The Collected Works of Friedrich Schiller E-Book

Friedrich Schiller

• Herausgeber: PergamonMedia
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2015

Beschreibung

This comprehensive eBook presents the complete works or all the significant works - the Œuvre - of this famous and brilliant writer in one ebook - 8466 pages easy-to-read and easy-to-navigate: • Aesthetical Essays of Friedrich Schiller • Mary Stuart: A Tragedy • The Robbers • Wilhelm Tell • Don Carlos: A Play • Love and Intrigue: A Tragedy • The Poems of Schiller — Third period • The Thirty Years War — Complete • Wilhelm Tell • The Maid of Orleans: A Tragedy • The Works of Frederick Schiller • The Death of Wallenstein • Philosophical Letters of • The Ghost-Seer; or the Apparitionist; and Sport of Destiny • History of the Revolt of the Netherlands — Complete • The Bride of Messina, and On the Use of the Chorus in Tragedy • Turandot: The Chinese Sphinx • The Piccolomini: A Play • Wallenstein's Camp: A Play • Biographical EssaysThomas De Quincey • The History of the Thirty Years' War • Fiesco; or, the Genoese Conspiracy: A Tragedy • The Poems of Schiller — First period • The Poems of Schiller — Second period • The Poems of Schiller — Suppressed poems • Adolphe: Anecdote trouvée dans les papiers d'un inconnu (Französisch)Benjamin Constant • The Illustrated Works Of • Demetrius: A Play • The Thirty Years War • The Life and Works of Calvin Thomas • Wallenstein • Thirty Years War: Book I. Book II. Book III. Book IV. Book V. Revolt of Netherlands: Book I. Book II. Book III. Book IV. • The Robbers Fiesco Love and Intrigue • The Camp of Wallenstein Piccolomini • The Death of Wallenstein Whilhelm Tell • Don Carlos Demetrius Mary Stuart • The Maid of Orleans The Bride of Messina • PHILOSOPHY: Aesthetical Essays Philosophical Letters • NOVEL:The Ghost Seer or, The Apparitionist and The Sport of Destiny • etc.

Leseprobe

Table of Contents

THE MAID OF ORLEANS.

PROLOGUE.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

ACT I.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

ACT II.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

ACT III.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

ACT IV.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

ACT V.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE IV.

SCENE XIV.

HISTORY OF THE THIRTY YEARS' WAR IN GERMANY.

Book I.

Book II.

Book III.

Book IV.

Book V.

HISTORY OF THE THIRTY YEARS' WAR IN GERMANY.

BOOK I.

Book II.

Book III.

Book IV.

Book V.

THE HISTORY

OF THE

REVOLT OF THE NETHERLANDS.

CONTENTS.

AUTHOR'S PREFACE

INTRODUCTION

BOOK I.——Earlier History of The Netherlands up to the Sixteenth Century

BOOK II.—-Cardinal Granvella

BOOK III.—Conspiracy of the Nobles

BOOK IV.—-The Iconoclasts Trial and Execution of Counts Egmont and Horn Siege of Antwerp by the Prince of Parma, in the Years 1584 and 1585

THE AUTHOR'S PREFACE.

INTRODUCTION.

BOOK I.

EARLIER HISTORY OF THE NETHERLANDS UP TO THE SIXTEENTH CENTURY.

PHILIP II., RULER OF THE NETHERLANDS.

THE TRIBUNAL OF THE INQUISITION

OTHER ENCROACHMENTS ON THE CONSTITUTION OF THE NETHERLANDS.

WILLIAM OF ORANGE AND COUNT EGMONT.

MARGARET OF PARMA REGENT OF THE NETHERLANDS.

BOOK II.

CARDINAL GRANVELLA.

COUNT EGMONT IN SPAIN.

SEVERER RELIGIOUS EDICTS—UNIVERSAL OPPOSITION OF THE NATION.

BOOK III.

CONSPIRACY OF THE NOBLES

THE GUEUX.

PUBLIC PREACHING.

BOOK IV.

THE ICONOCLASTS.

CIVIL WAR

RESIGNATION OF WILLIAM OF ORANGE.

DECAY AND DISPERSION OF THE GEUSEN LEAGUE.

ALVA'S ARMAMENT AND EXPEDITION TO THE NETHERLANDS.

ALVA'S FIRST MEASURES, AND DEPARTURE OF THE DUCHESS OF PARMA.

TRIAL AND EXECUTION OF COUNTS EGMONT AND HORN.

"LAMORAL COUNT EGMONT.

SIEGE OF ANTWERP BY THE PRINCE OF PARMA, IN THE YEARS 1584 AND 1585.

THE GHOST-SEER; OR, APPARITIONIST.

AND

SPORT OF DESTINY

FROM THE PAPERS OF COUNT O———-

BOOK II.

LETTER I.

BARON VON F——- TO COUNT VON O————-.

LETTER II.

LETTER III.

LETTER IV.

LETTER V.

BARON VON F——— TO COUNT VON O———.

LETTER VI.

LETTER VII.

LETTER VIII.

LETTER IX.

LETTER X.

COUNT O———- IN CONTINUATION.

TO THE PRINCE OF ————, FROM HIS SISTER.

THE SPORT OF DESTINY

THE ROBBERS.

SCHILLER'S PREFACE.

AS PREFIXED TO THE FIRST EDITION OF THE ROBBERS

PUBLISHED IN 1781.

ADVERTISEMENT TO THE ROBBERS.

AS COMMUNICATED BY SCHILLER TO DALBERG IN 1781, AND SUPPOSED TO HAVE BEEN USED AS A PROLOGUE.

PREFACE TO THE SECOND EDITION.

DR. SCHILLER.

THE ROBBERS.

A TRAGEDY.

DRAMATIS PERSONAE.

MAXIMILIAN, COUNT VON MOOR.

THE ROBBERS

ACT I.

SCENE I.—Franconia.

FRANCIS, OLD MOOR.

SCENE II.—A Tavern on the Frontier of Saxony.

"FRANCIS VON MOOR"

SCENE III.—MOOR'S Castle.—AMELIA'S Chamber.

FRANCIS, AMELIA.

ACT II.

SCENE I.—FRANCIS VON MOOR in his chamber—in meditation.

SCENE II.—Old Moor's Bedchamber.

ANDROMACHE.

HECTOR.

ANDROMACHE.

HECTOR.

SCENE III.—THE BOHEMIAN WOODS.

ACT III.

SCENE I.—AMELIA in the garden, playing the guitar.

SCENE VIII.

SCENE IX.

SCENE II.—Country near the Danube.

ACT IV.

SCENE I.—Rural scenery in the neighborhood of CHARLES VON MOOR'S castle.

SCENE II.*—Gallery in the Castle.

SCENE III.—Another Room in the Castle.

Scene IV.—In the Garden.

SCENE V.—A neighboring forest. Night. An old ruined castle in the centre of the scene.

ACT V.

SCENE I. A vista of rooms. Dark night.

SCENE II.—The scene the same as the last scene of the preceding Act.

SCENE VIII.

SCENE IX.

FIESCO, OR THE GENOESE CONSPIRACY.

A TRAGEDY.

AUTHOR'S PREFACE.

FIESCO; OR, THE GENOESE CONSPIRACY.

A TRAGEDY.

DRAMATIS PERSONAE.

THREE SEDITIOUS CITIZENS.

ACT I.

SCENE I.—A Saloon in FIESCO'S House. The distant sound of dancing and music is heard.

SCENE IL

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.—An apartment in the house of VERRINA.

SCENE XI.

SCENE XII.

SCENE XIII.

ACT II.

SCENE I.—An Ante-chamber in the Palace of FIESCO.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.—The Palace of ANDREAS.

SCENE XIII.

SCENE XIV.

SCENE XV.-An Ante-chamber in FIESCO'S Palace.

SCENE XVI.

SCENE XVII.

SCENE XVIII.