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Long before Kurval became King of Azakoria, he was a guard captain in service to the tyrannical King Talgat of the land Temirzhan beyond the sea.
One day, Talgat orders Kurval to escort the condemned witch Aelisia to the Plains of Shadow and behead her, so her blood may feed the dark gods who dwell there.
Kurval does not want to execute the sentence, once he learns that Aelisia is innocent of the crimes of which she has been accused.
But if he lets Aelisia go free, Kurval will not only have to face the wrath of Talgat but also the fury of the dark gods who dwell upon the Plains of Shadow.
The new sword and sorcery adventure by two-time Hugo finalist Cora Buhlert and her occasional alter ego, 1930s pulp writer Richard Blakemore. This is a novelette of 9800 words or approx. 33 print pages in the
Kurval sword and sorcery series, but may be read as a standalone. Includes an introduction and afterword.
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Veröffentlichungsjahr: 2021
The Plains of Shadow
by Richard Blakemore
Bremen, Germany
Copyright © 2021 by Cora Buhlert
All rights reserved.
Cover image by © Tithi Luadthong via Dreamstime
Cover design by Cora Buhlert
Pegasus Pulp Publications
Mittelstraße 12
28816 Stuhr
Germany
www.pegasus-pulp.com
Introduction
by Cora Buhlert
Nowadays, pulp fiction writer Richard Blakemore (1900 — 1994) is best remembered for creating the Silencer, a masked vigilante in the vein of the Shadow or the Spider, during the hero pulp boom of the 1930s.
What sets the Silencer apart from the many similar characters that graced American newsstands during the Great Depression is that his exploits reached out beyond the pages of the pulps into the real world. For between 1933 and 1942, there are dozens of reports from people who claim to have encountered the Silencer in real life, fighting crime, protecting the innocent and punishing the guilty just like his pulp counterpart.
Who was the person who dressed up as the Silencer to fight crime? The most likely theory is that it was Blakemore himself. After all, Richard Blakemore was a skilled sportsman and veteran of World War I, who spent the 1920s travelling the world, so he would certainly have had the knowledge and the ability. And the police at the time did suspect Blakemore of being the Silencer. There are various records of searches and arrests and even a trial in 1936, where Blakemore was convicted of a murder supposedly committed by the Silencer. He was later acquitted, when the actual killer confessed.
However, there are also confirmed reports of Silencer sightings during the time when Richard Blakemore was definitely elsewhere. So was the Silencer really just a deranged pulp fan, as Blakemore himself claimed? Or — and this is probably the most likely theory — did more than one person wear the Silencer costume?
Blakemore himself, when asked if he was the Silencer, always gave the following answer, “No, I’m not and have never been the Silencer. I’m just the man he chose to chronicle his adventures.”
The Silencer vanished at the start of World War II, when whoever the person behind the mask really was, was likely drafted to fight overseas. The Silencer magazine held on until 1949, still written by Blakemore, though the Silencer himself did not reappear after World War II.
There was a brief wave of Silencer sightings in the late 1960s. These are likely the work of a fan, particular since the Silencer adventures were reprinted in paperback at the time. Though some also believe that the new Silencer was one of Richard Blakemore’s four children with his wife Constance Allen Blakemore. Like their father, the Blakemore children have always denied being the Silencer.
The mystery surrounding the Silencer has long overshadowed Richard Blakemore’s other works. For like most pulp writers, Blakemore was extremely prolific and wrote dozens of stories in a variety of genres for Jakob Levonsky’s pulp publishing empire. Richard Blakemore’s work spans the entire width of the pulps, from crime stories via westerns, war and adventure stories to romance and even to science fiction and fantasy. Indeed, the sheer amount of stories Richard Blakemore wrote during the 1930s refutes the theory that he was the Silencer, for when would he have found the time?
Of the many non-Silencer stories Richard Blakemore wrote, the most interesting are his forays into the genre now known as sword and sorcery.
Richard Blakemore was an acknowledged fan of Weird Tales and particularly admired the stories of Robert E. Howard and C.L. Moore. And so, when Levonsky Publishing started up its own Weird Tales competitor called Tales of the Bizarre, Blakemore of course jumped at the chance to write for the magazine and created Thurvok, a warrior hero in the mould of Conan, Kull and Bran Mak Morn.
Thurvok first appeared in the story “The Valley of the Man Vultures” in the first issue of Tales of the Bizarre in 1936 and quickly became a regular feature of the magazine. Pegasus Pulp Publishing has recently brought the adventures of Thurvok and his companions back into print.
However, the Thurvok series is not the only contribution that Richard Blakemore made to the budding sword and sorcery genre. For in the July 1937 issue of Tales of the Bizarre, Richard Blakemore introduced a new character called Kurval in the novelette “King’s Justice”.
Kurval is a somewhat older and wiser character than Thurvok and his friends. He is described as a barbarian from beyond the sea who has seized the throne of the kingdom of Azakoria after slaying the previous king.
Whereas the Thurvok stories are characterised by banter, adventures, swordplay and battles with monsters, the Kurval tales are more serious and mostly deal with Kurval’s struggles to be a good and just king, even as he finds himself faced with subjects who don’t respect him as well as with would-be plotters and assassins. Though both the Thurvok stories and the Kurval tales feature several strong and resourceful female characters such as the spunky young witch Aelisia from “The Plains of Shadow”.
When asked why he chose to create a new sword and sorcery hero in Kurval and didn’t just go the Conan route and make Thurvok into a king, Richard Blakemore answered, “I had an idea for a story — the story that eventually became ‘King’s Justice’ — that simply didn’t fit into the framework of the Thurvok series. For Thurvok is quite happy being a wandering sellsword, thank you very much, and Meldom, much as I like him, should not be placed in any position of authority. And so I created a new character. Initially, I intended for Kurval to appear only in that one story. But I liked him and so I continued to use him for stories which didn’t fit Thurvok and friends.”
“The Plains of Shadow” was such a story. Initially intended to be Thurvok’s origin story, Blakemore eventually decided that it better fit his new hero Kurval. Chronologically, “The Plains of Shadow” is the first Kurval adventure, since it tells the story of how Kurval came to leave his homeland of Temirzhan. However, it was the second Kurval story published in the August 1937 issue of Tales of the Bizarre.
Pegasus Pulp Publishing is proud to present to you the adventures of Kurval, King of Azakoria, for the first time in print since 1930s. So buckle up and prepare to accompany Kurval as he ventures onto…
…The Plains of Shadow.