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It's winter at the Swan Academy, and that means panto! While Olivia practises being the back end of a horse, everyone else is auditioning for a major new movie. Soon the school is full of rivalry and suspicion, nasty tricks and strange mysteries. To lighten the mood, Eel organises a festive ice-skating trip. But as the skaters twirl and leap among the twinkling lights, Olivia realises that the season of goodwill is anything but…
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Olivia Marvell stood impatiently at the bottom of the steps in front of the Swan Academy of Theatre and Dance. She was surrounded by her friends Tom, Georgia and Aeysha. They were all peering down the road with expectant looks on their faces. They had just come from the café and they were stuffed full of toasted sandwiches, cherry almond cupcakes and hot chocolate, and were now looking forward to the first assembly of the new school year. Olivia and her friends were going into Year Nine and they felt very grown up. Tom had developed what Aeysha liked to call “the Year Nine swagger”.
“I have not!” said Tom indignantly.
“You have,” insisted Aeysha. “But at least it’s cooler than the Year Eight sashay and the Year Seven scuttle.”
“I’ve never scuttled in my life,” said Tom.
“Of course you have. All Year Sevens scuttle,” said Aeysha authoritatively. As if to prove her point, two Year Seven newbies in their smart new olive and gold uniforms scurried by nervously, hoping that they wouldn’t be noticed by Aeysha and the others.
“That’s how I felt when I first came to the Swan,” said Georgia. “I thought Year Nines were so grown up. I’d have died if one spoke to me. It’s odd to think we’ve got so ancient.”
“Speak for yourself,” said Tom. “I’m like my mum, who always says that she’s young at heart but just slightly older in all the other places.”
Olivia’s little sister, Eel, appeared at the top of the steps and pirouetted her way down them with dizzying speed and remarkable grace. At the bottom she curtsied to several passers-by. One actually clapped.
“If Miss Swan catches you doing that, she’ll eat you for tea,” said Aeysha. “You could really hurt yourself.” Then she added affectionately, “Little show-off.”
Eel grinned. “I know, I’m a terrible show off. I just can’t seem to help myself. Particularly now I’m in Year Four.” She peered at the little group as she turned to go back inside. “I came to tell you that all the teachers are heading towards the hall. You’d better get your skates on or you’ll miss the entire autumn term.”
“I’d hate that,” said Tom. “I love this term. There’s always so much to look forward to, like Hallowe’en and Christmas.”
“Mmm … skating at Somerset House,” said Georgia dreamily.
“I went with Emmy’s family last year. It was magic,” said Eel. “We should have a Swan outing.”
“You organise it, Eel,” said Georgia.
“That’s not fair,” said Eel. “I’m only eight. People should organise things for me.” She sighed dramatically. “But I’m probably the best person for the job. I so often am. I’ll get Emmy to help me.” And she danced away.
“Where is Katie?” asked Olivia, her forehead wrinkled with frustration. “The bell’s going to go any minute and if she doesn’t hurry up we’ll all be late for assembly.”
“Maybe we should have invited her to the café with us?” said Georgia.
“Liv did,” said Tom, “but Katie said no. She wouldn’t come to the Newbies’ Concert yesterday either. Even though Miss Swan made a point of asking her.”
“I think she’s worried that people are going to stare and whisper behind her back,” said Olivia.
“I can see why,” said Aeysha thoughtfully. “Particularly after all the stuff in the newspapers about her dad.”
“And when they kept going on about her being ‘the disgraced Sound of Music child star’,” said Georgia.
“It can’t be easy coming back to the Swan after being excluded. She was such a queen bee before. Now she’s going to feel just like one of the newbies.”
“Worse,” said Georgia. “People are going to be watching her like a hawk. The slightest slip and they’re going to say she hasn’t changed at all. She’s just the same old, poisonous Katie Wilkes-Cox, who wants to be a star whatever the cost to anyone else.”
“I want it now – and I want it on a plate!” said Tom, flicking back an imaginary lock of long hair in a scarily perfect impression of the old Katie Wilkes-Cox. After she’d left the Swan, Katie had redeemed herself by helping Olivia and the others save the school from the mostly criminal business activities of her bullying property developer dad.
“That’s exactly why Gran said we should look after her a bit, at least until she finds her feet and proves herself,” said Olivia, whose grandmother, Alicia Swan, owned the Swan Academy. “But everyone must know that Katie has changed, otherwise Gran would never have invited her back.”
“There she is!” said Tom, spotting a small, slightly forlorn figure hurrying towards them, weighed down by a bag no doubt full of practice shoes and clothes.
Katie reached the steps and looked at them nervously; her hair was tousled from running, her pretty face was pale and her cat-like eyes were anxious.
“Hello,” she said in a small voice. “I’m sorry if I kept you all waiting. I … I just didn’t want to get here too early…” She tailed off.
Olivia gave her a smile and a quick hand-squeeze as the bell rang loudly.
“The new term is about to start,” said Olivia, her eyes shining. “Come on, everyone, or we won’t get a good spot in the hall for assembly. Gran’s got that gleam in her eye that makes me think she must have some exciting news.”
Katie watched them move towards the door. She took a deep breath and followed them in, and was immediately caught up in a tide of people heading towards the girls’ cloakroom. As she was swept along, she thought she heard somebody whisper, “Just look what the cat dragged in.”
Katie felt as if somebody had punched her in the stomach. Returning to the Swan was going to be as difficult as she’d feared.
Alicia Swan cast her eye over her pupils. She always looked forward to the start of each new school year. It was a fresh beginning and everyone was so bright-eyed and eager. She could feel the energy in the room fizzing and bubbling. If only she could bottle it, she thought. She loved the optimism of all the Swans and she delighted in the promise of a new year; every exercise book was fresh, nobody had yet failed a maths test, and upcoming auditions offered the possibility of roles rather than heralding the rejections that were an inevitable part of show business. She glanced at Katie, and noted how pale and nervous she appeared. It was going to be hard for the child, but Alicia knew that the Swan was the best place for her.
She looked in the direction of this year’s Year Elevens, who would be taking their GCSEs next summer before leaving the Swan. Some would go on to further training at drama school, others to take A levels and maybe head to university, but a number of them would go straight into the profession. Kasha Kasparian had left only last term but was just about to release his first single. He was one of the lucky ones. She wondered how many of her current Year Elevens would still be in the business in six or seven years’ time and how many more, worn down by the constant rebuffs and lack of success, would have given up. Alicia had just come from doing an interview with a magazine journalist who was writing a feature on stage-school kids. The journalist had been enthusing about the “overnight success” of so many former Swan pupils, citing the actor Theo Deacon, the singing sensation Amber Lavelle and the young theatre director Allegra Featherstone, whose promenade version of Alice in Wonderland had taken the Edinburgh Fringe by storm. Alicia had raised an eyebrow.
“In my experience, it generally takes at least fifteen years of hard graft in the business to become what the media loves to call ‘an overnight success’,” she had observed drily. “Many who come out of the Swan have been training and working since they were seven or eight.”
Now, she clapped her hands together to signal quiet and the noise died away promptly. Will Todd’s voice could be heard in the silence, saying, “… then she screamed cos I’d put mice in her—” He broke off as he realised that Miss Swan was eyeing him sternly, even though her mouth was twitching. Everyone laughed.
“Just make quite sure that the mice stay at home, won’t you, Will?” said Alicia. “Now to business. Welcome, everybody, particularly all of you who are new to the Swan, but also to those of you who are returning for the new school year. I hope you are all ready to get down to some really hard work after the summer break.
“As I’m sure many of you are aware, the Swan Circus was a big success in Edinburgh this year and won both a Fringe First and a Herald Angel, as well as getting rave reviews in all the major newspapers and on many blogging sites. There was a lovely big feature in The Stage too. Congratulations to everyone involved. I’m very proud of you all.”
Olivia and her friends grinned at each other. Most people in the room had no idea how close the Swan Circus had come to complete disaster in Edinburgh.
“Congratulations are also due to Toby Bond, who has been cast in Billy Elliot, and Sisi Holman, who will be playing the young Cosette in Les Miserables. Sisi will be our eighth young Cosette.”
Everyone applauded. The Swan had provided a steady stream of talent for the cast and chorus of the long-running musical that was known affectionately in the business as “The Glums”.
“More good news. Will Todd will be playing the lead in the new Dennis the Menace series that starts filming after Christmas, which I’m sure everyone will agree is the most deliciously perfect casting.”
The Swans laughed and clapped.
“And I’m pleased to say that most of the building work to extend the Swan is now completed, so there should be very little disruption this term, although there are still some snagging problems to sort out and decorating to do. I’m afraid there is more building work to come, though, as the ceiling of the theatre needs attention, but for reasons which will shortly become clear that will have to wait until next term. Fortunately I’ve been advised that it’s not urgent.
“Auditions. The normal rules apply. No auditions for anyone whose academic work isn’t up to scratch or whose behaviour is considered anything less than impeccable. I’m sure there will be plenty of opportunities over the coming term, and I know that some of you are already booked for panto. But there are some excellent roles in the offing including…” Alicia gave one of her famous dramatic pauses, and everyone in the hall leaned forward a little. “…the role of Zelda in the upcoming movie of the best-selling books. This is a possibility for all girls in Year Nine and above, although Year Elevens might want to consider the likely disruption to their GCSEs with filming starting in May.”
A buzz of excitement ran round the room. Zelda was the latest high-profile children’s series to be giving Harry Potter and Twilight a run for their money. Every girl in the room would love to get a chance to play the lead.
“Now, I know that not everybody will want or be able to work this term because of forthcoming mock exams, or maybe because they’ve already worked as many weeks as they’re allowed to by law, but I do have news of an exciting in-house project. For the first time ever, we’re going to stage our very own charity Swan pantomime in our very own theatre!” There were loud whoops. “It will give us a chance to show what we can do when we really pull out the stops, and we will of course be inviting lots of casting agents and industry professionals, so not only is it in a good cause, but it will be a great showcase for you and the school. There won’t be any other major panto in central London this year, so I’m hoping ours will be a real draw. And I have every reason to think that it will because…” Alicia paused again. “Because the script is being written by Michael Marvell as a gift to the Swan, and the director Jon James has also very kindly offered his services entirely for free. We’re also confident that several former pupils will make surprise guest appearances.”
There was buzz of excitement around the room, like the low hum of a jet engine. Everyone knew Jon James, who was responsible for a string of West End hits. Michael Marvell was Olivia and Eel’s uncle, the older brother of their dad, the famous high-wire walker Jack Marvell. He was a hugely successful Hollywood screenwriter who had won two Oscars.
Kylie Morris had raised her hand. “Please, Miss Swan, who are going to be the surprise guests?” she asked.
“My lips are sealed, I’m afraid,” said Alicia. “We don’t want it all over the press just yet.”
“Theo Deacon? Amber Lavelle?” persisted Kylie.
“I’m not going to tell you,” laughed Alicia. “Not until it’s all quite sorted. These people have commitments that they have to work around.”
She didn’t say it out loud, but Theo and Amber also had a difficult agent who couldn’t understand why her clients wanted to work for free for a Swan charity show when they could be commanding mega fees elsewhere. But she felt certain that Theo and Amber’s commitment was genuine and that it would all work out.
“All I will say is that I don’t think you’ll be disappointed,” she added with a smile. There were squeals of excitement. The thought of acting on the same stage as Hollywood’s most dashing star was too exciting for words.
Alicia checked her watch. “Right. It’s time to go to your first vocational lessons of the term. Please make your way out of the hall in an orderly fashion.”
She stepped down from the stage and was engulfed by the children as they headed towards their dance and acting lessons.
“Miss Swan, which panto will it be?” asked Georgia.
“Cinderella,” replied Alicia.
“Ah,” said Tom, looking at his friends and waving an imaginary wand. “You shall all go to the ball!” Then he gave Will a wink. “Maybe your white mice could get parts, Will. They can be transformed into ponies.”
Alicia shook her head firmly. “I don’t want those mice anywhere near the school,” she said. “I hope you’ve heard me loud and clear, Will?”
Will nodded meekly. “Yes, Miss Swan.”
“I love those Zelda books. It would be so mega to play her,” said Kylie Morris dreamily as she tagged along with the group.
“I’d swap seven GCSE A stars for the chance to play Zelda any day,” said Nicola Stephens. “You’d be made for the rest of your career after that,” she added sagely.
“Nicola, you know it’s not as simple as that,” said Alicia tartly. “I expect that’s what Lucy Hare thought after she was cast in the remake of National Velvet.” Lucy was a girl from a rival stage school who had been splashed all over the newspapers as the next big thing. She had delivered a very decent performance as Velvet Brown, but because the movie itself had been panned, she had then disappeared almost without trace. Somebody was rumoured to have spotted her at an audition for the chorus of a Mamma Mia! regional tour. “As you all know, nothing is guaranteed in this business. Least of all success.”
“Here today, gone tomorrow,” said Will Todd. Alicia pursed her lips at the cruelty of Will’s wit, but she knew that what he was saying was true.
“What exactly do the producers want for Zelda?” asked Aeysha. “In the book, she’s a real chameleon. A complete shape-shifter.”
“Your guess is as good as mine. Unusually they haven’t even specified hair or eye colour. Only age. So it’s wide open. But at least it means that it’s an opportunity for a great many of you.” Alicia smiled at them before she walked towards her office. “It could be any one of you.”
“It could be anyone,” said Kylie, “but it better not be Katie Wilkes-Cox.” There were a few murmurs of agreement.
“What do you mean, Kylie?” asked Aeysha sharply. “Katie proved she’d changed when she helped save the Swan. She deserves her place here.”
Kylie shrugged. She could feel she had the support of several other girls in the group. “Maybe she does and maybe she doesn’t. Maybe she only came back because she saw the Swan as her best chance of becoming famous. We know that’s all Katie Wilkes-Cox really cares about. But I don’t think she should get to audition for stuff until she’s been here longer. It wouldn’t be fair if she just waltzed back in and then snatched a starring role away from someone who really deserved it.”
Aeysha smiled. “Someone like you, you mean, Kylie?”
Kylie looked uncomfortable. “Yeah, well, maybe.” She waved her hand around. “Or it could be any one of us. It could be you, Aeysha, or you, Georgia. How would you feel then?”
Olivia and Katie were on their way to a lunchtime castells lesson with Pablo. Castells were like human towers. The strongest castelliers made the base, then everyone else balanced on their shoulders in layers until the whole thing looked like an enormous wedding cake. They required huge strength, skill and cooperation, and over the last two terms the Swans had been practising hard.
Olivia and Katie walked past the auditions notice board just a few metres from Miss Swan’s office. Kylie Morris and her friends were hanging around near it. Some of them had clearly just come from seeing Miss Swan and others were waiting to go into her office. Alicia was holding interviews with all the girls who wanted to try for the role of Zelda. Katie’s tap shoes made a sharp noise with every step she took.
“Hark! Is that the sound of someone prepared to walk over anybody to get what she wants?” said a sly voice. Olivia thought it was Kylie but she wasn’t entirely sure. It could be any one of the six or seven identikit Year Nine and Ten girls who hung around whispering together about boys and make-up. Eel called them the Coven because of their fondness for black eyeliner and witchy comments. Olivia wasn’t going to give them the satisfaction of reacting so she walked on pretending that she hadn’t heard a thing. But she glanced at Katie and saw that she’d turned bright pink and was chewing her lip furiously.
“You shouldn’t listen to them, you know,” whispered Olivia fiercely as soon as they’d turned the corner. “They’re just jealous because they know how talented you are, Katie. They see you as a rival.”
“I know exactly how they think,” said Katie sadly, “because I used to think just like them. I saw everybody else as a threat, one to be eliminated if necessary. It just hurts because Kylie used to be a friend, or at least what I thought of as a friend in those days. She even came on safari with my family. I never expected to be welcomed back with open arms after everything I did, but I did hope she and some of the others might be kinder. But I guess she liked me for my family’s money, not for me, and I can hardly blame her. I wasn’t very likeable. I upset so many people by being mean and spiteful.”
“You can’t beat yourself up forever,” said Olivia seriously. “You’re a different person to the one you were then.”
“It’s a relief you think so,” said Katie. “The old Katie is dead and gone and I can’t say I’m sorry.” She sighed. “Although, of course, I do miss the high life. The theatre trips. The swimming-pool parties. The holidays in five-star hotels. So does Mum. After the house was repossessed and Dad fled abroad to avoid standing trial, she got really depressed. She hates having no money and she’s having a really hard time adjusting. We’ve even had debt collectors at the door. Dad left such a mess behind.”
“How is your mum doing now?” asked Olivia.
Katie flushed. “She’s all right,” she said, and it was clear from her tone that she didn’t want to discuss it further. Olivia felt embarrassed by her question. She didn’t want Katie to think she was prying.
Olivia sat in Alicia’s office with her feet twisted round the legs of the chair. Her lips were set in a mutinous line. Her grandmother gave a long, low sigh.
“I know you didn’t put your name forward, but I wish you’d at least give it some thought, Livy. Not just say no outright. I think you’d make a lovely Zelda. So does Sebastian,” she said, referring to the Swan’s head of acting. “He says you’ve been working so hard in acting class. You proved in Peter Pan that you have the makings of a really fine actor, and there’s no singing and dancing, so you don’t have to worry about that.”
“Is there any high-wire walking or trapeze work?” asked Olivia from beneath a curtain of dark hair.
Alicia tried very hard not to show her exasperation. “You know there isn’t, Livy. Why don’t you at least let me put your name down for the auditions?”
Olivia squirmed. It wasn’t just that she didn’t want anything to interfere with her high-wire and trapeze training. The thought of doing an audition made her feel sick. She couldn’t understand why most of the Swans were so keen to put themselves through a process that as far as she could see could only feel like being a prize heifer at a cattle market, and more often ended in disappointment than success. She’d once asked the others why they did it, and Tom and Georgia had looked at her as if she was mad, and said that they really enjoyed auditions. Well, Georgia had said that she started to enjoy them once she’d got over the fluttery sick feeling in her tummy.
“It’s no different from trying out for a football team,” Tom had said. “I mean, some people are going to get in and some people aren’t. And if you don’t, you just have to get over it and try to get better.”
Georgia nodded.
“But it’s not quite the same, is it, Tom?” said Aeysha thoughtfully. “I don’t know anything about football, but I’d guess that it’s quite easy to see who is good at it and who isn’t, but something like acting is much more subjective. Even more so than dancing and singing. There’s no obvious way to measure acting, and what one person thinks of as good acting might be total histrionics to another. So when you get rejected at an audition it feels really personal. I know it’s just that you’re not right for the part, that maybe you’re dark-haired and they’ve decided they want a blonde, but that’s how it can feel.”
Georgia and Tom nodded vigorously. They both knew how it felt to be knocked back.
“If I’m honest,” continued Aeysha, “Jodie, the girl I was up against in the final round of auditions for the Tracy Beaker movie, was probably a better actor than me, but on the day of the last audition, I had the luck and she didn’t. So I got the role.”
“But the point is that when you do get the part, you completely forget about the times you didn’t. You feel on top of the world. Invincible,” said Tom.
“Yes,” said Aeysha. “But what if you don’t ever get the part? You always just miss out. How would you feel then?”
“Well, if performing is what you really want to do, then I think that you just have to keep trying,” said Georgia. “If you want it enough. If it’s your dream.”
Olivia remembered the conversation as she sat opposite her grandmother in Alicia’s cosy office. She knew that she didn’t want it enough. At least not now. Maybe she would in the future, but for now she wanted to concentrate on the tightrope and the trapeze. She had loved playing Wendy in Peter Pan for one night in the West End. She had loved how it had made her feel inside: as if somebody had lit a candle inside her tummy that was giving off a warm fizzing glow. But that had been an emergency. She hadn’t had to audition, and she didn’t even know it was going to happen until minutes before the curtain went up, so she barely had time to feel nervous. She just didn’t want to try out for Zelda, even though she had read the book and loved the character.
“I know I’m disappointing you, Gran,” said Olivia, “but I don’t want to do it. It’s just not right for me. Not now. I wish it was. I’m sorry.”
“Oh, Livy,” said Alicia softly. “The one thing I’ve learned over the last year is that you never disappoint me.” Then she added with a rueful smile, “Puzzle me? Worry me? Frustrate me? Surprise me? Yes. But you never disappoint me.” She gave her granddaughter a hug.
“Maybe it’s not such a bad thing. Every girl except you is desperate to play Zelda. And so will every other girl in every other stage school and youth theatre group around the country. So there’s going to be an awful lot of competition and there is going to be an awful lot of disappointment and tears.”
“Gran,” said Olivia shyly. “I would quite like to be in the panto.”
“But you’d still have to audition for that, Livy.”
“Oh, I don’t want a leading role,” said Olivia. “I thought maybe I could do some trapeze or wire-walking, although I doubt the theatre roof is high enough to rig. We would have to ask Pablo.”
“I already have.” Alicia smiled. “He’s going to see what’s possible and if the roof can take the strain. It is in a bit of a state.”
“If not, maybe I could play the back end of the pantomime horse?” said Olivia. “That would be such fun. It would be mint.”
Alicia watched Olivia leave her office. Her beautiful, serious granddaughter was so different from most of the other Swans. They were all so desperate for the limelight and eager for her to put their names forward for Zelda. She looked down at the next name on her list. This interview was going to be tricky.
Olivia picked up her plate of pasta and salad and walked over to her friends’ table. They were running through lines for a scene they would be playing together in acting class later that afternoon. They broke off as soon as Olivia sat down.
“So, why did Miss Swan want to see you?” said Georgia excitedly. “Are you going to go up for it, Livy?”
Georgia and Aeysha had already had their interviews with Miss Swan, who had happily put both their names on the audition list.
“Yes,” said Olivia solemnly.
Georgia gasped.
“Liv Marvell, you dark horse,” said Tom, shaking his head. “I’m surprised, but really pleased.”
“That’s amazing, Livy,” said Aeysha. “I knew Miss Swan would want you to. Particularly after you were so brilliant as Wendy in Peter Pan. But I never thought you’d say yes. Not in a million years.”
“Me neither,” said Georgia. And she suddenly felt a bit funny, as if she was very hungry even though she had just eaten her lunch.
“Charming!” said Olivia with a smile. “I thought that you’d think it was a role I was born to play. Gran seemed to think so.”
There was a little pause, and then Georgia said in a small voice, “Did she really say that?”
“Well, she seemed to imply I’m in with a very good chance, although she did warn me that I’d be up against some really stiff competition and so I wasn’t to get my hopes up too high and end up being crushed.”
Olivia could see Tom looking at her very closely and rather suspiciously.
“So, that means we’ll all be up for it,” said Aeysha. “That’s going to feel a bit strange. Like being rivals. None of us have ever gone up against each other for the same job before. It’s going to be weird.”
“Oh!” said Olivia, sounding amazed. “Now I’m really worried. I hadn’t realised you and Georgia were so keen to play the back end of the horse in the Swan panto. I may have to withdraw.”
For a second there was a tiny silence as her words sunk in, and then Tom roared with laughter.
“Georgia, Aeysha, she’s been winding you up. That’s brilliant, Liv,” he said, wiping the tears away. Aeysha started laughing too, and something like relief flashed crossed Georgia’s face before she grinned broadly and said, “So you’re definitely not going up for Zelda?”
Olivia shook her head.
“But, Livy, seriously, why aren’t you at least giving it a shot?” said Aeysha. “You’d be great, I know you would.”
“It’s nice of you to say, Aeysha. But I just don’t want to. I’ll be keeping my fingers crossed for you and Georgia. I hope one of you gets it.”
“We’ll be rooting for you both,” said Tom.
“Oh,” said Georgia. “We might not even be called when they’ve looked us up in Spotlight.” Spotlight was the huge database of professional actors that directors and casting agents used to find actors to play roles. “Anyway,” she added gloomily, “even if we do get called I doubt we’ll get past the first audition.”
“Bet you will,” said Tom.
“Even if we both do,” said Aeysha, “in the end only one of us can be Zelda. One of us is always going to be the loser. In this business you’re either first or you’re nothing.”
Katie sat in the same chair in Alicia Swan’s office that had quite recently been vacated by Olivia. She was feeling nervous. She’d always felt that Miss Swan had the ability to see right through her. It made her feel uncomfortable, as if she had forgotten to put on all her clothes.
