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Examine your world with all your senses, immersing yourself fully in its richness. See the kittiwakes and bees go busily about their lives, each playing their part in the intricate dance of life. Smell the sweet fragrance of ripening apples hanging heavily on trees. Feel the softness of a pet's fur beneath your fingertips, or the warmth and strength of a lover's hand in yours. Hear the faint, mournful sound of water trickling from a glacier slowly succumbing to the planet's warming embrace. Consider what human beings are changing irrevocably, shaping the world's fate with every choice and action. Ask yourself: What beauty, what experience, what life might we fail to notice? What might we lose forever if we do not stop, look, listen, and cherish the wonders around us before it is too late?
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Seitenzahl: 39
Veröffentlichungsjahr: 2025
Imprint
All rights of distribution, also through movies, radio and television, photomechanical reproduction, sound carrier, electronic medium and reprinting in excerpts are reserved.
© 2025 novum publishing gmbh
Rathausgasse 73, A-7311 Neckenmarkt
ISBN print edition: 978-3-7116-0469-9
ISBN e-book: 978-3-7116-0470-5
Editor: Chris Beale
Cover photo: Rangizzz | Dreamstime.com
Cover design, layout & typesetting: novum publishing
www.novum-publishing.co.uk
Acknowledgements
“The Cosmic Search” and “Almost” were first published in “The Cannon’s Mouth”, the quarterly anthology of Cannon Poets.
Huge thanks are due to all the Cannon Poets for their warm welcome and invaluable advice, to the members of Solihull Writers’ Workshop, to Lydia Towsey and the members of Word!, and especially to Charlie Jordan for the inspiration repeatedly generated in their workshops.
All peculiarities of interpretation are my own.
Introduction
Being blessed with a long life, I have many memories, most of them dim until stimulated by companions’ talk, and a lot of them shared by other people walking the same long road. For me, the memories seem to return most easily in verse, and the clearest of them relate to the most important aspects of an active life.
This collection therefore includes more poems about love – could we exist fully without it? – the childhood in which we were formed, some stupid risks and lucky escapes from before we knew better, critical issues (climate change and interpersonal tolerance get a mention), the inevitability of ageing and its limitations, animals (especially cats, of course) who accompany us and teach us so many truths, and a nod towards humour, without which, however peculiar, it would sometimes seem difficult to go on. There is no particular theme, just the reflections of a life thoroughly enjoyed, set down to spark the readers’ own memories and enjoyment.
Robert Ferguson
Spring, 2024
Apple Green
The smell hits you as you climb the unsteady ladder
Into the house-wide loft. It’s solid,
Nothing like the smell when they hanged in the orchard.
Much stronger. Not the rot-smell of fallen fruit,
Wasp-drilled as if to be screwed back
Onto the tree. No, these green globes have been dressed
Each in its own square suit of torn paper
And laid in its place on the planks
Stretching between the roof-tile battens
On either side. The smell has a colour,
Apple green, which deepens with the early frosts
Until most of the fruit have been chosen,
Transported in round wicker baskets to the kitchen,
And cored and cooked in sauces and pies for Christmas.
The Kitchen Range
Set into the wall, and forbidden
For safety, but still the centre
Of life for the family, whose chairs,
Each jealously allocated,
Are gathered round it
After meals. “Five minutes for the Queen.”
Aside, the scuttle from which Mother throws,
And Father places, reflective coal
On the dull embers behind sooty bars.
The baking oven’s heavy iron door
Is never opened. Bread is bought
And Grandma slices it
In wafers, and then spreads
The raspberry jam, boiled there
In a copper cauldron,
Stood there on the hob to cool,
Bottled on the table unchenilled
For the purpose,
Spills rubbed into the carpet
Where I play.
Early Lesson
I sat at the end on the left,
Looked at by the big boy at the end of the table.
I was small, the smallest,
From whom nothing was expected but silence and a clean plate
Whatever was served that day.
So I learned to eat everything –
Grey mutton, thin gravy, lumpy mash,
Boiled and boiled and boiled cabbage –
And it served me well.
When abroad in different cultures,
When offered hospitality by non-culinary friends,
In cheap cafes, presumptuous banquets,
I always manage to present
A clean plate.
Coin
If I were a coin
I’d be tempted to be a penny.
Not a modern one, insignificant
In size and colour.
One from my boyhood, an inch across
That, when you had a few,
You could clink them together in your pocket
To show you were rich,
Or at least had enough for a ’phone call.
No, not even one of those.
Rather, something silver.
A Half-a-Crown, like those a barely-known rich uncle
Left on his occasional visits?
Untold wealth! “Put it in your money box.”
“Yes, Ma.” – reluctantly.
No, that’s too big and flashy.
What I’d like to be is a Silver Joey.
Not worth a lot, but enough
For an ice cream in those days.
A bit of pleasure for a tiny gleam.
Across Vauxhall Bridge
Red Routemasters clustered in Camberwell Green
When we were young. Perhaps they still do,
But not as they were then
With an open rear platform for boarding
As they pulled away, and for leaving them
Between stops when the traffic delayed us