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- Herausgeber: Cheapest Books
- Kategorie: Fantasy und Science-Fiction
- Sprache: Englisch
- Veröffentlichungsjahr: 2018
Austin Hall (c. 1885 - 1933) was an American short story writer and novelist. He began writing when, while working as a cowboy, he was asked to write a story. He wrote westerns, science fiction and fantasy for pulp magazines.
The story opens on an oppressively hot day with a poor little newspaper boy, Charley, playing with a "burning glass" (a magnifying glass) which he uses to concentrate sunlight onto a small focal spot, thus intensifying the heat on some paper until it burns a hole, perhaps a portent of things to come. He is noticed by a recluse scientist, Dr. Robold, who takes interest in Charley's scientific curiosity and calls him a young Archimedes, referring to the ancient Greek who, as legend tells, used a "burning glass" from shore to set enemy ships ablaze as they were approaching. Charley has no parents to care for him. Dr. Robold takes Charley away from his pitiful life, to a mountain retreat in Colorado.
Years later, bizarre, terrifying events begin to occur. At a street intersection in Oakland, California, everything within a large circular area--streetcars, autos, people, pavement--suddenly vanishes without a sound, during a flash of bright, multi-colored light, leaving a vastly deep hole with perfectly smooth sides as though cut with a knife.
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The Man Who Saved The Earth
Austin Hall
ILLUSTRATED &
PUBLISHED BY
e-KİTAP PROJESİ & CHEAPEST BOOKS
www.cheapestboooks.com
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Copyright, 2018 by e-Kitap Projesi
Istanbul
ISBN:978-605-2259-33-7
©
CONTENTS:
About The Book & Author:
Introduction: Amazing Stories Magazine
Chapter 1
THE BEGINNING
Chapter 2
THE POISON PALL
Chapter 3
THE MOUNTAIN THAT WAS
Chapter 4
"MAN—A GREAT LITTLE BUG"
Chapter 5
APPROACHING DISASTER
Chapter 6
A RACE TO SAVE THE WORLD
Chapter 7
A RIVEN CONTINENT
Chapter 8
THE MAN WHO SAVED THE EARTH
Chapter 9
THE MOST TERRIFIC MOMENT IN HISTORY
* * *
About The Book & Author:
§
Austin Hall (c. 1885 - 1933) was an American short story writer and novelist. He began writing when, while working as a cowboy, he was asked to write a story. He wrote westerns, science fiction and fantasy for pulp magazines.
The story opens on an oppressively hot day with a poor little newspaper boy, Charley, playing with a "burning glass" (a magnifying glass) which he uses to concentrate sunlight onto a small focal spot, thus intensifying the heat on some paper until it burns a hole, perhaps a portent of things to come. He is noticed by a recluse scientist, Dr. Robold, who takes interest in Charley's scientific curiosity and calls him a young Archimedes, referring to the ancient Greek who, as legend tells, used a "burning glass" from shore to set enemy ships ablaze as they were approaching. Charley has no parents to care for him. Dr. Robold takes Charley away from his pitiful life, to a mountain retreat in Colorado.
Years later, bizarre, terrifying events begin to occur. At a street intersection in Oakland, California, everything within a large circular area--streetcars, autos, people, pavement--suddenly vanishes without a sound, during a flash of bright, multi-colored light, leaving a vastly deep hole with perfectly smooth sides as though cut with a knife. A wave of something toxic spreads outward, causing people to die of dehydration in a matter of minutes. In a remote rangeland, an entire mountain and 2000 cattle similarly disappear. An enormous fireball cuts a large trench across the United States starting at the Pacific Coastal town of Santa Cruz, California, going all the way to the Atlantic coast and continuing to the "Sargasso Sea" in the middle of the North Atlantic Ocean, where it hovers and draws up water continuously. Climate patterns change immediately. Water levels in the oceans worldwide fall as the water seems to be consumed by this terrifying object. The English Channel goes dry and the Mediterranian Sea becomes a landlocked lake. The devastation continues.
Only one person is the key to saving the world from destruction: Charley, now an adult. We learn that, under Dr. Robold's rearing and tutelage, he studied science. Charley discovers the source of this devastating assault on the Earth and pursues a fast-paced struggle to stop the attack before the Earth is completely plundered.
* * *
Introduction: Amazing Stories Magazine
§
This story was one of 6 short stories that appeared in the first issue of the first magazine devoted to science fiction, Amazing Stories: The Magazine of Scientifiction, volume 1, number 1, April 1926, edited by Hugo Gernsback and published by his company, Experimenter Publishing Company.
Before Amazing, science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch the new genre we call "science fiction." Amazing was published, with some interruptions and changes of ownership, for almost eighty years.
Gernsback's editorial in the first issue asserted that "Not only do these amazing tales make tremendously interesting reading—they are also always instructive". He had always believed that "scientifiction", as he called these stories, had educational power, but he now understood that the fiction had to entertain as well as to instruct. His continued belief in the instructional value of science fiction was not in keeping with the general attitude of the public towards "pulp" magazines, which was that they were "trash."Pulp magazines, such as Amazing Stories, were printed on the cheapest kind of paper available, called "pulp" paper, which kept the price low so the magazine could reach the mass of people rather than the elite at whom the expensive glossy magazines were targeted. Here exactly is his introduction of the new magazine:
ANOTHER fiction magazine! At first thought it does seem impossible that there could be room for another fiction magazine in this country. The reader may well wonder, "Aren't there enough already, with the several hundreds now being published?" True. But this is not "another fiction magazine," AMAZING STORIES is a new kind of fiction magazine! It is entirely new — entirely different — something that has never been done before in this country. Therefore, AMAZING STORIES deserves your attention and interest.
There is the usual fiction magazine, the love story and the sex-appeal type of magazine, the adventure type, and so on, but a magazine of "Scientifiction" is a pioneer in its field in America.
By "scientifiction" I mean the Jules Verne, H. G. Wells, and Edgar Allan Poe type of story— a charming romance intermingled with scientific fact and prophetic vision. For many years stories of this nature were published in the sister magazines of AMAZING STORIES — "Science & Invention" and "Radio News."
But with the ever increasing demands on us for this sort of story, and more of it, there was only one thing to do — publish a magazine in which the scientific fiction type of story will hold forth exclusively. Toward that end we have laid elaborate plans, sparing neither time nor money.
Edgar Allan Poe may well be called the father of "scientifiction." It was he who really originated the romance, cleverly weaving into and around the story, a scientific thread. Jules Verne, with his amazing romances, also cleverly interwoven with a scientific thread, came next. A little later came H. G. Wells, whose scientifiction stories, like those of his forerunners, have become famous and immortal.
It must be remembered that we live in an entirely new world. Two hundred years ago, stories of this kind were not possible. Science, through its various branches of mechanics, electricity, astronomy, etc., enters so intimately into all our lives today, and we are so much immersed in this science, that we have become rather prone to take new inventions and discoveries for granted. Our entire mode of living has changed with the present progress, and it is little wonder, therefore, that many fantastic situations — impossible 100 years ago — are brought about today. It is in these situations that the new romancers find their great inspiration.
Not only do these amazing tales make tremendously interesting reading — they are also always instructive. They supply knowledge that we might not otherwise obtain — and they supply it in a very palatable form. For the best of these modern writers of scientifiction have the knack of imparting knowledge, and even inspiration, without once making us aware that we are being taught.
And not only that! Poe, Verne, Wells, Bellamy, and many others have proved themselves real prophets. Prophesies made in many of their most amazing stories are being realized — and have been realized. Take the fantastic submarine of Jules Verne's most famous story, "Twenty Thousand Leagues Under the Sea" for instance. He predicted the pres- ent day submarine almost down to the last bolt! New inventions pictured for us in the scientifiction of today are not at all impossible of realization tomorrow. Many great science stories destined to be of an historical interest are still to be written, and AMAZING STORIES magazine will be the medium through which such stories will come to you. Posterity will point to them as having blazed a new trail, not only in literature and fiction, but in progress as well.
We who are publishing AMAZING STORIES realize the great responsibility of this undertaking, and will spare no energy in presenting to you, each month, the very best of this sort of literature there is to offer.
Exclusive arrangements have already been made with the copyright holders of the entire voluminous works of ALL of Jules Verne's immortal stories. Many of these stories are not known to the general American public yet. For the first time they will be within easy reach of every reader through Amazing Stories. A number of German, French and English stories of this kind by the best writers in their respective countries, have already been contracted for and we hope very shortly to be able to enlarge the magazine and in that way present always more material to our readers.
How good this magazine will be in the future is up to you. Read AMAZING STORIES — get your friends to read it and then write us what you think of it. We will welcome constructive criticism — for only in this way will we know how to satisfy you.
Hugo Gernsback has come to be recognized as the founder of the science fiction genre, and therefore the annual awards for the best science fiction or fantasy writing are now known as the "Hugo Awards". The awards are given each year at the annual World Science Fiction Convention as the central focus of the event, and they are considered one of the highest honors given in this field.
The first issue of Amazing contained only reprints, not new and original stories, beginning with a serialization of "Off on a Comet" by Jules Verne. In keeping with Gernsback's new approach prioritizing entertainment value over educational content, this was one of Verne's least scientifically plausible novels. Also included were H. G. Wells' "The New Accelerator", and Edgar Allan Poe's "The Facts in the Case of M. Valdemar"; Gernsback put the names of all three well-known authors on the cover. He also reprinted three more recent stories. Two came from his own magazine, Science and Invention; these were "The Man from the Atom" by G. Peyton Wertenbacker and "The Thing from—'Outside'" by George Allan England. The third was Austin Hall's "The Man Who Saved the Earth," which had appeared in All-Story Weekly in 1917.
The chapters which follow contain the entire story of "The Man Who Saved the Earth."
Chapter 1
THE BEGINNING
§
EVEN the beginning. From the start the whole thing has the precision of machine work. Fate and its working— and the wonderful Providence which watches over Man and his future. The whole thing unerring: the incident, the work, the calamity, and the martyr. In the retrospect of disaster we may all of us grow strong in wisdom. Let us go into history.
A hot July day. A sun of scant pity, and a staggering street; panting thousands dragging along, hatless; fans and parasols; the sultry vengeance of a real day of summer. A day of bursting tires; hot pavements, and wrecked endeavor, heartaches for the seashore, for leafy bowers beside rippling water, a day of broken hopes and listless ambition.
Perhaps Fate chose the day because of its heat and because of its natural benefit on fecundity. We have no way of knowing. But we do know this: the date, the time, the meeting; the boy with the burning glass and the old doctor. So commonplace, so trivial and hidden in obscurity! Who would have guessed it? Yet it is—after the creation—one of the most important dates in the world's history.
This is saying a whole lot. Let us go into it and see what it amounts to. Let us trace the thing out in history, weigh it up and balance it with sequence.
