The Bird Skinner E-Book

Alice Greenway

• Herausgeber: Atlantic Books
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2014

Beschreibung

It is 1973. Jim Kennoway, a distinguished ornithologist and Second World War veteran, has just left his work at the Natural History Museum in New York, turned his back on his family and retreated to an island boathouse off the coast of Maine. His desires are simple: to be left alone with his cigarettes, gin and battered copy of Treasure Island, and to forget. Jim's solitude is shattered when Cadillac Baketi, a tall, ebullient and dazzlingly bright young woman from the Solomon Islands arrives on her way to study medicine at Yale University. Cadillac is the daughter of Tosca, an island scout Jim befriended during the war when they collected and skinned birds while spying on the Japanese. Jim curses the intrusion as he finds his thoughts catapulting back to his youth and a dark truth about his time in the Solomons. Yet it may be that Cadillac, from the Pacific islands Jim thought he'd left behind, can teach him to be human again.

Leseprobe

Praise for White Ghost Girls

‘A haunting first novel written with the craft and grace of a master.’ Isabel Allende

‘Alice Greenway’s sensuous prose is exhilarating and her command of her heartbreaking story is total. White Ghost Girls is an original and beautiful first novel, startling in its power.’ Beth Gutcheon

‘The pages of White Ghost Girls contain a hoard of treasures … Greenway’s descriptive verve gives her novel a memorable, cinematic quality.’ Sophie Dening, Vogue

‘Beautifully imagined … An extremely elegant, as well as visually arresting, first novel.’ Victoria Moore, Daily Mail

‘A sensuous, haunting story of sibling love, danger and infatuation with the unknown … a brave and artful book.’ Vendela Vida, New York Times

‘A beautifully written elegy for a lost childhood.’ Rachel Hore, Guardian

‘A haunting and moving read.’ Claudia Webb, Financial Times

‘Hong Kong in the 1960s is beautifully evoked, and the central tragedy gives the story an unforgettable intensity … A real corker of a first novel.’ Kate Saunders, The Times

‘A masterly first novel.’ Simon Button, Sunday Express

‘Her writing is so fresh and sensual that you can almost smell the mudstreaked walls after the tropical downpours or fish drying on concrete slabs, hear the temple bells and the builders’ trucks whine up the hills in low gear, see the junks sailing out like tattered butterflies or the sun shining translucent green through elephant-ear leaves … an entrancing novel.’ David Robinson, The Scotsman

‘An assured debut … sensuous, rich with colours and scents of Hong Kong and filled with the poignance of sibling love and forgiveness, memory and loss.’ Ailin Quinlan, Irish Examiner

‘Marvelous … Greenway’s evocation of place and time, as well as her rich, lyrical overlay of Chinese culture, are written in a clean, confident style … Whether you’re a fast reader or like to savour a book, this one gathers momentum as Greenway’s multiple conflicts speed toward the climax. Like a good poem or short story, its brevity compresses ideas and imagery into an elegant, memorable package.’ Irene Wanner, San Francisco Chronicle

‘With its ethereal eye for detail and haunting sense of time and space, White Ghost Girls cloaks and disorientates the reader like a morning mist on The Peak … Greenway manages to paint this complex canvas with an airy deftness of touch that belies the often intense subject matter … such an assured debut.’ Adam Luck, Weekend Standard (Hong Kong)

Also by Alice Greenway

White Ghost Girls

First published in the United States in 2014 by Atlantic Monthly Press, an imprint of Grove/Atlantic, Inc.

Published in trade paperback in Great Britain in 2014 by Atlantic Books.

Copyright © Alice Greenway, 2014 Bird illustrations © Darren Woodhead, 2014 Map © Julia Greenway, 2014

The moral right of Alice Greenway to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act of 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of both the copyright owner and the above publisher of this book.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities, is entirely coincidental.

10 9 8 7 6 5 4 3 2 1

A CIP catalogue record for this book is available from the British Library.

Trade paperback ISBN: 978 1 84887 367 4 E-book ISBN: 978 1 78239 027 5

Printed in Great Britain

Atlantic Books An Imprint of Atlantic Books Ltd Ormond House 26–27 Boswell Street London WC1N 3JZ

www.atlantic-books.co.uk

For my mother and father and in memory of my grandfather

Set out, you people of Gele, you people of Lavalava, you people of Vonjavonja, you people of Elosana. Go up to Aku, launch four canoes; go down to Yombavuru, launch four canoes; go down to None, launch four eel boards, launch four embracing nights; cast out four hawsers. Shout people of Gele, shout people of Lavalava, shout people of Vonjavonja, shout people of Elosagana; let him come down sounding the conch, come down casting, come down casting. Go off to Mala Kinda, scoop the water four times; go off to Mbulolo, scoop the water four times; go off to Patu Lavata, cast four hawsers. Go off to the deep sea, backstroke; go off to Lolo te Pome, backstroke. Go off to the Stone that sits, and wait, that they may take you to go to Santo.

—Solomon Island Prayer for the Dead. Adapted from A. M. Hocart, “The Cult of the Dead in Eddystone of the Solomons,” 1922.

CONTENTS

PrologueISummerhouse at the End of WinterIIA Girl Named After a CarIIIHunting GroundsIVTosca’s StoryVWantoksVILong John’s EarringsVIIJapanese BonesVIIIHieroglyphEpilogueNotesAcknowledgments

PROLOGUE

They talked about it afterward, at the end of summer, after the summer folks had left and there was room to breathe again on the island. They talked slowly, hesitantly, in that drawn-out way you hear less and less down east, with long pauses between short utterances, as if, in the end, most things were best left unsaid.

Down at the boatyard where young Floyd was attending to some hitch in the electrics, resuscitating a bilge pump, adjusting a prop shaft that was shaking the engine something awful; down at the town dock where they tied up at the end of a long day, after hosing down their boats, shedding foul-weather jackets, high boots, oilskin overalls, rubber gloves, like lobsters shedding their skins; down at Elliot’s Paralyzo too—the only watering hole on the island—they sipped the froth off their beers and talked of Jim.

The old man like an ancient buck, or an old, injured dog, seeking out a familiar hollow in the woods. Like Curtis’s dog, who only the week before hauled himself the whole way down to the waterfront to slither in among a heap of traps, sniffing out the smells he loved best: salty rope, rotted herring, sun-soaked wood, the primeval scent of mud hauled up from the bottom of the sea. The way that dog lay, looked like he’d been hankering to be taken out one last time. Though Curtis, himself bent over, lame, rheumatic, hadn’t lobstered in years.

“The old man must’ah felt it coming,” Elliot observed, wiping down the long wooden bar.

1973. It was unusual then for summer folks to arrive much before the first of July or to stay beyond Labor Day. One or two kids, drawn to island life, might linger, then refuse to go home. But for the most part the summer folks followed a seasonal pattern. Like migratory birds, they flocked in, one generation following the other. Bostonians, New Yorkers, Philadelphians mostly. For two months, they’d stake out most every rock in the Penobscot and there you could see them: flitting and clambering round the islands; spreading towels and blankets, even in thick fog; unpacking handsome picnics of cheese, biscuits, thermoses of clam chowder, lobster salad, blueberry cake. They’d waft up and down the Thoroughfare, the tidal channel between Fox Island and Carver’s, in their gaff-rigged sailing dinghies, their wooden Herreshoffs. Zip round in their flat-bottomed whalers, fouling their propellers on the ropes of lobster pots.

On land, they could prove even more troublesome. Getting het up about houses that hadn’t been painted, fields that hadn’t been mowed, pipes that hadn’t been mended. Strutting up and down in their summer plumage, enacting age-old and highly evolved territorial displays—then flitting off again.

So it was unusual when Jim slipped ashore toward the end of winter. Stealthily, surreptitiously—so the islanders couldn’t rightly say just how he’d come. Like a bird blown off course, he just appeared, then stayed, when the sailing boats were still hauled up onshore. March brought a late storm with four to six feet of snow. Snow heaped up in the backs of pickup trucks, plowed over to both sides of the road like a parting of white hair.

“Couldn’tah been Sarah brought him ov’ah,” Floyd remarks. Elliot pours a last round for the men about to leave for the night. “No way she could’ah fit that chai-yah in her ca’h.”

Sarah’s the first to have a compact Mitsubishi hatchback, while the rest of them swear by Ford and Chevy pickups. “I suppose you put rice in the carburetor,” Floyd likes to tease her.

If it wasn’t Sarah, then it must have been her old man Stillman, lobsterman, dockmaster, and caretaker of Jim’s family summer place. Even more taciturn and inscrutable than the rest of them.

They did remember the girl’s arrival. Though she’d come later, mid-July with the rest of the summer folks, so that the only reason they’d taken note was the color of her skin. Which isn’t to say anything particular, only there weren’t many blacks living along, or even visiting, the Maine coast then. One fellow who lobstered out of Stonington. A few deckhands who worked the tall ships, sailing tourists up and down the New England coast out of Boston, Bar Harbor, or Damariscotta.

This girl was different though. Not just black but jet black, black as boat oil. Like she’d come right out of Africa. With that big halo of hair and a bright-colored dress with printed flowers, hibiscus flowers someone said, and an old-fashioned leather suitcase with buckles looking like one they might find stowed at the back of their mothers’ attics. Even more peculiar, she’d come to stay with Jim.

Stillman drove Jim down to the ferry dock. It was the first time many of them had seen for themselves the old man had lost a leg. Sure enough, it was amputated just above the knee. He managed alone with a crutch, leaning back against Stillman’s truck and smoking a stream of cigarettes.

“Guadalcanal,” Curtis interjects from the far end of the bar. Slouched over, bleary-eyed, looking more ancient than his late hound. Curtis was a decorated war veteran, though most of them had forgotten for what.

“What’s that you said?” Elliot asks, retrieving the glass Curtis shoves down the bar.

“She was from Guadalcanal,” he repeats, his words slurred but emphatic.

Guadalcanal then—not Africa.

I

Summerhouse at the End of Winter

Yet some of the men who had sailed with him before expressed their pity to see him so reduced.

—Treasure Island

Fox Island, Penobscot Bay, Maine, July 1973

Jim wedges the chair into the kitchen doorway, forcing the screen door open, lights his third or fourth cigarette. The doctors told him not to. Cut down on the drink, right down, and cut out the smoking altogether. To hell with that. He lost the leg anyhow.

The nicotine leaves him edgy and overly alert. An irascibility that’s hard to burn off, stuck as he is in a wheelchair. He could use a drink is the truth of it but he’ll hold off for now. It’s the least he can do—not meet the girl half drunk.

Go easy. Go easy, he mutters aloud. Shutting his eyes, he wills himself to concentrate on birdcalls. A habit honed since he was a boy. A surefire way of keeping emotions at bay, or safely battened down, which is how he likes them. Gulls—the leitmotif of the island, laughing or crying, however you want to take it. The scolding of a blue jay. The sharp chirrup of a robin. Crows—down by Stillman’s place patrolling the fields, their voices grate, hoarse as smokers’, and crack like adolescent boys’. There’s no cacophony—it being midsummer and high noon—but he can hear the thin, come-hither whistle of a phoebe from the woods in front, the fish hawk mewling as it circles high above the point.

There are other sounds. The low diesel chugging of Adam MacDonald’s lobster boat setting out late. Moments later, the dock creaks in the wash from its wake, rubbing against the wood stakes.

Clenching the cigarette between his teeth, Jim wheels out the door, over the uneven grass, and past the corner of the house. From here, he can look down the sloping lawn to the shore, where weed-and barnacle-covered rocks are exposed at low tide, across the brown-green water of Indian Cove, down the end of the Thoroughfare to the open blue of the Penobscot Bay. In the deepest water of the cove, a clutch of Stillman’s orange and yellow lobster pots bob on slack lines.

“You can’t live up there,” his son Fergus protested when Jim announced his intention to move here to the old summer place in Maine. “You’ll be too cut off.”

“Damn right, I’m cut off,” Jim snapped. He looked down at his stump. Transfemoral is the word they use when the leg is severed above the knee. Which makes it more difficult to fit a peg leg, or a prosthesis as the doctors insisted on calling it, though Jim had refused one anyhow.

“What if you fall down? What if you get stuck?” Fergus grew uncharacteristically fraught. He felt guilty perhaps, being the one responsible for hauling Jim off to the doctor: the advocate for his father’s operation. He implored Jim to be sensible, to hire a nurse or housekeeper. Pleaded with him to stay put, at least until summer.

“What if I get stuck here?” Jim spat back, banging his crutch on the floor. It was the one satisfying thing about being a cripple, having the stick to bang about.

The truth is, he was already stuck. He’d been stuck since the war.

He’d gone back to work, the museum in New York kindly offering a position. There, he’d busied himself writing reports about other people’s finds—buried himself more like it—for the past thirty years. His latest undertaking had been to catalog the department type specimens, the skins first used to identify new species and subspecies. The standard against which all new discoveries are compared. The museum had 6,300 of them, representing somewhere near a third of the world’s known birds.

It was meticulous, painstaking work that involved delving into dusty archives, deciphering unintelligible labels, sometimes scrawled in French or German. It required encyclopedic command. Still, it was derivative, clerical. He’d not initiated any original inquiry of his own. He’d not traveled, unless you count the daily commute from Greenwich into the city and back. He’d become a mothballed, dried-up skin himself. A shriveled specimen preserved by alcohol—gin in his case. His one book, his one valuable contribution to science, Extinct and Vanishing Birds of Oceania, published in 1960, was itself a compendium of loss, a rejection of life and living things.

Suddenly an amputee, he could no longer navigate the city. He couldn’t get himself to the museum. He hadn’t gone back, not even to say good-bye or to collect his things. He couldn’t stand the idea of anyone opening doors for him, staring at the empty space where his leg had been.

“And no goddamned nurse!” he swore at Fergus. He’d had enough of that in the hospital. Enough poking and interfering, enough rules and regimens, enough mollycoddling. Not even allowing him a goddamned drink. He twirls the cigarette he has now defiantly between his fingers, associating it in his mind with a sort of freedom.

Early spring, Jim began to wonder if Fergus had been right about moving to Maine. He looked at himself in the mirror, eyes red-rimmed, thick stubble on his colorless cheeks, the deep creases in his forehead, the fishhook scar down one side of his face. His hair was thick, tousled, and uncut. His lips distinctly blue. He wondered if he was drinking himself to death. If so, there must be an easier way.

He flicks the spent cigarette, presses it into the grass with his single faded blue canvas sneaker. It’s the first time he’s worn a shoe in weeks.

Wintertime, Jesus Christ, he lived like a bear. Wrapping himself in a big fur coat he found in one of the closets. Piling goose-down covers and scratchy wool blankets on the bed, which was unmade and all scuffed up like a rat’s nest. Sleeping. Drinking. Keeping the fires lit. Bottles and corks under the bed. Empty corned-beef tins that sprouted mold once the weather changed. Books left open with the spines straining. Half-smoked cigarettes stubbed out on the kitchen table. It’s lucky he didn’t set the goddamn house on fire.

Everything was new to him as he’d only come in summer. The island lay muffled in the snow of a freak storm. The weighted branches of spruce and fir bowed low over the white-clad rocks. Slips of birch trees shivered like cold bones. In the cove, disgruntled gulls hunkered on broken slabs of ice. An early snow goose with its black wing tips appeared one day on its way to summering in the arctic. Chen caerulescens—he noted it in a book he’d started, a record of birds on Indian Cove.

At night a pair of great horned owls hunted the point, filling the house with their bassoon-like calls. Scoters and rafts of eiders floated on the gray sea. When the temperature dropped below freezing, a sea mist rose from the water and wrapped the island in a mirage-like veil. He looked at the thin drift of snow lining the balustrade outside his bedroom and remembered that Helen had always wanted to come here for Christmas. They never had.

The house was cold. No matter how many fires you lit, how long you kept them going, you couldn’t make it warm. Large, airy, built for summer, it had little insulation, no central heating. Instead it had a warren of rooms for guests, extended family, and servants. The original owner was one of a Boston elite, who called themselves the Rusticators. Businessmen, bankers, lawyers, architects, who flocked down along this coast at the turn of the century, seeking, like Emerson and Thoreau before them—like Jim now—a simpler life. Only for them, Nature was buffered by maids, cooks, and in-laws.

Cold leaked through places you wouldn’t expect, right through the shingles and slated boards, right through the glass panes of the windows facing out to sea, right under the floorboards as the large front porch, jutting over the lawn, let the wind in underneath.

When Jim arrived, Stillman carried some ancient wood up from the basement, and they struggled to light the big cast-iron stove in the kitchen. The flue was clogged with a nest from the year before, which eventually fell down into the stove and burst into flame. Jim felt ashamed not to be able to look after himself as he watched his old boyhood companion light the fire in the dark wood sitting room, then in his upstairs bedroom.

Laboring up the stairs on his crutch, he pitched one-legged down the long hallway, shutting all the other bedroom doors while Stillman rolled mats against the thresholds to stop the drafts. Once the wood was stacked, Jim could stoke the fires himself. The stove was hot but if you walked any distance from it, you could see your own breath.

He remembers Stillman uncovering a family of field mice who’d claimed one of the big sofas in the sitting room. “Let them be,” Jim said. No doubt they’d huddled here for generations. Its winter lodgers. There’d be mice all up and down the Thoroughfare doing the same.

Then spring with its own cruelty—mud.

“A-yup, mud season,” Sarah said brightly, matter-of-factly, seeing Jim’s tracks just outside the kitchen door. Deep muddy ruts. “Mud, lupine, lilacs, and it’ll last till June.” Just when it was balmy enough to go outside, the wheels of the chair stuck fast. Crutching back to the house, he managed to find a rope to haul it in, before Sarah found him—a god-awful mess.

Sarah, Stillman’s unmarried daughter, strong-boned, strong-willed, freckled, thirty. She brings Jim his groceries each week: eggs, bacon, milk, cigarettes, corned beef. A bottle of Scotch or gin when he asks for it. He refuses anything more healthy or varied she might offer. She’s Fergus’s spy too, no doubt, checking up to make sure he’s still alive. She delivers his papers: The Rockland Courier Gazette and the New York Times, a day late, carrying news of Watergate and Vietnam; Erskine Childers’s son elected president of Ireland; Papua New Guinea’s first elected chief minister; France testing its atomic bombs on Mururoa Atoll. Jesus Christ, hadn’t they had enough of that?

Never you mind the mud. You could open all the doors and windows. You could sit in the sun. You could smell the whole island warming, thawing. Rotten seaweed, fermented leaves, wet grass. Listen to the sound of melt dripping off the eaves of the house and trickling down to the sea. He cleaned up. Leaning forward in the chair, he swept all the cans and papers into big black bags for Sarah to take to the dump in the middle of the island.

He watched migrants and then the summer birds flock in. Male red-winged blackbirds arriving first like military heralds with their red and yellow epaulets, then yellow goldfinches, and sparrows: the seed-eaters. Followed by the insect-eating bluebirds, phoebes, swallows, and warblers. The female blackbirds, the thrushes, and orange orioles. A smell of lilacs drifted in the kitchen door.

By May, Jim could walk outside, far enough to spread seeds and dried bread on the bird table. He needed both crutches at first, and placed them carefully so as not to slip and make a further ass of himself, though there was only Sarah to see. Then set himself to mastering one. The ground grew firm enough for him to wheel the chair around the house, and later Stillman came and laid a small path of crushed shell so he could wheel right down to the shore. He started to work, tapping out a long-postponed article he’d planned for the museum’s Natural History Magazine.

Jesus Christ, he likes this place. He’d let himself be comforted by it, by all the sounds and the familiar smells from childhood—if it weren’t for this goddamn girl about to arrive.

“Who’s coming ov’ah?” Stillman asks, walking around the back of his pickup truck. It’s the first time Jim’s asked to go to town but, by nature undemonstrative, Stillman doesn’t register any outward surprise.

“Hell if I know,” Jim replies. He hoists himself into the cab, pulling up on the open door. Stillman knows better than to offer help. “You can leave the chair. I’ll not get out of the truck,” Jim says.

It was Stillman who brought the letter two weeks before. So that, damn it, Jim barely had a chance to reply. He remembers the envelope. It was festooned with big colorful stamps, like a missive in a bottle encrusted with barnacles and limpets.

“By God with that shoal of stamps, you can’t tell where it’s from,” Stillman observed.

Jim nodded, though he could tell right away. He could identify each of the birds on the stamps: the Solomon Islands white cockatoo, the ultramarine kingfisher, Sanford’s sea eagle. Jesus Christ, Finsch’s pygmy parrot—a bird he’d collected. Official seals marked the letter’s route from Honiara, via Port Moresby and Brisbane, to Washington, D.C. Forwarded to Jim from Greenwich by his brother Cecil.

Inside—a letter written on State Department paper with an embossed eagle and signed by a consular agent, whatever that is, with the singular name Sethie Bloom. We know you will be pleased to host Ms. Baketi (like hell he will!) who will be arriving (today!) for a month before her medical training begins … (a goddamn month!) allowing her time to get accustomed to life in the United States.

Jim doesn’t see how anyone would get accustomed to anything staying here with him.

What the hell’s he to do with a medical student from the Solomon Islands? He’s too old, too drunk to host anyone. Besides he’s a cripple. Jesus Christ, he should have wired straight back, just as soon as the letter arrived. No. Stop. Won’t have her. Stop. He still doesn’t think he ever said yes.

There was something else in the envelope. He’d held it up and two folded sheets of newsprint fell out, one showing a photo of a girl with a big circle of hair, a full head taller than the white, bespectacled teacher standing next to her.

New Georgian Girl Headed to New York.

Top Student at King George VI, Student of Fiji School of Medicine, Wins First-Ever Medical Scholarship to the United States.

It made front-page news in the official British Solomon Islands Protectorate Newsletter and merited a two-page write-up in what looked like a more popular, local rag called Tok Tok. Competing there with stories on plans to celebrate Fijian Independence Day, a feature on kastom magic, a photo of a local crocodile hunter.

“Jesus Christ,” Jim swears aloud. He spits out a loose piece of tobacco.

Stillman watches Jim lift his foot over a hammer, a coil of rope, a wood clamp, all of which lie strewn across the floor of the cab, and wishes he’d thought to clean them out. Turning down the wooded road to town, he glances over at Jim, who stares grimly forward, chewing on the end of an unlit cigarette.

Jim looks fragile—even more so away from the cove. His shirt is clean and pressed, thanks to Sarah, who sends his clothes over to the mainland to be laundered each week. But still he manages to look disheveled, stick-thin, his eyes bloodshot. The scar down his cheek, where some other boy, Stillman remembers, had caught him with a fishhook. His leg missing. Old man.

In fact, they’re practically the same age. They’d played together when they were youngsters. Jim had the grand family, the big summerhouse. He had the cigar-smoking grandfather, captain of a schooner with teak decks and shiny brass fittings that seemed to take up half the Thoroughfare. But Stillman lived close to the reed beds, which were their favored hunting grounds. He got to help his pa haul lobsters. Best of all, he got to stay on the island when Jim left—something he knew all the summer boys envied. During the war, he’d considered himself luckier too when he was sent to France while Jim, he heard, went to the Pacific.

Circumstance has separated them. Even so, Stillman feels the unspoken camaraderie of boyhood—of squelching through the bulrushes, hot mud oozing between their toes, the wide-brimmed summer hat his mother tied tight under his chin. They’d searched for frogs and birds’ nests, crabs and June bugs, garden snakes, and the small globular jellyfish that floated in the millpond. Jim had always a purposeful intensity about him, insisting they memorize scientific names, then teaching himself to skin. While Stillman was content enough to catch critters, then let them go.

The sight of Jim sitting rigid and uncomfortable in his truck makes Stillman feel protective and wary of the fresh-faced groups of summer folks assembling in the small lot before the ferry dock. As he pulls in, he finds himself suffering from what he considers a long-outgrown adolescent resentment of these men with their 200-horsepower engines, their money and spare time; these women with their pretty legs. Then feels put out by Jim’s family for letting the old man stay on his own, shunting their responsibilities onto Sarah and himself.

These thoughts surprise Stillman. He lives on his own too, and likes it that way. Besides, aren’t these folks Jim’s own?

To hell with it. They’ve all had their trials, their suffering, their luck. Islander or summer person, lobsterman or investment banker: he’d done with such distinctions long ago. His wife Esther died twenty years ago, after her long battle with cancer. He’d had a son too, who drowned. There’s no reason he should feel sorry for Jim. Though Stillman does have Sarah down the road, which is a comfort, no matter how much he grumbles at her.

He parks, mindful to give Jim a clear view, so he’ll be able to see the ferry come in without getting out of the truck.

“Boat’s not in for ten minutes,” he says, thinking he’ll check in with Floyd at the boatyard, see if he’s managed to repair an engine part Stillman left some days ago. “I’ll be back once she’s in.”

Jim grins—a specter-like smile, twirling the unlit cigarette between his fingers. And Stillman feels a twinge of guilt and self-reproach, the kind he used to feel years ago dropping Sarah off at the island school.

It’s a pity Jim’s wife Helen isn’t still around. She was playful and gay with no airs, so that she’d remember your name no matter who you were, even if she’d only met you once. Tall and regal with that lion-like mane of hair. The opposite of Jim, who’s really an islander at heart—ornery like the rest of them.

Jim keeps a photo of Helen on his bedside table. Stillman saw it when be brought up wood for the fire, and noticed that the frame was turned to the wall. Well, it was no wonder if the old man couldn’t bear to look at her; she was a beauty. He remembers Helen throwing her arms around Jim. Theirs was an outward, visible love, a thing Stillman’s found to be surprisingly rare. His own and Esther’s love had been more fraught, private, strained by her long illness.

People wave. Excited children wheel round the parking lot on bicycles, climb onto the bollards at the end of the pier, and hang out over the water.

Jim kicks the cab door open, letting the sun flood in, then fumbles in his breast pocket for a lighter. The small flame dances uncontrollably in front of his face. He can’t say whether these shakes in his hands are due to nerves, old age, last night’s drinking, or all three. Drawing in the smoke, he searches for some focus. Feels his fingers tremble against his lips.

The ferry blasts a horn as it enters the Thoroughfare, then rounds the red nun to avoid Post Man’s Ledge. Tall and white, it dwarfs the yachts, the fleet of Herreshoffs and sailing dinghies moored closer in, then sets the lobster boats tossing at their moorings. Near the bow, a clutch of passengers gather at the rail. He sees the tall black girl among them, and looks away. Not ready, but will he ever be?

As he eases himself down from the cab with the crutch, a small girl in a sundress stops to stare openmouthed at his missing leg. He glares back until the girl’s mother pulls her away. Jesus Christ, he looks as out of place here as she will. The sea churns a frothy white as the ferry’s engines are thrown into reverse. The pier groans. Two eiders paddle furiously out of the way. A tern slips past.

Vehicles off before foot passengers. Jim’s grateful for the extra minutes as each car drives off, making a distracting kachunk kachunk over the metal ramp. Volvo station wagons, a few Subarus, Fords, their roofs piled high with suitcases, cool boxes, duffel bags, bicycles racked on the back, reminding Jim of a stream of refugees fleeing some catastrophe—the Okies of the Depression. Hot, steamy children hang their heads and arms out of windows. In the midst of them, a long flatbed truck carries timber. The ferry rises in the water as it disembarks. He breathes in hot tarmac, sea salt, fish, gasoline, carbon monoxide exhaust. Listens to the gulls.

She’s tall, broad-shouldered, athletic-looking—like Tosca—even in her brightly colored dress with big flowers. Her hair tightly curled in a big wreath around her head like the Afro style popular in New York some years back. She’s pitch black. This has given the other passengers something to ponder no doubt. It shouldn’t surprise Jim, except that it does. Jesus, he can’t be blamed, he’s seen hardly anyone these past months, let alone a Negro. He corrects himself, not a Negro—a Melanesian from the South Pacific.

And someone must have told her to look out for a cripple because she walks straight to him. She has the same penetrating hooded eyes, the same slightly hooked nose as her father. Here she is, introducing herself in perfect English, which makes Jim wonder if she’s been practicing.

“Are you Mr. Jim? I am Cadillac.”

Christ, so that really is her name, not some sort of typo or misprint in the consular agent’s letter. Tosca, his own name bestowed by an opera-loving copra trader, begets Cadillac. Named for what—the car, a pop song, a yearning for American largesse? A chance?

She puts out a hand to him and Jim recoils, a movement he instantly regrets but can’t help. He doesn’t like to be touched. To cover his rudeness, he drops his cigarette. Then forces himself to shake her hand.

She carries little. A small leather suitcase with buckles that looks as though it might have been lent to her by a missionary. A rolled-up mat, woven with pandanus leaf, the kind Solomon Islanders use for just about everything: shelter, sleeping mats, raincoats, wedding gifts. Good—the less she has, the easier it will be to send her back.

“Welcome,” Jim says, nodding curtly. He’d help her with the bag, but she can see what shape he’s in.

“Mr. Jim, he stop close up ’long sea, no ’long bush,” Tosca had said, trying to explain where Jim lives, to reassure his daughter, and not just about the geography. The saltwater people of the Solomon Islands traditionally considered themselves superior to their brothers in the bush, smarter, cleaner and fiercer too—heirs of the headhunters. Though this sort of prejudice was discouraged by her teachers. It could cause fighting, even in her school.