Two classic novels Cancer will love E-Book

Emily Bronte

• Herausgeber: Tacet Books
• Kategorie: Ratgeber
• Serie: Two classic novels for your zodiac sign
• Sprache: Englisch
• Veröffentlichungsjahr: 2020

Seitenzahl: 1004

Beschreibung

Astrology can provide us with important insights for many moments in our lives. When it comes to choosing a good book, it wouldn't be any different! In this series we choose novels to entertain and stir the imagination of each zodiac sign. In this book you will find two classic novels specially selected for the emotional and charming Cancer. For a more complete experience, be sure to also read the anthologies of your rising sign and moon sign! This book contains: - Wuthering Heights - The Secret Garden

Leseprobe

Table of Contents

Title Page

Introduction

Authors

Wuthering Heights

The Secret Garden

About the Publisher

Introduction

Wuthering Heights, Emily Brontë's only novel, was published in 1847 under the pseudonym "Ellis Bell". Wuthering Heights contains elements of gothic fiction, and the moorland setting is a significant aspect of the drama. Although Wuthering Heights is now a classic of English literature, contemporaneous reviews were deeply polarised; it was controversial because of its unusually stark depiction of mental and physical cruelty, and it challenged strict Victorian ideals regarding religious hypocrisy, morality, social classes and gender inequality. The novel is also about envy, nostalgia, pessimism and resentment.

The Secret Garden, novel for children written by American author Frances Hodgson Burnett and published in book form in 1911 (having previously been serialized in The American Magazine). The pastoral story of self-healing became a classic of children’s literature and is considered to be among Burnett’s best work. This tale of transformation is an exaltation of nature and its effects on the human spirit.

Authors

Emily Jane Brontë was an English novelist and poet who is best known for her only novel, Wuthering Heights, now considered a classic of English literature. Emily was the third-eldest of the four surviving Brontë siblings, between the youngest Anne and her brother Branwell. She published under the pen name Ellis Bell.

Frances Eliza Hodgson Burnett was a British-born American novelist and playwright. She is best known for the three children's novels Little Lord Fauntleroy, A Little Princess, and The Secret Garden. Frances Eliza Hodgson was born in Cheetham, Manchester, England. After her father died in 1852, the family fell on straitened circumstances and in 1865 emigrated to the United States, settling in New Market, Tennessee. There, Frances began writing to help earn money for the family, publishing stories in magazines from the age of 19. In 1870, her mother died, and in 1872 she married Swan Burnett, who became a medical doctor. The Burnetts lived for two years in Paris, where their two sons were born, before returning to the United States to live in Washington, D.C. Burnett then began to write novels, the first of which (That Lass o' Lowrie's), was published to good reviews. Little Lord Fauntleroy was published in 1886 and made her a popular writer of children's fiction, although her romantic adult novels written in the 1890s were also popular.

Wuthering Heights

by Emily Brontë.

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Biographical Notice of Ellis and Acton Bell

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IT HAS BEEN thought that all the works published under the names of Currer, Ellis, and Acton Bell, were, in reality, the production of one person. This mistake I endeavoured to rectify by a few words of disclaimer prefixed to the third edition of “Jane Eyre.” These, too, it appears, failed to gain general credence, and now, on the occasion of a reprint of “Wuthering Heights” I am advised distinctly to state how the case really stands.

Indeed, I feel myself that it is time the obscurity attending those two names—Ellis and Acton—was done away. The little mystery, which formerly yielded some harmless pleasure, has lost its interest; circumstances are changed. It becomes, then, my duty to explain briefly the origin and authorship of the books written by Currer, Ellis, and Acton Bell.

About five years ago, my two sisters and myself, after a somewhat prolonged period of separation, found ourselves reunited, and at home. Resident in a remote district, where education had made little progress, and where, consequently, there was no inducement to seek social intercourse beyond our own domestic circle, we were wholly dependent on ourselves and each other, on books and study, for the enjoyments and occupations of life. The highest stimulus, as well as the liveliest pleasure we had known from childhood upwards, lay in attempts at literary composition; formerly we used to show each other what we wrote, but of late years this habit of communication and consultation had been discontinued; hence it ensued, that we were mutually ignorant of the progress we might respectively have made.

One day, in the autumn of 1845, I accidentally lighted on a Ms. volume of verse in my sister Emily’s handwriting. Of course, I was not surprised, knowing that she could and did write verse: I looked it over, and something more than surprise seized me—a deep conviction that these were not common effusions, nor at all like the poetry women generally write. I thought them condensed and terse, vigorous and genuine. To my ear, they had also a peculiar music—wild, melancholy, and elevating.

My sister Emily was not a person of demonstrative character, nor one on the recesses of whose mind and feelings, even those nearest and dearest to her could, with impunity, intrude unlicensed; it took hours to reconcile her to the discovery I had made, and days to persuade her that such poems merited publication. I knew, however, that a mind like hers could not be without some latent spark of honourable ambition, and refused to be discouraged in my attempts to fan that spark to flame.

Meantime, my younger sister quietly produced some of her own compositions, intimating that, since Emily’s had given me pleasure, I might like to look at hers. I could not but be a partial judge, yet I thought that these verses, too, had a sweet and sincere pathos of their own.

We had very early cherished the dream of one day becoming authors. This dream, never relinquished even when distance divided and absorbing tasks occupied us, now suddenly acquired strength and consistency: it took the character of a resolve. We agreed to arrange a small selection of our poems and, if possible, get them printed. Averse to personal publicity, we veiled our own names under those of Currer, Ellis, and Acton Bell; the ambiguous choice being dictated by a sort of conscientious scruple at assuming Christian names positively masculine, while we did not like to declare ourselves women, because—without at that time suspecting that our mode of writing and thinking was not what is called “feminine”— we had a vague impression that authoresses are liable to be looked on with prejudice; we had noticed how critics sometimes use for their chastisement the weapon of personality, and for their reward, a flattery which is not true praise.

The bringing out of our little book was hard work. As was to be expected, neither we nor our poems were at all wanted; but for this we had been prepared at the outset; though inexperienced ourselves, we had read the experience of others. The great puzzle lay in the difficulty of getting answers of any kind from the publishers to whom we applied. Being greatly harassed by this obstacle, I ventured to apply to the Messrs. Chambers, of Edinburgh, for a word of advice; they may have forgotten the circumstance, but I have not, for from them I received a brief and business-like, but civil and sensible reply, on which we acted, and at last made a way.

The book was printed: it is scarcely known, and all of it that merits to be known are the poems of Ellis Bell. The fixed conviction I held, and hold, of the worth of these poems has not indeed received the confirmation of much favourable criticism; but I must retain it notwithstanding.

Ill-success failed to crush us: the mere effort to succeed had given a wonderful zest to existence; it must be pursued. We each set to work on a prose tale: Ellis Bell produced “Wuthering Heights,” Acton Bell “Agnes Grey,” and Currer Bell also wrote a narrative in one volume. These Mss. were perseveringly obtruded upon various publishers for the space of a year and a half; usually, their fate was an ignominious and abrupt dismissal.

At last “Wuthering Heights” and “Agnes Grey” were accepted on terms somewhat impoverishing to the two authors; Currer Bell’s book found acceptance nowhere, nor any acknowledgment of merit, so that something like the chill of despair began to invade his heart. As a forlorn hope, he tried one publishing house more—Messrs. Smith, Elder and Co. Ere long, in a much shorter space than that on which experience had taught him to calculate—there came a letter, which he opened in the dreary expectation of finding two hard hopeless lines, intimating that Messrs. Smith, Elder and Co. “were not disposed to publish the Ms.,” and, instead, he took out of the envelope a letter of two pages. He read it trembling. It declined, indeed, to publish that tale, for business reasons, but it discussed its merits and demerits so courteously, so considerately, in a spirit so rational, with a discrimination so enlightened, that this very refusal cheered the author better than a vulgarly expressed acceptance would have done. It was added, that a work in three volumes would meet with careful attention.

I was just then completing “Jane Eyre,” at which I had been working while the one-volume tale was plodding its weary round in London: in three weeks I sent it off; friendly and skilful hands took it in. This was in the commencement of September 1847; it came out before the close of October following, while “Wuthering Heights” and “Agnes Grey,” my sisters’ works, which had already been in the press for months, still lingered under a different management.

They appeared at last. Critics failed to do them justice. The immature but very real powers revealed in “Wuthering Heights” were scarcely recognised; its import and nature were misunderstood; the identity of its author was misrepresented; it was said that this was an earlier and ruder attempt of the same pen which had produced “Jane Eyre.” Unjust and grievous error! We laughed at it at first, but I deeply lament it now. Hence, I fear, arose a prejudice against the book. That writer who could attempt to palm off an inferior and immature production under cover of one successful effort, must indeed be unduly eager after the secondary and sordid result of authorship, and pitiably indifferent to its true and honourable meed. If reviewers and the public truly believed this, no wonder that they looked darkly on the cheat.

Yet I must not be understood to make these things subject for reproach or complaint; I dare not do so; respect for my sister’s memory forbids me. By her any such querulous manifestation would have been regarded as an unworthy and offensive weakness.

It is my duty, as well as my pleasure, to acknowledge one exception to the general rule of criticism. One writer [See the Palladium for September, 1850.], endowed with the keen vision and fine sympathies of genius, has discerned the real nature of “Wuthering Heights,” and has, with equal accuracy, noted its beauties and touched on its faults. Too often do reviewers remind us of the mob of Astrologers, Chaldeans, and Soothsayers gathered before the “writing on the wall,” and unable to read the characters or make known the interpretation. We have a right to rejoice when a true seer comes at last, some man in whom is an excellent spirit, to whom have been given light, wisdom, and understanding; who can accurately read the “Mene, Mene, Tekel, Upharsin” of an original mind (however unripe, however inefficiently cultured and partially expanded that mind may be); and who can say with confidence, “This is the interpretation thereof.”

Yet even the writer to whom I allude shares the mistake about the authorship, and does me the injustice to suppose that there was equivoque in my former rejection of this honour (as an honour I regard it). May I assure him that I would scorn in this and in every other case to deal in equivoque; I believe language to have been given us to make our meaning clear, and not to wrap it in dishonest doubt.

“The Tenant of Wildfell Hall,” by Acton Bell, had likewise an unfavourable reception. At this I cannot wonder. The choice of subject was an entire mistake. Nothing less congruous with the writer’s nature could be conceived. The motives which dictated this choice were pure, but, I think, slightly morbid. She had, in the course of her life, been called on to contemplate, near at hand, and for a long time, the terrible effects of talents misused and faculties abused; hers was naturally a sensitive, reserved, and dejected nature; what she saw sank very deeply into her mind; it did her harm. She brooded over it till she believed it to be a duty to reproduce every detail (of course with fictitious characters, incidents, and situations), as a warning to others. She hated her work, but would pursue it. When reasoned with on the subject, she regarded such reasonings as a temptation to self-indulgence. She must be honest: she must not varnish, soften, or conceal. This well-meant resolution brought on her misconstruction, and some abuse, which she bore, as it was her custom to bear whatever was unpleasant, with mild, steady patience. She was a very sincere and practical Christian, but the tinge of religious melancholy communicated a sad shape to her brief, blameless life.

Neither Ellis nor Acton allowed herself for one moment to sink under want of encouragement; energy nerved the one, and endurance upheld the other. They were both prepared to try again; I would fain think that hope and the sense of power was yet strong within them. But a great change approached: affliction came in that shape which to anticipate is dread: to look back on, grief. In the very heat and burden of the day, the labourers failed over their work.

My sister Emily first declined. The details of her illness are deep-branded in my memory, but to dwell on them, either in thought or narrative, is not in my power. Never in all her life had she lingered over any task that lay before her, and she did not linger now. She sank rapidly. She made haste to leave us. Yet, while physically she perished, mentally she grew stronger than we had yet known her. Day by day, when I saw with what a front she met suffering, I looked on her with an anguish of wonder and love. I have seen nothing like it; but, indeed, I have never seen her parallel in anything. Stronger than a man, simpler than a child, her nature stood alone. The awful point was, that while full of ruth for others, on herself she had no pity; the spirit was inexorable to the flesh; from the trembling hand, the unnerved limbs, the faded eyes, the same service was exacted as they had rendered in health. To stand by and witness this, and not dare to remonstrate, was a pain no words can render.

Two cruel months of hope and fear passed painfully by, and the day came at last when the terrors and pains of death were to be undergone by this treasure, which had grown dearer and dearer to our hearts as it wasted before our eyes. Towards the decline of that day, we had nothing of Emily but her mortal remains as consumption left them. She died December 19, 1848.

We thought this enough: but we were utterly and presumptuously wrong. She was not buried ere Anne fell ill. She had not been committed to the grave a fortnight, before we received distinct intimation that it was necessary to prepare our minds to see the younger sister go after the elder. Accordingly, she followed in the same path with slower step, and with a patience that equalled the other’s fortitude. I have said that she was religious, and it was by leaning on those Christian doctrines in which she firmly believed that she found support through her most painful journey. I witnessed their efficacy in her latest hour and greatest trial, and must bear my testimony to the calm triumph with which they brought her through. She died May 28, 1849.

What more shall I say about them? I cannot and need not say much more. In externals, they were two unobtrusive women; a perfectly secluded life gave them retiring manners and habits. In Emily’s nature the extremes of vigour and simplicity seemed to meet. Under an unsophisticated culture, inartificial tastes, and an unpretending outside, lay a secret power and fire that might have informed the brain and kindled the veins of a hero; but she had no worldly wisdom; her powers were unadapted to the practical business of life: she would fail to defend her most manifest rights, to consult her most legitimate advantage. An interpreter ought always to have stood between her and the world. Her will was not very flexible, and it generally opposed her interest. Her temper was magnanimous, but warm and sudden; her spirit altogether unbending.

Anne’s character was milder and more subdued; she wanted the power, the fire, the originality of her sister, but was well endowed with quiet virtues of her own. Long-suffering, self-denying, reflective, and intelligent, a constitutional reserve and taciturnity placed and kept her in the shade, and covered her mind, and especially her feelings, with a sort of nun-like veil, which was rarely lifted. Neither Emily nor Anne was learned; they had no thought of filling their pitchers at the wellspring of other minds; they always wrote from the impulse of nature, the dictates of intuition, and from such stores of observation as their limited experience had enabled them to amass. I may sum up all by saying, that for strangers they were nothing, for superficial observers less than nothing; but for those who had known them all their lives in intimacy of close relationship, they were genuinely good and truly great.

This notice has been written, because I felt it a sacred duty to wipe the dust off their gravestones, and leave their dear names free from soil.

Currer Bell [Charlotte Bronte]

September 19, 1850.

THE EARNSHAWS

THE LINTONS

Frances

d. 1778

m.

Hindley

1757—1784

Catherine

1765—1784

m.

Edgar

1765—1801

Isabella

1765—1797

m.

Heathcliff

1764—1802

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Hareton Earnshaw

b. 1778

m.

Catherine Linton

b. 1784

m.

Linton Heathcliff

1784—1801

Chapter 1

1801 —

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I have just returned from a visit to my landlord—the solitary neighbour that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist’s heaven; and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow! He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.

“Mr. Heathcliff!” I said.

A nod was the answer.

“Mr. Lockwood, your new tenant, sir. I do myself the honour of calling as soon as possible after my arrival, to express the hope that I have not inconvenienced you by my perseverance in soliciting the occupation of Thrushcross Grange: I heard yesterday you had had some thoughts-”

“Thrushcross Grange is my own, sir,” he interrupted wincing. “I should not allow any one to inconvenience me, if I could hinder it—walk in!”

The “walk in” was uttered with closed teeth, and expressed the sentiment, “Go to the deuce”: even the gate over which he leant manifested no sympathising movement to the words; and I think that circumstance determined me to accept the invitation: I felt interested in a man who seemed more exaggeratedly reserved than myself.

When he saw my horse’s breast fairly pushing the barrier, he did put out his hand to unchain it, and then suddenly preceded me up the causeway, calling, as we entered the court —“Joseph, take Mr. Lockwood’s horse; and bring up some wine.”

“Here we have the whole establishment of domestics, I suppose,” was the reflection suggested by this compound order. “No wonder the grass grows up between the flags, and cattle are the only hedge-cutters.”

Joseph was an elderly, nay, an old man: very old, perhaps, though hale and sinewy. “The Lord help us!” he soliloquised in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner, and his pious ejaculation had no reference to my unexpected advent.

Wuthering Heights is the name of Mr. Heathcliff’s dwelling. “Wuthering” being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed; one may guess the power of the north wind blowing over the edge, by the excessive slant of a few-stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones.

Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date “1500,” and the name “Hareton Earnshaw.” I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium.

One step brought us into the family sitting-room, without any introductory lobby or passage: they call it here “the house” preeminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fire-place; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been underdrawn: its entire anatomy lay bare to an enquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser, reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.

The apartment and furniture would have been nothing extraordinary as belonging to a homely, northern farmer, with a stubborn countenance, and stalwart limbs set out to advantage in knee-breeches and gaiters. Such an individual seated in his arm-chair, his mug of ale frothing on the round table before him, is to be seen in any circuit of five or six miles among these hills, if you go at the right time after dinner. But Mr. Heathcliff forms a singular contrast to his abode and style of living. He is a dark-skinned gipsy in aspect, in dress and manners a gentleman: that is, as much a gentleman as many a country squire: rather slovenly, perhaps, yet not looking amiss with his negligence, because he has an erect and handsome figure; and rather morose. Possibly, some people might suspect him of a degree of underbred pride; I have a sympathetic chord within that tells me it is nothing of the sort: I know, by instinct, his reserve springs from an aversion to showy displays of feeling—to manifestations of mutual kindliness. He’ll love and hate equally under cover, and esteem it a species of impertinence to be loved or hated again. No, I’m running on too fast: I bestow my own attributes over liberally on him. Mr. Heathcliff may have entirely dissimilar reasons for keeping his hand out of the way when he meets a would-be acquaintance, to those which actuate me. Let me hope my constitution is almost peculiar: my dear mother used to say I should never have a comfortable home; and only last summer I proved myself perfectly unworthy of one.

While enjoying a month of fine weather at the seacoast, I was thrown into the company of a most fascinating creature: a real goddess in my eyes, as long as she took no notice of me. I “never told my love” vocally; still, if looks have language, the merest idiot might have guessed I was over head and ears: she understood me at last, and looked a return—the sweetest of all imaginable looks. And what did I do? I confess it with shame—shrunk icily into myself, like a snail; at every glance retired colder and farther; till finally the poor innocent was led to doubt her own senses, and, overwhelmed with confusion at her supposed mistake, persuaded her mamma to decamp. By this curious turn of disposition I have gained the reputation of deliberate heartlessness; how undeserved I alone can appreciate.

I took a seat at the end of the hearthstone opposite that towards which my landlord advanced, and filled up an interval of silence by attempting to caress the canine mother, who had left her nursery, and was sneaking wolfishly to the back of my legs, her lip curled up, and her white teeth watering for a snatch. My caress provoked a long, guttural snarl.

“You’d better let the dog alone,” growled Mr. Heathcliff in unison, checking fiercer demonstrations with a punch of his foot. “She’s not accustomed to be spoiled—not kept for a pet.” Then, striding to a side door, he shouted again, “Joseph!”

Joseph mumbled indistinctly in the depths of the cellar, but gave no intimation of ascending; so his master dived down to him, leaving me vis-a-vis the ruffianly bitch and a pair of grim shaggy sheep-dogs, who shared with her a jealous guardianship over all my movements. Not anxious to come in contact with their fangs, I sat still; but, imagining they would scarcely understand tacit insults, I unfortunately indulged in winking and making faces at the trio, and some turn of my physiognomy so irritated madam, that she suddenly broke into a fury and leapt on my knees. I flung her back, and hastened to interpose the table between us. This proceeding roused the whole hive: half-a-dozen four-footed fiends, of various sizes and ages, issued from hidden dens to the common centre. I felt my heels and coat-laps peculiar subjects of assault; and parrying off the larger combatants as effectually as I could with the poker, I was constrained to demand, aloud, assistance from some of the household in re-establishing peace.

Mr. Heathcliff and his man climbed the cellar steps with vexatious phlegm: I don’t think they moved one second faster than usual, though the hearth was an absolute tempest of worrying and yelping. Happily, an inhabitant of the kitchen made more despatch: a lusty dame, with tucked-up gown, bare arms, and fire-flushed cheeks, rushed into the midst of us flourishing a frying-pan: and used that weapon, and her tongue, to such purpose, that the storm subsided magically, and she only remained, heaving like a sea after a high wind, when her master entered on the scene.

“What the devil is the matter?” he asked, eyeing me in a manner that I could ill endure after this inhospitable treatment.

“What the devil, indeed!” I muttered. “The herd of possessed swine could have had no worse spirits in them than those animals of yours, sir. You might as well leave a stranger with a brood of tigers!”

“They won’t meddle with persons who touch nothing,” he remarked, putting the bottle before me, and restoring the displaced table. “The dogs do right to be vigilant. Take a glass of wine?”

“No, thank you.”

“Not bitten, are you?”

“If I had been, I would have set my signet on the biter.” Heathcliff’s countenance relaxed into a grin.

“Come, come,” he said, “you are flurried, Mr. Lockwood. Here, take a little wine. Guests are so exceedingly rare in this house that I and my dogs, I am willing to own, hardly know how to receive them. Your health, sir!”

I bowed and returned the pledge; beginning to perceive that it would be foolish to sit sulking for the misbehaviour of a pack of curs: besides, I felt loath to yield the fellow further amusement at my expense; since the humour took that turn. He—probably swayed by prudential consideration of the folly of offending a good tenant—relaxed a little in the laconic style of chipping off his pronouns and auxiliary verbs, and introduced what he supposed would be a subject of interest to me—a discourse on the advantages and disadvantages of my present place of retirement. I found him very intelligent on the topics we touched; and before I went home, I was encouraged so far as to volunteer another visit to-morrow. He evidently wished no repetition of my intrusion. I shall go, notwithstanding. It is astonishing how sociable I feel myself compared with him.

Chapter 2

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YESTERDAY afternoon set in misty and cold. I had half a mind to spend it by my study fire, instead of wading through heath and mud to Wuthering Heights. On coming up from dinner however (N.B.—I dine between twelve and one o’clock; the housekeeper, a matronly lady, taken as a fixture along with the house, could not, or would not, comprehend my request that I might be served at five), on mounting the stairs with this lazy intention, and stepping into the room, I saw a servant-girl on her knees surrounded by brushes and coalscuttles, and raising an infernal dust as she extinguished the flames with heaps of cinders. This spectacle drove me back immediately; I took my hat, and, after a four miles’ walk arrived at Heathcliff’s garden gate just in time to escape the first feathery flakes of a snow-shower.

On that bleak hill-top the earth was hard with a black frost, and the air made me shiver through every limb. Being unable to remove the chain, I jumped over, and, running up the flagged causeway bordered with straggling gooseberry bushes, knocked vainly for admittance, till my knuckles tingled and the dogs howled.

“Wretched inmates!” I ejaculated mentally, “you deserve perpetual isolation from your species for your churlish inhospitality. At least, I would not keep my door barred in the day-time. I don’t care—I will get in!” So resolved, I grasped the latch and shook it vehemently. Vinegar-faced Joseph projected his head from a round window of the barn.

“What are ye for?” he shouted. “T’ maister’s down i’ t’ fowld. Go round by th’ end ot’ laith, if ye went to spake to him.”

“Is there nobody inside to open the door?” I hallooed, responsively.

“There’s nobbut t’ missis; and shoo’ll not oppen’t an ye mak yer flaysome dins till neeght.”

“Why? Cannot you tell her who I am, eh, Joseph?”

“Nor-ne me! I’ll hae no hend wit,” muttered the head, vanishing.

The snow began to drive thickly. I seized the handle to essay another trial; when a young man without coat, and shouldering a pitchfork, appeared in the yard behind. He hailed me to follow him, and, after marching through a washhouse, and a paved area containing a coal-shed, pump, and pigeon-cot, we at length arrived in the huge, warm cheerful apartment, where I was formerly received. It glowed delightfully in the radiance of an immense fire, compounded of coal, peat, and wood; and near the table, laid for a plentiful evening meal, I was pleased to observe the “missis,” an individual whose existence I had never previously suspected. I bowed and waited, thinking she would bid me take a seat. She looked at me, leaning back in her chair, and remained motionless and mute.

“Rough weather!” I remarked. “I’m afraid, Mrs. Heathcliff, the door must bear the consequence of your servants’ leisure attendance: I had hard work to make them hear me.”

She never opened her mouth. I stared—she stared also: at any rate, she kept her eyes on me in a cool, regardless manner, exceedingly embarrassing and disagreeable.

“Sit down,” said the young man gruffly. “He’ll be in soon.”

I obeyed; and hemmed, and called the villain Juno, who deigned, at this second interview, to move the extreme tip of her tail, in token of owning my acquaintance.

“A beautiful animal!” I commented again. “Do you intend parting with the little ones, madam?”

“They are not mine,” said the amiable hostess, more repellingly than Heathcliff himself could have replied.

“Ah, your favourites are among these?” I continued, turning to an obscure cushion full of something like cats.

“A strange choice of favourites!” she observed scornfully.

Unluckily, it was a heap of dead rabbits. I hemmed once more, and drew closer to the hearth, repeating my comment on the wildness of the evening.

“You should not have come out,” she said, rising and reaching from the chimney-piece two of the painted canisters.

Her position before was sheltered from the light; now, I had a distinct view of her whole figure and countenance. She was slender, and apparently scarcely past girlhood: an admirable form, and the most exquisite little face that I have ever had the pleasure of beholding; small features, very fair; flaxen ringlets, or rather golden, hanging loose on her delicate neck; and eyes, had they been agreeable in expression, that would have been irresistible: fortunately for my susceptible heart, the only sentiment they evinced hovered between scorn, and a kind of desperation, singularly unnatural to be detected there. The canisters were almost out of her reach; I made a motion to aid her; she turned upon me as a miser might turn if anyone attempted to assist him in counting his gold.

“I don’t want your help,” she snapped; “I can get them for myself.”

“I beg your pardon!” I hastened to reply.

“Were you asked to tea?” she demanded, tying an apron over her neat black frock, and standing with a spoonful of the leaf poised over the pot.

“I shall be glad to have a cup,” I answered.

“Were you asked?” she repeated.

“No,” I said, half smiling. “You are the proper person to ask me.”

She flung the tea back, spoon and all, and resumed her chair in a pet; her forehead corrugated, and her red under-lip pushed out, like a child’s ready to cry.

Meanwhile, the young man had slung on to his person a decidedly shabby upper garment, and, erecting himself before the blaze, looked down on me from the corner of his eyes, for all the world as if there were some mortal feud unavenged between us. I began to doubt whether he were a servant or not: his dress and speech were both rude, entirely devoid of the superiority observable in Mr. and Mrs. Heathcliff; his thick, brown curls were rough and uncultivated, his whiskers encroached bearishly over his cheeks, and his hands were embrowned like those of a common labourer: still his bearing was free, almost haughty, and he showed none of a domestic’s assiduity in attending on the lady of the house. In the absence of clear proofs of his condition, I deemed it best to abstain from noticing his curious conduct; and five minutes afterwards, the entrance of Heathcliff relieved me, in some measure, from my uncomfortable state.

“You see, sir, I am come, according to promise!” I exclaimed, assuming the cheerful; “and I fear I shall be weather-bound for half an hour, if you can afford me shelter during that space.”

“Half-an-hour?” he said, shaking the white flakes from his clothes; “I wonder you should select the thick of a snowstorm to ramble about in. Do you know that you run a risk of being lost in the marshes? People familiar with these moors often miss their road on such evenings; and I can tell you there is no chance of a change at present.”

“Perhaps I can get a guide among your lads, and he might stay at the Grange till morning—could you spare me one?”

“No, I could not.”

“Oh, indeed! Well, then, I must trust to my own sagacity.”

“Umph!”

“Are you going to make th’ tea?” demanded he of the shabby coat, shifting his ferocious gaze from me to the young lady.

“Is he to have any?” she asked, appealing to Heathcliff.

“Get it ready, will you?” was the answer, uttered so savagely that I started. The tone in which the words were said revealed a genuine bad nature. I no longer felt inclined to call Heathcliff a capital fellow. When the preparations were finished, he invited me with —“Now, sir, bring forward your chair.” And we all, including the rustic youth, drew round the table: an austere silence prevailing while we discussed our meal.

I thought, if I had caused the cloud, it was my duty to make an effort to dispel it. They could not every day sit so grim and taciturn; and it was impossible, however ill-tempered they might be, that the universal scowl they wore was their everyday countenance.

“It is strange,” I began, in the interval of swallowing one cup of tea and receiving another —“It is strange how custom can mould our tastes and ideas: many could not imagine the existence of happiness in a life of such complete exile from the world as you spend, Mr. Heathcliff; yet I’ll venture to say, that, surrounded by your family, and with your amiable lady as the presiding genius over your home and heart-”

“My amiable lady!” he interrupted, with an almost diabolical sneer on his face. “Where is she—my amiable lady?”

“Mrs. Heathcliff, your wife, I mean.”

“Well, yes—Oh, you would intimate that her spirit has taken the post of ministering angel, and guards the fortunes of Wuthering Heights even when her body is gone. Is that it?”

Perceiving myself in a blunder, I attempted to correct it. I might have seen there was too great a disparity between the ages of the parties to make it likely that they were man and wife. One was about forty: a period of mental vigour at which men seldom cherish the delusion of being married for love by girls: that dream is reserved for the solace of our declining years. The other did not look seventeen.

Then it flashed upon me —“The clown at my elbow, who is drinking his tea out of a basin and eating his bread with unwashed hands, may be her husband: Heathcliff, junior, of course. Here is the consequence of being buried alive: she has thrown herself away upon that boor from sheer ignorance that better individuals existed! A sad pity—I must beware how I cause her to regret her choice.” The last reflection may seem conceited; it was not. My neighbour struck me as bordering on repulsive; I knew, through experience, that I was tolerably attractive.

“Mrs. Heathcliff is my daughter-in-law,” said Heathcliff, corroborating my surmise. He turned, as he spoke, a peculiar look in her direction: a look of hatred; unless he has a most perverse set of facial muscles that will not, like those of other people, interpret the language of his soul.

“Ah, certainly—I see now: you are the favoured possessor of the beneficent fairy,” I remarked, turning to my neighbour.

This was worse than before: the youth grew crimson, and clinched his fist, with every appearance of a meditated assault. But he seemed to recollect himself presently, and smothered the storm in a brutal curse, muttered on my behalf. which, however, I took care not to notice.

“Unhappy in your conjectures, sir,” observed my host; “we neither of us have the privilege of owning your good fairy; her mate is dead. I said she was my daughter-in-law, therefore, she must have married my son.”

“And this young man is-”

“Not my son, assuredly.”

Heathcliff smiled again, as if it were rather too bold a jest to attribute the paternity of that bear to him.

“My name is Hareton Earnshaw,” growled the other; “and I’d counsel you to respect it!”

“I’ve shown no disrespect,” was my reply, laughing internally at the dignity with which he announced himself.

He fixed his eye on me longer than I cared to return the stare, for fear I might be tempted either to box his ears or render my hilarity audible. I began to feel unmistakably out of place in that pleasant family circle. The dismal spiritual atmosphere overcame, and more than neutralised, the glowing physical comforts round me; and I resolved to be cautious how I ventured under those rafters a third time.

The business of eating being concluded, and no one uttering a word of sociable conversation, I approached a window to examine the weather. A sorrowful sight I saw: dark night coming down prematurely, and sky and hills mingled in one bitter whirl of wind and suffocating snow.

“I don’t think it possible for me to get home now without a guide,” I could not help exclaiming. “The roads will be buried already; and, if they were bare, I could scarcely distinguish a foot in advance.”

“Hareton, drive those dozen sheep into the barn porch. They’ll be covered if left in the fold all night: and put a plank before them,” said Heathcliff.

“How must I do?” I continued, with rising irritation.

There was no reply to my question; and on looking round I saw only Joseph bringing in a pail of porridge for the dogs, and Mrs. Heathcliff leaning over the fire, diverting herself with burning a bundle of matches which had fallen from the chimney-piece as she restored the tea canister to its place. The former, when he had deposited his burden, took a critical survey of the room, and in cracked tones, grated out:

“Aw wonder how yah can faishion to stand thear i’ idleness un war, when all on em’s goan out! Bud yah’re a nowt, and it’s no use talking—yah’ll niver mend o’ yer ill ways, but goa raight to t’ devil, like yer mother afore ye!”

I imagined, for a moment, that this piece of eloquence was addressed to me; and, sufficiently enraged, stepped towards the aged rascal with an intention of kicking him out of the door. Mrs. Heathcliff, however, checked me by her answer.

“You scandalous old hypocrite!” she replied. “Are you not afraid of being carried away bodily, whenever you mention the devil’s name? I warn you to refrain from provoking me, or I’ll ask your abduction as a special favour. Stop! look here, Joseph,” she continued, taking a long, dark book from a shelf; “I’ll show you how far I’ve progressed in the Black Art: I shall soon be competent to make a clear house of it. The red cow didn’t die by chance; and your rheumatism can hardly be reckoned among providential visitations!”

“Oh, wicked, wicked!” gasped the elder; “may the Lord deliver us from evil!”

“No, reprobate! you are a castaway—be off, or I’ll hurt you seriously! I’ll have you all modelled in wax and clay; and the first who passes the limits I fix, shall—I’ll not say what he shall be done to—but, you’ll see! Go, I’m looking at you!”

The little witch put a mock malignity into her beautiful eyes, and Joseph, trembling with sincere horror, hurried out praying and ejaculating “wicked” as he went. I thought her conduct must be prompted by a species of dreary fun; and, now that we were alone, I endeavoured to interest her in my distress.

“Mrs. Heathcliff,” I said earnestly, “you must excuse me for troubling you. I presume, because, with that face, I’m sure you cannot help being good-hearted. Do point out some landmarks by which I may know my way home: I have no more idea how to get there than you would have how to get to London!”

“Take the road you came,” she answered, ensconcing herself in a chair, with a candle, and the long book open before her. “It is brief advice, but as sound as I can give.”

“Then, if you hear of me being discovered dead in a bog or a pit full of snow, your conscience won’t whisper that it is partly your fault?”

“How so? I cannot escort you. They wouldn’t let me go to the end of the garden-wall.”

“You! I should be sorry to ask you to cross the threshold, for my convenience, on such a night,” I cried. “I want you to tell me my way, not to show it; or else to persuade Mr. Heathcliff to give me a guide.”

“Who? There is himself, Earnshaw, Zillah, Joseph and I. Which would you have?”

“Are there no boys at the farm?”

“No; those are all.”

“Then, it follows that I am compelled to stay.”

“That you may settle with your host. I have nothing to do with it.”

“I hope it will be a lesson to you to make no more rash journeys on these hills,” cried Heathcliff’s stern voice from the kitchen entrance. “As to staying here, I don’t keep accommodations for visitors: you must share a bed with Hareton or Joseph, if you do.”

“I can sleep on a chair in this room,” I replied.

“No, no! A stranger is a stranger, be he rich or poor; it will not suit me to permit any one the range of the place while I am off guard!” said the unmannerly wretch.

With this insult, my patience was at an end. I uttered an expression of disgust and pushed past him into the yard, running against Earnshaw in my haste. It was so dark that I could not see the means of exit; and, as I wandered round, I heard another specimen of their civil behaviour amongst each other. At first the young man appeared about to befriend me.

“I’ll go with him as far as the park,” he said.

“You’ll go with him to hell!” exclaimed his master, or whatever relation he bore. “And who is to look after the horses, eh?”

“A man’s life is of more consequence than one evening’s neglect of the horses: somebody must go,” murmured Mrs. Heathcliff, more kindly than I expected.

“Not at your command!” retorted Hareton. “If you set store on him, you’d better be quiet.”

“Then I hope his ghost will haunt you; and I hope Mr. Heathcliff will never get another tenant till the Grange is a ruin!” she answered sharply.

“Hearken, hearken, shoo’s cursing on ‘em!” muttered Joseph, towards whom I had been steering.

He sat within earshot, milking the cows by the light of a lantern, which I seized unceremoniously, and, calling out that I would send it back on the morrow, rushed to the nearest postern.

“Maister, maister, he’s staling t’ lanthern!” shouted the ancient, pursuing my retreat. “Hey, Gnasher! Hey dog! Hey, Wolf, holld him, holld him!”

On opening the little door, two hairy monsters flew at my throat, bearing me down and extinguishing the light; while a mingled guffaw from Heathcliff and Hareton, put the copestone on my rage and humiliation. Fortunately, the beasts seemed more bent on stretching their paws and yawning and flourishing their tails, than devouring me alive; but they would suffer no resurrection, and I was forced to lie till their malignant masters pleased to deliver me: then, hatless and trembling with wrath, I ordered the miscreants to let me out—on their peril to keep me one minute longer—with several incoherent threats of retaliation that, in their indefinite depth of virulency, smacked of King Lear. The vehemence of my agitation brought on a copious bleeding at the nose, and still Heathcliff laughed, and still I scolded. I don’t know what would have concluded the scene, had there not been one person at hand rather more rational than myself, and more benevolent than my entertainer. This was Zillah, the stout housewife; who at length issued forth to enquire into the nature of the uproar. She thought that some of them had been laying violent hands on me; and, not daring to attack her master, she turned her vocal artillery against the younger scoundrel.

“Well, Mr. Earnshaw,” she cried, “I wonder what you’ll have agait next! Are we going to murder folk on our very doorstones? I see this house will never do for me—look at t’ poor lad, he’s fair choking! Wisht, wisht! you mun’n’t go on so. Come in, and I’ll cure that: there now, hold ye still.”

With these words she suddenly splashed a pint of icy water down my neck, and pulled me into the kitchen. Mr. Heathcliff followed, his accidental merriment expiring quickly in his habitual moroseness.

I was sick exceedingly, and dizzy and faint; and thus compelled perforce to accept lodgings under his roof. He told Zillah to give me a glass of brandy, and then passed on to the inner room; while she condoled with me on my sorry predicament, and having obeyed his orders, whereby I was somewhat revived, ushered me to bed.

Chapter 3

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WHILE leading the way upstairs, she recommended that I should hide the candle, and not make a noise; for her master had an odd notion about the chamber she would put me in, and never let anybody lodge there willingly. I asked the reason. She did not know, she answered: she had only lived there a year or two; and they had so many queer goings on, she could not begin to be curious.

Too stupefied to be curious myself, I fastened the door and glanced round for the bed. The whole furniture consisted of a chair, a clothespress, and a large oak case, with squares cut out near the top resembling coach windows. Having approached this structure I looked inside, and perceived it to be a singular sort of old-fashioned couch, very conveniently designed to obviate the necessity for every member of the family having a room to himself. In fact, it formed a little closet, and the ledge of a window, which it enclosed, served as a table. I slid back the panelled sides, got in with my light, pulled them together again, and felt secure against the vigilance of Heathcliff, and every one else.

The ledge, where I placed my candle, had a few mildewed books piled up in one corner; and it was covered with writing scratched on the paint. This writing, however, was nothing but a name repeated in all kinds of characters, large and small—Catherine Earnshaw, here and there varied to Catherine Heathcliff, and then again to Catherine Linton.

In vapid listlessness I leant my head against the window, and continued spelling over Catherine Earnshaw—Heathcliff—Linton, till my eyes closed; but they had not rested five minutes when a glare of white letters started from the dark as vivid as spectres—the air swarmed with Catherines; and rousing myself to dispel the obtrusive name, I discovered my candle wick reclining on one of the antique volumes, and perfuming the place with an odour of roasted calf-skin. I snuffed it out, and, very ill at ease under the influence of cold and lingering nausea, sat up and spread open the injured tome on my knee. It was a Testament, in lean type, and smelling dreadfully musty: a flyleaf bore the inscription —“Catherine Earnshaw, her book,” and a date some quarter of a century back. I shut it, and took up another, and another, till I had examined all. Catherine’s library was select, and its state of dilapidation proved it to have been well used; though not altogether for a legitimate purpose: scarcely one chapter had escaped a pen-and-ink commentary—at least, the appearance of one—covering every morsel of blank that the printer had left. Some were detached sentences; other parts took the form of a regular diary, scrawled in an unformed childish hand. At the top of an extra page (quite a treasure, probably, when first lighted on) I was greatly amused to behold an excellent caricature of my friend Joseph—rudely, yet powerfully sketched. An immediate interest kindled within me for the unknown Catherine, and I began forthwith to decipher her faded hieroglyphics.

“An awful Sunday!” commenced the paragraph beneath. “I wish my father were back again. Hindley is a detestable substitute—his conduct to Heathcliff is atrocious—H. and I are going to rebel—we took our initiatory step this evening.

“All day had been flooding with rain; we could not go to church, so Joseph must needs get up a congregation in the garret; and, while Hindley and his wife basked downstairs before a comfortable fire—doing anything but reading their Bibles, I’ll answer for it—Heathcliff, myself, and the unhappy plough-boy, were commanded to take our prayer-books, and mount: were ranged in a row, on a sack of corn, groaning and shivering, and hoping that joseph would shiver too, so that he might give us a short homily for his own sake. A vain idea! The service lasted precisely three hours; and yet my brother had the face to exclaim, when he saw us descending, ‘What, done already?’ On Sunday evenings we used to be permitted to play, if we did not make much noise; now a mere titter is sufficient to send us into corners!

“’You forget you have a master here,’ says the tyrant. ‘I’ll demolish the first who puts me out of temper! I insist on perfect sobriety and silence. Oh, boy! was that you? Frances, darling, pull his hair as you go by: I heard him snap his fingers.’ Frances pulled his hair heartily, and then went and seated herself on her husband’s knee; and there they were, like two babies, kissing and talking nonsense by the hour—foolish palaver that we should be ashamed of. We made ourselves as snug as our means allowed in the arch of the dresser. I had just fastened our pinafores together, and hung them up for a curtain, when in comes Joseph on an errand from the stables. He tears down my handiwork, boxes my ears and croaks —

“’T’ maister nobbut just buried, and Sabbath no o’ered, und t’ sound o’ t’ gospel still i’ yer lugs, and ye darr be laiking! Shame on ye! sit ye down, ill childer! there’s good books enough if ye’ll read ‘em! sit ye down, and think o’ yer sowls!’

“Saying this, he compelled us to square our positions that we might receive from the far-off fire a dull ray to show us the text of the lumber he thrust upon us. I could not bear the employment. I took my dingy volume by the scroop, and hurled it into the dog-kennel, vowing I hated a good book. Heathcliff kicked his to the same place. Then there was a hubbub!

“’Maister Hindley!’ shouted our chaplain. ‘Maister, coom hither! Miss Cathy’s riven th’ back off “Th’ Helmet o’Salvation,” un’ Heathcliff’s pawsed his fit into t’ first part o’ “T’ Brooad Way to Destruction!” It’s fair flaysome that ye let ‘em go on this gait. Ech! th’ owd man wad ha’ laced ‘em properly—but he’s goan!’

“Hindley hurried up from his paradise on the hearth, and seizing one of us by the collar, and the other by the arm, hurled both into the back kitchen; where, Joseph asseverated, ‘owd Nick’ would fetch us as sure as we were living: and, so comforted, we each sought a separate nook to await his advent. I reached this book, and a pot of ink from a shelf, and pushed the housedoor ajar to give me light, and I have got the time on with writing for twenty minutes; but my companion is impatient, and proposes that we should appropriate the dairywoman’s cloak, and have a scamper on the moors, under its shelter. A pleasant suggestion—and then, if the surly old man come in, he may believe his prophecy verified—we cannot be damper, or colder, in the rain than we are here.”

I suppose Catherine fulfilled her project, for the next sentence took up another subject; she waxed lachrymose.

“How little did I dream that Hindley would ever make me cry so!” she wrote. “My head aches, till I cannot keep it on the pillow; and still I can’t give over. Poor Heathcliff! Hindley calls him a vagabond, and won’t let him sit with us, nor eat with us any more; and, he says, he and I must not play together, and threatens to turn him out of the house if we break his orders. He has been blaming our father (how dared he?) for treating H. too liberally; and he swears he will reduce him to his right place-”

I began to nod drowsily over the dim page: my eye wandered from manuscript to print. I saw a red ornamented title —“Seventy Times Seven, and the First of the Seventy-First. A Pious Discourse delivered by the Reverend Jabes Branderham, in the Chapel of Gimmerdon Sough.” And while I was, half consciously, worrying my brain to guess what Jabes Branderham would make of his subject, I sank back in bed, and fell asleep. Alas, for the effects of bad tea and bad temper! What else could it be that made me pass such a terrible night? I don’t remember another that I can at all compare with it since I was capable of suffering.

I began to dream, almost before I ceased to be sensible of my locality. I thought it was morning; and I had set out on my way home, with Joseph for a guide. The snow lay yards deep in our road; and, as we floundered on, my companion wearied me with constant reproaches that I had not brought a pilgrim’s staff: telling me that I could never get into the house without one, and boastfully flourishing a heavyheaded cudgel, which I understood to be so denominated. For a moment I considered it absurd that I should need such a weapon to gain admittance into my own residence. Then a new idea flashed across me. I was not going there: we were journeying to hear the famous Jabes Branderham preach from the text —“Seventy Times Seven”; and either Joseph, the preacher, or I had committed the “First of the Seventy-First,” and were to be publicly exposed and excommunicated.

We came to the chapel. I have passed it really in my walks, twice or thrice; it lies in a hollow, between two hills: an elevated hollow, near a swamp, whose peaty moisture is said to answer all the purposes of embalming on the few corpses deposited there. The roof has been kept whole hitherto; but as the clergyman’s stipend is only twenty pounds per annum, and a house with two rooms, threatening speedily to determine into one, no clergyman will undertake the duties of pastor: especially as it is currently reported that his flock would rather let him starve than increase the living by one penny from their own pockets. However, in my dream, Jabes had a full and attentive congregation; and he preached—good God! what a sermon: divided into four hundred and ninety parts, each fully equal to an ordinary address from the pulpit, and each discussing a separate sin! Where he searched for them, I cannot tell. He had his private manner of interpreting the phrase, and it seemed necessary the brother should sin different sins on every occasion. They were of the most curious character: odd transgressions that I never imagined previously.

Oh, how weary I grew. How I writhed, and yawned, and nodded, and revived! How I pinched and pricked myself, and rubbed my eyes, and stood up, and sat down again, and nudged joseph to inform me if he would ever have done. I was condemned to hear all out: finally, he reached the “First of the Seventy-First.” At that crisis a sudden inspiration descended on me; I was moved to rise and denounce Jabes Branderham as the sinner of the sin that no Christian need pardon.

“Sir,” I exclaimed, “sitting here within these four walls, at one stretch, I have endured and forgiven the four hundred and ninety heads of your discourse. Seventy times seven times have I plucked up my hat and been about to depart—Seventy times seven times have you preposterously forced me to resume my seat. The four hundred and ninety first is too much. Fellow-martyrs, have at him! Drag him down, and crush him to atoms, that the place which knows him may know him no more!”

“Thou art the man!” cried Jabes, after a solemn pause, leaning over his cushion. “Seventy times seven times didst thou gapingly contort thy visage—seventy times seven did I take counsel with my soul—Lo, this is human weakness: this also may be absolved! The First of the Seventy-First is come. Brethren, execute upon him the judgment written. Such honour have all His saints!”

With that concluding word, the whole assembly, exalting their pilgrim’s staves, rushed round me in a body; and I, having no weapon to raise in self-defense, commenced grappling with Joseph, my nearest and most ferocious assailant, for his. In the confluence of the multitude, several clubs crossed; blows, aimed at me, fell on other sconces. Presently the whole chapel resounded with rappings and counter-rappings: every man’s hand was against his neighbour; and Branderham, unwilling to remain idle, poured forth his zeal in a shower of loud taps on the boards of the pulpit, which responded so smartly that, at last, to my unspeakable relief, they woke me. And what was it that had suggested the tremendous tumult? What had played Jabes’s part in the row? Merely, the branch of a fir-tree that touched my lattice, as the blast wailed by, and rattled its dry cones against the panes! I listened doubtingly an instant; detected the disturber, then turned and dozed, and dreamt again: if possible, still more disagreeably than before.