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Sal ist ein junger Rapper. Er rappt - wenn er darf - in der Schule, er rappt in Clubs in Downtown San Francisco. Aber er ist nicht der einzige Rapper an seiner Schule. Sein Rivale heißt Alonzo: der robuste, aggressive, eifersüchtige Freund von Shelly. Und als Shelly anfängt, Interesse an Sals Raptalent zu zeigen, sind die Probleme vorprogrammiert. Vor einem Hintergrund von spannenden "rap battles", in denen harte (und nicht so harte) Musik-Texte den Zuschauern präsentiert werden, kämpfen Sal und Alonzo um ihren musikalischen Ruf - und um die Aufmerksamkeit der schönen Shelly. Klett English Readers / Sek. I / Niveau A2 / Lektüre mit Annotationen Hinweis: Das Hörbuch zu Rapping for Shelly, das mit manchen Readern gehört werden kann, wurde stellenweise vereinfacht und ist daher nicht durchgehend identisch mit dem gedruckten Text.
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Seitenzahl: 73
Rapping for Shelly
Paul Davenport
Paul Davenport
Rapping for Shelly
1. Auflage
Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Nutzung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlags. Hinweis zu § 52 a UrhG: Weder das Werk noch seine Teile dürfen ohne eine solche Einwilligung in das Internet oder ein Netzwerk eingestellt werden. Dies gilt auch für Intranets von Schulen und sonstigen Bildungseinrichtungen. Ein weiterer kommerzieller Gebrauch oder die Weiterleitung an Dritte sind nicht gestattet.
© Ernst Klett Sprachen GmbH, Rotebühlstraße 77, 70178 Stuttgart, 2009. Alle Rechte vorbehalten.
Internetadresse: www.klett.de / www.lektueren.com
Autor: Dr. Paul Davenport
Redaktion: Paul NewcombLayoutkonzeption: Elmar FeuerbachGestaltung und Satz: Satzkasten, StuttgartUmschlaggestaltung: Elmar FeuerbachTitelbild: Shutterstock © UltraViolet, New YorkBild vom Autor (S. 6): Photo by Herman Arens
ISBN 978-3-12-542642-9eISBN 978-3-12-909002-2
About the book
About the author
Abbreviations used in annotations
Rapping for Shelly
1 THE DREAM
2 A ROUGH SCENE
3 RAPPING FOR THE ENGLISH TEACHER
4 ALONZO’S ANGER
5 CONFRONTATION
6 BODYGUARDS
7 UNDER CONTRACT
8 AN UNUSUAL CONVERSATION
9 TESTING SHELLY
10 ALICIA’S PARTY
11 RAP BATTLE
12 PEACE?
13 HEAVY TALK
14 FOR SHELLY
15 THE WINNER
Paul Davenport
16 year-old Sal D’Angelo dreams of becoming a rap superstar. He’s got the talent and the determination but he’s facing big obstacles. As a Latino, he’s definitely an outsider in the mainly Afro-American Frisco rap scene. And the fact that he prefers to rap about life in a middle-class American town rather than the classic theme of life in the ghetto makes him even more of an outsider. Still, with his brilliant style he makes a name for himself, even winning rap battles against some famous rappers. He seems to be on his way to achieving his dream, but then he falls in love with the girlfriend of his biggest rival and worst enemy…
Music is an important part of several of Paul Davenport’s readers. Paul comes from a musical family. One of the happiest memories of his youth is the regular ‘jam sessions’ with his father, with Paul on alto sax and his father on the piano. (His grandmother actually played background music for silent films!). Paul enjoys a wide range of music styles including pop, rap, country, disco and rock and roll, including songs by German artists.
After completing his postgraduate studies, he moved to Germany, where he’s been living with his wife and family ever since.
The roots of his writing career go back to the stage plays he wrote for his English classes to perform. One of them, The Royal Choice, became his first publication, in 1996. Four years later, he wrote the first of his many school readers.
A highlight in his writing career was when his story Crossroads to Love became a finalist in the Extensive Reading Foundation’s contest for reader of the year 2007. The second highlight came a year later, 2008, when another of his stories, Horror Trip on the Pecos River was named the winner of that same contest.
Paul’s hobbies include reading, table tennis and fly fishing. He sometimes misses the trout fishing in Maine, where he grew up. He still has his alto sax and, from time to time, takes it out and plays a tune or two.
abb
abbreviation
derog
derogatory
inf
informal
off
offensive
sb
somebody
sl
slang
sth
something
vulg
vulgar
‘I’m proud to be Latino,
my father from Mexico,
my mother from Puerto Rico,
born in San Francisco,
I want the world to know
where my rap is coming from,
where it’s gonna go.’
Sal paused and let his words echo in his ear. He loved the way the words ‘rolled’, as he liked to say. He loved the sounds of words. He enjoyed putting them together and watching them interact, the way they did in the sentences he had just spoken. The way the words ‘Latino’, ‘Mexico’, ‘Puerto Rico’, ‘San Francisco’, ‘know’ and ‘go’ all echoed each other. It was like he’d made a necklace with words, linking the words together, like pearls.
Sal D’Angelo, or Sal D, as he called himself, had a dream. It was a crazy dream. He wanted – no, he yearned – to become a famous rapper, a rap superstar. He had the talent – a lot of people had told him that – and he was willing to work hard to develop it.
But, he realized, there were huge obstacles in his way. The main one, of course, was the fact that he was a Latino. To most people, the world of rap music was a black world. They didn’t expect to see a Latino there. Some didn’t want to see a Latino there. If a guy like Sal tried to get in, they would try to keep him out.
Another obstacle was his subject matter. Mainstream rap was about life in the ghetto, a world Sal had no first-hand knowledge of. His world was strictly middle-class: large, comfortable homes complete with two-car garages, in clean and orderly neighborhoods, with little or no crime. He lived near the top of Albany Hill, in the little town of Albany, ten miles from San Francisco, on the opposite side of the bay. On clear days – smogfree days – he could look out his bedroom window and see San Francisco and the Golden Gate Bridge! On very clear days, he could see much more, a breathtaking panorama including Angel Island, Treasure Island, Alcatraz Island and the bridge that made the Golden Gate Bridge look small: Oakland Bay Bridge.
How can you rap about a place with a milliondollar view?
Tough question – but no tougher than the question, how can you rap about a place you know little or nothing about? Sal was facing a rock-and-a-hard-place choice. If he rapped about the ghetto, people would realize that he didn’t know what he was talking about and turn away. If he rapped about his middle-class world, people would also turn away. Or would they?
He thought about it long and hard. And the longer and harder he thought about it, the more he realized that what he really wanted to rap about – what he had to rap about – was his life, not a fantasy life he knew nothing about. He wanted his rap to be real, not fake. That’s why the Albany he would rap about wouldn’t be the ‘Welcome-to-Awesome-Albany’ for tourists. His rap would be about the dark side of Albany, the side tourists didn’t get to see. Where there was just as much struggle as there was in the ghetto, only different.
At first glance, it seemed that kids like him from a typical Albany neighborhood had a wonderful life. Sure, they were well taken care of. They lived in nice houses, went to good schools, wore the latest styles. But – and it was a huge but – there was a price for all these privileges. And the price was high – high pressure. Albany was a high-pressure zone. As a kid from Albany, you were under pressure to be an achiever. Sure, your parents did a lot for you, supporting your busy self-improvement program (fitness center, weight loss camps, private tutoring, tennis lessons, riding lessons, and all the rest), but they expected a lot in return. They wanted you to be good, or preferably, excellent. To shine – like a star, get high marks in school, go on to the best colleges, and in the end, land a high-paying job.
No wonder a lot of the kids from Albany had alcohol and drug problems.
Latino!lx*ti:noU? person who comes from Central America or Puerto Rico (i.e. has the dark looks of a Spanish/Indian person)
necklace!*neklEs? a piece of jewelry a woman wears around her neck
to yearn!jE:n? (for sth): to want sth very much
obstacle!*A:bstEkEl? problem, sth is in the way of sth else
subject matter the ideas or information contained in a book, film, speech, etc.
tough!t0f?here: difficult
rock-and-a-hard-place If you find yourself between a rock and a hard place, you are in a no-win situation
fake not genuine, appearing to be something it is not
struggle a hard fight
stylehere: fashion
achiever someone who is able to reach their goals
weight loss camp a type of summer program to help overweight young people lose weight
private tutoring being taught by your own personal teacher
to landhere: to get