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- Herausgeber: Abela Publishing
- Kategorie: Fantasy und Science-Fiction
- Sprache: Englisch
- Veröffentlichungsjahr: 2018
It is a widely held belief, especially amongst the peoples of English-speaking nations, that the Irish have the “Gift of the Gab”. Samuel Lover’s LEGENDS AND STORIES OF IRELAND shows the utter truthfulness of this conviction. Herein you will find 20 of the most enduring classic Irish stories like: King O'toole And St. Kevin, Lough Corrib, A Legend Of Lough Mask, The King And The Bishop, Jimmy The Fool, The Devil's Mill and many more. After a recitation by Samuel Lover of a few tales at a dinner party, he was subsequently convinced to publish two of them in the Dublin Literary Gazette. The favourable reception of these tales resulted in Irish Stories and Legends, an exquisite and exceptional volume of Irish folklore. Prepared and collated with very few changes, Samuel Lover wanted to stay true to the original stories, so that the written story would enchant readers as though it were being presented in the vernacular. So, we invite you to download and curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you. KEYWORDS/TAGS: fairy tales, folklore, myths, legends, children’s stories, childrens stories, bygone era, fairydom, ethereal, fairy land, classic stories, children’s bedtime stories, happy place, happiness, King O'toole, St. Kevin, Ireland, Irish, Celtic, Lough Corrib, Lough Mask, White Trout, Battle Of The Berrins, Father Roach, Priest's Story, King, Bishop, Jimmy, Fool, Catastrophe, Devil's Mill, Gridiron, Paddy The Piper, Priest's Ghost, New Potatoes, Paddy, Sport, White Horse, Peppers, Little Weaver, Duleek Gate, Curse, Kishogue, Fairy Finder, Alpeen, Cudgel, Bad Scran, Bad Food, Bad Win, Bad Cess, Malediction, Cess, Success, Baithershin. May Be So, Ballyrag, Scold, Caureen, Old Bat, Strictly, A Little Old Hat, Een, Diminutive, Colleen Dhas, Pretty Girl, comether, Come Hither, Acquaintance, Gommoch, Simpleton, Hard Word, Hint, Hunkers, Haunches, Kimmeens, Sly Tricks, Machree, My Dear, Mavourneen, My Darling, Musha, Exclamation, Noggin, Drinking Vessel, Phillelew, Outcry, Spalpheen, Contemptible Person, Stravaig, Ramble, Ulican, Funeral Cry, Wake, Weirasthru
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LEGENDS and STORIES of IRELAND
By
Samuel Lover
Originally Published
Baldwin And Cradock, London
[1831, 1834]
Resurrected by
Abela Publishing, London
[2018]
Legends and Stories of Ireland
Typographical arrangement of this edition
© Abela Publishing 2018
This book may not be reproduced in its current format in any manner in any media, or transmitted by any means whatsoever, electronic, electrostatic, magnetic tape, or mechanical ( including photocopy, file or video recording, internet web sites, blogs, wikis, or any other information storage and retrieval system) except as permitted by law without the prior written permission of the publisher.
Abela Publishing,
London
United Kingdom
2018
ISBN-13: 978-1-XXXXXX-XX-X
email [email protected]
Website
Abela Publishing
Dedication
This book is dedicated to the teachers and storytellers
who keep folklore and history alive
through the telling and re-telling of these tales
Philanthropy
10% of the net profit from the sale of this book
will be donated t charities world-wide.
Acknowledgements
The Publisher acknowledges the work that
Samuel Lover
did in compiling this exquisite collection of
Irish Stories and Legends
in a time well before any electronic media was in use.
Publisher’s Note
It is a widely held belief, especially amongst the peoples of English-speaking nations, that the Irish have the gift of the gab. Samuel Lover’s Irish Stories and Legends shows the utter truthfulness of this conviction.
After a recitation by Samuel Lover of a few tales at a dinner party, he was subsequently convinced to publish two of them in the Dublin Literary Gazette. The favourable reception of these tales resulted in Irish Stories and Legends, an exquisite and exceptional volume of Irish folklore. Prepared and collated with very few changes, Samuel Lover wanted to stay true to the original stories, so that the written story would enchant readers as though it were being presented in the vernacular.
So curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you.
Samuel Lover (1797–1868) was an Irish novelist, a songwriter, and a painter of portraits. So famous was this son of Ireland that a memorial to him stands in St Patrick’s Cathedral, in Dublin. Less well-known is the fact that he was the also the grandfather of Victor Herbert, a famous Broadway composer.
Renowned for his clever twist of phrase, Samuel Lover once said, "When once the itch of literature comes over a man, nothing can cure it but the scratching of a pen". We’re grateful that he never stopped “itching”! Later in life, Samuel moved to London and joined with Dickens in founding Bentley's Magazine. Dickens was the magazine’s first editor, and Oliver Twist its first serial. Lover certainly kept illustrious company.
The memorial in St Patrick's Cathedral summarises Lover’s achievements thus:
“Poet, painter, novelist and composer, who, in the exercise of a genius as distinguished in its versatility as in its power, by his pen and pencil illustrated so happily the characteristics of the peasantry of his country that his name will ever be honourably identified with Ireland.”
Contents
Preface
Glossary
King O'toole And St. Kevin
Lough Corrib
A Legend Of Lough Mask
A White Trout
The Battle Of The Berrins
Father Roach
The Priest's Story
The King And The Bishop
Jimmy The Fool
The Catastrophe
The Devil's Mill
The Gridiron
Paddy The Piper
The Priest's Ghost
New Potatoes
Paddy The Sport
The White Horse Of The Peppers
The Legend Of The Little Weaver Of Duleek Gate
Conclusion Of The White Horse Of The Peppers
The Curse Of Kishogue
The Fairy Finder
Preface
THOUGH the sources whence these Stories are derived are open to every one, yet chance or choice may prevent thousands from making such sources available; and though the village crone and mountain guide have many hearers, still their circle is so circumscribed, that most of what I have ventured to lay before my reader is for the first time made tangible to the greater portion of those who do me the favour to become such.
Many of them were originally intended merely for the diversion of a few friends round my own fireside;--there, recited in the manner of those from whom I heard them, theyfirst made their début, and the flattering reception they met on so minor a stage, led to their appearance before larger audiences;--subsequently, I was induced to publish two of them in the Dublin Literary Gazette, and the favourable notice from contemporary prints, which they received, has led to the publication of the present volume.
I should not have troubled the reader with this account of the "birth, parentage, and education" of my literary bantlings, but to have it understood that some of them are essentially oral in their character, and, I fear, suffer materially when reduced to writing. This I mention enpassant to the critics; and if I meet but half as good-natured readers as I have hitherto found auditors, I shall have cause to be thankful. But, previously to the perusal of the following pages, there are a few observations that I feel are necessary, and which I shall make as concise as possible.
Most of the stories are given in the manner of the peasantry; and this has led to some peculiarities that might be objected to, were not the cause explained--namely, frequent digressions in the course of the narrative, occasional adjurations, and certain words unusually spelt. As regards the first, I beg to answer, that the stories would be deficient in national character without it; the Irish are so imaginative that they never tell a story straightforward, but constantly indulge in episode; for the second, it is only fair to say, that in most cases the Irish peasant's adjurations are not meant to be in the remotest degree irreverent, but arise merely from the impassioned manner of speaking which an excitable people are prone to; and I trust that such oaths as "thunder-and-turf," or maledictions, as "bad cees to you," will not be considered very offensive.
Nay, I will go further, and say, that their frequent exclamations of "Lord be praised,"--"God betune us and harm," etc., have their origin In a deeply reverential feeling and a reliance on the protection of Providence. As for the orthographical dilemmas into which an attempt to spell their peculiar pronunciation has led me, I have ample and most successful precedent in Mr. Banim's works. Some general observations, however, it may not be irrelevant to introduce here, on the pronunciation of certain sounds In the English language by the Irish peasantry. And here I wish to be distinctly understood, that I speak only of the midland and western district of Ireland--and chiefly of the latter.
They are rather prone to curtailing their words; of, for instance, is very generally abbreviated into o' or i', except when a succeeding vowel demands a consonant; and even in that case they would substitute v. The letters d and t as finals, they scarcely ever sound; for example, pond, hand, slept, kept, are pronounced pon, han, slep, kep. These letters, when followed by a vowel, are sounded as if the aspirate h intervened, as tender, letter--tindher, letther. Some sounds they sharpen, and vice versa. The letter e, for instance, is mostly pronounced like i in the word litter, as lind for lend, mind for mend, etc.; but there are exceptions to this rule--Saint Kevin, for example, which they pronounce Kavin. The letter o they sound like a in some words, as off, aff or av--thus softening f into v; beyond, beyant--thussharpening the final d to t, and making an exception to the custom of not sounding d as a final; in others they alter it to ow--asold, owld. Sometimes o is even converted into I - as spoil, spile. In a strange spirit of contrariety, while they alter the sound of e to that of i, they substitute the latter for the former sometimes--as hinder, hendher--cinder, cendher; s they soften into z--as us, us. There are other peculiarities which this is not an appropriate place to dilate upon. I have noticed the most obvious. Nevertheless, even these are liable to exceptions, as the peasantry are quite governed by ear--as in the word of, which is variously sounded o', i', ov, av, or iv, as best suits their pleasure.
It is unnecessary to remark how utterly unsystematic I have been in throwing these few remarks together. Indeed, to classify (if it were necessary) that which has its birth in ignorance would be a very perplexing undertaking. But I wished to notice these striking peculiarities of the peasant pronunciation, which the reader will have frequent occasion to observe in the following pages; and, as a further assistance, I have added a short glossary.
GLOSSARY
ALPEENBAD
A cudgel.
SCRAN
Bad food.
BAD WIN,
BAD CESS
Malediction. Cess is an abbreviation of success.
BAITHERSHIN
It may be so.
BALLYRAG
To scold.
CAUREEN
An old bat. Strictly, a little old hat. Een, in Irish, is diminutive.
COLLEEN DHAS
Pretty girl.
COMETHER
Corruption, of "Come hither." "Putting his comether" means forcing his acquaintance.
GOMMOCH
A simpleton.
HARD WORD
Hint.
HUNKERS
Haunches.
KIMMEENS
Sly tricks.
MACHREE
My dear.
MAVOURNEEN
My darling.
MUSHA!
An exclamation, as "Oh, my!" "Oh, la!"
NOGGIN
A small wooden drinking vessel.
PHILLELEW
An outcry.
SPALPHEEN
A contemptible person.
STRAVAIG
To ramble.
ULICAN
The funeral cry.
WAKE
Watching the body of the departed previous to interment.
WEIRASTHRU!
Mary, have pity!
King O'toole and St. Kevin
A LEGEND OF GLENDALOUGH
WHO has not read of St. Kevin, celebrated as he has been by Moore in the melodies of his native land, with whose wild and impassioned music he has so intimately entwined his name? Through him, in the beautiful ballad whence the epigraph of this story is quoted, the world already knows that the skylark, through the intervention of the saint, never startles the morning with its joyous note in the lonely valley of Glendalough. In the same ballad, the unhappy passion which the saint inspired, and the "unholy blue" eyes of Kathleen, and the melancholy fate of the heroine by the saint's being "unused to the melting mood," are also celebrated; as well as the superstitious, finale of the legend, in the spectral appearance of the love-lorn maiden:
"And her ghost was seen to glideGently o'er the fatal tide."
Thus has Moore given, within the limits of a ballad, the spirit of two legends of Glendalough, which otherwise the reader might have been put to the trouble of reaching after a more roundabout fashion. But luckily for those coming after him, one legend he has left to be
"--touched by a hand more unworthy--"
and instead of a lyrical essence, the raw material in prose is offered, nearly verbatim, as it was furnished to me by that celebrated guide and bore, Joe Irwin, who traces his descent In a direct line from the old Irish kings, and warns the public In general that "there's a power of them spalpeens sthravaigin' about, sthrivin' to put their upon the quol'ty (quality), and callin' themselves Irwin (knowin', the thieves o' the world, how his name had gone far and near, as the rale guide), for to deceave dacent people; but never for to b'lieve the likes--for it was only mulvatherin people they wor." For my part, I promised never to put faith in any but himself; and the old rogue's self-love being satisfied, we set out to explore the wonders of Glendalough. On arriving at a small ruin, situated on the south-eastern side of the lake, my guide assumed an air of importance, and led me into the ivy-covered remains, through a small square doorway, whose simple structure gave evidence of its early date: a lintel of stone lay across two upright supporters, after the fashion of such remains in Ireland.
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
Lesen Sie weiter in der vollst?ndigen Ausgabe!
