20,99 €
Discover the easy path to taking brilliant and memorable photos The popularity of DSLR cameras remains on the rise, yet these digital cameras still present a challenge to novice photographers who lack a foundation in photography skills. This straightforward-but-friendly guide walks you through the 100 most common photos that amateur photographers like to include in their personal portfolios and offers specific advice on getting the correct exposure settings, composition, and lighting while sparing you the technical jargon. Seasoned author and photographer Doug Sahlin includes more than 300 full-color photos on everything from family portraits and pets to nature and sporting events, all aimed at providing you with inspiration as you work to find your own individual style. * Skips the technical jargon and shows you where to start for optimal exposure settings. * Offers shortcuts, tips, and advice for setting the camera to make specific shots and making impromptu adjustments when needed * Includes more than 300 full-color photos of people, nature, sports, events, and places that serve as example and inspiration * Helps you get the best photographs from your DSLR while you work with movement in action photos, finicky lighting with fireworks or amusement parks at night, or distance, blur, and intricate details * Walks you through troubleshooting the most common digital photography problems Digital SLR Settings & Shortcuts For Dummies delivers the starting point for getting the necessary settings so you can get great digital photos.
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Seitenzahl: 509
Veröffentlichungsjahr: 2010
Table of Contents
Introduction
About Digital SLR Settings & Shortcuts For Dummies
Foolish Assumptions
Conventions Used in This Book
What You Don’t Have to Read
What I Encourage You to Read
How This Book Is Organized
Part I: Action
Part II: Animals
Part III: Landscapes and Nature
Part IV: People
Part V: Places
Part VI: Things
The Appendix: Beyond Point and Shoot Photography
Icons Used in This Book
Where to Go from Here
Part I: Action
Part I: Chapter 1: Children Playing Sports
Setting the Camera
Taking the Picture
Troubleshooting
Part I: Chapter 2: Runners
Setting the Camera
Taking the Picture
Troubleshooting
Part I: Chapter 3: Bikers
Setting the Camera
Taking the Picture
Troubleshooting
Part I: Chapter 4: Sporting Events
Setting the Camera
Taking the Picture
Troubleshooting
Part I: Chapter 5: Race Car (Stop-Action)
Setting the Camera
Taking the Picture
Troubleshooting
Part I: Chapter 6: Race Car (Motion Blur)
Setting the Camera
Taking the Picture
Troubleshooting
Part I: Chapter 7: Horse Racing
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Animals
Part II: Chapter 8: Wading Birds
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 9: Birds in Flight
Setting Your Camera
Taking the Picture
Troubleshooting
Part II: Chapter 10: Birds of Prey
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 11: Small Birds
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 12: Pet Birds
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 13: Cats Playing
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 14: Cat Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 15: Dogs Playing
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 16: Dog Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 17: Animals at a Zoo
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 18: Animals in the Wild
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 19: Dangerous Animals in the Wild
Setting the Camera
Taking the Picture
Troubleshooting
Part II: Chapter 20: Fish in a Public Aquarium
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Landscapes and Nature
Part III: Chapter 21: Desert
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 22: Forest
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 23: Landscapes
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 24: Landscape Panorama
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 25: Mountains
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 26: Swamps
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 27: Sunrise
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 28: Beach at Sunset
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 29: Ocean Waves
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 30: Lakes
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 31: Rivers
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 32: Streams
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 33: Still Water (Reflections)
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 34: Waterfall
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 35: Landscapes in Stormy Weather
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 36: Flower Close-Up
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 37: Insect and Other Creepy Crawly Close-Ups
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 38: Lightning
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 39: Nature Details
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 40: Rain
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 41: Rainbows
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 42: Snow
Setting the Camera
Taking the Picture
Troubleshooting
Precautions
Part III: Chapter 43: Starry Skies
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 44: Star Trails
Setting the Camera
Taking the Picture
Troubleshooting
Part III: Chapter 45: Nature in Foggy Weather
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: People
Part IV: Chapter 46: Children Playing
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 47: Artist Creating
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 48: Adults Playing Sports
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 49: Candid Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 50: People of Other Cultures
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 51: Child’s Birthday Party
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 52: Family Gathering
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 53: Graduation
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 54: Parades
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 55: Wedding (Journalistic)
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 56: Wedding (Traditional)
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 57: Wedding Formals
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 58: Wedding Reception
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 59: Backlit Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 60: Self-Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 61: Beach Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 62: Double Exposure
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 63: Candlelight Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 64: A Happy Couple
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 65: Formal Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 66: Portrait of a Person at Work
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 67: Extreme Close-Up Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 68: Head-and-Shoulders Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 69: Group Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 70: Lifestyle Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 71: Outdoor Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 72: Newborn Baby Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 73: Portrait by Window Light
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 74: Portrait of a Mature Person
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 75: Musicians
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 76: Silhouette Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 77: Man and His Best Friend
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 78: High Key Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part IV: Chapter 79: Low Key Portrait
Setting the Camera
Taking the Picture
Troubleshooting
Part V: Places
Part V: Chapter 80: Churches
Setting the Camera
Taking the Picture
Troubleshooting
Part V: Chapter 81: City Skyline
Setting the Camera
Taking the Picture
Troubleshooting
Part V: Chapter 82: City at Dusk
Setting the Camera
Taking the Picture
Troubleshooting
Part V: Chapter 83: City Streets at Night
Setting the Camera
Taking the Picture
Troubleshooting
Part V: Chapter 84: City in Wet Weather
Setting the Camera
Taking the Picture
Troubleshooting
Part V: Chapter 85: Street Life
Setting the Camera
Taking the Picture
Troubleshooting
Part V: Chapter 86: Amusement Park
Setting the Camera
Taking the Picture
Troubleshooting
Part V: Chapter 87: Marinas
Setting the Camera
Taking the Picture
Troubleshooting
Part V: Chapter 88: Famous Places
Setting the Camera
Taking the Picture
Troubleshooting
Part V: Chapter 89: Historical Landmarks
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Things
Part VI: Chapter 90: Buildings
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Chapter 91: Architectural Details
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Chapter 92: Famous Buildings
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Chapter 93: Lighthouses
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Chapter 94: Cars and Motorcycles
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Chapter 95: Boats
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Chapter 96: Ferris Wheels
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Chapter 97: Fireworks
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Chapter 98: Still Life
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Chapter 99: Flower Arrangement
Setting the Camera
Taking the Picture
Troubleshooting
Part VI: Chapter 100: HDR Photography
Setting the Camera
Taking the Picture
Troubleshooting
Appendix: Beyond Point and Shoot Photography
Getting to know your camera
Previewing images
Understanding how exposure works in the camera
Controlling depth of field
Understanding shooting modes
Understanding focal lengths
Choosing a camera bag
Using filters
Steadying the camera with a tripod
Choosing other accessories
Digital SLR Settings & Shortcuts For Dummies®
by Doug Sahlin
Digital SLR Settings & Shortcuts For Dummies®
Published byWiley Publishing, Inc.111 River St.Hoboken, NJ 07030-5774www.wiley.com
Copyright © 2011 by Wiley Publishing, Inc., Indianapolis, Indiana
Published simultaneously in Canada
No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions.
Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, Making Everything Easier, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book.
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For general information on our other products and services, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002.
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Library of Congress Control Number: 2010941210
ISBN: 978-0-470-91763-3
Manufactured in the United States of America
10 9 8 7 6 5 4 3 2 1
About the Author
Doug Sahlin is an author and photographer living in Venice, Florida. He is a professional photographer specializing in fine art photography. He also photographs weddings and events and writes books about computer applications like Adobe Acrobat and Adobe Photoshop. Doug’s latest books have been about digital photography. In the past years he’s written Digital Photography Workbook For Dummies, Digital Portrait Photography For Dummies, and Canon EOS 7D For Dummies. To find out more about Doug and see some of his work, visit www.dasdesigns.net.
Dedication
This book is for the lovely and talented Roxanne, also known as “Nature Girl.” Thank you for coming into my life. I love you, Sweetheart.
Author’s Acknowledgments
Photography is my passion, and I love to share information with other photographers. That’s why I was so excited when Steve Hayes discussed the concept of this book with me. Thank you, Steve, for bringing this book to fruition. Many thanks to Nicole Sholly for doing a stellar job of coordinating everything with the editorial team at Wiley and for keeping me on my toes. Kudos to Mike Sullivan for making sure all the technical aspects of this book were correct. Thanks to literary agent extraordinaire Margot Hutchison for her part in this project.
Thanks to my friends and fellow authors for their support and inspiration. Hats off to my family for their continued support, especially Karen and Ted. Thanks to the furry kids, Niki and Micah, for being a constant source of amusement. And thanks to the lovely Roxanne for coming into my life and sharing my passion.
Publisher’s Acknowledgments
We’re proud of this book; please send us your comments through our online registration form located at www.dummies.com/register/.
Some of the people who helped bring this book to market include the following:
Acquisitions, Editorial, and Media Development
Project Editor: Nicole Sholly
Executive Editor: Steven Hayes
Copy Editors: Laura K. Miller and Virginia Sanders
Technical Editor: Michael Sullivan
Editorial Manager: Kevin Kirschner
Editorial Assistant: Amanda Graham
Sr. Editorial Assistant: Cherie Case
Cartoons: Rich Tennant (www.the5thwave.com)
Composition Services
Project Coordinator: Katie Crocker
Layout and Graphics: Ana Carrillo, Erin Zeltner
Proofreaders: Lindsay Littrell, Mildred Rosenzweig
Indexer: Potomac Indexing, LLC
Publishing and Editorial for Technology Dummies
Richard Swadley, Vice President and Executive Group Publisher
Andy Cummings, Vice President and Publisher
Mary Bednarek, Executive Acquisitions Director
Mary C. Corder, Editorial Director
Publishing for Consumer Dummies
Diane Graves Steele, Vice President and Publisher
Composition Services
Debbie Stailey, Director of Composition Services
Introduction
Many people graduate to a digital SLR and think it’s the ticket for creating great photos. Well it is, but there’s a bit of technique involved. Part of that is your creativity and the way you see the world around you. You translate the vision that is in your head into an image when you capture it with your digital SLR.
To fully master your digital SLR and create compelling photos, you have to venture forth into a brave new world that involves making decisions about settings that will enable you to capture the images you see in your mind’s eye. This does not happen when you shoot in your camera’s Automatic mode. When photographers have the urge to branch out, they turn to the manual for help. And then they get more confused. Which is where this book comes in. My goal in writing this book was to demystify taking photographs with a digital SLR.
About Digital SLR Settings & Shortcuts For Dummies
If you need to know how to photograph your children playing sports, there’s a chapter for that. If you want to know how to photograph a racecar traveling 200 miles per hour, there’s a chapter for that as well. In fact there are 100 chapters that show you which settings to use to take specific images.
Some of the things you can do with this book include learning to
Determine which shooting mode to use for each picture-taking scenario.
Photograph marathoners running, bicyclists racing, and horses galloping.
Photograph artists at work, waterfalls, and pet birds.
Photograph a newborn baby, animals in the wild, and city skylines.
Overcome the challenges and pitfalls inherent to certain picture-taking scenarios. (I include a “Troubleshooting” section at the end of each chapter to help you overcome these challenges.)
Master depth of field to control what's in focus.
Make the histogram work for you.
Calculate the 35mm equivalent of a focal length.
In addition, you’ll learn many tips and tricks from a professional photographer who’s been there, done that.
Foolish Assumptions
There are certain prerequisites for using this book effectively. First and foremost, you must have a digital SLR with at least one lens. Second you must have the desire to break free from the point and shoot mentality and stop using the automatic and scene modes. You must also have the desire to be a better photographer. Your digital SLR is a wonderful tool for expressing to others how you see the world. But it takes some thought and creativity to create a picture that makes people give it more than just a casual glance. If you have the desire to break free from the mode of point and shoot photography, read on.
Conventions Used in This Book
To help you navigate this book efficiently, I use a few style conventions:
Terms that I want to emphasize are italicized (and defined).
Web site URLs are shown in a special monofont typeface, like this.
Numbered steps that you need to follow are set in bold.
What You Don’t Have to Read
This book is designed to show you how to master specific picture taking scenarios. You don’t have to read every chapter in this book, only the ones that pertain to the pictures you want to take. If you really want to cut to the chase, you don’t have to read the introductory paragraph in each chapter.
What I Encourage You to Read
I do suggest that you read the “Setting the Camera” section of each chapter. This section shows you the logic behind the settings I suggest you use to take each type of picture. I also suggest that you read the steps in the “Taking the Picture” section as they contain important information and tidbits related to taking the photo. So if you’re in a real hurry to learn how to take a picture of your wife twirling a baton while cooking tacos — kidding — or any picture scenario in this book, all you need to do is open the book to the chapter, dial the Camera Settings into your camera, read through the steps, and take the picture. And please take lots of pictures. That’s how you’ll master the settings and steps and make them your own.
I also strongly suggest that you read the appendix: “Beyond Point and Shoot Photography.” This appendix contains a lot of information about digital photography, including some very important information about the sensor in your camera model, and the difference it can have on the way a lens sees the scene in front of you. All digital camera sensors are not created equal.
If you don’t have time to read the entire appendix, please read “Understanding focal lengths.” This section takes about five minutes to read and demystifies what different focal lengths will do and how these focal lengths react on cameras with different size sensors.
How This Book Is Organized
Digital SLR Settings & Shortcuts For Dummies is split into six parts. You don’t have to read it sequentially, and you don’t even have to read all the chapters in any particular part. You can use the Table of Contents and the index to find the information you need and quickly get your answer. In this section, I briefly describe what you’ll find in each part.
Part I: Action
This part of the book shows you how to photograph action. If you’ve wanted to photograph a marathon runner, a bike racer, or freeze a racecar dead in its tracks, you’ll find out how to take those kinds of pictures in this part. You’ll learn some creative techniques for portraying motion artistically as well.
Part II: Animals
If you want to create a portrait of your cat, take a picture of your dog catching a Frisbee, or photograph birds, I show you how to take these kinds of pictures and more in this part of the book. I also show you which settings and techniques to use to photograph animals in the wild, dangerous animal, and birds of prey.
Part III: Landscapes and Nature
If you live near a beautiful state park, or are going on vacation to a place like Yosemite, this is the section where I show you the settings you use to capture great pictures of the landscapes and nature you find there. In this section, I show you the settings to use to take pictures of waterfalls, sunsets, mountain ranges, rainbows, flowers, and much more.
Part IV: People
Whether you want to create a great portrait of your wife, or capture a candid shot of your child being himself, this is the part of the book where I show you how to take these types of pictures. You’ll also find settings you use to photograph weddings, people at work, and so on.
Part V: Places
There are interesting things in the places you visit and the place where you live. In this part, I show you how to photograph these things. So if you have a beautiful church, historic buildings, or memorable skyline you want to photograph, check out the chapters in this part.
Part VI: Things
If you’ve had your share of photographing people and places, you may be interested in photographing things like buildings, lighthouses, cars, motorcycles, and so on. If so, the chapters in this section are right up your alley.
The Appendix: Beyond Point and Shoot Photography
The appendix introduces you to the wonderful world of digital SLR photography. It demystifies technical photography terms in non-technical lingo. It introduces you to the different shooting modes you’ll use and discusses other items such as lens focal lengths, how an image is exposed, and much more.
Read this appendix before you read any other part of the book, and you’ll have a huge heads up on the information I discuss in each chapter.
Icons Used in This Book
What’s a Dummies book without icons pointing you in the direction of really great information that’s sure to help you along your way? In this section, I briefly describe each icon I use in this book.
The Tip icon points out helpful information that is likely to make your job as a photographer easier.
This is like a virtual piece of string. When you see this icon, it contains a fact that you should remember to help you perform the task at hand more efficiently.
This icon notes a pitfall that your friendly author has discovered so that you won’t make the same wrong move.
When you see this icon, you’ll find an interesting technique to try that’s associated with the photograph I show you how to create.
Where to Go from Here
Now that you’ve read the Introduction, you have a good idea of what’s in this book. To learn the settings and steps involved in taking a specific photograph, jump to the Table of Contents or index. Find the chapter for the type of photograph you want to take, read that chapter, and take some photographs.
Refer to this book whenever you need settings to take a specific type of photo. But first I recommend you read the appendix, “Beyond Point and Shoot Photography.” After you do, the individual chapters will be much easier to digest.
Use your camera often, take lots of pictures, and have a great time taking pictures of the people, places, and things that matter to you.
Please note that some special symbols used in this eBook may not display properly on all eReader devices. If you have trouble determining any symbol, please call Wiley Product Technical Support at 800-762-2974. Outside of the United States, please call 317-572-3993. You can also contact Wiley Product Technical Support at www.wiley.com/techsupport.
Part I
Action
If you like action such as a marathon runner racing toward the finish line, a horse and rider negotiating a steeplechase obstacle, or a race car gobbling up asphalt at top speed, but don’t know how to capture the beauty of motion and speed with your digital camera, the chapters in this part will get you going in the right direction. In this part, I show you the settings to use to freeze action and to artistically depict the beauty of athletes and machinery in motion.
Chapter 1: Children Playing Sports
Corbis Digital Stock
Camera Settings
Metering Mode: Evaluative
Drive Mode: Single Shot or Continuous
Shooting Mode: Shutter Priority
Shutter Speed: 1/250 of a second
Lesen Sie weiter in der vollständigen Ausgabe!
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Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!