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A beautifully illustrated anthology of poetry celebrating babies, children and childhood – from the magical times and memories of childhood, through to the unconditional love a parent has for a child.Some of our best-loved poets are featured, such as William Blake, John Betjeman, Robert Louis Stevenson, Adrian Mitchell and WH Auden.The poems begin in infanthood, with the joys that babies and toddlers bring as they learn to move and speak, and progresses to playtime, friendships, holidays, trips and school days.The wonderful, endearing illustrations throughout make this the ideal book for anyone who celebrates a child in their life.
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Seitenzahl: 48
Contents
Infant JoyWilliam Blake
The Baby’s DanceAnn Taylor
Things like OurselvesFrancis Beaumont and John Fletcher
Child CryingAnthony Thwaite
Characteristics of a Child Three Years OldWilliam Wordsworth
On a Child Beginning to TalkThomas Bastard
Four Years Old – A Nursery SongLeigh Hunt
On ChildrenFrances Cornford
Child and MotherWilliam Cowper
A Child IllJohn Betjeman
Frost at MidnightSamuel Taylor Coleridge
The Barefoot BoyJohn Greenleaf Whittier
CatrinGillian Clarke
The Land of CounterpaneRobert Louis Stevenson
I Remember, I RememberThomas Hood
Infant SorrowWilliam Blake
Children, ChildrenJohn Wain
A Cradle SongWilliam Blake
Children’s SongR.S. Thomas
in Just—e.e. Cummings
The Child on the CliffsEdward Thomas
Seven Yere of AgeAnonymous
At the Sea-sideRobert Louis Stevenson
The Poet at ten years oldWilliam Wordsworth
A Child said, What is the grass?Walt Whitman
At the ZooWilliam Makepeace Thackeray
FairgroundW.H. Auden
Ballroom Dancing ClassPhyllis McGinley
Of the Boy and his TopJohn Hookham Frere
There Was a Child Went ForthWalt Whitman
The Children’s HourHenry Wadsworth Longfellow
Dirty JimJane Taylor
My Parents Kept Me from Children who were RoughStephen Spender
In my Two Small FistsAdrian Mitchell
My Lost YouthHenry Wadsworth Longfellow
The SchoolboyWilliam Blake
A Medieval Schoolboy’s ComplaintAnonymous
from: On a Distant Prospect of Eton CollegeThomas Gray
A Fight at SchoolAlexander Smith
from: Upon the Disobedient ChildJohn Bunyan
At SchoolAlexander Smith
There Was a BoyWilliam Wordsworth
American BoyRandall Jarrell
Floreat EtonaWinthrop Mackworth Praed
Index to Poets
Picture Credits
Acknowledgements
Infant Joy
‘I have no name;
I am but two days old.’
What shall I call thee?
‘I happy am,
Joy is my name.’
Sweet joy befall thee!
Pretty joy!
Sweet joy, but two days old.
Sweet Joy I call thee:
Thou dost smile,
I sing the while;
Sweet joy befall thee!
William Blake
(1757–1827)
The Baby’s Dance
Dance, little baby, dance up high,
Never mind baby, mother is by;
Crow and caper, caper and crow,
There little baby, there you go:
Up to the ceiling, down to the ground,
Backwards and forwards, round and round.
Then dance, little baby, and mother shall sing,
With the merry gay coral, ding, ding, a-ding, ding.
Ann Taylor
(1782–1866)
Things like Ourselves
from: The Mad Lover
Things like ourselves, as sensual, vain, invented
Bubbles, and breaths of air, got with an itching,
As blisters are and bred; as much corruption
Flows from their lives: sorrow conceives and shapes ’em;
And oftentimes the death of those we love most.
The breeders bring ’em to the World to curse ’em,
Crying they creep amongst us like young Cats.
Cares and continual crosses keeping with ’em.
They make Time old to tend them, and experience
An ass: they alter so; they grow, and goodly,
Ere we can turn our thoughts, like drops of water
They fall into the main, and are known no more;
This is the love of this World; I must tell thee
For thou art understanding.
Francis Beaumont
(1584–1616)
and John Fletcher
(1579–1625)
Child Crying
My daughter cries, and I
Lift her from where she lies,
Carry her here and there,
Talk nonsense endlessly.
And still she cries and cries
In rage, mindlessly.
A trivial anguish, found
In every baby-book.
But, at a fortnight old,
A pink and frantic mound
Of appetites, each look
Scans unfamiliar ground.
A name without a face
Becomes a creature, takes
A creature’s energies.
Raging in my embrace.
She takes the world and shakes
Each firm appointed place.
No language blocks her way,
Oblique, loaded with tact.
Hunger and pain are real,
And in her blindness they
Are all she sees: the fact
Is what you cannot say.
Our difference is that
We gauge what each cry says,
Supply what need demands.
Or try to. All falls flat
If cure is wrong or guess
Leaves her still obdurate.
So through uncertainties
I carry her here and there,
And feel her human heart,
Her human miseries,
And in her language share
Her blind and trivial cries.
Anthony Thwaite
(1930–)
Characteristics of a Child Three Years Old
Loving she is, and tractable, though wild;
And Innocence hath privilege in her
To dignify arch looks and laughing eyes;
And feats of cunning; and the pretty round
Of trespasses, affected to provoke
Mock-chastisement and partnership in play.
And, as a faggot sparkles on the hearth,
Not less if unattended and alone
Than when both young and old sit gathered round
And take delight in its activity;
Even so this happy Creature of herself
Is all-sufficient, solitude to her
Is blithe society, who fills the air
With gladness and involuntary songs.
Light are her sallies as the tripping fawn’s
Forth-startled from the fern where she lay couched;
Unthought-of, unexpected, as the stir
Of the soft breeze ruilling the meadow-flowers,
Or from before it chasing wantonly
The many-coloured images imprest
Upon the bosom of a placid lake.
William Wordsworth
(1770–1850)
On a Child Beginning to Talk
Methinks ’tis pretty sport to hear a child
Rocking a word in mouth yet undefiled;
The tender racket rudely plays the sound,
Which, weakly bandied, cannot back rebound.
And the soft air the softer roof doth kiss,
With a sweet dying and a pretty miss,
Which hears no answer yet from the white rank
Of teeth, not risen from their coral bank.
The alphabet is searched for letters soft,
To try a word before it can be wrought;
And, when it slideth forth, it goes as nice
As when a man doth walk upon the ice.
Thomas Bastard
(1566–1618)
Four Years Old– A Nursery Song
One cannot turn a minute,
But mischief—there you’re in it,