1,99 €
Niedrigster Preis in 30 Tagen: 1,99 €
Niedrigster Preis in 30 Tagen: 1,99 €
Mehr erfahren.
- Herausgeber: DigiCat
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
- Veröffentlichungsjahr: 2022
Arnold Bennett's 'The Card, a Story of Adventure in the Five Towns' delves into the intricate social dynamics and ambitions of the industrial working-class in the Five Towns of England. The novel is a captivating exploration of the protagonist's rise from a humble deck boy to a cunning manipulator of social positions. Bennett's writing style combines sharp wit with keen observation, immersing the reader in the bustling streets and homes of the Five Towns. Set within the context of the Victorian era, 'The Card' addresses themes of class mobility, identity, and ambition with a humor and depth that resonates with readers across time. Arnold Bennett's personal experiences growing up in the Potteries of Staffordshire, a region similar to the Five Towns, provided him with a rich backdrop for the novel. His keen eye for detail and understanding of the social fabric of the working-class communities shine through in his vivid characterizations and settings. Bennett's own journey from a modest background to a successful writer mirrors the themes explored in 'The Card', adding a layer of authenticity to the narrative. For readers interested in a compelling exploration of social mobility, class struggles, and personal ambition in a vividly depicted industrial setting, 'The Card' by Arnold Bennett is a must-read. Bennett's masterful storytelling and insightful commentary make this novel a timeless classic that continues to resonate with contemporary audiences.
Das E-Book können Sie in Legimi-Apps oder einer beliebigen App lesen, die das folgende Format unterstützen:
Ähnliche
The Card, a Story of Adventure in the Five Towns
Table of Contents
THE CARD
CHAPTER I
THE DANCE
I
Edward Henry Machin first saw the smoke on the 27th May 1867, in Brougham Street, Bursley, the most ancient of the Five Towns. Brougham Street runs down from St Luke's Square straight into the Shropshire Union Canal, land consists partly of buildings known as "potbanks" (until they come to be sold by auction, when auctioneers describe them as "extensive earthenware manufactories") and partly of cottages whose highest rent is four-and-six a week. In such surroundings was an extraordinary man born. He was the only anxiety of a widowed mother, who gained her livelihood and his by making up "ladies' own materials" in ladies' own houses. Mrs Machin, however, had a speciality apart from her vocation: she could wash flannel with less shrinking than any other woman in the district, and she could wash fine lace without ruining it; thus often she came to sew and remained to wash. A somewhat gloomy woman; thin, with a tongue! But I liked her. She saved a certain amount of time every day by addressing her son as Denry, instead of Edward Henry.
Not intellectual, not industrious, Denry would have maintained the average dignity of labour on a potbank had he not at the age of twelve won a scholarship from the Board School to the Endowed School. He owed his triumph to audacity rather than learning, and to chance rather than design. On the second day of the examination he happened to arrive in the examination-room ten minutes too soon for the afternoon sitting. He wandered about the place exercising his curiosity, and reached the master's desk. On the desk was a tabulated form with names of candidates and the number of marks achieved by each in each subject of the previous day. He had done badly in geography, and saw seven marks against his name, in the geographical column, out of a possible thirty. The figures had been written in pencil. The pencil lay on the desk. He picked it up, glanced at the door and at the rows of empty desks, and a neat "2" in front of the 7; then he strolled innocently forth and came back late. His trick ought to have been found out—the odds were against him—but it was not found out. Of course it was dishonest. Yes, but I will not agree that Denry was uncommonly vicious. Every schoolboy is dishonest, by the adult standard. If I knew an honest schoolboy I would begin to count my silver spoons as he grew up. All is fair between schoolboys and schoolmasters.
This dazzling feat seemed to influence not only Denry's career but also his character. He gradually came to believe that he had won the scholarship by genuine merit, and that he was a remarkable boy and destined to great ends. His new companions, whose mothers employed Denry's mother, also believed that he was a remarkable boy; but they did not forget, in their gentlemanly way, to call him "washer-woman." Happily Denry did not mind.
He had a thick skin, and fair hair and bright eyes and broad shoulders, and the jolly gaiety of his disposition developed daily. He did not shine at the school; he failed to fulfil the rosy promise of the scholarship; but he was not stupider than the majority; and his opinion of himself, having once risen, remained at "set fair." It was inconceivable that he should work in clay with his hands.
II
When he was sixteen his mother, by operations on a yard and a half of Brussels point lace, put Mrs Emery under an obligation. Mrs Emery was the sister of Mr Duncalf. Mr Duncalf was town Clerk of Bursley, and a solicitor. It is well known that all bureaucracies are honey-combed with intrigue. Denry Machin left school to be clerk to Mr Duncalf, on the condition that within a year he should be able to write shorthand at the rate of a hundred and fifty words a minute. In those days mediocre and incorrect shorthand was not a drug on the market. He complied (more or less, and decidedly less than more) with the condition. And for several years he really thought that he had nothing further to hope for. Then he met the Countess.
The Countess of Chell was born of poor but picturesque parents, and she could put her finger on her great-grandfather's grandfather. Her mother gained her livelihood and her daughter's by allowing herself to be seen a great deal with humbler but richer people's daughters. The Countess was brought up to matrimony. She was aimed and timed to hit a given mark at a given moment. She succeeded. She married the Earl of Chell. She also married about twenty thousand acres in England, about a fifth of Scotland, a house in Piccadilly, seven country seats (including Sneyd), a steam yacht, and five hundred thousand pounds' worth of shares in the Midland Railway. She was young and pretty. She had travelled in China and written a book about China. She sang at charity concerts and acted in private theatricals. She sketched from nature. She was one of the great hostesses of London. And she had not the slightest tendency to stoutness. All this did not satisfy her. She was ambitious! She wanted to be taken seriously. She wanted to enter into the life of the people. She saw in the quarter of a million souls that constitute the Five Towns a unique means to her end, an unrivalled toy. And she determined to be identified with all that was most serious in the social progress of the Five Towns. Hence some fifteen thousand pounds were spent in refurbishing Sneyd Hall, which lies on the edge of the Five Towns, and the Earl and Countess passed four months of the year there. Hence the Earl, a mild, retiring man, when invited by the Town Council to be the ornamental Mayor of Bursley, accepted the invitation. Hence the Mayor and Mayoress gave an immense afternoon reception to practically the entire roll of burgesses. And hence, a little later, the Mayoress let it be known that she meant to give a municipal ball. The news of the ball thrilled Bursley more than anything had thrilled Bursley since the signing of Magna Charta. Nevertheless, balls had been offered by previous mayoresses. One can only suppose that in Bursley there remains a peculiar respect for land, railway stock, steam yachts, and great-grandfathers' grandfathers.
Now, everybody of account had been asked to the reception. But everybody could not be asked to the ball, because not more than two hundred people could dance in the Town Hall. There were nearly thirty-five thousand inhabitants in Bursley, of whom quite two thousand "counted," even though they did not dance.
III
Three weeks and three days before the ball Denry Machin was seated one Monday alone in Mr Duncalf's private offices in Duck Square (where he carried on his practice as a solicitor), when in stepped a tall and pretty young woman, dressed very smartly but soberly in dark green. On the desk in front of Denry were several wide sheets of "abstract" paper, concealed by a copy of that morning's Athletic News. Before Denry could even think of reversing the positions of the abstract paper and the Athletic News the young woman said "Good-morning!" in a very friendly style. She had a shrill voice and an efficient smile.
"Good-morning, madam," said Denry.
"Mr Duncalf in?" asked the young woman brightly.
(Why should Denry have slipped off his stool? It is utterly against etiquette for solicitors' clerks to slip off their stools while answering inquiries.)
"No, madam; he's across at the Town Hall," said Denry.
The young lady shook her head playfully, with a faint smile.
"I've just been there," she said. "They said he was here."
"I daresay I could find him, madam—if you would——"
She now smiled broadly. "Conservative Club, I suppose?" she said, with an air deliciously confidential.
He, too, smiled.
"Oh, no," she said, after a little pause; "just tell him I've called."
"Certainly, madam. Nothing I can do?"
She was already turning away, but she turned back and scrutinised his face, as Denry thought, roguishly.
"You might just give him this list," she said, taking a paper from her satchel and spreading it. She had come to the desk; their elbows touched. "He isn't to take any notice of the crossings-out in red ink— you understand? Of course, I'm relying on him for the other lists, and I expect all the invitations to be out on Wednesday. Good-morning."
She was gone. He sprang to the grimy window. Outside, in the snow, were a brougham, twin horses, twin men in yellow, and a little crowd of youngsters and oldsters. She flashed across the footpath, and vanished; the door of the carriage banged, one of the twins in yellow leaped up to his brother, and the whole affair dashed dangerously away. The face of the leaping twin was familiar to Denry. The man had, indeed, once inhabited Brougham Street, being known to the street as Jock, and his mother had for long years been a friend of Mrs Machin's.
It was the first time Denry had seen the Countess, save at a distance. Assuredly she was finer even than her photographs. Entirely different from what one would have expected! So easy to talk to! (Yet what had he said to her? Nothing—and everything.)
He nodded his head and murmured, "No mistake about that lot!" Meaning, presumably, that all that one had read about the brilliance of the aristocracy was true, and more than true.
"She's the finest woman that ever came into this town," he murmured.
The truth was that she surpassed his dreams of womanhood. At two o'clock she had been a name to him. At five minutes past two he was in love with her. He felt profoundly thankful that, for a church tea-meeting that evening, he happened to be wearing his best clothes.
It was while looking at her list of invitations to the ball that he first conceived the fantastic scheme of attending the ball himself. Mr Duncalf was, fussily and deferentially, managing the machinery of the ball for the Countess. He had prepared a little list of his own of people who ought to be invited. Several aldermen had been requested to do the same. There were thus about half-a-dozen lists to be combined into one. Denry did the combining. Nothing was easier than to insert the name of E.H. Machin inconspicuously towards the centre of the list! Nothing was easier than to lose the original lists, inadvertently, so that if a question arose as to any particular name, the responsibility for it could not be ascertained without inquiries too delicate to be made. On Wednesday Denry received a lovely Bristol board, stating in copper-plate that the Countess desired the pleasure of his company at the ball; and on Thursday his name was ticked off as one who had accepted.
IV
He had never been to a dance. He had no dress-suit, and no notion of dancing.
He was a strange, inconsequent mixture of courage and timidity. You and I are consistent in character; we are either one thing or the other but Denry Machin had no consistency.
For three days he hesitated, and then, secretly trembling, he slipped into Shillitoe's, the young tailor who had recently set up, and who was gathering together the jeunesse dorée of the town.
"I want a dress-suit," he said.
Shillitoe, who knew that Denry only earned eighteen shillings a week, replied with only superficial politeness that a dress-suit was out of the question; he had already taken more orders than he could execute without killing himself. The whole town had uprisen as one man and demanded a dress-suit.
"So you're going to the ball, are you?" said Shillitoe, trying to condescend, but, in fact, slightly impressed.
"Yes," said Denry; "are you?"
Shillitoe started and then shook his head. "No time for balls," said he.
"I can get you an invitation, if you like," said Denry, glancing at the door precisely as he had glanced at the door before adding 2 to 7.
"Oh!" Shillitoe cocked his ears. He was not a native of the town, and had no alderman to protect his legitimate interests.
To cut a shameful story short, in a week Denry was being tried on. Shillitoe allowed him two years' credit.
The prospect of the ball gave an immense impetus to the study of the art of dancing in Bursley, and so put quite a nice sum of money info the pocket of Miss Earp, a young mistress in that art. She was the daughter of a furniture dealer with a passion for the Bankruptcy Court. Miss Earp's evening classes were attended by Denry, but none of his money went into her pocket. She was compensated by an expression of the Countess's desire for the pleasure of her company at the ball.
The Countess had aroused Denry's interest in women as a sex; Ruth Earp quickened the interest. She was plain, but she was only twenty-four, and very graceful on her feet. Denry had one or two strictly private lessons from her in reversing. She said to him one evening, when he was practising reversing and they were entwined in the attitude prescribed by the latest fashion: "Never mind me! Think about yourself. It's the same in dancing as it is in life—the woman's duty is to adapt herself to the man." He did think about himself. He was thinking about himself in the middle of the night, and about her too. There had been something in her tone... her eye... At the final lesson he inquired if she would give him the first waltz at the ball. She paused, then said yes.
V
On the evening of the ball, Denry spent at least two hours in the operation which was necessary before he could give the Countess the pleasure of his company. This operation took place in his minute bedroom at the back of the cottage in Brougham Street, and it was of a complex nature. Three weeks ago he had innocently thought that you had only to order a dress-suit and there you were! He now knew that a dress-suit is merely the beginning of anxiety. Shirt! Collar! Tie! Studs! Cuff-links! Gloves! Handkerchief! (He was very glad to learn authoritatively from Shillitoe that handkerchiefs were no longer worn in the waistcoat opening, and that men who so wore them were barbarians and the truth was not in them. Thus, an everyday handkerchief would do.) Boots!... Boots were the rock on which he had struck. Shillitoe, in addition to being a tailor was a hosier, but by some flaw in the scheme of the universe hosiers do not sell boots. Except boots, Denry could get all he needed on credit; boots he could not get on credit, and he could not pay cash for them. Eventually he decided that his church boots must be dazzled up to the level of this great secular occasion. The pity was that he forgot—not that he was of a forgetful disposition in great matters; he was simply over-excited—he forgot to dazzle them up until after he had fairly put his collar on and his necktie in a bow. It is imprudent to touch blacking in a dress-shirt, so Denry had to undo the past and begin again. This hurried him. He was not afraid of being late for the first waltz with Miss Ruth Earp, but he was afraid of not being out of the house before his mother returned. Mrs Machin had been making up a lady's own materials all day, naturally—the day being what it was! If she had had twelve hands instead of two, she might have made up the own materials of half-a-dozen ladies instead of one, and earned twenty-four shillings instead of four. Denry did not want his mother to see him ere he departed. He had lavished an enormous amount of brains and energy to the end of displaying himself in this refined and novel attire to the gaze of two hundred persons, and yet his secret wish was to deprive his mother of the beautiful spectacle.
However, she slipped in, with her bag and her seamy fingers and her rather sardonic expression, at the very moment when Denry was putting on his overcoat in the kitchen (there being insufficient room in the passage). He did what he could to hide his shirt-front (though she knew all about it), and failed.
"Bless us!" she exclaimed briefly, going to the fire to warm her hands.
A harmless remark. But her tone seemed to strip bare the vanity of human greatness.
"I'm in a hurry," said Denry, importantly, as if he was going forth to sign a treaty involving the welfare of the nations.
"Well," said she, "happen ye are, Denry. But th' kitchen table's no place for boot-brushes."
He had one piece of luck. It froze. Therefore no anxiety about the condition of boots.
VI
The Countess was late; some trouble with a horse. Happily the Earl had been in Bursley all day, and had dressed at the Conservative Club; and his lordship had ordered that the programme of dances should be begun. Denry learned this as soon as he emerged, effulgent, from the gentlemen's cloak-room into the broad red-carpeted corridor which runs from end to end of the ground-floor of the Town Hall. Many important townspeople were chatting in the corridor—the innumerable Swetnam family, the Stanways, the great Etches, the Fearnses, Mrs Clayton Vernon, the Suttons, including Beatrice Sutton. Of course everybody knew him for Duncalf's shorthand clerk and the son of the flannel-washer; but universal white kid gloves constitute a democracy, and Shillitoe could put more style into a suit than any other tailor in the Five Towns.
"How do?" the eldest of the Swetnam boys nodded carelessly.
"How do, Swetnam?" said Denry, with equal carelessness.
The thing was accomplished! That greeting was like a Masonic initiation, and henceforward he was the peer of no matter whom. At first he had thought that four hundred eyes would be fastened on him, their glance saying, "This youth is wearing a dress-suit for the first time, and it is not paid for, either!" But it was not so. And the reason was that the entire population of the Town Hall was heartily engaged in pretending that never in its life had it been seen after seven o'clock of a night apart from a dress-suit. Denry observed with joy that, while numerous middle-aged and awkward men wore red or white silk handkerchiefs in their waistcoats, such people as Charles Fearns, the Swetnams, and Harold Etches did not. He was, then, in the shyness of his handkerchief, on the side of the angels.
He passed up the double staircase (decorated with white or pale frocks of unparalleled richness), and so into the grand hall. A scarlet orchestra was on the platform, and many people strolled about the floor in attitudes of expectation. The walls were festooned with flowers. The thrill of being magnificent seized him, and he was drenched in a vast desire to be truly magnificent himself. He dreamt of magnificence and boot-brushes kept sticking out of this dream like black mud out of snow. In his reverie he looked about for Ruth Earp, but she was invisible. Then he went downstairs again, idly; gorgeously feigning that he spent six evenings a week in ascending and descending monumental staircases, appropriately clad. He was determined to be as sublime as any one.
There was a stir in the corridor, and the sublimest consented to be excited.
The Countess was announced to be imminent. Everybody was grouped round the main portal, careless of temperatures. Six times was the Countess announced to be imminent before she actually appeared, expanding from the narrow gloom of her black carriage like a magic vision. Aldermen received her—and they did not do it with any excess of gracefulness. They seemed afraid of her, as though she was recovering from influenza and they feared to catch it. She had precisely the same high voice, and precisely the same efficient smile, as she had employed to Denry, and these instruments worked marvels on aldermen; they were as melting as salt on snow. The Countess disappeared upstairs in a cloud of shrill apologies and trailing aldermen. She seemed to have greeted everybody except Denry. Somehow he was relieved that she had not drawn attention to him. He lingered, hesitating, and then he saw a being in a long yellow overcoat, with a bit of peacock's feather at the summit of a shiny high hat. This being held a lady's fur mantle. Their eyes met. Denry had to decide instantly. He decided.
"Hello, Jock!" he said.
"Hello, Denry!" said the other, pleased.
"What's been happening?" Denry inquired, friendly.
Then Jock told him about the antics of one of the Countess's horses.
He went upstairs again, and met Ruth Earp coming down. She was glorious in white. Except that nothing glittered in her hair, she looked the very equal of the Countess, at a little distance, plain though her features were.
"What about that waltz?" Denry began informally.
"That waltz is nearly over," said Ruth Earp, with chilliness. "I suppose you've been staring at her ladyship with all the other men."
"I'm awfully sorry," he said. "I didn't know the waltz was——"
"Well, why didn't you look at your programme?"
"Haven't got one," he said naïvely.
He had omitted to take a programme. Ninny! Barbarian!
"Better get one," she said cuttingly, somewhat in her rôle of dancing mistress.
"Can't we finish the waltz?" he suggested, crestfallen.
"No!" she said, and continued her solitary way downwards.
She was hurt. He tried to think of something to say that was equal to the situation, and equal to the style of his suit. But he could not. In a moment he heard her, below him, greeting some male acquaintance in the most effusive way.
Yet, if Denry had not committed a wicked crime for her, she could never have come to the dance at all!
He got a programme, and with terror gripping his heart he asked sundry young and middle-aged women whom he knew by sight and by name for a dance. (Ruth had taught him how to ask.) Not one of them had a dance left. Several looked at him as much as to say: "You must be a goose to suppose that my programme is not filled up in the twinkling of my eye!"
Then he joined a group of despisers of dancing near the main door. Harold Etches was there, the wealthiest manufacturer of his years (barely twenty-four) in the Five Towns. Also Shillitoe, cause of another of Denry's wicked crimes. The group was taciturn, critical, and very doggish.
The group observed that the Countess was not dancing. The Earl was dancing (need it be said with Mrs Jos Curtenty, second wife of the Deputy Mayor?), but the Countess stood resolutely smiling, surrounded by aldermen. Possibly she was getting her breath; possibly nobody had had the pluck to ask her. Anyhow, she seemed to be stranded there, on a beach of aldermen. Very wisely she had brought with her no members of a house-party from Sneyd Hall. Members of a house-party, at a municipal ball, invariably operate as a bar between greatness and democracy; and the Countess desired to participate in the life of the people.
"Why don't some of those johnnies ask her?" Denry burst out. He had hitherto said nothing in the group, and he felt that he must be a man with the rest of them.
"Well, you go and do it. It's a free country," said Shillitoe.
"So I would, for two pins!" said Denry.
Harold Etches glanced at him, apparently resentful of his presence there. Harold Etches was determined to put the extinguisher on him.
"I'll bet you a fiver you don't," said Etches scornfully.
"I'll take you," said Denry, very quickly, and very quickly walked off.
VII
"She can't eat me. She can't eat me!"
This was what he said to himself as he crossed the floor. People seemed to make a lane for him, divining his incredible intention. If he had not started at once, if his legs had not started of themselves, he would never have started; and, not being in command of a fiver, he would afterwards have cut a preposterous figure in the group. But started he was, like a piece of clockwork that could not be stopped! In the grand crises of his life something not himself, something more powerful than himself, jumped up in him and forced him to do things. Now for the first time he seemed to understand what had occurred within him in previous crises.
In a second—so it appeared—he had reached the Countess. Just behind her was his employer, Mr Duncalf, whom Denry had not previously noticed there. Denry regretted this, for he had never mentioned to Mr Duncalf that he was coming to the ball, and he feared Mr Duncalf.
"Could I have this dance with you?" he demanded bluntly, but smiling and showing his teeth.
No ceremonial title! No mention of "pleasure" or "honour." Not a trace of the formula in which Ruth Earp had instructed him! He forgot all such trivialities.
"I've won that fiver, Mr Harold Etches," he said to himself.
The mouths of aldermen inadvertently opened. Mr Duncalf blenched.
"It's nearly over, isn't it?" said the Countess, still efficiently smiling. She did not recognise Denry. In that suit he might have been a Foreign Office attaché.
"Oh! that doesn't matter, I'm sure," said Denry.
She yielded, and he took the paradisaical creature in his arms. It was her business that evening to be universally and inclusively polite. She could not have begun with a refusal. A refusal might have dried up all other invitations whatsoever. Besides, she saw that the aldermen wanted a lead. Besides, she was young, though a countess, and adored dancing.
Thus they waltzed together, while the flower of Bursley's chivalry gazed in enchantment. The Countess's fan, depending from her arm, dangled against Denry's suit in a rather confusing fashion, which withdrew his attention from his feet. He laid hold of it gingerly between two unemployed fingers. After that he managed fairly well. Once they came perilously near the Earl and his partner; nothing else. And then the dance ended, exactly when Denry had begun to savour the astounding spectacle of himself enclasping the Countess.
The Countess had soon perceived that he was the merest boy.
"You waltz quite nicely!" she said, like an aunt, but with more than an aunt's smile.
"Do I?" he beamed. Then something compelled him to say: "Do you know, it's the first time I've ever waltzed in my life, except in a lesson, you know?"
"Really!" she murmured. "You pick things up easily, I suppose?"
"Yes," he said. "Do you?"
Either the question or the tone sent the Countess off into carillons of amusement. Everybody could see that Denry had made the Countess laugh tremendously. It was on this note that the waltz finished. She was still laughing when he bowed to her (as taught by Ruth Earp). He could not comprehend why she had so laughed, save on the supposition that he was more humorous than he had suspected. Anyhow, he laughed too, and they parted laughing. He remembered that he had made a marked effect (though not one of laughter) on the tailor by quickly returning the question, "Are you?" And his unpremeditated stroke with the Countess was similar. When he had got ten yards on his way towards Harold Etches and a fiver he felt something in his hand. The Countess's fan was sticking between his fingers. It had unhooked itself from her chain. He furtively pocketed it.
VIII
"Just the same as dancing with any other woman!" He told this untruth in reply to a question from Shillitoe. It was the least he could do. And any other young man in his place would have said as much or as little.
"What was she laughing at?" somebody asked.
"Ah!" said Denry, judiciously, "wouldn't you like to know?"
"Here you are!" said Etches, with an inattentive, plutocratic gesture handing over a five-pound note. He was one of those men who never venture out of sight of a bank without a banknote in their pockets— "Because you never know what may turn up."
Denry accepted the note with a silent nod. In some directions he was gifted with astounding insight, and he could read in the faces of the haughty males surrounding him that in the space of a few minutes he had risen from nonentity into renown. He had become a great man. He did not at once realise how great, how renowned. But he saw enough in those eyes to cause his heart to glow, and to rouse in his brain those ambitious dreams which stirred him upon occasion. He left the group; he had need of motion, and also of that mental privacy which one may enjoy while strolling about on a crowded floor in the midst of a considerable noise. He noticed that the Countess was now dancing with an alderman, and that the alderman, by an oversight inexcusable in an alderman, was not wearing gloves. It was he, Denry, who had broken the ice, so that the alderman might plunge into the water. He first had danced with the Countess, and had rendered her up to the alderman with delicious gaiety upon her countenance. By instinct he knew Bursley, and he knew that he would be talked of. He knew that, for a time at any rate, he would displace even Jos Curtenty, that almost professional "card" and amuser of burgesses, in the popular imagination. It would not be: "Have ye heard Jos's latest?" It would be: "Have ye heard about young Machin, Duncalf's clerk?"
Then he met Ruth Earp, strolling in the opposite direction with a young girl, one of her pupils, of whom all he knew was that her name was Nellie, and that this was her first ball: a childish little thing with a wistful face. He could not decide whether to look at Ruth or to avoid her glance. She settled the point by smiling at him in a manner that could not be ignored.
"Are you going to make it up to me for that waltz you missed?" said Ruth Earp. She pretended to be vexed and stern, but he knew that she was not. "Or is your programme full?" she added.
"I should like to," he said simply.
"But perhaps you don't care to dance with us poor, ordinary people, now you've danced with the Countess!" she said, with a certain lofty and bitter pride.
He perceived that his tone had lacked eagerness.
"Don't talk like that," he said, as if hurt.
"Well," she said, "you can have the supper dance."
He took her programme to write on it.
"Why," he said, "there's a name down here for the supper dance. 'Herbert,' it looks like."
"Oh!" she replied carelessly, "that's nothing. Cross it out."
So he crossed Herbert out.
"Why don't you ask Nellie here for a dance?" said Ruth Earp.
And Nellie blushed. He gathered that the possible honour of dancing with the supremely great man had surpassed Nellie's modest expectations.
"Can I have the next one?" he said.
"Oh, yes!" Nellie timidly whispered.
"It's a polka, and you aren't very good at polking, you know," Ruth warned him. "Still, Nellie will pull you through."
Nellie laughed, in silver. The naïve child thought that Ruth was trying to joke at Denry's expense. Her very manifest joy and pride in being seen with the unique Mr Machin, in being the next after the Countess to dance with him, made another mirror in which Denry could discern the reflection of his vast importance.
At the supper, which was worthy of the hospitable traditions of the Chell family (though served standing-up in the police-court), he learnt all the gossip of the dance from Ruth Earp; amongst other things that more than one young man had asked the Countess for a dance, and had been refused, though Ruth Earp for her part declined to believe that aldermen and councillors had utterly absorbed the Countess's programme. Ruth hinted that the Countess was keeping a second dance open for him, Denry. When she asked him squarely if he meant to request another from the Countess, he said no, positively. He knew when to let well alone, a knowledge which is more precious than a knowledge of geography. The supper was the summit of Denry's triumph. The best people spoke to him without being introduced. And lovely creatures mysteriously and intoxicatingly discovered that programmes which had been crammed two hours before were not, after all, quite full.
"Do tell us what the Countess was laughing at?" This question was shot at him at least thirty times. He always said he would not tell. And one girl who had danced with Mr Stanway, who had danced with the Countess, said that Mr Stanway had said that the Countess would not tell either. Proof, here, that he was being extensively talked about!
Towards the end of the festivity the rumour floated abroad that the Countess had lost her fan. The rumour reached Denry, who maintained a culpable silence. But when all was over, and the Countess was departing, he rushed down after her, and, in a dramatic fashion which demonstrated his genius for the effective, he caught her exactly as she was getting into her carriage.
"I've just picked it up," he said, pushing through the crowd of worshippers.
"On! thank you so much!" she said. And the Earl also thanked Denry. And then the Countess, leaning from the carriage, said, with archness in her efficient smile: "You do pick things up easily, don't you?"
And both Denry and the Countess laughed without restraint, and the pillars of Bursley society were mystified.
Denry winked at Jock as the horses pawed away. And Jock winked back.
The envied of all, Denry walked home, thinking violently. At a stroke he had become possessed of more than he could earn from Duncalf in a month. The faces of the Countess, of Ruth Earp, and of the timid Nellie mingled in exquisite hallucinations before his tired eyes. He was inexpressibly happy. Trouble, however, awaited him.
CHAPTER II
THE WIDOW HULLINS'S HOUSE
I
The simple fact that he first, of all the citizens of Bursley, had asked a countess for a dance (and not been refused) made a new man of Denry Machin. He was not only regarded by the whole town as a fellow wonderful and dazzling, but he so regarded himself. He could not get over it. He had always been cheerful, even to optimism. He was now in a permanent state of calm, assured jollity. He would get up in the morning with song and dance. Bursley and the general world were no longer Bursley and the general world; they had been mysteriously transformed into an oyster; and Denry felt strangely that the oyster-knife was lying about somewhere handy, but just out of sight, and that presently he should spy it and seize it. He waited for something to happen. And not in vain.
A few days after the historic revelry, Mrs Codleyn called to see Denry's employer. Mr Duncalf was her solicitor. A stout, breathless, and yet muscular woman of near sixty, the widow of a chemist and druggist who had made money before limited companies had taken the liberty of being pharmaceutical. The money had been largely invested in mortgage on cottage property; the interest on it had not been paid, and latterly Mrs Codleyn had been obliged to foreclose, thus becoming the owner of some seventy cottages. Mrs Codleyn, though they brought her in about twelve pounds a week gross, esteemed these cottages an infliction, a bugbear, an affront, and a positive source of loss. Invariably she talked as though she would willingly present them to anybody who cared to accept— "and glad to be rid of 'em!" Most owners of property talk thus. She particularly hated paying the rates on them.
Now there had recently occurred, under the direction of the Borough Surveyor, a revaluation of the whole town. This may not sound exciting; yet a revaluation is the most exciting event (save a municipal ball given by a titled mayor) that can happen in any town. If your house is rated at forty pounds a year, and rates are seven shillings in the pound, and the revaluation lifts you up to forty-five pounds, it means thirty-five shillings a year right out of your pocket, which is the interest on thirty-five pounds. And if the revaluation drops you to thirty-five pounds, it means thirty-five shillings in your pocket, which is a box of Havanas or a fancy waistcoat. Is not this exciting? And there are seven thousand houses in Bursley. Mrs Codleyn hoped that her rateable value would be reduced. She based the hope chiefly on the fact that she was a client of Mr Duncalf, the Town Clerk. The Town Clerk was not the Borough Surveyor and had nothing to do with the revaluation. Moreover, Mrs Codleyn persumably [Transcriber's note: sic] entrusted him with her affairs because she considered him an honest man, and an honest man could not honestly have sought to tickle the Borough Surveyor out of the narrow path of rectitude in order to oblige a client. Nevertheless, Mrs Codleyn thought that because she patronised the Town Clerk her rates ought to be reduced! Such is human nature in the provinces! So different from human nature in London, where nobody ever dreams of offering even a match to a municipal official, lest the act might be construed into an insult.
It was on a Saturday morning that Mrs Codleyn called to impart to Mr Duncalf the dissatisfaction with which she had learned the news (printed on a bit of bluish paper) that her rateable value, far from being reduced, had been slightly augmented.
The interview, as judged by the clerks through a lath-and-plaster wall and by means of a speaking tube, atoned by its vivacity for its lack of ceremony. When the stairs had finished creaking under the descent of Mrs Codleyn's righteous fury, Mr Duncalf whistled sharply twice. Two whistles meant Denry. Denry picked up his shorthand note-book and obeyed the summons.
"Take this down!" said his master, rudely and angrily.
Just as though Denry had abetted Mrs Codleyn! Just as though Denry was not a personage of high importance in the town, the friend of countesses, and a shorthand clerk only on the surface.
"Do you hear?"
"Yes, sir."
"MADAM"—hitherto it had always been "Dear Madam," or "Dear Mrs Codleyn"—"MADAM,—Of course I need hardly say that if, after our interview this morning, and your extraordinary remarks, you wish to place your interests in other hands, I shall be most happy to hand over all the papers, on payment of my costs. Yours truly ... To Mrs Codleyn."
Denry reflected: "Ass! Why doesn't he let her cool down?" Also: "He's got 'hands' and 'hand' in the same sentence. Very ugly. Shows what a temper he's in!" Shorthand clerks are always like that—hypercritical. Also: "Well, I jolly well hope she does chuck him! Then I shan't have those rents to collect." Every Monday, and often on Tuesday, too, Denry collected the rents of Mrs Codleyn's cottages—an odious task for Denry. Mr Duncalf, though not affected by its odiousness, deducted 7-1/2 per cent. for the job from the rents.
"That'll do," said Mr Duncalf.
But as Denry was leaving the room Mr Duncalf called with formidable brusqueness—
"Machin!"
"Yes, sir?"
In a flash Denry knew what was coming. He felt sickly that a crisis had supervened with the suddenness of a tidal wave. And for one little second it seemed to him that to have danced with a countess while the flower of Bursley's chivalry watched in envious wonder was not, after all, the key to the door of success throughout life.
