Sacrificial Nights - alessandro manzetti - E-Book

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Alessandro Manzetti

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Beschreibung

Bram Stoker Award Winners Bruce Boston and Alessandro Manzetti combine their poetic and narrative talents in a poetry novella that blends the genres of horror, surrealism, crime, and noir. Set in a large America city, Sacrificial Nights follows the lives of some of those who inhabit its late-night streets: prostitutes, pimps, a thief, an arsonist, a police detective, a psychotic killer, and more. Their tales and the tale of the city itself are richly complemented by British artist Ben Baldwin’s striking illustrations. This is a dark read with some explicit graphic content.

“Original, intelligent and exquisitely rendered, Sacrificial Nights is an absolute tour de force, a richly layered Chinese Box of sorts, where each part is as important as the whole. In a world of cookie-cutter plots and tired poetry, Sacrificial Nights is a shot of cool night air, shadowy, dangerous, and addictive as sin.” —Greg F. Gifune, author of The Bleeding Season

"When a book is both lucid and hallucinogenic, the effect can be shocking, luminous … transgressive. The collision of talents in this extraordinary work practically establishes a new genre – macabre noir." —Robert Dunbar, author of Willy

“Populated by denizens who straddle the line between salvation and damnation, Sacrificial Nightsreads like a flashlight exploration of the darkness lurking behind closed doors and down blind alleys. Boston and Manzetti deftly navigate the shadows where human monsters dwell.” —Michael McBride, author of Subterrestrial

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Veröffentlichungsjahr: 2016

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Fuori collana n. 12

Aperiodic publication.

ISBN: 978-88-98953-56-1

Edition © 2016 Kipple Officina Libraria

Text © 2016 Bruce Boston and Alessandro Manzetti

Cover Art and illustrations © 2016 Ben Baldwin

I edition epub/mobipocket: 1.0 june 2016

This edition: 1.4 March 2025

 

“Jean-Paul, the Flying Thief” appeared in Illumen, fall, 2015. “Lady of the Dark Hours” appeared in Devolution Z, December, 2015. “The Great Unknown” appeared in Illumen, spring, 2016. “Legend of the Albino Snakes and the Bloody Child” appeared in Polu Texni, April, 2016. All other poems appear here for the first time.

 

 

Kipple Officina Libraria

via Ignazio Canale, 5/2

16029 Torriglia (Ge)

www.kipple.it

[email protected]

Collana Fuori 1: Le commedie del buio - Paolo FerranteCosa accadrebbe se la risolutezza del proprio vagare scemasse all’improvviso, causa l’interferenza di ricordi inerenti la propria sfera materiale?Collana Fuori 2: L’incanto di Bambola e altre storieUna storia futuribile addolcita da toni soffusi e delicati, che creano un’atmosfera lirica: una perla da contemplare con trasporto empatico. Una delle più belle e intelligenti storie che riguarda un mutante fuggiasco, dolce e ingenuo, che scopre un mondo terribile con il sorriso. E un omaggio a Lino Aldani, il più venduto autore italiano di fantascienza.Collana Fuori 3: Streghe e altre storieUna storia da mettere in crisi il Vaticano, un gioiellino di equilibrata ambiguità nel segno delle streghe e un incubo senza uscita che altera la quotidianità.Collana Fuori 4: Il gatto di Schrödinger e altre storieIl meglio della narrativa breve di una dele voci più originali dalla fantascienza italiana, che esplora le ripercussioni più inquietanti del futuro della scienza della tecnologia e dalla politica.Collana Fuori 5: Å e altre storieCosa sta succedendo in un remoto fiordo norvegese? Misteriose variazioni magnetiche e altri fenomeni sono solo la punta dell’iceberg di qualcosa di molto più grande. Un roditore che è l’incubo sessuale catartico in una Terra contaminata. 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Bruce Boston
Alessandro Manzetti

Sacrificial Nights

“The voyeuristic and sadomasochistic latency in art and sex is on stark display in Boston-Manzetti's epic, with its cinematic images giving flesh to daemonic street

theater where anything can be sacrificed. “With startlingly economical poetry, the authors

give gritty vitality to the lowlife souls whose

moment-to-moment movements

are subconscious rituals of destruction. “Sacrificial Nights hits just the right notes—with the heavy blow of a Death Metal sledgehammer or the

soft whisper of an Xacto blade through flesh.”

 

—Randy Chandler,

coauthor with t. winter-damon of Duet for the Devil and Forbidden Gospels: The Devil's Cut

 

 

 

Sacrificial Nights

is a poetry novella,

and was written to

ROUTE 66

Boston-Manzetti

 

See that guy over in the corner.

the one with long hair and a beard,

nursing a Budweiser and scribbling

in a spiral-bound notebook.

Claims he’s a poet.

Calls himself “Route 66.”

“It’s all about escape,” he says.

 

Sometimes he tells us tales,

his poetry, I guess it is,

of a city where he once lived,

a sacrificial city , or so he claims.

 

Don’t know much about poetry

but we always listen,

cause he takes us to another world.

SLADE, MARY ANN & PET

Boston-Manzetti

 

The python twists her thick

diamond-backed hide

down the dingy third floor

of a decrepit brownstone.

This is her hunting ground.

The rattletrap cage elevator,

a thornless iron maiden,

groans and creaks upward.

The python is deaf as all

of her kind, but she can feel

the vibrations growing stronger.

Could be prey approaching.

She slithers into the shadows.

 

“Third door on the right,”

Slade had told the john

as he pocketed the man’s cash.

“You’ll get the ride of your life!”

The man emerges from the

cage of the elevator and

is drawn down the corridor,

littered with assorted trash.

 

He is feeling a bit trapped

between old posters of Gauguin,

between too many washed-out

slices of a deformed Tahiti

resembling some surreal

hell in the abridged light.

 

Third door on the right is ajar.

The man catches his breath

as he enters and sees her

lying naked on the bed,

a light-skinned black girl,

just the way he likes them.

 

He is stunned by the scents

of mango and pomegranate

with which Mary Ann has

anointed her young body,

both laced with soporifics

to which she has long

since grown immune.

 

The python follows the client

with her ancient reptilian radar.

She sniffs his trail of loneliness

and desire along with the

smells of other men who have

passed down this dim hallway,

Her black tongue flickers

as she slips under the bed,

rolls up all of her length,

and waits patiently for Mary

to finish her ministrations.

She dreams of the rainforest,

the taste of monkeys and

coatimundi and rats,

the rough bark of trees

against her sleek skin,

all the stuff of her past.

 

Down in the street, leaning

back on the leather upholstery

of his dark blue Mercedes,

-- no flash and bling for one

who always plays it cool --

Slade puffs idly on a reefer

rolled in liquorice paper

by one of his favourite girls.

 

He knows full well why

some of his customers

never return after having

a session with Mary Ann.

Slade is a tolerant man.

He understands that

certain people have urges

that must be satisfied

-- like Mary Ann, like

himself for that matter --

and he admires those who

have learned to sate them.

JEAN-PAUL, THE FLYING THIEF

Boston-Manzetti

 

Summer.

The apartment is dark.

A small circle of light

runs up the ivory wallpaper,

penetrates a fissure

of the Boulle furniture,

awakens the woodworms,

asleep in their gnawed galleries.

This alien sun is the torch

of the thief Jean-Paul.

 

He is doing his job,

the only job he knows,

sweating and cursing,

followed by a train of moths

that appeared from nowhere,

drawn by the light.

"Damned beasts!"

 

Jean-Paul hears a noise.

Something is moving

in the next room.