2,49 €
The world of Eve, illustrated by Anne Harriet Fish (1890 – 1964), portrays a world populated by young-old matrons, astoundingly mature young girls (of which Eve is one), Victorian lady remnants, resplendent captains of industry, pussy-footing English butlers, amorous nursemaids, race touts, yearning young lovers, swanking soldiers, blank and vapid bores, bridge-playing parsons, and middle-class millionaires.
The Book of Eve takes a rather satirical look at high society in London during the years of the First World War and depicts young Eve getting herself into, and out of, many predicaments before moving on to the next.
Ms Fish lived through two world wars and a depression to see high society change from the remnant of the Victorian era, to the Flappers of the post WWI era, through the austerity and re-introduction of tighter morals during and after WWII. Then to see the rapid change in society and dress codes, just missing out of the introduction of the mini-skirt in 1965. One cant help but wonder what she would have made of it. But having lived through the “Roaring Twenties” she probably wouldn’t have battered an eyelid.
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KEYWORDS-TAGS: Eve, book, 1920’s, roaring twenties, policewoman, war-time, cooks, dramatic story, career, hospital nurse, east coast, uncle fred, enjoy, first experience, zeps, zeppelins, buy, motor car, odds and ends, threaten, mobilise, sisters, adventure, gallant, submarine, relieve, active service, trouble, bills, triumph, outwit, adam, improve, incomplete, interning arrangements, government, racing, victimised, work and play, lonely soldier, beauty business, Christmas at home, amusing, new furs, why’s and wherefores, matrimonial, matrimony, dinner party, gallant airmen, WWI, Great War, farm, labour-denuded farmer, play, adelphi theatre, death, tou-tou, tou tou, war-time, dances, au revoir, tattler, Fish and Fowl, abela publishing, Anne Harriet Fish
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Written And Designed By Fowl
Drawn By Fish
Reproduced From And With The Kind Permission Of “The Tatler.”
Originally Published by
Brentano’s, New York.
[1916]
Resurrected by
Abela Publishing, London
[2019]
The First Book of Eve
Typographical arrangement of this edition
© Abela Publishing 2019
This book may not be reproduced in its current format in any manner in any media, or transmitted by any means whatsoever, electronic, electrostatic, magnetic tape, or mechanical ( including photocopy, file or video recording, internet web sites, blogs, wikis, or any other information storage and retrieval system) except as permitted by law without the prior written permission of the publisher.
Abela Publishing,
London
United Kingdom
[2019]
ISBN-13: 978-8-XXXXXX-XX-X
mailto:[email protected]
website
http://bit.ly/GetB00ksHere
Dear boys,
I am dedicating my first little book to you because you have written and told me so often from the North Sea, from “Somewhere in France,” from Africa, and Mesopotamia that my queer sketches have brightened for you some dull or gloomy hours. Bless you! for if that is true, why then I feel that even your frivolous Eve has done her “bit” in this terrible heartrending struggle. And you will understand, dear boys, that I have—notwithstanding Aunt Matilda’s and Uncle Fred’s disapproval—kept gay and frivolous to please you, and not because I didn’t understand and appreciate what you were doing for me, and other little Eves, and above all for our dear old country, which you have saved. Bless you all again and again. That all you wish may come to you as freely and as welcome as your generous appreciation has come to me is the constant wish of—
Your loving little friend,
EVE.
P.S.—Tou-Tou sends a fond lick.
The Book Of Eve
Dedicated To The Boys In Khaki And Blue
Contents
Preface
Eve As A Policeman And Some War-Time Cooks
The Dramatic Story Of Eve’s Career As A Hospital Nurse
Eve Stays On The East Coast With Uncle Fred—
—And Enjoys Her First Experience Of The Zeps.
Eve Buys A Motor Car
Just A Few Odds And Ends.
The Zeps Threaten Again
Eve Mobilises Her Sisters
Eve’s Adventure With The Gallant Submarine
Eve Goes Into The City And Relieves A Man For Active Service
Eve Has Trouble With Her Bills—But Triumphs
Eve Outwits Artful Adam.
Eve Improves Upon The Very Incomplete Interning Arrangements Of The Government.
And Now A Little Racing
Eve Becomes A Policewoman
Uncle Fred Is Again Victimised
Eve Works And Plays
Eve And Her Lonely Soldier
Eve Goes Into The Beauty Business
Christmas At Home And Amusing
Eve And The New Furs
Some Why’s And Wherefores
A Matrimonial Puzzle— —And Eve As A Chaperone
—And Yet More Why’s
Eve At A Dinner Party—
—And With Our Gallant Airmen
Eve Goes On To A Farm—
—To Help The Labour-Denuded Farmer.
Eve Appears In “Tina”—
—At The Adelphi Theatre
The Death Of Tou-Tou
War-Time Dances
Au Revoir
About The Tatler
More Ebooks By Abela Publishing
By Richard King
It is not often that an artist evolves a new type—more especially a new comic type. But this is the proud achievement of the artist whose work adorns this little book. “Eve” has now become a clearly recognised figure of modern life, as clearly recognised as are the figures of George Belcher, Dana Gibson, and Bateman, and that very small band of clever artists who have characteristics peculiar to themselves.
Few artists, however, have more quickly sprung into world-wide popularity than “Eve.” How great this popularity is may be judged by the numerous imitators which, while they copy many of Eve’s mannerisms, lose all that humour and spirit which make of Eve’s art such a fascinating and irresistible thing. For Eve possesses a gift which cannot be imitated, no matter how clever the artist who imitates her may be. Each person’s sense of humour—or lack of it—belongs to them alone. And it is Eve’s humour which make her delightful drawings so appealing. She has that sense of the “absurd” which is one of the rarest senses in all black-and-white art. And yet, while her irresistible humour makes one laugh, while her drawings fascinate us by their quaintness, she is never so far removed from reality as to be merely a painter of the human grotesque. Therein lies so much of her genius. She paints humanity with the eye of one who can see the comic in everyday people and things, and yet she never lets her feeling for the ridiculous obliterate her feeling for Truth. It is to be regretted that the clever letters which these drawings originally illustrated in “The Tatler” cannot be reproduced on account of their topicality.
But in judging these fascinating drawings merely from the point of view of their humour and charm, one is apt to overlook the fact that Eve—while possessing a style which is unique—is also, and at the same time, a designer of remarkable gifts. It is, perhaps, as a designer that she will appeal most greatly to an artist. Each of her drawings is an exquisite example of this gift for design. Their line, their “proportion,” as it were, and the clever use she makes of black—big splashes of black—all help to make her drawings exquisite little pictures—“pictures” in the popular sense—as well as wonderful examples of technique and imagination. Another thing about all her drawings is their feminine daintiness. Each design is as dainty as the heroine who appears in nearly all of them. With a few strokes, a dot here and there, a line, she can suddenly bring before our eyes a perfectly-recognisable type. In this way her gifts are superior even to Phil May, who surely, more than many artists, obtained his effects with the least number of unessentials.
Moreover, Eve never draws what I must call a “dead” figure. Everyone—everything, almost—is alive. Her animals—burlesques of animals though they be—are full of character and fun. Even such things as motor-cars, ships, and carriages—which, from the point of view of an artist painting nothing but the truth, are out of all proportion—possess a quaintness which somehow accords better with the picture than if they were perfect models of technical knowledge and drawing.
Eve gives a comic twist to men and women of this world, but in that comic “twist” we seem to see and know them better, and to know them better is to love them more. That is one of the reasons, perhaps, why these fascinating drawings are so popular and so adored.
Here beginneth—
—The Adventures of Eve
Being an irresponsible record of some incidents in the career of a frivolous little lady—to say nothing of Adam, Aunt Matilda, Uncle Fred, and Tou-Tou.
The successful invasion of the London stage by American artistes induces Eve to abandon her habitual reserve and appear (for charity) in a revue especially written for her by Sir Peter Pan. In order to avoid shocking the susceptibilities of the “past smart set,” who are these war times very early-Victorian, she has depicted herself at the moment when her scarcity of costume was obliterated by the mass of floral tributes hurled by an enraptured audience
Eve, Evelyn, and Evelinda rising to the occasion by forming a posse of police. With the aid of Uncle Fred they practise the necessary gymnastics to fit them for the force with such success that—