Poetry for children - Charles Lamb - E-Book

Poetry for children E-Book

Charles Lamb

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Beschreibung

In "Poetry for Children," the harmonious collaboration between Charles and Mary Lamb is masterfully curated to capture the whimsical and didactic spirits of poetic storytelling for young audiences. This collection artfully balances innocence with intellect, weaving together nursery rhymes and moral fables that delight as they instruct. The anthology transcends mere entertainment, offering a reflective lens on childhood perceptions and parental inculcations of the early 19th century. Standout pieces engage young minds with vivid imagery and captivating rhythm, deftly bridging the realms of playfulness and wisdom. Charles and Mary Lamb, figures of notable literary influence, are celebrated for their deft interpretations and contributions to accessible literature. Their backgrounds in the rich tapestry of Romantic-era England informed their dedication to making literature approachable for younger audiences. Leveraging their expertise, the Lambs capture the zeitgeist of their age while contributing to evolving educational norms. Their anthology aligns with burgeoning awareness of children's literary needs, offering a palette enriched by their narrative craftsmanship and the pedagogical intent to blend joy with learning. This anthology stands as a seminal piece for those eager to explore how literature can shape young minds. "Poetry for Children" provides a kaleidoscope of insights and creative expressions, inviting readers into a dialogue with past literary traditions and the timeless narratives of childhood exploration. Ideal for educators, literary historians, and enthusiasts, this collection serves as a formative tool that broadens perspectives not only through its content but also through its dialogic structure, bridging generations, and illustrating the power of verse in the growth and education of children. Experience an anthology where every turn of the page reveals new wonders and reflective commentary on the human condition. In this enriched edition, we have carefully created added value for your reading experience: - A comprehensive Introduction outlines these selected works' unifying features, themes, or stylistic evolutions. - A Historical Context section situates the works in their broader era—social currents, cultural trends, and key events that underpin their creation. - A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists. - A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different work's strengths. - Reflection questions inspire deeper contemplation of the author's overarching message, inviting readers to draw connections among different texts and relate them to modern contexts. - Lastly, our hand‐picked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collection's central themes.

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Veröffentlichungsjahr: 2022

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Charles Lamb|Mary Lamb

Poetry for children

Published by Good Press, 2022
EAN 4064066431914

Table of Contents

THE FIRST TOOTH
THE BOY AND THE SKYLARK A FABLE
THE RAINBOW
QUEEN ORIANA’S DREAM
THE SISTER’S EXPOSTULATION ON THE BROTHER’S LEARNING LATIN
THE BROTHER’S REPLY
ON THE LORD’S PRAYER
DAVID IN THE CAVE OF ADULLAM
CLEANLINESS
TO A RIVER IN WHICH A CHILD WAS DROWNED
THE BOY AND SNAKE
THE BEASTS IN THE TOWER
TIME SPENT IN DRESS
A BALLAD: NOTING THE DIFFERENCE OF RICH AND POOR, IN THE WAYS OF A RICH NOBLE’S PALACE AND A POOR WORKHOUSE To the tune of the “Old and Young Courtier.”
THE BROKEN DOLL
GOING INTO BREECHES
THE THREE FRIENDS
MEMORY
SALOME
THE PEACH
THE MAGPIE’S NEST A FABLE
NURSING
THE ROOK AND THE SPARROWS
FEIGNED COURAGE
HESTER
HELEN
THE BEGGAR MAN
BREAKFAST
THE COFFEE SLIPS
WRITTEN IN THE FIRST LEAF OF A CHILD’S MEMORANDUM BOOK
ENVY
DIALOGUE BETWEEN A MOTHER & CHILD
THE FIRST SIGHT OF GREEN FIELDS
LINES SUGGESTED BY A PICTURE OF TWO FEMALES BY LEONARDO DA VINCI
LINES ON THE SAME PICTURE BEING REMOVED TO MAKE PLACE FOR A PORTRAIT OF A LADY BY TITIAN
LINES ON THE CELEBRATED PICTURE BY LEONARDO DA VINCI, CALLED THE VIRGIN OF THE ROCKS
ON THE SAME
A VISION OF REPENTANCE

THE FIRST TOOTH

Table of Contents

I

SISTER

Through the house what busy joy
Just because the infant boy
Has a tiny tooth to show!
I have got a double row,
All as white and all as small;
Yet no one cares for mine at all.
He can say but half a word,
Yet that single sound’s preferr’d
To all the words that I can say
In the longest summer day.
He cannot walk; yet if he put
With mimic motion out his foot,
As if he thought he were advancing,
It’s prized more than my best dancing.

BROTHER

Sister, I know you jesting are,
Yet O! of jealousy beware.
If the smallest seed should be
In your mind, of jealousy,
It will spring and it will shoot
Till it bear the baneful fruit.
I remember you, my dear,
Young as is this infant here.
There was not a tooth of those
Your pretty even ivory rows,
But as anxiously was watch’d
Till it burst its shell new-hatch’d
As if it a phoenix were,
Or some other wonder rare.
So when you began to walk—
So when you began to talk—
As now, the same encomiums pass’d
’Tis not fitting this should last
Longer than our infant days;
A child is fed with milk and praise.

THE BOY AND THE SKYLARKA FABLE

Table of Contents

II

“A wicked action fear to do,
When you are by yourself; for though
You think you can conceal it,
A little bird that’s in the air
The hidden trespass shall declare
And openly reveal it.”
Richard this saying oft had heard,
Until the sight of any bird
Would set his heart a-quaking;
He saw a host of winged spies
For ever o’er him in the skies,
Note of his actions taking.
This pious precept, while it stood
In his remembrance, kept him good
When nobody was by him;
For though no human eye was near,
Yet Richard still did wisely fear
The little bird should spy him.
But best resolves will sometimes sleep;
Poor frailty will not always keep
From that which is forbidden;
And Richard one day, left alone,
Laid hands on something not his own,
And hoped the theft was hidden.
His conscience slept a day or two,
As it is very apt to do,
When we with pain suppress it;
And though at times a slight remorse
Would raise a pang, it had not force
To make him yet confess it.
When on a day, as he abroad
Walk’d by his mother, in their road
He heard a skylark singing;
Smit with the sound, a flood of tears
Proclaim’d the superstitious fears
His inmost bosom wringing.
His mother, wondering, saw him cry,
And fondly ask’d the reason why?
Then Richard made confession,
And said, he fear’d the little bird
He singing in the air had heard
Was telling his transgression.
The words which Richard spoke below,
As sounds by nature upwards go,
Were to the skylark carried:
The airy traveller with surprise,
To hear his sayings, in the skies
On his mid-journey tarried.
His anger then the bird express’d:
“Sure, since the day I left the nest,
I ne’er heard folly utter’d
So fit to move a skylark’s mirth,
As what this little son of earth
Hath in his grossness mutter’d.
“Dull fool! to think we sons of air
On man’s low actions waste a care,
His virtues or his vices;
Or soaring on the summer gales
That we should stoop to carry tales
Of him or his devices!
“Mistaken fool! man needs not us
His secret merits to discuss,
Or spy out his transgression;
When once he feels his conscience stirr’d,
That voice within him is the bird
That moves him to confession.”