I. THE TALISMAN
II. A WOMAN WITHOUT A HEART
III. THE AGONY
I. THE TALISMAN
Towards
the end of the month of October 1829 a young man entered the
Palais-Royal just as the gaming-houses opened, agreeably to the law
which protects a passion by its very nature easily excisable. He
mounted the staircase of one of the gambling hells distinguished by
the number 36, without too much deliberation.
“Your
hat, sir, if you please?” a thin, querulous voice called out. A
little old man, crouching in the darkness behind a railing, suddenly
rose and exhibited his features, carved after a mean design.As
you enter a gaming-house the law despoils you of your hat at the
outset. Is it by way of a parable, a divine revelation? Or by
exacting some pledge or other, is not an infernal compact implied? Is
it done to compel you to preserve a respectful demeanor towards those
who are about to gain money of you? Or must the detective, who squats
in our social sewers, know the name of your hatter, or your own, if
you happen to have written it on the lining inside? Or, after all, is
the measurement of your skull required for the compilation of
statistics as to the cerebral capacity of gamblers? The executive is
absolutely silent on this point. But be sure of this, that though you
have scarcely taken a step towards the tables, your hat no more
belongs to you now than you belong to yourself. Play possesses you,
your fortune, your cap, your cane, your cloak.As
you go out, it will be made clear to you, by a savage irony, that
Play has yet spared you something, since your property is returned.
For all that, if you bring a new hat with you, you will have to pay
for the knowledge that a special costume is needed for a gambler.The
evident astonishment with which the young man took a numbered tally
in exchange for his hat, which was fortunately somewhat rubbed at the
brim, showed clearly enough that his mind was yet untainted; and the
little old man, who had wallowed from his youth up in the furious
pleasures of a gambler’s life, cast a dull, indifferent glance over
him, in which a philosopher might have seen wretchedness lying in the
hospital, the vagrant lives of ruined folk, inquests on numberless
suicides, life-long penal servitude and transportations to
Guazacoalco.His
pallid, lengthy visage appeared like a haggard embodiment of the
passion reduced to its simplest terms. There were traces of past
anguish in its wrinkles. He supported life on the glutinous soups at
Darcet’s, and gambled away his meagre earnings day by day. Like
some old hackney which takes no heed of the strokes of the whip,
nothing could move him now. The stifled groans of ruined players, as
they passed out, their mute imprecations, their stupefied faces,
found him impassive. He was the spirit of Play incarnate. If the
young man had noticed this sorry Cerberus, perhaps he would have
said, “There is only a pack of cards in that heart of his.”The
stranger did not heed this warning writ in flesh and blood, put here,
no doubt, by Providence, who has set loathing on the threshold of all
evil haunts. He walked boldly into the saloon, where the rattle of
coin brought his senses under the dazzling spell of an agony of
greed. Most likely he had been drawn thither by that most convincing
of Jean Jacques’ eloquent periods, which expresses, I think, this
melancholy thought, “Yes, I can imagine that a man may take to
gambling when he sees only his last shilling between him and death.”There
is an illusion about a gambling saloon at night as vulgar as that of
a bloodthirsty drama, and just as effective. The rooms are filled
with players and onlookers, with poverty-stricken age, which drags
itself thither in search of stimulation, with excited faces, and
revels that began in wine, to end shortly in the Seine. The passion
is there in full measure, but the great number of the actors prevents
you from seeing the gambling-demon face to face. The evening is a
harmony or chorus in which all take part, to which each instrument in
the orchestra contributes his share. You would see there plenty of
respectable people who have come in search of diversion, for which
they pay as they pay for the pleasures of the theatre, or of
gluttony, or they come hither as to some garret where they cheapen
poignant regrets for three months to come.
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