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Winner of the Anglo-Hellenic League Runciman Award 2025 'It began with the sun appearing over the plane wing supernatural orange but no light' The Strongbox opens with the abduction of a woman to a foreign land and ends with the Rape of Europa. Drawing in elements of Greek mythology, epic literature and recent history, this protean work gives shape to a cast of characters both ancient and modern, as they flit in and out of tales, their voices overlapping and interacting. An unnamed girl is persuaded to leave behind her country and her childhood and travel to a warzone. Helen of Sparta, already trapped behind the walls of Ilium, is plagued by dreams about the coming conflict. Gods continue their manipulations, while mortals persist in defying the will of their gods. Through a series of interconnected scenes and dialogues this singular work traces the role of myth in shaping our accounts of both history and contemporary events.
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Veröffentlichungsjahr: 2024
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sasha dugdale
CARCANET
IcanonlycounttheliceIhavepopped with a candle,said Homer.
Therestarestuckintheseams.
Morning light, crazed like a delft tile.
Three blue figures bent over a frame
coffee on the stove
and repairing
snip
repairing
snip
Heavy shears clatter on the table.
Evenings on the sofa
three old women
in the shapeshifting beam of the telly
poking strands of cloth through a net
to make familiar the stone cold hearth,
rags made from dresses and towels
from sheets and aprons
rags stripped and ripped
from shoulders and hips
far too soon
electric bars
and a relief of heaped plastic coals
through which flames rise
always in the same measure
kindled and consuming
then waning2
so other fires can spring up
always in the same measure
This is where the small children lay
absorbed by the light’s trick
watching the shadows play
the ticking of the electric.
Upstairs landscape of the bedroom,
secret landscape for one:
tiny with a pine shelf of fluffy toys
posters, nail gels, glitter pens
a perspex presentation box for the pink halves
of her birth egg.
Outside the Taygetus, like a dark arcade of shops
old and silent at night
when, after duties, after religious classes
the midnight chats
back and forth
once her friends
but now just him.
It began with the sun
appearing over the plane wing
supernatural orange
but no light
A night of bitter memories
sitting bolt upright
phrase book on her lap
travelling east 3
fire, yes, the opposite of sea
but sea is light, too
cracking open a bright ravine
through the waves
for the rising sun
to pass through
It began on the least good road
late at night, a silent soldier
sent to bring her here
his leather pouch on the passenger seat
his bow slung over his shoulder
The road signs deteriorate
ever smaller
bent and battered
busted
bullet-holed
The roads incline.
They stopped at roadside inns twice,
and twice she waited in the cold and silence
the music abated
the mountain stars above
She’s told not to open the door
so she huddles, draws her furred hood tighter
the chill of leatherette under her thighs
smell of petrol from jerrycans
she need only light a match
and the whole lot whump4
just the blackened skeleton of the pickup
men scattering from the inn door
Not too late to run
but where to?
hadn’t the fates conspired
to weave her bridal shroud
watching her
with their one eye hanging
from the rear-view.
Too late too late
too much has passed
Love came and ripped out her heart
replaced it with a burning coal
folding air tickets into a travel pouch
and promises of gifts
swatches of wedding silk
a garnet brooch
to bleed out in her spongebag
and here she is dabbing wax on her lips
on the cold slippery back seat
in a high altitude layby.
all requites fire and fire requites all
so coins are needed to purchase fine cloth
and cloth given in return for gold
but a woman entwisted in fine cloth
may herself be purchased, or stolen5
We are so close to the ground in childhood
we weave the tiny sappy strings of daisies
gather the broken china of an egg
The worm convulses gently on my palm
lying under the lavender
So bees shake pollen on your cheek
and apples, apples, as many as we can eat
rolling on the lawn
but when I reached out a hand
he saw me
and all was lost.
A huddled pair at the station
at the brazier with their cardboard cases
old woman and a bundled child
(the stranger from the south who promised them a bed)
and no one ever saw them again
The woman’s shoes kick at the bottom of a canal
the buckles reflecting moonlight
through oily shadows.
That could have been you! dark child
blond child in a felt blanket
resting in a manger
make haste innocents
trust no one
your train pulling in on a ghostly platform
last train of the last night
run!6
Or the lure,
a piece of red meat
a chop on a hook
lowered over a wall,
or the snatch
flagrant
from the back of a car
at a shopping mall.
The search party, the single sighting,
the handmade posters. ‘We love her
we know she’s out there
we just want her back.’
Or yelling yelling
in the dark woods at dusk
listening for sounds so intently
(the scrabble on leaves
a sudden patter,
accumulated rain sliding from a branch
to the ground)
that the thud of your own heart
startles you into flight.
She passes long hours rehearsing her bridal vow
with a pillow under her
in place of a man who was just
wow!
all muscles all supple-skinned
heaven-sent
angel-face 7
who threw her an apple
who made her promise—
But does it matter what she promised
or what she turned her back on
to be in his warrior embrace?
Yes, I too have studied the science of parting
there was a press conference, I sat veiled
was asked whether I had given up my rights
that night when with hair loosed
I bent down to examine the wax—
or when I opened my door
and tiptoed by the wan glow of the nightlight
left over from when small children
strayed on the landing
and their mother scooped them up to soothe them—
I slid across the bolt that barred the door
holding to my chest a sports bag
and there outside an unlit car in meagre light
heralded the new.
Did she say goodbye, did she wave
did she genuflect, text—
did she blow a kiss
as she slunk down the stairs
or think of her brothers
still asleep in their bunk
baby fists
resting on superhero sheets 8
did she offer prayers of thanks
did she pass between childhood
and marriage
like a hostage
thrown from one phalanx
onto the sand
in front of the other—
this fire that finds its natural measure
like a lock gate through which
tiny spurts and streams fall
on the rising black water
soon it will be level
on either side
and the heavy gate
swings unhindered
fire not the opposite of water
but its reflection
burns in the great year
and on in the next
so the door between years
swings unhindered
I
