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The Inner Revelation - 7 Classic Mystical Treatises brings together a rich tapestry of mystical insights, exploring the vast landscapes of inner consciousness and divine truths. The collection encompasses a range of literary styles and philosophical musings, from revelatory prose to compelling dialogues. Each piece resonates with an overarching theme of spiritual enlightenment and personal transformation, inviting readers into the profound, often complex relationship between the self and the universal consciousness. The selected treatises collectively cast a new light on the timeless quest for mystical understanding, making the anthology both diverse and cohesive. The contributing authors of this anthology, including visionaries like Emanuel Swedenborg and U.G. Krishnamurti, represent a fusion of eclectic backgrounds and spiritual traditions. Their works span across eras and cultures, embodying significant currents in mystical and philosophical thought. The anthology is firmly anchored in historical and cultural movements that emphasize introspection and spiritual awakening. Through their distinct yet interconnected viewpoints, they provide a compelling dialogue on humanity's eternal search for inner knowledge, each author enriching the reader's understanding of mystical exploration. The Inner Revelation offers scholars and seekers alike a unique opportunity to traverse the lush expanse of spiritual landscapes within a single volume. This anthology serves as both an educational tool and a source of inspiration, engaging readers in a vibrant discourse across different mystical perspectives. As a curated collection of varied insights, it invites its audience to reflect deeply on the nature of spiritual realization, making it a valuable addition to the libraries of those drawn to the metaphysical and the esoteric. In this enriched edition, we have carefully created added value for your reading experience: - An Introduction draws the threads together, discussing why these diverse authors and texts belong in one collection. - Historical Context explores the cultural and intellectual currents that shaped these works, offering insight into the shared (or contrasting) eras that influenced each writer. - A combined Synopsis (Selection) briefly outlines the key plots or arguments of the included pieces, helping readers grasp the anthology's overall scope without giving away essential twists. - A collective Analysis highlights common themes, stylistic variations, and significant crossovers in tone and technique, tying together writers from different backgrounds. - Reflection questions encourage readers to compare the different voices and perspectives within the collection, fostering a richer understanding of the overarching conversation.
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Veröffentlichungsjahr: 2025
This collection gathers voices that converge on the problem of inner revelation: how the deepest truth about self and reality discloses itself within. From The Cell of Self-Knowledge to The Impersonal Life, from the rigor of U. G. Krishnamurti’s negations to the visionary scope of Heaven and its Wonders and Hell and the scriptural cadence of The Aquarian Gospel of Jesus the Christ, each work approaches the same mystery from a distinct angle. Together they propose that what is ultimate is not merely believed or argued but known inwardly, and that such knowing unsettles inherited certainties while inviting a transformed orientation to life.
The texts converse across striking differences in tone and genre. The Cell of Self-Knowledge suggests collected devotions devoted to inner discipline; Joseph Benner offers a meditative, impersonal counsel; U. G. Krishnamurti confronts the very currency of spiritual claims; Emanuel Swedenborg unfolds a structured vision of spiritual realms; and Levi H. Dowling employs a gospel form centered on Jesus the Christ. These contrasts produce a polyphonic field in which affirmation and denial, map-making and map-breaking, converge. Each voice becomes a provocation to the others, sharpening shared questions about experience, authority, and the reach of human understanding.
Recurring motifs run through the sequence: the call to self-knowledge, the status of the personal self, the reliability of mind, the possibility of enlightenment or salvation, and the relation between inner experience and a cosmic order. The Impersonal Life and the early English treatises emphasize inward transformation, while Mind is a Myth and The Mystique of Enlightenment interrogate the assumptions that sustain such projects. Heaven and its Wonders and Hell asserts a grand spiritual architecture, and The Aquarian Gospel of Jesus the Christ situates inner realization within a Christ-centered narrative. This circulation of themes generates a living debate rather than a single doctrine.
Productive tensions animate that debate. Where The Cell of Self-Knowledge leans toward disciplined interiority, Benner radicalizes the turn inward by loosening attachment to a personal identity. U. G. Krishnamurti pushes further, challenging the very premise of a mental path or goal. Swedenborg, by contrast, elaborates a visionary cosmology in which inner and outer worlds mirror one another. Dowling’s gospel casts the drama of realization within a sacred biography. The interplay of tenderness and severity, of affirmation and refusal, restores complexity to the word “mystical,” revealing it as a spectrum rather than a camp.
Contemporary resonance follows from this spectrum. In a climate attentive to questions of identity, consciousness, and meaning, these works offer multiple grammars for thinking about interior life—devotional, philosophical, critical, and visionary. Their plurality models a way to hold conviction without uniformity, and to sustain inquiry without cynicism. They encourage practices of attention and discernment while also legitimating skepticism toward prefabricated answers. In cultural conversations that weigh experience against ideology, and inwardness against public responsibility, the collection invites renewed consideration of what counts as knowledge and how it transforms conduct.
The artistic imagination finds fertile materials here. Swedenborg’s evocation of heavens and hells, Dowling’s gospel architecture, the austere inwardness of The Cell of Self-Knowledge, Benner’s impersonal orientation, and Krishnamurti’s unsentimental critique all furnish distinct aesthetic energies—visionary imagery, narrative cadence, contemplative minimalism, and iconoclastic clarity. These forces have the capacity to inform creative work that explores threshold states, the stripping away of illusions, and the reconfiguration of personhood. The texts’ tonal contrasts enable artists to move between ornament and austerity, revelation and silence, narrative and interruption, without abandoning coherence.
Intellectually, the collection catalyzes conversations across philosophy, religious studies, psychology, and cultural theory. It juxtaposes mystical articulation with radical critique, thereby testing the limits of language in the face of the ineffable. It invites comparative readings of personal and impersonal models of self, examines the role of myth in orienting life, and considers whether cosmological vision can coexist with skepticism about mental constructions. By placing these works side by side, the collection proposes that inner revelation is not a single event or doctrine but an evolving inquiry whose rigor lies in its multifaceted forms.
In 1521 London, Henry Pepwell printed The Cell of Self-Knowledge, collating late medieval English contemplative texts in the turbulent eve of Reformation. The Tudor consolidation of authority, episcopal policing of heresy, and the humanist turn to the vernacular shaped the book’s reception. While the treatises urge withdrawal into an interior 'cell,' they emerged from a monastic and anchoritic culture entangled with parish life, guild piety, and the politics of preaching. Print diffused private devotion beyond cloistered walls, provoking suspicion that unmediated conscience might bypass sacramental structures. The volume thus crystallizes quiet interiority amidst tightening church–crown alignment and anxieties about lay interpretation.
Across the eighteenth to twentieth centuries, the remaining works respond to shifting regimes of authority. Emanuel Swedenborg wrote within Lutheran state orthodoxy and parliamentary realignments, offering an otherworldly civil society whose order critiques mechanistic government by re-centering charity. In the United States, Joseph Benner’s The Impersonal Life and Levi H. Dowling’s The Aquarian Gospel appeared amid Progressive Era reform, industrial consolidation, and contested religious pluralism, speaking to readers dislocated by mass society. Later, U. G. Krishnamurti’s iconoclastic texts emerged from postcolonial India and Cold War globalization, rejecting spiritual hierarchies as new forms of power merchandising in an expanding transnational marketplace of gurus, therapies, and ideologies.
The Cell of Self-Knowledge assembles vernacular contemplative writing that marries affective devotion with disciplined psychological technique. Its anonymous voices counsel a stripping of images and passions, yet deploy supple metaphors of wounding love, darkness, and spark to disclose the soul’s ascent. Crafted in late medieval prose cadences and sometimes rhythmic prose-prayer, these pieces presuppose scriptural saturation while minimizing scholastic argument. The Pepwell print stabilizes a previously fluid manuscript culture, streamlining orthography and layout to guide silent readers. The result is an aesthetics of inward apprenticeship: modest, iterative, and quietly radical in its claim that the deepest authority speaks within.
Emanuel Swedenborg’s Heaven and its Wonders and Hell fuses rigorous natural-philosophical training with visionary exegesis. The doctrine of correspondences operates as a semiotics linking sensory life to spiritual causes, producing a cosmology that is at once empirical in tone and allegorical in structure. The work’s urban vistas, social assemblies, and ordered communities reflect eighteenth-century fascination with civility and circulation, translating political economy into soteriological architecture. Stylistically, Swedenborg’s plain Latin reportage—retained in translation—eschews rhapsody for clinical observation, making otherworldly claims read like field notes. The aesthetic shock lies in this bureaucratic sublime: heaven as administration, charity as law.
Early twentieth-century American metaphysical religion frames Joseph Benner’s The Impersonal Life and Levi H. Dowling’s The Aquarian Gospel. Benner adopts an oracular first-person divine voice, distilling New Thought’s affirmations into impersonal monism that promises inward guidance beyond creed. Dowling recasts the life of Jesus within an esoteric universalism, presenting a harmonized itinerary of wisdom traditions and invisible archives as sources. Both leverage modern print culture’s didactic clarity—short chapters, slogans, and study circles—while blending sermon, manual, and revelation. Their aesthetics of accessibility pair optimism with instruction, trusting self-culture, suggestion, and the therapeutic cadence of daily reading to effect transformation.
U. G. Krishnamurti’s Mind is a Myth and The Mystique of Enlightenment invert the genre expectations of spiritual instruction. Refusing doctrine, lineage, or method, they deploy conversational fragments, skeptical interrogation, and relentless negation to expose the mechanics of seeking. The texts’ aesthetic is antiperformative: the guru refuses the stage, breaks the script, and disowns consequences. Philosophically, this stance resonates with linguistic therapy and phenomenological suspicion without conceding any school. The result is a severe minimalism—body, sensation, and conditioning foregrounded—that weaponizes plain speech against metaphysical consolation, challenging both devotional poetics and the motivational rhetoric of modern self-help.
Pepwell’s collection survived the dissolution of monastic cultures by moving from devotional utility to historical artifact, later revived by antiquarian editors and scholars of Middle English spirituality. In Anglican and Catholic renewals, its counsel toward interior recollection was mined to balance activism with contemplation. Twentieth-century editions reframed the texts as psychological resources, emphasizing attention, detachment, and affect regulation. Yet historians caution that their inwardness was embedded in communal liturgy and pastoral oversight. Reassessment thus oscillates between spiritual classic and social document, asking how vernacular mysticism mediates authority: does it nurture obedient humility, or seed reform by empowering conscience?
Emanuel Swedenborg’s afterlife reportage has cycled through devotion, satire, and secular rereading, variously inspiring churches, moral reform projects, and comparative-psychology approaches. Joseph Benner’s The Impersonal Life slipped from anonymous tract to New Thought touchstone, later debated for its ethics of self-authorizing revelation and its therapeutic promises. Levi H. Dowling’s The Aquarian Gospel repeatedly resurfaces in alternative Christianities, critiqued for historical claims yet valued as inclusive mythmaking. U. G. Krishnamurti’s writings fuel ongoing disputes: hard-nosed antidote to spiritual commodification, or nihilism masquerading as clarity. Contemporary scholarship probes reception networks, translation choices, and the politics of voice in all four.
A suite of early English contemplative writings that counsel inward prayer, humility, and the purification of will as the path to union with the divine, delivered in a devout and practical tone.
Its disciplined self-emptying resonates with The Impersonal Life and the Aquarian focus on the inner Christ, while standing in sharp contrast to U.G. Krishnamurti's rejection of methods and to Swedenborg's elaborate visionary cosmology.
A direct-voice devotional manual urging surrender of the personal ego to the impersonal divine Self, blending simple instruction with a calm, authoritative cadence.
It amplifies the medieval call to self-knowledge and inwardness, bridges toward currents echoed by the Aquarian Gospel, and is challenged by U.G. Krishnamurti's dismissal of spiritual programs.
Companion works of radical skepticism that dismantle ideals of enlightenment and the very project of spiritual seeking, spoken in an unsentimental, iconoclastic voice.
Together they act as a solvent against every prescriptive or visionary claim in the volume, pressing against Benner's inward path, the medieval treatises' practices, Swedenborg's mapped afterlife, and the Aquarian Gospel's expansive narrative.
A systematic report of the afterlife that details spiritual laws, communities, and correspondences, shaping a moral metaphysic grounded in claimed visionary experience.
Its ordered architecture and ethical emphasis complement the Aquarian Gospel's cosmic scope and diverge sharply from U.G. Krishnamurti's anti-metaphysics and the austere inwardness of the medieval cell.
An expansive retelling of Jesus' mission that integrates unseen years, universal religion, and soul development into a visionary narrative with uplifting, didactic tones.
It bridges Christian mysticism and modern esoteric thought, harmonizing with Benner's inner divinity and Swedenborg's spiritual worlds while providing a narrative foil to U.G. Krishnamurti's demystification.
Various
FROM the end of the thirteenth to the beginning of the fifteenth century may be called the golden age of mystical literature in the vernacular. In Germany, we find Mechthild of Magdeburg (d. 1277), Meister Eckhart (d. 1327), Johannes Tauler (d. 1361), and Heinrich Suso (d. 1365); in Flanders, Jan Ruysbroek (d. 1381); in Italy, Dante Alighieri himself (d. 1321), Jacopone da Todi (d. 1306), St. Catherine of Siena (d. 1380), and many lesser writers who strove, in prose or in poetry, to express the hidden things of the spirit, the secret intercourse of the human soul with the Divine, no longer in the official Latin of the Church, but in the language of their own people, "a man's own vernacular," which "is nearest to him, inasmuch as it is most closely united to him."[1] In England, the great names of Richard Rolle, the Hermit of Hampole (d. 1349), of Walter Hilton (d. 1396), and of Mother Juliana of Norwich, whose Revelation of Divine Love professedly date from 1373, speak for themselves.
The seven tracts or treatises before us were published in 1521 in a little quarto volume: "Imprynted at London in Poules chyrchyarde at the sygne of the Trynyte, by Henry Pepwell. In the yere of our lorde God, M.CCCCC.XXI., the xvi. daye of Nouembre." They may, somewhat loosely speaking, be regarded as belonging to the fourteenth century, though the first and longest of them professes to be but a translation of the work of the great Augustinian mystic of an earlier age.
St. Bernard, Richard of St. Victor, and St. Bonaventura—all three very familiar figures to students of Dante's Paradiso—are the chief influences in the story of English mysticism. And, through the writings of his latter-day followers, Richard Rolle, Walter Hilton, and the anonymous author of the Divine Cloud of Unknowing, Richard of St. Victor is, perhaps, the most important of the three.
Himself either a Scot or an Irishman by birth, Richard entered the famous abbey of St. Victor, a house of Augustinian canons near Paris, some time before 1140, where he became the chief pupil of the great mystical doctor and theologian whom the later Middle Ages regarded as a second Augustine, Hugh of St. Victor. After Hugh's death (1141), Richard succeeded to his influence as a teacher, and completed his work in creating the mystical theology of the Church. His masterpiece, De Gratia Contemplationis, known also as Benjamin Major, in five books, is a work of marvellous spiritual insight, unction, and eloquence, upon which Dante afterwards based the whole mystical psychology of the Paradiso.2 In it Richard shows how the soul passes upward through the six steps of contemplation—in imagination, in reason, in understanding—gradually discarding all sensible objects of thought; until, in the sixth stage, it contemplates what is above reason, and seems to be beside reason, or even contrary to reason. He teaches that there are three qualities of contemplation, according to its intensity: mentis dilatatio, an enlargement of the soul's vision without exceeding the bounds of human activity; mentis sublevatio, elevation of mind, in which the intellect, divinely illumined, transcends the measure of humanity, and beholds the things above itself, but does not entirely lose self-consciousness; and mentis alienatio, or ecstasy, in which all memory of the present leaves the mind, and it passes into a state of divine transfiguration, in which the soul gazes upon truth without any veils of creatures, not in a mirror darkly, but in its pure simplicity. This master of the spiritual life died in 1173. Amongst the glowing souls of the great doctors and theologians in the fourth heaven, St. Thomas Aquinas bids Dante mark the ardent spirit of "Richard who in contemplation was more than man."[3]
Benjamin, for Richard, is the type of contemplation, in accordance with the Vulgate version of Psalm lxvii.: Ibi Benjamin adolescentulus in mentis excessu: "There is Benjamin, a youth, in ecstasy of mind"—where the English Bible reads: "Little Benjamin their ruler."[4] At the birth of Benjamin, his mother Rachel dies: "For, when the mind of man is rapt above itself, it surpasseth all the limits of human reasoning. Elevated above itself and rapt in ecstasy, it beholdeth things in the divine light at which all human reason succumbs. What, then, is the death of Rachel, save the failing of reason?"[5]
The treatise here printed under the title Benjamin is based upon a smaller work of Richard's, a kind of introduction to the Benjamin Major, entitled: Benjamin Minor; or: De Praeparatione animi ad Contemplationem. It is a paraphrase of certain portions of this work, with a few additions, and large omissions. Among the portions omitted are the two passages that, almost alone among Richard's writings, are known to the general reader—or, at least, to people who do not claim to be specialists in mediaeval theology. In the one, he speaks of knowledge of self as the Holy Hill, the Mountain of the Lord:—
"If the mind would fain ascend to the height of science, let its first and principal study be to know itself. Full knowledge of the rational spirit is a great and high mountain. This mountain transcends all the peaks of all mundane sciences, and looks down upon all the philosophy and all the science of the world from on high. Could Aristotle, could Plato, could the great band of philosophers ever attain to it?"[6]
In the other, still adhering to his image of the mountain of self-knowledge, he makes his famous appeal to the Bible, as the supreme test of truth, the only sure guard that the mystic has against being deluded in his lofty speculations:—
"Even if you think that you have been taken up into that high mountain apart, even if you think that you see Christ transfigured, do not be too ready to believe anything you see in Him or hear from Him, unless Moses and Elias run to meet Him. I hold all truth in suspicion which the authority of the Scriptures does not confirm, nor do I receive Christ in His clarification unless Moses and Elias are talking with Him."[7]
On the other hand, the beautiful passage with which the version closes, so typical of the burning love of Christ, shown in devotion to the name of Jesus, which glows through all the writings of the school of the Hermit of Hampole, is an addition of the translator:—
"And therefore, what so thou be that covetest to come to contemplation of God, that is to say, to bring forth such a child that men clepen in the story Benjamin (that is to say, sight of God), then shalt thou use thee in this manner. Thou shalt call together thy thoughts and thy desires, and make thee of them a church, and learn thee therein for to love only this good word Jesu, so that all thy desires and all thy thoughts are only set for to love Jesu, and that unceasingly as it may be here; so that thou fulfil that is said in the psalm: 'Lord, I shall bless Thee in churches'; that is, in thoughts and desires of the love of Jesu. And then, in this church of thoughts and desires, and in this onehead of studies and of wills, look that all thy thoughts, and all thy desires, and all thy studies, and all thy wills be only set in the love and the praising of this Lord Jesu, without forgetting, as far forth as thou mayst by grace, and as thy frailty will suffer; evermore meeking thee to prayer and to counsel, patiently abiding the will of our Lord, unto the time that thy mind be ravished above itself, to be fed with the fair food of angels in the beholding of God and ghostly things; so that it be fulfilled in thee that is written in the psalm: Ibi Benjamin adolescentulus in mentis excessu; that is: 'There is Benjamin, the young child, in ravishing of mind."'[8]
The text printed by Pepwell differs slightly from that of the manuscripts, of which a large number have been preserved. Among others, it is found in the Arundel MS. 286, and the Harleian MSS. 674, 1022, and 2373. It has been published from the Harl. MS. 1022 by Professor C. Horstman, who observes that "it is very old, and certainly prior to Walter Hilton."[9] It is evidently by one of the followers of Richard Rolle, dating from about the middle of the fourteenth century. External and internal evidence seems to point to its being the work of the anonymous author of the Divine Cloud of Unknowing.
This is not the place to tell again the wonderful story of St. Catherine of Siena (1347-1380), one of the noblest and most truly heroic women that the world has ever seen. Her life and manifold activities only touched England indirectly. The famous English captain of mercenaries, Sir John Hawkwood, was among the men of the world who, at least for a while, were won to nobler ideals by her letters and exhortations. Two of her principal disciples, Giovanni Tantucci and William Flete, both Augustinian hermits, were graduates of Cambridge; the latter, an Englishman by birth, was appointed by her on her deathbed to preside over the continuance of her work in her native city, and a vision of his, concerning the legitimacy of the claims of Urban the Sixth to the papal throne, was brought forward as one of the arguments that induced England, on the outbreak of the Great Schism in the Church (1378), to adhere to the Roman obedience for which Catherine was battling to the death. A letter which she herself addressed on the same subject to King Richard the Second has not been preserved.
About 1493, Wynkyn de Worde printed The Lyf of saint Katherin of Senis the blessid virgin, edited by Caxton; which is a free translation, by an anonymous Dominican, with many omissions and the addition of certain reflections, of the Legenda, the great Latin biography of St. Catherine by her third confessor, Friar Raymond of Capua, the famous master-general and reformer of the order of St. Dominic (d. 1399). He followed this up, in 1519, by an English rendering by Brother Dane James of the Saint's mystical treatise the Dialogo: "Here begynneth the Orcharde of Syon; in the whiche is conteyned the reuelacyons of seynt Katheryne of Sene, with ghostly fruytes and precyous plantes for the helthe of mannes soule."[10] This was not translated from St. Catherine's own vernacular, but from Friar Raymond's Latin version of the latter, first printed at Brescia in 1496. From the first of these two works, the Lyf, are selected the passages—the Divers Doctrines devout and fruitful—which Pepwell here presents to us; but it seems probable that he was not borrowing directly from Caxton, as an almost verbally identical selection, with an identical title, is found in the British Museum, MS. Reg. 17 D.V., where it follows the Divine Cloud of Unknowing.
Margery Kempe is a much more mysterious personage. She has come down to us only in a tiny quarto of eight pages printed by Wynkyn de Worde:—
"Here begynneth a shorte treatyse of contemplacyon taught by our lorde Jhesu cryste, or taken out of the boke of Margerie kempe of Lynn."
And at the end:—
"Here endeth a shorte treatyse called Margerie kempe de Lynn. Enprynted in Fletestrete by Wynkyn de worde."
The only known copy is preserved in the University of Cambridge. It is undated, but appears to have been printed in 1501.[11] With a few insignificant variations, it is the same as was printed twenty years later by Pepwell, who merely inserts a few words like "Our Lord Jesus said unto her," or "she said," and adds that she was a devout ancress. Tanner, not very accurately, writes: "This book contains various discourses of Christ (as it is pretended) to certain holy women; and, written in the style of modern Quietists and Quakers, speaks of the inner love of God, of perfection, et cetera."[12] No manuscript of the work is known to exist, and absolutely no traces can be discovered of the "Book of Margery Kempe," out of which it is implied by the Printer that these beautiful thoughts and sayings are taken.
There is nothing in the treatise itself to enable us to fix its date. It is, perhaps, possible that the writer or recipient of these revelations is the "Margeria filia Johannis Kempe," who, between 1284 and 1298, gave up to the prior and convent of Christ Church, Canterbury, all her rights in a piece of land with buildings and appurtenances, "which falls to me after the decease of my brother John, and lies in the parish of Blessed Mary of Northgate outside the walls of the city of Canterbury."[13] The revelations show that she was (or had been) a woman of some wealth and social position, who had abandoned the world to become an ancress, following the life prescribed in that gem of early English devotional literature, the Ancren Riwle.14 It is clearly only a fragment of her complete book (whatever that may have been); but it is enough to show that she was a worthy precursor of that other great woman mystic of East Anglia: Juliana of Norwich. For Margery, as for Juliana, Love is the interpretation of revelation, and the key to the universal mystery:[15]—
"Daughter, thou mayst no better please God, than to think continually in His love."
"If thou wear the habergeon or the hair, fasting bread and water, and if thou saidest every day a thousand Pater Nosters, thou shalt not please Me so well as thou dost when thou art in silence, and suffrest Me to speak in thy soul."
"Daughter, if thou knew how sweet thy love is to Me, thou wouldest never do other thing but love Me with all thine heart."
"In nothing that thou dost or sayest, daughter, thou mayst no better please God than believe that He loveth thee. For, if it were possible that I might weep with thee, I would weep with thee for the compassion that I have of thee."
And, from the midst of her celestial contemplations, rises up the simple, poignant cry of human suffering: "Lord, for Thy great pain have mercy on my little pain."
We are on surer ground with the treatise that follows, the Song of Angels.[16] Walter Hilton—who died on March 24, 1396—holds a position in the religious life and spiritual literature of England in the latter part of the fourteenth century somewhat similar to that occupied by Richard Rolle in its earlier years. Like the Hermit of Hampole, he was the founder of a school, and the works of his followers cannot always be distinguished with certainty from his own. Like his great master in the mystical way, Richard of St. Victor, Hilton was an Augustinian, the head of a house of canons at Thurgarton, near Newark. His great work, the Scala Perfectionis, or Ladder of Perfection, "which expoundeth many notable doctrines in Contemplation," was first printed by Wynkyn de Worde in 1494, and is still widely used for devotional reading. A shorter treatise, the Epistle to a Devout Man in Temporal Estate, first printed by Pynson in 1506, gives practical guidance to a religious layman of wealth and social position, for the fulfilling of the duties of his state without hindrance to his making profit in the spiritual life. These, with the Song of Angels, are the only printed works that can be assigned to him with certainty, though many others, undoubtedly from his pen, are to be found in manuscripts, and a complete and critical edition of Walter Hilton seems still in the far future.[17] The Song of Angels has been twice printed since the edition of Pepwell.[18] In profoundly mystical language, tinged with the philosophy of that mysterious Neo-Platonist whom we call the pseudo-Dionysius, it tells of the wonderful "onehead," the union of the soul with God in perfect charity:—
"This onehead is verily made when the mights of the soul are reformed by grace to the dignity and the state of the first condition; that is, when the mind is firmly established, without changing and wandering, in God and ghostly things, and when the reason is cleared from all worldly and fleshly beholdings, and from all bodily imaginations, figures, and fantasies of creatures, and is illumined by grace to behold God and ghostly things, and when the will and the affection is purified and cleansed from all fleshly, kindly, and worldly love, and is inflamed with burning love of the Holy Ghost."
But to this blessed condition none may attain perfectly here on earth. The writer goes on to speak of the mystical consolations and visitations granted to the loving soul in this life, distinguishing the feelings and sensations that are mere delusions, from those that truly proceed from the fire of love in the affection and the light of knowing in the reason, and are a very anticipation of that ineffable "onehead" in heaven.
The three remaining treatises—the Epistle of Prayer, the Epistle of Discretion in Stirrings of the Soul, and the Treatise of Discerning of Spirits[19]—are associated in the manuscripts with four other works: the Divine Cloud of Unknowing, the Epistle of Privy Counsel, a paraphrase of the Mystical Theology of Dionysius entitled Dionise Hid Divinity, and the similar translation or paraphrase of the Benjamin Minor of Richard of St. Victor already considered.[20] These seven treatises are all apparently by the same hand. The Divine Cloud of Unknowing has been credited to Walter Hilton, as likewise to William Exmew, or to Maurice Chauncy, Carthusians of the sixteenth century, whereas the manuscripts are at least a hundred years earlier than their time; but it seems safer to attribute the whole series to an unknown writer of the second part of the fourteenth century, who "marks a middle point between Rolle and Hilton."[21] The spiritual beauty of the three here reprinted—and, more particularly, of the Epistle of Prayer, with its glowing exposition of the doctrine of Pure Love—speaks for itself. They show us mysticism brought down, if I may say so, from the clouds for the practical guidance of the beginner along this difficult way. And, in the Epistle of Discretion, we find even a rare touch of humour; where the counsellor "conceives suspiciously" of his correspondent's spiritual stirrings, lest "they should be conceived on the ape's manner." Like St. Catherine of Siena, though in a less degree, he has the gift of vision and the faculty of intuition combined with a homely common sense, and can illustrate his "simple meaning" with a smile.
I have borrowed a phrase from St. Catherine, "The Cell of Self-Knowledge," la cella del cognoscimento di noi, as the title of this little volume. Knowledge of self and purity of heart, the mystics teach, are the indispensable conditions for the highest mystical elevation. Knowledge of self, for Richard of St. Victor, is the high mountain apart upon which Christ is transfigured; for Catherine of Siena, it is the stable in which the pilgrim through time to eternity must be born again. "Wouldest thou behold Christ transfigured?" asks Richard; "ascend this mountain; learn to know thyself."[22] "Thou dost see," writes Catherine, speaking in the person of the eternal Father, "this sweet and loving Word born in a stable, while Mary was journeying; to show to you, who are travellers, that you must ever be born again in the stable of knowledge of yourselves, where you will find Him born by grace within your souls."[23] The soul is a mirror that reflects the invisible things of God, and it is by purity of heart alone that this mirror is made clear. "Therefore," writes Richard of St. Victor, "let whoso thirsts to see his God, wipe his mirror, purify his spirit. After he hath thus cleared his mirror and long diligently gazed into it, a certain clarity of divine light begins to shine through upon him, and a certain immense ray of unwonted vision to appear before his eyes. This light irradiated the eyes of him who said: Lord, lift Thou up the light of Thy countenance upon us; Thou hast put gladness in my heart. From the vision of this light which it sees with wonder in itself, the mind is wondrously inflamed and inspired to behold the light which is above itself."[24]
Pepwell's volume has been made the basis of the present edition of these seven treatises; but, in each case, the text has been completely revised. The text of the Benjamin, the Epistle of Prayer, the Epistle of Discretion, and the Treatise of Discerning of Spirits, has been collated with that given by the Harleian MSS. 674 and 2373; and, in most cases, the readings of the manuscripts have been adopted in preference to those of the printed version. The Katherin has been collated with Caxton's Lyf; the Margery Kempe with Wynkyn de Worde's precious little volume in the University Library of Cambridge; and the Song of Angels with the text published by Professor Horstman from the Camb. MS Dd. v. 55. As the object of this book is not to offer a Middle English text to students, but a small contribution to mystical literature, the orthography has been completely modernised, while I have attempted to retain enough of the original language to preserve the flavour of mediaeval devotion.
EDMUND G. GARDNER.
HERE FOLLOWETH A VERY DEVOUT TREATISE, NAMED BENJAMIN, OF THE MIGHTS AND VIRTUES OF MAN'S SOUL, AND OF THE WAY TO TRUE CONTEMPLATION, COMPILED BY A NOBLE AND FAMOUS DOCTOR, A MAN OF GREAT HOLINESS AND DEVOTION, NAMED RICHARD OF SAINT VICTOR
A GREAT clerk that men call [25] Richard of Saint Victor, in a book that he maketh of the study of wisdom, witnesseth and saith that two mights are in a man's soul, given of the Father of Heaven of whom all good cometh. The one is reason, the other is affection; through reason we know, and through affection we feel or love.
Of reason springeth right counsel and ghostly wits; and of affection springeth holy desires and ordained[26] feelings. And right as Rachel and Leah were both wives unto Jacob, right so man's soul through light of knowing in the reason, and sweetness of love in the affection, is spoused unto God. By Jacob is understanden God, by Rachel is understanden reason, by Leah is understanden affection. Each of these wives, Rachel and Leah, took to them a maiden; Rachel took Bilhah, and Leah took Zilpah. Bilhah was a great jangler, and Zilpah was ever drunken and thirsty. By Bilhah is understanden imagination, the which is servant unto reason, as Bilhah was to Rachel; by Zilpah is understanden sensuality, the which is servant unto affection, as Zilpah was to Leah. And so much are these maidens needful to their ladies, that without them all this world might serve them of nought. For why, without imagination reason may not know, and without sensuality affection may not feel. And yet imagination cryeth so inconveniently[27] in the ears of our heart that, for ought that reason her lady may do, yet she may not still her. And therefore it is that oft times when we should pray, so many divers fantasies of idle and evil thoughts cry in our hearts, that on no wise we may by our own mights drive them away. And thus it is well proved that Bilhah is a foul jangler. And also the sensuality is evermore so thirsty, that all that affection her lady may feel,[28] may not yet slake her thirst. The drink that she desireth is the lust of fleshly, kindly, and worldly delights,[29] of the which the more that she drinketh the more she thirsteth; for why, for to fill the appetite of the sensuality, all this world may not suffice; and therefore it is that oft times when we pray or think on God and ghostly things, we would fain feel sweetness of love in our affection,[30] and yet we may not, for are we so busy to feed the concupiscence of our sensuality; for evermore it is greedily asking, and we have a fleshly compassion thereof. And thus it is well proved that Zilpah is evermore drunken and thirsty. And right as Leah conceived of Jacob and brought forth seven children, and Rachel conceived of Jacob and brought forth two children, and Bilhah conceived of Jacob and brought forth two children, and Zilpah conceived of Jacob and brought forth two children; right so the affection conceiveth through the grace of God, and bringeth forth seven virtues; and also the sensuality conceiveth through the grace of God, and bringeth forth two virtues; and also the reason conceiveth through the grace of God, and bringeth forth two virtues; and also the imagination conceiveth through the grace of God, and bringeth forth two virtues, or two beholdings. And the names of their children and of their virtues shall be known by this figure that followeth:
Husband: Jacob temporally, God spiritually. Wives to Jacob: Leah, that is to say, Affection; Rachel, that is to say, Reason. Maid to Leah is Zilpah, that is to understand, Sensuality; and Bilhah maiden to Rachel, that is to understand, Imagination.
The sons of Jacob and Leah are these seven that followeth: Reuben signifieth dread of pain; Simeon, sorrow of sins; Levi, hope of forgiveness; Judah, love of righteousness; Issachar, joy in inward sweetness; Zebulun, hatred of sin; Dinah, ordained shame.
The sons of Jacob and Zilpah, servant of Leah, are these: Gad, abstinence; Asher, patience.
The sons of Jacob and of Rachel are these: Joseph, discretion; Benjamin, contemplation.
The sons of Jacob and Bilhah, servant to Rachel, are these: Dan, sight of pain to come; and Naphtali, sight of joy to come.
In this figure it is shewed apertly of Jacob and of his wives, and their maidens, and all their children. Here it is to shew on what manner they were gotten, and in what order:—
First, it is to say of the children of Leah; for why, it is read that she first conceived. The children of Leah are nought else to understand but ordained affections or feelings in a man's soul; for why, if they were unordained, then were they not the sons of Jacob. Also the seven children of Leah are seven virtues, for virtue is nought else but an ordained and a measured feeling in a man's soul. For then is man's feeling in soul ordained when it is of that thing that it should be; then it is measured when it is so much as it should be. These feelings in a man's soul may be now ordained and measured, and now unordained and unmeasured; but when they are ordained and measured, then are they accounted among the sons of Jacob.[31]
THE first child that Leah conceived of Jacob was Reuben, that is, dread; and therefore it is written in the psalm: "The beginning of wisdom is the dread of our Lord God."[32] This is the first felt virtue in a man's affection, without the which none other may be had. And, therefore, whoso desireth to have such a son, him behoveth busily and oft also behold the evil that he hath done. And he shall, on the one party, think on the greatness of his trespass, and, on another party, the power of the Doomsman.[33] Of such a consideration springeth dread, that is to say Reuben, that through right is cleped "the son of sight."[34] For utterly is he blind that seeth not the pains that are to come, and dreadeth not to sin. And well is Reuben cleped the son of sight; for when he was born, his mother cried and said: "God hath seen my meekness."[35] And man's soul, in such a consideration of his old sins and of the power of the Doomsman, beginneth then truly to see God by feeling of dread, and also to be seen of God by rewarding of pity.
WHILE Reuben waxeth, Simeon is born; for after dread it needeth greatly that sorrow come soon. For ever the more that a man dreadeth the pain that he hath deserved, the bitterlier he sorroweth the sins that he hath done. Leah in the birth of Simeon cried and said: "Our Lord hath heard me be had in despite."[36] And therefore is Simeon cleped "hearing";[37] for when a man bitterly sorroweth and despiseth his old sins, then beginneth he to be heard of God, and also for to hear the blessed sentence of God's own mouth: "Blessed be they that sorrow, for they shall be comforted."[38] For in what hour the sinner sorroweth and turneth from his sin, he shall be safe.[39] Thus witnesseth holy Scripture. And also by Reuben he is meeked,[40] and by Simeon he is contrite and hath compunction of tears; but, as witnesseth David in the psalm: "Heart contrite and meeked God shall not despise";[41] and without doubt such sorrow bringeth in true comfort of heart.
BUT, I pray thee, what comfort may be to them that truly dread and bitterly sorrow for their old sins, ought but a true hope of forgiveness? the which is the third son of Jacob, that is Levi, the which is cleped in the story "a doing to."[42] For when the other two children, dread and sorrow, are given of God to a man's soul, without doubt he this third, that is hope, shall not be delayed, but he shall be lone to;[43] as the story witnesseth of Levi, that, when his two brethren, Reuben and Simeon, were given to their mother Leah, he, this Levi, was done to. Take heed of this word, that he was "done to" and not given. And therefore it is said that a man shall not presume of hope of forgiveness before the time that his heart be peeked in dread and contrite in sorrow; without these two, hope is presumption, and where these two are, hope is done to; and thus after sorrow cometh soon comfort, as David telleth in the psalm that "after the muchness of my sorrow in my heart," he saith to our Lord, "Thy comforts have gladded my soul."[44] And therefore it is that the Holy Ghost is called Paracletus, that is, comforter, for oft times he vouchethsafe to comfort a sorrowful soul.
FROM now forth beginneth a manner of homeliness for to grow between God and a man's soul; and also on a manner a kindling of love, in so much that oft times he feeleth him not only be visited of God and comforted in His coming, but oft times also he feeleth him filled with an unspeakable joy. This homeliness and this kindling of love first felt Leah, when, after that Levi was born, she cried with a great voice and said: "Now shall my husband be coupled to me."[45] The true spouse of our soul is God, and then are we truly coupled unto Him, when we draw near Him by hope and soothfast love. And right as after hope cometh love, so after Levi was Judah born, the fourth son of Leah. Leah in his birth cried and said: "Now shall I shrive to our Lord."[46] And therefore in the story is Judah cleped "Shrift."[47] Also man's soul in this degree of love offereth it clearly to God, and saith thus: "Now shall I shrive to our Lord." For before this feeling of love in a man's soul, all that he doth is done more for dread than for love; but in this state a man's soul feeleth God so sweet, so merciful, so good, so courteous, so true, and so kind, so faithful, so lovely and so homely, that he leaveth nothing in him—might, wit, conning,[48] or will—that he offereth not it clearly, freely, and homely unto Him. This shrift is not only of sin, but of the goodness of God. Great token of love it is when a man telleth to God that He is good. Of this shrift speaketh David full oft times in the psalter, when he saith: "Make it known to God, for He is good."[49]
Lo, now have we said of four sons of Leah. And after this she left bearing of children till another time; and so man's soul weeneth that it sufficeth to it when it feeleth that it loveth the true goods.[50] And so it is enough to salvation, but not to perfection. For it falleth to a perfect soul both to be inflamed with the fire of love in the affection, and also to be illumined with the light of knowing in the reason.
THEN when Judah waxeth, that is to say, when love and desire of unseen true goods is rising and waxing in a man's affection; then coveteth Rachel for to bear some children; that is to say, then coveteth reason to know these things that affection feeleth; for as it falleth to the affection for to love, so it falleth to the reason for to know. Of affection springeth ordained and measured feelings; and of reason springeth right knowings[51] and clear understandings. And ever the more that Judah waxeth, that is to say love, so much the more desireth Rachel bearing of children, that is to say, reason studieth after knowing. But who is he that woteth not how hard it is, and nearhand impossible to a fleshly soul the which is yet rude in ghostly studies, for to rise in knowing of unseeable[52] things, and for to set the eye of contemplation in ghostly things? For why, a soul that is yet rude and fleshly, knoweth nought but bodily things, and nothing cometh yet to the mind but only seeable[53] things. And, nevertheless, yet it looketh inward as it may; and that that it may not see yet clearly by ghostly knowing, it thinketh by imagination.
And this is the cause why Rachel had first children of her maiden than of herself. And so it is that, though all a man's soul may not yet get the light of ghostly knowing in the reason, yet it thinketh it sweet to hold the mind on God and ghostly things in the imagination. As by Rachel we understand reason, so by her maiden Bilhah we understand imagination. And, therefore, reason sheweth that it is more profitable for to think on ghostly things, in what manner so it be; yea, if it be in kindling of our desire with some fair imagination; than it is for to think on vanities and deceivable things of this world. And, therefore, of Bilhah were born these two: Dan and Naphtali. Dan is to say sight of pains to come; and Naphtali, sight of joys to come. These two children are full needful and full speedful unto a working soul; the one for to put down evil suggestions of sins; and the other for to raise up our wills in working of good and in kindling of our desires. For as it falleth to Dan to put down evil suggestions of sin by sight of pains to come, so it falleth to the other brother Naphtali to raise up our wills in working of good, and in kindling of holy desires by sight of joys to come. And therefore holy men, when they are stirred to any unlawful thing, by inrising of any foul thought, as oft they set before their mind the pains that are to come; and so they slaken their temptation in the beginning, ere it rise to any foul delight in their soul. And as oft as their devotion and their liking in God and ghostly things cease and wax cold (as oft times it befalleth in this life, for corruption of the flesh and many other skills),[54] so oft they set before their mind the joy that is to come. And so they kindle their will with holy desires, and destroy their temptation in the beginning, ere it come to any weariness or heaviness of sloth. And for that[55] with Dan we damn unlawful thoughts, therefore he is well cleped in the story "Doom."[56] And also his father Jacob said of him thus: "Dan shall deem his folk."[57] And also it is said in the story that, when Bilhah brought forth Dan, Rachel said thus: "Our Lord hath deemed me";[58] that is to say: "Our Lord hath evened me unto my sister Leah." And thus saith reason, when the imagination hath gotten the sight of pains to come, that our Lord hath evened her with her sister affection; and she saith thus, for she hath the sight of pains to come in her imagination, of the which she had dread and sorrow in her feeling. And then after came Naphtali, that is to say, the sight of joys to come. And in his birth spake Rachel and said: "I am made like to my sister Leah";[59] and therefore is Naphtali cleped in the story "Likeness."[60] And thus saith reason that she is made like to her sister affection. For there as she had gotten hope and love of joy to come in her feeling, she hath now gotten sight of joy to come in her imagination. Jacob said of Naphtali that he was "a hart sent out, giving speeches of fairhead."[61] So it is that, when we imagine of the joys of heaven, we say that it is fair in heaven. For[62] wonderfully kindleth Naphtali our souls with holy desires, as oft as we imagine of the worthiness and the fairhead of the joys of heaven.
WHEN Leah saw that Rachel her sister made great joy of these two bastards born of Bilhah her maiden, she called forth her maiden Zilpah, to put to her husband Jacob; that she might make joy with her sister, having other two bastards gotten of her maiden Zilpah. And thus it is seemly in man's soul for to be, that from the time that reason hath refrained the great jangling of imagination, and hath put her to be underlout[63] to God, and maketh her to bear some fruit in helping of her knowing, that right so the affection refrain the lust and the thirst of the sensuality, and make her to be underlout to God, and so to bear some fruit in helping of her feeling. But what fruit may she bear, ought but that she learn to live temperately in easy things, and patiently in uneasy things? These are they, the children of Zilpah, Gad and Asher: Gad is abstinence, and Asher is patience. Gad is the sooner born child, and Asher the latter; for first it needeth that we be attempered in ourself with discreet abstinence, and after that we bear outward disease[64] in strength of patience. These are the children that Zilpah brought forth in sorrow; for in abstinence and patience the sensuality is punished in the flesh; but that that is sorrow to the sensuality turneth to much comfort and bliss to the affection. And therefore it is that, when Gad was born, Leah cried and said: "Happily"[65]; and therefore Gad is cleped in the story "Happiness," or "Seeliness."[66] And so it is well said that abstinence in the sensuality is happiness[67] in the affection. For why, ever the less that the sensuality is delighted in her lust, the more sweetness feeleth the affection in her love. Also after when Asher was born, Leah said: "This shall be for my bliss";[68] and therefore was Asher called in the story "Blessed."[69] And so it is well said that patience in the sensuality is bliss in the affection. For why, ever the more disease that the sensuality suffereth, the more blessed is the soul in the affection. And thus by abstinence and patience we shall not only understand a temperance in meat and drink, and suffering of outward tribulation, but also [in] all manner of fleshly, kindly,[70] and worldly delights, and all manner of disease, bodily and ghostly, within or without, reasonable or unreasonable, that by any of our five wits torment or delight the sensuality. On this wise beareth the sensuality fruit in help of affection, her lady. Much peace and rest is in that soul that neither is drunken in the lust of the sensuality, nor grutcheth[71] in the pain thereof. The first of these is gotten by Gad and the latter by Asher. Here it is to wete that first was Rachel's maiden put to the husband or the maiden of Leah; and this is the skill why. For truly, but if the jangling of the imagination, that is to say, the in-running of vain thoughts, be first refrained, without doubt the lust of the sensuality may not be attempered. And therefore who so will abstain him from fleshly and worldly lusts, him behoveth first seldom or never think any vain thoughts.[72] And also never in this life may a man perfectly despise the ease of the flesh, and not dread the disease, but if he have before busily beholden the meeds and the torments that are to come. But here it is to wete how that, with these four sons of these two maidens, the city of our conscience is kept wonderfully from all temptations. For all temptation either it riseth within by thought, or else without by some of our five wits. But within shall Dan deem and damn evil thoughts by sight of pain; and without shall Gad put against[73] false delights by use of abstinence. Dan waketh[74] within, and Gad without; and also their other two brethren helpen them full much: Naphtali maketh peace within with Dan, and Asher biddeth Gad have no dread of his enemies. Dan feareth the heart with ugsomeness of hell, and Naphtali cherisheth it with behighting[75] of heavenly bliss. Also Asher helpeth his brother without, so that, through them both, the wall of the city is not broken. Gad holdeth out ease, and Asher pursueth disease. Asher soon deceiveth his enemy, when he bringeth to mind the patience of his father[76] and the behighting of Naphtali, and thus oft times ever the more enemies he hath, the more matter he hath of overcoming. And therefore it is that, when he hath overcome his enemies (that is to say, the adversities of this world), soon he turneth him to his brother Gad to help to destroy his enemies. And without fail, from that he be come, soon they turn the back, and flee. The enemies of Gad are fleshly delights; but truly, from the time that a man have patience in the pain of his abstinence, false delights find no woning stead[77] in him.
THUS when the enemy fleeth and the city is peased,[78] then beginneth a man to prove what the high peace of God is that passeth man's wit. And therefore it is that Leah left bearing of children unto this time that Gad and Asher were born of Zilpah, her maiden. For truly, but if it be so that a man have refrained the lust and the pain of his five wits in his sensuality by abstinence and patience, he shall never feel inward sweetness and true joy in God and ghostly things in the affection. This is that Issachar, the fifth son of Leah, the which in the story is cleped "Meed."[79] [And well is this joy of inward sweetness cleped "meed"];[80] for this joy is the taste of heavenly bliss, the which is the endless meed of a devout soul, beginning here. Leah, in the birth of this child, said: "God hath given me meed, for that I have given my maiden to my husband in bearing of children."[81] And so it is good that we make our sensuality bear fruit in abstaining it from all manner of fleshly, kindly, and worldly delight, and in fruitful suffering of all fleshly and worldly disease; therefore our Lord of His great mercy giveth us joy unspeakable and inward sweetness in our affection, in earnest[82] of the sovereign joy and meed of the kingdom of heaven. Jacob said of Issachar that he was "a strong ass dwelling between the terms."[83] And so it is that a man in this state, and that feeleth the earnest of everlasting joy in his affection, is as "an ass, strong and dwelling between the terms"; because that, be he never so filled in soul of ghostly gladness and joy in God, yet, for corruption of the flesh in this deadly life, him behoveth bear the charge of the deadly body, as hunger, thirst, and cold, sleep, and many other diseases; for the which he is likened to an ass as in body; but as in soul he is strong for to destroy all the passions and the lusts of the flesh by patience and abstinence in the sensuality, and by abundance of ghostly joy and sweetness in the affection. And also a soul in this state is dwelling between the terms of deadly life and undeadly life. He that dwelleth between the terms hath nearhand forsaken deadliness, but not fully, and hath nearhand gotten undeadliness, but not fully; for whiles that him needeth the goods of this world, as meat and drink and clothing, as it falleth to each man that liveth, yet his one foot is in this deadly life; and for great abundance of ghostly joy and sweetness that he feeleth in God, not seldom but oft, he hath his other foot in the undeadly life. Thus I trow that saint Paul felt, when he said this word of great desire: "Who shall deliver me from this deadly body?"[84] And when he said thus: "I covet to be loosed and to be with Christ."[85] And thus doth the soul that feeleth Issachar in his affection, that is to say, the joy of inward sweetness, the which is understanden by Issachar. It enforceth it to forsake this wretched life, but it may not; it coveteth to enter the blessed life, but it may not; it doth that it may, and yet it dwelleth between the terms.
