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First published in 1928, The Tower was Yeats's first collection published after receiving the Nobel Prize in 1923, and it is perhaps the major work that most cemented his reputation as one of the foremost literary figures of the twentieth century. The titular poem, 'The Tower', refers to Thoor Ballylee Castle, a Norman tower that Yeats purchased in 1917, and which formed the basis of the original cover design – evoked in the cover of this edition. The collection also includes some of his most inventive and profound work, and develops deep themes regarding life, love and myth. With explanatory notes, this edition seeks to bring the collection to a greater readership and to offer a more profound understanding of the great poet's work.
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Veröffentlichungsjahr: 2023
The Tower(1928)
w.b. yeats
renard press
Renard Press Ltd
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London EC1V 2NX
United Kingdom
020 8050 2928
www.renardpress.com
The Tower first published in 1928This edition first published by Renard Press Ltd in 2023
Edited text and Notes © Renard Press Ltd, 2023
Cover design by Will Dady after Thomas Sturge Moore
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contents
The Tower
Sailing To Byzantium
The Tower
Meditations in Time of Civil War
Nineteen Hundred and Nineteen
The Wheel
Youth and Age
The New Faces
A Prayer for My Son
Two Songs from a Play
Wisdom
Leda and the Swan
On a Picture of a Black Centaur by Edmund Dulac
Among School Children
Colonus’ Praise
The Hero, the Girl and the Fool
Owen Aherne and His Dancers
A Man Young and Old
The Three Monuments
From Oedipus at Colonus
The Gift of Harun Al-Rashid
All Souls’ Night
Notes75
the tower
sailing to byzantium
i
That is no country for old men. The young
In one another’s arms, birds in the trees –Those dying generations − at their song,The salmon-falls, the mackerel-crowded seas,
Fish, flesh or fowl, commend all summer long
Whatever is begotten, born and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
ii
An aged man is but a paltry thing,A tattered coat upon a stick, unlessSoul clap its hands and sing, and louder sing
For every tatter in its mortal dress,Nor is there singing school but studying
Monuments of its own magnificence;And therefore I have sailed the seas and come
To the holy city of Byzantium.
iii
Oh, sages standing in God’s holy fireAs in the gold mosaic of a wall,Come from the holy fire, perne in a gyre,*
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
iv
Once out of nature I shall never takeMy bodily form from any natural thing,But such a form as Grecian goldsmiths make
Of hammered gold and gold enamellingTo keep a drowsy emperor awake;Or set upon a golden bough to singTo lords and ladies of ByzantiumOf what is past, or passing, or to come.*
the tower*
i
What shall I do with this absurdity −Oh, heart, oh, troubled heart − this caricature,
Decrepit age that has been tied to meAs to a dog’s tail?
Never had I more
Excited, passionate, fantasticalImagination, nor an ear and eyeThat more expected the impossible −No, not in boyhood when with rod and fly,Or the humbler worm, I climbed Ben Bulben’s back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus* for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided byA sort of battered kettle at the heel.
ii
I pace upon the battlements and stareOn the foundations of a house, or whereTree, like a sooty finger, starts from the earth;
And send imagination forthUnder the day’s declining beam, and call
Images and memoriesFrom ruin or from ancient trees,For I would ask a question of them all.
Beyond that ridge lived Mrs French, and once