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Jenny Wren, The Doll’s Dressmaker, is a welcome contrast to stereotypes of disabled individuals as "permanent children" always in need of protection, "defined by their perceived dependence on the nondisabled" (Klages 2). Far from slinking through life as an object of pity, Jenny proclaims herself "the person of the house" (235, II, 2).
It is a frequent complaint that Dickens's ideal heroine is the angel of the house and that his "stereotypical presentations of angels, fallen sisters, and eccentric women regrettably leave today's readers in search of a viable heroine".
While several Dickens’ characters fit binary stereotypes of the disabled as pitiful and helpless, sometimes even monstrous and villainous, Jenny Wren, the dolls' dressmaker, creates a unique and constructive life with regards to her infirmities. She has successfully adaptated her life and in several respects she reverses and challenges and limits usually imposed on disabled women in Victorian fiction. To this end Jenny has built a successful business making dolls clothes for the wealthier members of society.
The little dressmaker is so strong and courageous that she physically assaults a vile businessman, Fascination Fledgeby, who has hounded Jenny's friends and ruined many other lives through his extortionate lending practices. Jenny's weapon of choice is pepper, the Victorian girl's counterpart of mace. In a complete reversal of the usual paradigm, the able-bodied man finds himself writhing helplessly, temporarily disabled, humiliated and in pain (704-06, IV, 8).
Jenny Wren anticipates today's view that the disabled and the able-bodied can work together in interdependent relationships, subverting the expectation that the disabled are inevitably dependent. While typically the disabled woman in the Victorian novel is denied a reproductive future, Jenny is an exception. Dickens was ahead of his time in providing a suitor for Jenny, and envisioning that a disabled woman can be beautiful.
With thanks to Sara D. Schotland of Georgetown University and the Disability Studies Quarterly for publishing this summary of Jenny Wren in “The Doll’s Dressmaker.”
10% of the publisher’s profit will be donated to Charities.
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KEYWORDS/TAGS: YA, Young Adult, story, Victorian, young person, young people, alone, back, bad, beautiful, bench, best, chair, Charles, child, children, children’s story, chin, city, clothes, creature, cry, crutch, dark, dead, Dickens, disabled, disability, , doll, dressmaker, fairy Godmother, Fledgeby, flowers, Jenny Wren, Lizzie, Lizzie-Mizzie-Wizzie, London, looking, master, miss, money, old, person, pin cushion, pleasant, poor, pretty, queer, quick, Riah, roof, sharp, shook, shop, Sloppy, small, smell, strange, tea, throw, toy, turn, Victorian, voice, Well, white, window, working, yellow, young
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Veröffentlichungsjahr: 2018
A Short Story By Charles Dickens
Extracted From A Serialisation By
Vol. III - No. 116 through Vol. III – No. 119
[1882]
Resurrected by
Abela Publishing, London
[2018]
The Little Doll’s Dressmaker
Typographical arrangement of this edition
© Abela Publishing 2018
This book may not be reproduced in its current format in any manner in any media, or transmitted by any means whatsoever, electronic, electrostatic, magnetic tape, or mechanical ( including photocopy, file or video recording, internet web sites, blogs, wikis, or any other information storage and retrieval system) except as permitted by law without the prior written permission of the publisher.
Abela Publishing,
London
United Kingdom
2018
ISBN-13: 978-X-XXXXXX-XX-X
Website
Abela Publishing
Adapted From
Charles Dickens.
By
Mrs. Zadel B. Gustafson.
Near the small town of Millbank, and just outside the great city of London, there is a little street called Church Street, and a little square called Smith Square, and where this street and square come together there is a row of houses, rented very cheap, and in one of them lived the little girl whose story I shall try to tell you.
She was about fourteen years old at the time I speak of, and her real name was Fanny Cleaver; but her back was so weak, one of her short legs being shorter than the other, and she was so very little—not having grown any since she was seven years old—that she had given herself the name of Jenny Wren, and by this name everyone knew her. The queer little figure, as it hopped about, and the queer but not ugly little face, with its bright gray eyes, made her seem wonderfully like the cheerful, quick, tiny brown bird whose name she had chosen.
Jenny's mother was dead, and Jenny's father was a drunkard. If you do not know what misery comes into a home, whether it is a rich or humble one, when the father has the evil habit of drink, then you can hardly understand what a great trouble little Jenny had to bear, and all alone, too, for her bright mind, her true heart, and her skillful little hands were all the friends Jenny had.
Jenny Wren – The Doll’s Dresmaker Jessie Willcox Smith (1912)
What could such a little creature do? She printed the words "Room to Let" with a stubbed pen on a piece of white card-board, and hung it in the window; and it had not hung there many hours before there came a knock at the door. The door flew open by a spring which had been touched inside. Across the narrow entry the parlor door stood open, and showed Jenny Wren sitting in a low, old-fashioned arm-chair, which had a kind of work-bench before it. Jenny looked at the handsome young lady standing on the door-step.
"I can't get up," said she, "because my back's bad and my legs are queer, but I'm the person of the house, miss, and won't you come in?"
"You have a room to let?" said the young lady. "My name is Lizzie Hexam, and I want to hire a room."
"Um-m," said Jenny; she was pressing bits of card-board between her teeth. "Take a seat—but would you please to shut the door first? I can't do it very well myself, because my back's so bad and my legs are so queer."
Lizzie Hexam closed the door, and sat down. She looked kindly at the very little creature, who went on with her work a few moments in silence, gumming together with a camel's-hair brush pieces of card-board and thin wood, which had first been cut out in different shapes. There were scissors and small sharp knives, and bright scraps of velvet, silks, and ribbon, lying on the bench.
"You can't tell me the name of my trade, I'll be bound," said the little creature, with a quick bird-like glance at her visitor.
"You make pincushions?"
Jenny nodded. "What else do I make, miss?"
"Pen-wipers?"
"Ha! ha! What else? Oh, you'll never guess," laughed Jenny.
"You do something with straw, but I don't know what," said Lizzie, pointing to one corner of the bench.
"Well done!" cried Jenny. "Now I'll tell you. I only make pincushions and pen-wipers to use up my waste, but my straw really does belong to my business. Try again. What do I make with my straw?"
"Bonnets?" said Lizzie, after thinking a moment.
"Yes. Fine ladies' bonnets," Jenny said, with a proud nod. "Dolls. I'm a dolls' dressmaker." She put her tiny hand in a very small apron pocket and drew out a card. "There," said she, "read that."
Lizzie took the card, which looked like this:
Miss Jenny Wren, Dolls' Dressmaker. Dolls attended at their own residences.
"I hope it's a good business," said Lizzie, smiling at the little creature.
"No. Poorly paid," said Jenny. "And I'm often pressed for time. I had a doll married last week, and was obliged to work all night to get her ready in time, and it's not good for me, on account of my back being so bad and my legs so queer. And they don't take care of their clothes, and they want new fashions every month. One doll I work for has three daughters. Bless you! she's enough to ruin her husband."
Here Jenny laughed, and gave such a sharp look at Lizzie, and hitched her little chin, as if her [...]