The Night Ocean E-Book

H. P. Lovecraft

• Herausgeber: SAMPI Books
• Kategorie: Abenteuer, Thriller, Horror
• Sprache: Englisch

Seitenzahl: 46

Veröffentlichungsjahr: 2025

Beschreibung

A sensitive young artist seeks solitude by the sea, where the vast, eerie ocean begins to affect his mind. As he observes the shifting tides and strange lights on the waves, he becomes increasingly obsessed with the mysteries beneath the surface—until the boundary between reality and imagination dissolves. "The Night Ocean" is a haunting tale of isolation, cosmic dread, and the unknowable depths of both sea and soul.

Leseprobe

The Night Ocean

R. H. Barlow and H. P. Lovecraft

SYNOPSIS

A sensitive young artist seeks solitude by the sea, where the vast, eerie ocean begins to affect his mind. As he observes the shifting tides and strange lights on the waves, he becomes increasingly obsessed with the mysteries beneath the surface—until the boundary between reality and imagination dissolves. “The Night Ocean” is a haunting tale of isolation, cosmic dread, and the unknowable depths of both sea and soul.

Keywords

Isolation, Cosmic horror, Obsession

NOTICE

This text is a work in the public domain and reflects the norms, values and perspectives of its time. Some readers may find parts of this content offensive or disturbing, given the evolution in social norms and in our collective understanding of issues of equality, human rights and mutual respect. We ask readers to approach this material with an understanding of the historical era in which it was written, recognizing that it may contain language, ideas or descriptions that are incompatible with today's ethical and moral standards.

Names from foreign languages will be preserved in their original form, with no translation.

The Night Ocean

I went to Ellston Beach not only for the pleasures of sun and ocean, but to rest a weary mind. Since I knew no person in the little town, which thrives on summer vacationists and presents only blank windows during most of the year, there seemed no likelihood that I might be disturbed. This pleased me, for I did not wish to see anything but the expanse of pounding surf and the beach lying before my temporary home.

My long work of the summer was completed when I left the city, and the large mural design produced by it had been entered in the contest. It had taken me the bulk of the year to finish the painting, and when the last brush was cleaned I was no longer reluctant to yield to the claims of health and find rest and seclusion for a time. Indeed, when I had been a week on the beach I recalled only now and then the work whose success had so recently seemed all-important. There was no longer the old concern with a hundred complexities of color and ornament; no longer the fear and mistrust of my ability to render a mental image actual, and turn by my own skill alone the dim-conceived idea into the careful draught of a design. And yet that which later befell me by the lonely shore may have grown solely from the mental constitution behind such concern and fear and mistrust. For I have always been a seeker, a dreamer, and a ponderer on seeking and dreaming; and who can say that such a nature does not open latent eyes sensitive to unsuspected worlds and orders of being?

Now that I am trying to tell what I saw I am conscious of a thousand maddening limitations. Things seen by the inward sight, like those flashing visions which come as we drift into the blankness of sleep, are more vivid and meaningful to us in that form than when we have sought to weld them with reality. Set a pen to a dream, and the color drains from it. The ink with which we write seems diluted with something holding too much of reality, and we find that after all we cannot delineate the incredible memory. It is as if our inward selves, released from the bonds of daytime and objectivity, reveled in prisoned emotions which are hastily stifled when we would translate them. In dreams and visions lie the greatest creations of man, for on them rests no yoke of line or hue. Forgotten scenes, and lands more obscure than the golden world of childhood, spring into the sleeping mind to reign until awakening puts them to rout. Amid these may be attained something of the glory and contentment for which we yearn; some adumbration of sharp beauties suspected but not before revealed, which are to us as the Grail to holy spirits of the medieval world. To shape these things on the wheel of art, to seek to bring some faded trophy from that intangible realm of shadow and gossamer, requires equal skill and memory. For although dreams are in all of us, few hands may grasp their mothwings without tearing them.

Such skill this narrative does not have. If I might, I would reveal to you the hinted events which I perceived dimly, like one who peers into an unlit realm and glimpses forms whose motion is concealed. In my mural design, which then lay with a multitude of others in the building for which they were planned, I had striven equally to catch a trace of this elusive shadow-world, and had perhaps succeeded better than I shall now succeed. My stay in Ellston was to await the judging of that design; and when days of unfamiliar leisure had given me perspective, I discovered that—in spite of those weaknesses which a creator always detects most clearly—I had indeed managed to retain in line and color some fragments snatched from the endless world of imagining. The difficulties of the process, and the resulting strain on all my powers, had undermined my health and brought me to the beach during this period of waiting.