or why a full-frame sensor is such a big deal, let alone have a clue as to all the other techie terms you encounter in your camera manual — resolution, aperture, white balance, and so on. And if you’re like many people, you may be so overwhelmed by all the controls on your camera that you haven’t yet ventured beyond fully automatic picture-taking mode, and that’s a shame because it’s sort of like buying a Porsche and never actually taking it on the road.

Therein lies the point of Nikon D600 For Dummies. Through this book, you discover not just what each bell and whistle on your camera does, but also when, where, why, and how to put it to best use. Unlike many photography books, this one doesn’t require any previous knowledge of photography or digital imaging to make sense of things, either. In classic For Dummies style, everything is explained in easy-to-understand language, with lots of illustrations to help clear up any confusion.

In short, what you have in your hands is the paperback version of an in-depth photography workshop tailored specifically to your Nikon picture-taking powerhouse.

A Quick Look at What’s Ahead

This book is organized into four parts, each devoted to a different aspect of using your camera. Although chapters flow in a sequence that’s designed to take you from absolute beginner to experienced user, I’ve also tried to make each chapter as self-standing as possible so that you can explore the topics that interest you in any order you please.

Here’s a brief preview of what you can find in each part of the book:

Part I: Fast Track to Super Snaps: Part I contains four chapters to help you get up and running. Chapter 1 offers a tour of the external controls on your camera, shows you how to navigate camera menus to access internal options, and walks you through initial camera setup. Chapter 2 explains basic picture-taking options, such as shutter-release mode and image quality settings, and Chapter 3 shows you how to use the camera’s fully automatic exposure modes. Chapter 4 explains the ins and outs of using Live View, the feature that lets you compose pictures on the monitor, and also covers movie recording.

Part II: Working with Picture Files: This part offers two chapters, both dedicated to after-the-shot topics. Chapter 5 explains how to review your pictures on the camera monitor, delete unwanted images, and protect your favorites from accidental erasure. Chapter 6 guides you through downloading pictures to your computer, preparing photos for printing, and sharing images online.

Part III: Taking Creative Control: Chapters in this part help you unleash the full creative power of your camera by moving into the advanced shooting modes (P, A, S, and M). Chapter 7 covers the critical topic of exposure, and Chapter 8 explains how to manipulate focus and color. Chapter 9summarizes all the techniques explained in earlier chapters, providing a quick-reference guide to the camera settings and shooting strategies that produce the best results for portraits, action shots, landscape scenes, and close-ups.

Part IV: The Part of Tens: In famous For Dummies tradition, the book concludes with two “top ten” lists containing additional bits of information and advice. Chapter 10 covers ten ways to customize your camera, and Chapter 11 wraps up the book by detailing some camera features that, although not found on most “Top Ten Reasons I Bought My D600” lists, are nonetheless interesting, useful on occasion, or a bit of both.

Icons and Other Stuff to Note

If this isn’t your first For Dummies book, you may be familiar with the large, round icons that decorate its margins. If not, here’s your very own icon-decoder ring:

A Tip icon flags information that saves you time, effort, money, or some other valuable resource, including your sanity. Tips also point out techniques that help you get the best results from specific camera features.

When you see this icon, look alive. It indicates a potential danger zone that can result in much wailing and teeth-gnashing if ignored. In other words, this is stuff that you really don’t want to learn the hard way.

Lots of information in this book is of a technical nature — digital photography is a technical animal, after all. But if I present a detail that is useful mainly for impressing your technology-geek friends, I mark it with this icon.

I apply this icon either to introduce information that is especially worth storing in your brain’s long-term memory or to remind you of a fact that may have been displaced from that memory by some other pressing fact.

Also note these two details before you start exploring the book:

Other margin art: Replicas of some of your camera’s buttons and onscreen symbols also appear in the margins of some paragraphs. I include these to provide a quick reminder of the appearance of the button or feature being discussed.

Software menu commands: In sections that cover software, a series of words connected by an arrow indicates commands that you choose from the program menus. For example, if a step tells you to “Choose File⇒Convert Files,” click the File menu to unfurl it and then click the Convert Files command on the menu.

eCheat Sheet

As a little added bonus, you can find an electronic version of the famous For Dummies Cheat Sheet at www.dummies.com/cheatsheet/nikond600. The Cheat Sheet contains a quick-reference guide to all the buttons, dials, switches, and exposure modes on your camera. Log on, print it out, and tuck it in your camera bag for times when you don’t want to carry this book with you.

Practice, Be Patient, and Have Fun!

To wrap up this preamble, I want to stress that if you initially think that digital photography is too confusing or too technical for you, you’re in very good company. Everyone finds this stuff a little mind-boggling at first. So take it slowly, experimenting with just one or two new camera settings or techniques at first. Then, each time you go on a photo outing, make it a point to add one or two more shooting skills to your repertoire.

I know that it’s hard to believe when you’re just starting out, but it really won’t be long before everything starts to come together. With some time, patience, and practice, you’ll soon wield your camera like a pro, dialing in the necessary settings to capture your creative vision almost instinctively.

So without further ado, I invite you to grab your camera, a cup of whatever it is you prefer to sip while you read, and start exploring the rest of this book. Your D600 is the perfect partner for your photographic journey, and I thank you for allowing me, through this book, to serve as your tour guide.

Part I

Fast Track to Super Snaps

In this part . . .

Making sense of all the controls on your D600 isn’t something you can do in an afternoon — heck, in a week, or maybe even a month. But that doesn’t mean that you can’t take great pictures today. By using your camera’s point-and-shoot automatic modes, you can capture terrific images with very little effort. All you do is compose the scene, and the camera takes care of almost everything else.

This part shows you how to take best advantage of your camera’s automatic features and also addresses some basic setup steps, such as adjusting the viewfinder to your eyesight and getting familiar with the camera menus, buttons, and other controls. In addition, chapters in this part explain how to obtain the very best picture quality, whether you shoot in an automatic or manual mode, and how to use your camera’s Live View and movie-making features.

Chapter 1

Getting the Lay of the Land

In This Chapter

Attaching and using an SLR lens

Adjusting the viewfinder to your eyesight

Selecting from menus

Figuring out the displays

Working with memory cards

Getting acquainted with your camera

Getting help

Customizing basic operations

If you’re like me, shooting for the first time with a camera as sophisticated as the Nikon D600 produces a blend of excitement and anxiety. On one hand, you can’t wait to start using your new equipment, but on the other, you’re a little intimidated by all its buttons, dials, and menu options.

Well, fear not: This chapter provides the information you need to start getting comfortable with your D600. Along with an introduction to the camera’s external controls, I offer details about working with lenses and memory cards, viewing and adjusting camera settings, and choosing basic camera setup options.

Looking at Lenses

One of the biggest differences between a point-and-shoot camera and an SLR (single-lens reflex) camera is the lens. With an SLR, you can change lenses to suit different photographic needs, going from an extreme close-up lens to a super-long telephoto, for example. In addition, an SLR lens has a focusing ring that gives you the option of focusing manually instead of relying on the camera’s autofocus mechanism.

I don’t have room in this book to go into detail about the science of lenses, nor do I think that an in-depth knowledge of the subject is terribly important to your photographic success. But the next few sections offer advice that may help when you’re shopping for lenses, figuring out whether the lenses you inherited from Uncle Ted or found on eBay will work with your D600, and taking the steps involved in actually mounting and using a lens.

Choosing a lens

To decide which lens is the best partner for your D600, start by considering these factors:

Compatibility with the D600: You can mount a wide range of lenses on your camera, but some lenses aren’t fully compatible with all camera features. For example, with some lenses, you can’t take advantage of autofocusing and must focus manually.

Your camera manual lists all the lens types that can be mounted on the D600 and explains what features are supported with each type. For maximum compatibility, look for these types: Type D or G AF Nikkor, AF-S Nikkor, or AF-I Nikkor. (The latter is an older, expensive professional lens that is no longer sold but might be available on the resale market.)

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!