The Great God Pan - Arthur Machen - E-Book

The Great God Pan E-Book

ARTHUR MACHEN

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Beschreibung

An experiment into the sources of the human brain through the mind of a young woman has gone horribly wrong. She has seen The Great God Pan and will die giving birth to a daughter.Twenty years later, fêted society hostess Helen Vaughan becomes the source of much fevered speculation. Many men are infactuated with her beauty, but great beauty has a price, and sometimes you have to pay with the only thing you have left...The Great God Pan was a sensation when published in 1894. Its author, Arthur Machen, was a struggling unknown writer living in London. He had translated Casanova's memoirs and was living on a small inheritance. He immediately became one of the most talked-about writers of the last years of the nineteenth century, while the publications marked the start of his ongoing influence on modern fantasy and horror.

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Contents

Title PageAbout Arthur MachenTHE GREAT GOD PANI. The ExperimentII. Mr Clarke’s MemoirsIII. The City of ResurrectionsIV. The Discovery in Paul StreetV. The Letter of AdviceVI. The SuicidesVII. The Encounter in SohoVIII. The FragmentsNotes on the textAcknowledgementsThe Friends of Arthur MachenCopyright

THE GREAT GOD PAN

Arthur Machen

Arthur Machen wasborn in 1863 in Caerleon, Gwent. His father, vicar of the small parish of Llanddewi Fach, was unable to fund Machen’s full education and withdrew his son from Hereford Cathedral School, effectively ending his chances of university and ordination. Instead, Machen moved to London with hopes of a literary career, sparked by his private publication of 100 copies of the long poem ‘Eleusinia’. He took up a variety of writing commissions including translatingThe Memoirs of Jacques Casanova, as well as cataloguing an enormous body of works on the occult. His first authored book,The Anatomy of Tobacco, was published in 1884, but it was in the 1890s that Machen achieved literary success and a reputation as a leading author of gothic texts. In this decade he publishedThe Great God Pan,‘The Shining Pyramid’ andThe Three Impostors, but also wrote several of his most famous works, includingThe Hill of Dreams, ‘The White People’ and ‘The Secret Glory’. Machen gained widespread notoriety in 1914 with the publication of his story ‘The Bowmen’, describing the spectral appearance of the bowmen of Agincourt in the trenches of the First World War.

Machen’s work bears the imprint of the Welsh border country of his upbringing, and his native Caerleon, with its links to both Roman history and the myth of King Arthur’s Round Table; the occult and gothic works of thefin de siècle; his self-avowed ‘Celtic’ identity; and literary London. He published three volumes of autobiography:Far Off Things(1922),Things Near and Far(1923) andThe London Adventure(1924). Arthur Machen died in 1947 aged 84; and maintains a loyal and international following to this day.

THEGREAT GOD PAN

I

The Experiment

‘I am glad you came, Clarke; very glad indeed. I was not sure you could spare the time.’

‘I was able to make arrangements for a few days; things are not very lively just now. But have you no misgivings, Raymond? Is it absolutely safe?’

The two men were slowly pacing the terrace in front of Dr Raymond’s house. The sun still hung above the western mountain line, but it shone with a dull red glow that cast no shadows, and all the air was quiet; a sweet breath came from the great wood on the hillside above, and with it, at intervals, the soft murmuring call of the wild doves. Below, in the long lovely valley, the river wound in and out between the lonely hills, and, as the sun hovered and vanished into the west, a faint mist, pure white, began to rise from the banks1. Dr Raymond turned sharply to his friend.

‘Safe? Of course it is. In itself the operation is a perfectly simple one; any surgeon could do it.’

‘And there is no danger at any other stage?’

‘None; absolutely no physical danger whatever, I give you my word. You were always timid, Clarke, always; but you know my history. I have devoted myself to transcendental medicine for the last twenty years. I have heard myself called quack and charlatan and impostor, but all the while I knew I was on the right path. Five years ago I reached the goal, and since then every day has been a preparation for what we shall do tonight.’

‘I should like to believe it is all true.’ Clarke knit his brows, and looked doubtfully at Dr Raymond. ‘Are you perfectly sure, Raymond, that your theory is not a phantasmagoria – a splendid vision, certainly, but a mere vision after all?’

Dr Raymond stopped in his walk and turned sharply. He was a middle-aged man, gaunt and thin, of a pale yellow complexion, but as he answered Clarke and faced him, there was a flush on his cheek.

‘Look about you, Clarke. You see the mountain, and hill following after hill, as wave on wave, you see the woods and orchards, the fields of ripe corn, and the meadows reaching to the reed beds by the river. You see me standing here beside you, and hear my voice; but I tell you that all these things – yes, from that star that has just shone out in the sky to the solid ground beneath our feet – I say that all these are but dreams and shadows; the shadows that hide the real world from our eyes. Thereisa real world, but it is beyond this glamour and this vision, beyond these ‘chases in Arras, dreams in a career’2, beyond them all as beyond a veil. I do not know whether any human being has ever lifted that veil; but I do know, Clarke, that you and I shall see it lifted this very night from before another’s eyes. You may think all this strange nonsense; it may be strange, but it is true, and the ancients knew what lifting the veil means. They called it seeing the god Pan3.’

Clarke shivered; the white mist gathering over the river was chilly.

‘It is wonderful indeed,’ he said. ‘We are standing on the brink of a strange world, Raymond, if what you say is true. I suppose the knife is absolutely necessary?’

‘Yes; a slight lesion in the grey matter, that is all; a trifling rearrangement of certain cells, a microscopical alteration that would escape the attention of ninety-nine brain specialists out of a hundred. I don’t want to bother you with ‘shop’, Clarke; I might give you a mass of technical detail which would sound very imposing, and would leave you as enlightened as you are now. But I suppose you have read, casually, in out-of-the-way corners of your paper, that immense strides have been made recently in the physiology of the brain. I saw a paragraph the other day about Digby’s theory, and Browne Faber’s discoveries. Theories and discoveries! Where they are standing now, I stood fifteen years ago, and I need not tell you that I have not been standing still for the last fifteen years. It will be enough if I say that five years ago I made the discovery to which I alluded when I said that then I reached the goal. After years of labour, after years of toiling and groping in the dark, after days and nights of disappointment and sometimes of despair, in which I used now and then to tremble and grow cold with the thought that perhaps there were others seeking for what I sought, at last, after so long, a pang of sudden joy thrilled my soul, and I knew the long journey was at an end. By what seemed then and still seems a chance, the suggestion of a moment’s idle thought followed up upon familiar lines and paths that I had tracked a hundred times already, the great truth burst upon me, and I saw, mapped out in lines of sight, a whole world, a sphere unknown; continents and islands, and great oceans in which no ship has sailed (to my belief) since a Man first lifted up his eyes and beheld the sun, and the stars of heaven, and the quiet earth beneath. You will think all this highflown language, Clarke, but it is hard to be literal. And yet; I do not know whether what I am hinting at cannot be set forth in plain and homely terms. For instance, this world of ours is pretty well girded now4with the telegraph wires and cables; thought, with something less than the speed of thought, flashes from sunrise to sunset, from north to south, across the floods and the desert places. Suppose that an electrician of today were suddenly to perceive that he and his friends have merely been playing with pebbles and mistaking them for the foundations of the world; suppose that such a man saw uttermost space lie open before the current, the words of men flash forth to the sun and beyond the sun into the systems beyond, and the voices of articulate-speaking men echo in the waste void that bounds our thought. As analogies go, that is a pretty good analogy of what I have done; you can understand now a little of what I felt as I stood here one evening; it was a summer evening, and the valley looked much as it does now; I stood here, and saw before me the unutterable, the unthinkable gulf that yawns profound between two worlds, the world of matter and the world of spirit; I saw the great empty deep stretch dim before me, and in that instant a bridge of light leapt from the earth to the unknown shore, and the abyss was spanned. You may look in Browne Faber’s book, if you like, and you will find that to the present day men of science are unable to account for the presence, or to specify the functions, of a certain group of nerve cells in the brain. That group is, as it were, land to let, a mere waste place for fanciful theories. I am not in the position of Browne Faber and the specialists, I am perfectly instructed as to the possible functions of those nerve-centres in the scheme of things. With a touch I can bring them into play, with a touch, I say, I can set free the current, with a touch I can complete the communication between this world of sense and – we shall be able to finish the sentence later on. Yes, the knife is necessary; but think what that knife will effect. It will level utterly the solid wall of sense, and probably, for the first time since man was made, a spirit will gaze on a spirit world. Clarke, Mary will see the god Pan!’

‘But you remember what you wrote to me? I thought it would be requisite that she…’

He whispered the rest into the doctor’s ear.

‘Not at all, not at all. That is nonsense. I assure you.