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- Herausgeber: Edit Print
- Kategorie: Für Kinder und Jugendliche
- Sprache: Englisch
- Veröffentlichungsjahr: 2019
The third book of the trilogy. The Circumcised reveal themselves. They deliver a stroke and its wave spreads from the top of the Ararat, down its slopes and starts a massacre of the Turks and makes them run away in terror. It is the same scene as during the Armenian Genocide in 1915, but the roles have changed. The world confounded by the mysterious phenomenon explains it all as a result of some new-sprung disease, which they call the Turkish flu. Meanwhile, black holes appear in the biosphere. And energies of cosmic absolute evil and hostility penetrate into the Earth through those holes. The crowd of pilgrims, in which all the characters have been involved for different and even contradictory reasons, head for the top of Mount Ararat and discover Noah’s Ark where a ritual action should be performed to save the Armenians from committing genocide and the Turks being subjected to genocide, and to save the entire humanity. Repentance and forgiveness in one embodiment. The novel is narrated in an unusual form. The author does not describe but gives a brief summary of the corresponding chapter. Thanks to it the novel time thickens and speeds up, turns into future, passes ahead of the real time, guiding the development of which is one of the main tasks of the novel.
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Hakob Soghomonyan
THE CIRCUMCISED
A book for two
Trilogy
The third book
FESTIVAL EVE
The Circumcised reveal themselves. They deliver a stroke and its wave spreads from the top of the Ararat, down its slopes and starts a massacre of the Turks and makes them run away in terror.
It is the same scene as during the Armenian Genocide in 1915, but the roles have changed.
The world confounded by the mysterious phenomenon explains it all as a result of some new-sprung disease, which they call the Turkish flu. Meanwhile, black holes appear in the biosphere. And energies of cosmic absolute evil and hostility penetrate into the Earth through those holes.
The crowd of pilgrims, in which all the characters have been involved for different and even contradictory reasons, head for the top of Mount Ararat and discover Noah’s Ark where a ritual action should be performed to save the Armenians from committing genocide and the Turks being subjected to genocide, and to save the entire humanity.
Repentance and forgiveness in one embodiment.
The novel is narrated in an unusual form. The author does not describe but gives a brief summary of the corresponding chapter.
Thanks to it the novel time thickens and speeds up, turns into future, passes ahead of the real time, guiding the development of which is one of the main tasks of the novel.
Why the wet is not dry
More than thousand years before becoming famous, Khidr was traveling around the world and looking for those whom he was called upon to teach.
When he found a worthy pupil, he taught him the knowledge of the truth and other useful arts. But the more new knowledge he imparted, the more it was distorted and used inappropriately. People were interested only in the application of skills and rules but not in their true meaning. And consequently, knowledge would not actually make any progress.
Once, Khidr decided to practise a totally different method of teaching.
He reversed many things and phenomena, presented them as completely opposite images. Say, he changed something wet by nature into dry, and turned into wet what was actually dry and etc.
Transforming numerous things, Khidr will by all means come back later in future to show us what is what in reality.
But until he does it, few can achieve the true knowledge and benefit from what he has given. The knowledge and its benefits are unattainable for them who usually claim that they already know when actually they don’t.
A Prologue to the Epilogue
I think everything is already clear. There are only a few things that still need to be clarified, which interest the readers perhaps as much as they interest the author. True, I can even enumerate and say by what logic and in what sequence they get an answer and find a solution, but I think it unnecessary either. It is all very well known to each of us, we only need to be sincere and bold enough to confess it to ourselves.
I am not going to narrate the third book of the trilogy in a classic way, that is to tell or describe each chapter by bringing the initial idea to a conclusion through events, actions, development of characters, logic and etc., but by giving a brief summary of events, almost what some authors did in the past by summing up the content in subheadings under each heading. There are, of course, exceptions for which I apologize. But they are not exceptions that are stronger than any regularity and actually predetermine the course of life and history. They are just some ideas, situations and characters that are too dear to my heart, and give me special pain or delight, and so I would like to have something like a monologue-talk with them.
This approach may lead to time and structure inconsistency of the chapters, inconsecutive course of plot, situation and action development, leave an impression of a break from the first two books, loss of fictionality, even prevalence of journalistic style, shades of idle statements and so on and so forth. But it all no longer matters.
