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- Herausgeber: DigiCat
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
- Veröffentlichungsjahr: 2022
James Stephens' novel, 'The Charwoman's Daughter,' is a moving exploration of family, class, and societal expectations in early 20th century Ireland. Written in a realistic and straightforward style, the book provides a poignant glimpse into the life of Mary Makebelieve, the titular character, as she navigates the challenges of her humble upbringing. Stephens' evocative descriptions and keen observations of human nature make this novel a compelling read for those interested in the complexities of social dynamics and personal identity. Drawing on the literary tradition of Irish realism, the novel captures the struggles and triumphs of ordinary individuals in a rapidly changing world.
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The Charwoman's Daughter
Table of Contents
TO BETHEL SOLOMONS, M.B.
I
Mary Makebelieve lived with her mother in a small room at the very top of a big, dingy house in a Dublin back street. As long as she could remember she had lived in that top back room. She knew every crack in the ceiling, and they were numerous and of strange shapes. Every spot of mildew on the ancient wall-paper was familiar. She had, indeed, watched the growth of most from a greyish shade to a dark stain, from a spot to a great blob, and the holes in the skirting of the walls, out of which at night time the cockroaches came rattling, she knew also. There was but one window in the room, and when she wished to look out of it she had to push the window up, because the grime of many years had so encrusted the glass that it was of no more than the demi-semi-transparency of thin horn. When she did look there was nothing to see but a bulky array of chimney-pots crowning a next-door house, and these continually hurled jays of soot against her window; therefore, she did not care to look out often, for each time that she did so she was forced to wash herself, and as water had to be carried from the very bottom of the five-story house up hundreds and hundreds of stairs to her room, she disliked having to use too much water.
Her mother seldom washed at all. She held that washing was very unhealthy and took the natural gloss off the face, and that, moreover, soap either tightened the skin or made it wrinkle. Her own face was very tight in some places and very loose in others, and Mary Makebelieve often thought that the tight places were spots which her mother used to wash when she was young, and the loose parts were those which had never been washed at all. She thought that she would prefer to be either loose all over her face or tight all over it, and, therefore, when she washed she did it thoroughly, and when she abstained she allowed of no compromise.
Her mother's face was the colour of old, old ivory. Her nose was like a great strong beak, and on it the skin was stretched very tightly, so that her nose shone dully when the candle was lit. Her eyes were big and as black as pools of ink and as bright as the eyes of a bird. Her hair also was black, it was as smooth as the finest silk, and when unloosened it hung straightly down, shining about her ivory face. Her lips were thin and scarcely coloured at all, and her hands were sharp, quick hands, seeming all knuckle when she closed them and all fingers when they were opened again.
Mary Makebelieve loved her mother very dearly, and her mother returned her affection with an overwhelming passion that sometimes surged into physically painful caresses. When her mother hugged her for any length of time she soon wept, rocking herself and her daughter to and fro, and her clutch became then so frantic that poor Mary Makebelieve found it difficult to draw her breath; but she would not for the world have disturbed the career of her mother's love. Indeed, she found some pleasure in the fierceness of those caresses, and welcomed the pain far more than she reprobated it.
Her mother went out early every morning to work, and seldom returned home until late at night. She was a charwoman, and her work was to scrub out rooms and wash down staircases. She also did cooking when she was asked, and needlework when she got any to do. She had made exquisite dresses which were worn by beautiful young girls at balls and picnics, and fine white shirts that great gentlemen wore when they were dining, and fanciful waistcoats for gay young men, and silk stockings for dancing in--but that was a long time ago, because these beautiful things used to make her very angry when they were taken from her, so that she cursed the people who came to take them away, and sometimes tore up the dresses and danced on them and screamed.
She used often to cry because she was not rich. Sometimes, when she came home from work, she liked to pretend that she was rich; she would play at imagining that some one had died and left her a great fortune, or that her brother Patrick had come back from America with vast wealth, and then she would tell Mary Makebelieve of the things she intended to buy and do the very next day. Mary Makebelieve liked that...They were to move the first thing in the morning to a big house with a garden behind it full of fruit-trees and flowers and birds. There would be a wide lawn in front of the house to play lawn-tennis in, and to walk with delicately fine young men with fair faces and white hands, who would speak in the French language and bow often with their hats almost touching the ground. There were to be twelve servants--six of them men servants and six of them women servants--who would instantly do as they were bidden, and would receive ten shillings each per week and their board; they would also have two nights free in the week, and would be very well fed. There were many wonderful dresses to be bought, dresses for walking in the streets and dresses for driving in a carriage, and others again for riding on horseback and for travelling in. There was a dress of crimson silk with a deep lace collar, and a heavy, wine-coloured satin dress with a gold chain falling down in front of it, and there was a pretty white dress of the finest linen, having one red rose pinned at the waist. There were black silken stockings with quaint designs worked on them in red silk, and scarves of silver gauze, and others embroidered with flowers and little shapes of men and women.
When her mother was planning all these things she was very happy, but afterwards she used to cry bitterly and rock her daughter to and fro on her breast until she hurt her.
II
Every morning about six o'clock Mary Makebelieve left her bed and lit the fire. It was an ugly fire to light, because the chimney had never been swept, and there was no draught. Also, they never had any sticks in the house, and scraps of paper twisted tightly into balls with the last night's cinders placed on them and a handful of small coals strewn on the top were used instead. Sometimes the fire blazed up quickly, and that made her happy, but at other times it went out three and four, and often half a dozen times; then the little bottle of paraffin oil had to be squandered--a few rags well steeped in the oil with a newspaper stretched over the grate seldom failed to coax enough fire to boil the saucepan of water; generally this method smoked the water, and then the tea tasted so so horrid that one only drank it for the sake of economy.
Mrs. Makebelieve liked to lie in bed until the last possible moment. As there was no table in the room, Mary used to bring the two cups of tea, the tin of condensed milk, and the quarter of a loaf over to the bed, and there she and her mother took their breakfast.
From the time she opened her eyes in the morning her mother never ceased to talk. It was then she went over all the things that had happened on the previous day, and enumerated the places she would have to go to on the present day, and the chances for and against the making of a little money. At this meal she used to arrange also to have the room re-papered and the chimney swept and the rat-holes stopped up--there were three of these; one was on the left-hand side of the fire grate, the other two were under the bed, and Mary Makebelieve had lain awake many a night listening to the gnawing of teeth on the skirting and the scamper of little feet here and there on the floor. Her mother further arranged to have a Turkey carpet placed' on the floor, although she admitted that oilcloth or linoleum was easier to clean, but they were not so nice to the feet or the eye. Into all these improvements her daughter entered with the greatest delight. There was to be a red mahogany chest of drawers against one wall, and a rosewood piano against the wall opposite; a fender of shining brass, with brazen furniture, a bright copper kettle for boiling water in, and an iron pot for cooking potatoes and meat; there was to be a life-sized picture of Mary over the mantelpiece, and a picture of her mother near the window in a golden frame, also a picture of a Newfoundland dog lying in a barrel and a little wee terrier crawling up to make friends with him, and a picture of a battle between black people and soldiers.
Her mother knew it was time to get out of bed when she heard a heavy step coming from the next room and going downstairs. A labouring man lived there with his wife and six children. When the door banged she jumped up, dressed quickly, and flew from the room in a panic of haste. Usually then, as there was nothing to do, Mary went back to bed for another couple of hours. After this she arose, made the bed and tidied the room, and went out to walk in the streets, or to sit in the St. Stephen's Green Park. She knew every bird in the Park, those that had chickens, and those that had had chickens, and those that never had any chickens at all--these latter were usually drakes, and had reason on their side for an abstention which might otherwise have appeared remarkable, but they did not deserve the pity which Mary lavished on their childishness, nor the extra pieces of bread with which she sought to recompense them. She loved to watch the ducklings swimming after their mothers: they were quite fearless, and would dash to the water's edge where one was standing and pick up nothing with the greatest eagerness and swallow it with delight. The mother duck swam placidly close to her brood, and clucked in a low voice all kinds of warnings and advice and reproof to the little ones. Mary Makebelieve thought it was very clever of the little ducklings to be able to swim so well. She loved them, and when nobody was looking she used to cluck at them like their mother; but she did not often do this, because she did not know duck language really well, and feared that her cluck might mean the wrong things, and that she might be giving these innocents bad advice, and telling them to do something contrary to what their mother had just directed.
The bridge across the big lake was a fascinating place. On the sunny side lots of ducks were always standing on their heads searching for something in the water, so that they looked like only half ducks. On the shady side hundreds of eels were swimming about--they were most wonderful things; some of them were thin like ribbons, and others were round and plump like thick ropes. They never seemed to fight at all, and although the ducklings were so tiny the big eels never touched any of them, even when they dived right down amongst them. Some of the eels swam along very slowly, looking on this side and on that as if they were out of work or up from the country, and others whizzed by with incredible swiftness. Mary Makebelieve thought that the latter kind had just heard their babies crying; she wondered, when a little fish cried, could its mother see the tears where there was already so much water about, and then she thought that maybe they cried hard lumps of something that was easily visible.
After this she would go around the flower-beds and look at each; some of them were shaped like stars, and some were quite round, and others again were square. She liked the star-shaped flower-beds best, and next she liked the round ones, and last of all the square. But she loved all the flowers, and used to make up stories about them.
After that, growing hungry, she would go home for her lunch. She went home down Grafton Street and O'Connell Street. She always went along the right-hand side of the street going home, and looked in every shop window that she passed; and then, when she had eaten her lunch, she came out again and walked along the left-hand side of the road, looking at the shops on that side; and so she knew daily everything that was new in the city, and was able to tell her mother at night time that the black dress with Spanish lace was taken out of Manning's window, and a red gown with tucks at the shoulders and Irish lace at the wrists put in its place; or that the diamond ring in Johnson's marked One Hundred Pounds was gone from the case, and that a slide of brooches of beaten silver and blue enamel was there instead.
In the night time her mother and herself went round to each of the theatres in turn and watched the people going in, and looked at the big posters. When they went home afterwards they had supper, and used to try to make out the plots of the various plays from the pictures they had seen, so that generally they had lots to talk about before they went to bed. Mary Makebelieve used to talk most in the night time, but her mother talked most in the morning.
III
Her mother spoke sometimes of matrimony as a thing remote but very certain: the remoteness of this adventure rather shocked Mary Makebelieve; she knew that a girl had to get married, that a strange, beautiful man would come from somewhere looking for a wife, and would retire again with his bride to that Somewhere which is the country of Romance. At times (and she could easily picture it) he rode in armour on a great bay horse, the plume of his helmet trailing among the high leaves of the forest. Or he came standing on the prow of a swift ship with the sunlight blazing back from his golden armour. Or on a grassy plain, fleet as the wind, he came running, leaping, laughing.
When the subject of matrimony was under discussion her mother planned minutely the person of the groom, his vast accomplishments, and yet vaster wealth, the magnificence of his person, and the love in which he was held by rich and poor alike. She also discussed, down to the smallest detail, the elaborate trousseau she would provide for her daughter, the extravagant presents the bridegroom would make to his bride and her maids, and those, yet more costly, which the bridegroom's family would send to the newly-married pair. All these wonders could only concentrate in the person of a lord. Mary Makebelieve's questions as to the status and appurtenances of a lord were searching and minute; her mother's rejoinders were equally elaborate and particular.
At his birth a lord is cradled in silver; at his death he is laid in a golden casket, an oaken coffin, and a leaden outer coffin, until, finally, a massy stone sarcophagus shrouds his remains for ever. His life is a whirl of gaiety and freedom. Around his castle there spread miles upon miles of sunny grass lands and ripened orchards and waving forests, and through these he hunts with his laughing companions or walks gently with his lady. He has servants by the thousand, each anxious to die for him, and his wealth, prodigious beyond the computation of avarice, is stored in underground chambers, whose low, tortuous passages lead to labyrinths of vaults massy and impregnable.
Mary Makebelieve would have loved to wed a lord. If a lord had come to her when she paced softly through a forest, or stood alone on the seashore, or crouched among the long grass of a windy plain, she would have placed her hands in his and followed him and loved him truly for ever. But she did not believe that these things happened nowadays, nor did her mother. Nowadays! her mother looked on these paltry times with an eye whose scorn was complicated by fury. Mean, ugly days! mean, ugly lives! and mean, ugly people! said her mother, that's all one can get nowadays; and then she spoke of the people whose houses she washed out and whose staircases she scrubbed down, and her old-ivory face flamed from her black hair, and her deep, dark eyes whirled and became hard and motionless as points of jet, and her hands jumped alternately into knuckles and claws.
