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A storm at sea. A shipwreck. An island alive with magic. Exiled Duke Prospero, master of the island and its spirits, conjures a mighty tempest to bring his enemies to shore. But instead of vengeance alone, The Tempest becomes a tale of love, betrayal, freedom, and forgiveness—woven with enchantment, comedy, and wonder. From the airy spirit Ariel to the monstrous Caliban, Shakespeare's characters illuminate themes of power, justice, and mercy in this spellbinding final play. Why readers love it: Magical atmosphere. Spirits, sorcery, and illusions create a world of wonder. Themes of reconciliation. A moving exploration of justice, forgiveness, and renewal. Rich drama and humor. Blending romance, comedy, and philosophy in perfect harmony. Praised for over 400 years Written around 1610–1611, The Tempest is widely considered Shakespeare's farewell to the stage. Its poetic beauty, dramatic power, and enduring humanity make it one of the Bard's most beloved and frequently performed works worldwide. ✨ Sail into a world of storms, spells, and redemption. 👉 Click "Buy Now" and experience The Tempest—Shakespeare's timeless masterpiece of magic, love, and forgiveness.
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Veröffentlichungsjahr: 2025
Enter a Master and a Boatswain
Master
Boatswain!
Boatswain
Here, master: what cheer?
Master
Good, speak to the mariners: fall to't, yarely, or we run ourselves aground: bestir, bestir.
Exit
Enter Mariners
Boatswain
Heigh, my hearts! cheerly, cheerly, my hearts! yare, yare! Take in the topsail. Tend to the master's whistle. Blow, till thou burst thy wind, if room enough!
Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND, GONZALO, and others
ALONSO
Good boatswain, have care. Where's the master? Play the men.
Boatswain
I pray now, keep below.
ANTONIO
Where is the master, boatswain?
Boatswain
Do you not hear him? You mar our labour: keep your cabins: you do assist the storm.
GONZALO
Nay, good, be patient.
Boatswain
When the sea is. Hence! What cares these roarers for the name of king? To cabin: silence! trouble us not.
GONZALO
Good, yet remember whom thou hast aboard.
Boatswain
None that I more love than myself. You are a counsellor; if you can command these elements to silence, and work the peace of the present, we will not hand a rope more; use your authority: if you cannot, give thanks you have lived so long, and make yourself ready in your cabin for the mischance of the hour, if it so hap. Cheerly, good hearts! Out of our way, I say.
Exit
GONZALO
I have great comfort from this fellow: methinks he hath no drowning mark upon him; his complexion is perfect gallows. Stand fast, good Fate, to his hanging: make the rope of his destiny our cable, for our own doth little advantage. If he be not born to be hanged, our case is miserable.
Exeunt
Re-enter Boatswain
Boatswain
Down with the topmast! yare! lower, lower! Bring her to try with main-course.
A cry within
A plague upon this howling! they are louder than the weather or our office.
Re-enter SEBASTIAN, ANTONIO, and GONZALO
Yet again! what do you here? Shall we give o'er and drown? Have you a mind to sink?
SEBASTIAN
A pox o' your throat, you bawling, blasphemous, incharitable dog!
Boatswain
Work you then.
ANTONIO
Hang, cur! hang, you whoreson, insolent noisemaker! We are less afraid to be drowned than thou art.
GONZALO
I'll warrant him for drowning; though the ship were no stronger than a nutshell and as leaky as an unstanched wench.
Boatswain
Lay her a-hold, a-hold! set her two courses off to sea again; lay her off.
Enter Mariners wet
Mariners
All lost! to prayers, to prayers! all lost!
Boatswain
What, must our mouths be cold?
GONZALO
The king and prince at prayers! let's assist them, For our case is as theirs.
SEBASTIAN
I'm out of patience.
ANTONIO
We are merely cheated of our lives by drunkards: This wide-chapp'd rascal—would thou mightst lie drowning The washing of ten tides!
GONZALO
He'll be hang'd yet, Though every drop of water swear against it And gape at widest to glut him.
A confused noise within: 'Mercy on us!'— 'We split, we split!'—'Farewell, my wife and children!'— 'Farewell, brother!'—'We split, we split, we split!'
ANTONIO
Let's all sink with the king.
SEBASTIAN
Let's take leave of him.
Exeunt ANTONIO and SEBASTIAN
GONZALO
Now would I give a thousand furlongs of sea for an acre of barren ground, long heath, brown furze, any thing. The wills above be done! but I would fain die a dry death.
Exeunt
Enter PROSPERO and MIRANDA
MIRANDA
If by your art, my dearest father, you have Put the wild waters in this roar, allay them. The sky, it seems, would pour down stinking pitch, But that the sea, mounting to the welkin's cheek, Dashes the fire out. O, I have suffered With those that I saw suffer: a brave vessel, Who had, no doubt, some noble creature in her, Dash'd all to pieces. O, the cry did knock Against my very heart. Poor souls, they perish'd. Had I been any god of power, I would Have sunk the sea within the earth or ere It should the good ship so have swallow'd and The fraughting souls within her.
PROSPERO
Be collected: No more amazement: tell your piteous heart There's no harm done.
MIRANDA
O, woe the day!
PROSPERO
No harm. I have done nothing but in care of thee, Of thee, my dear one, thee, my daughter, who Art ignorant of what thou art, nought knowing Of whence I am, nor that I am more better Than Prospero, master of a full poor cell, And thy no greater father.
MIRANDA
More to know Did never meddle with my thoughts.
PROSPERO
'Tis time I should inform thee farther. Lend thy hand, And pluck my magic garment from me. So:
Lays down his mantle
Lie there, my art. Wipe thou thine eyes; have comfort. The direful spectacle of the wreck, which touch'd The very virtue of compassion in thee, I have with such provision in mine art So safely ordered that there is no soul— No, not so much perdition as an hair Betid to any creature in the vessel Which thou heard'st cry, which thou saw'st sink. Sit down; For thou must now know farther.
MIRANDA
You have often Begun to tell me what I am, but stopp'd And left me to a bootless inquisition, Concluding 'Stay: not yet.'
PROSPERO
The hour's now come; The very minute bids thee ope thine ear; Obey and be attentive. Canst thou remember A time before we came unto this cell? I do not think thou canst, for then thou wast not Out three years old.
MIRANDA
Certainly, sir, I can.
PROSPERO
By what? by any other house or person? Of any thing the image tell me that Hath kept with thy remembrance.
MIRANDA
'Tis far off And rather like a dream than an assurance That my remembrance warrants. Had I not Four or five women once that tended me?
PROSPERO
Thou hadst, and more, Miranda. But how is it That this lives in thy mind? What seest thou else In the dark backward and abysm of time? If thou remember'st aught ere thou camest here, How thou camest here thou mayst.
MIRANDA
But that I do not.
PROSPERO
Twelve year since, Miranda, twelve year since, Thy father was the Duke of Milan and A prince of power.
MIRANDA
Sir, are not you my father?
PROSPERO
Thy mother was a piece of virtue, and She said thou wast my daughter; and thy father Was Duke of Milan; and thou his only heir And princess no worse issued.
MIRANDA
O the heavens! What foul play had we, that we came from thence? Or blessed was't we did?
PROSPERO
Both, both, my girl: By foul play, as thou say'st, were we heaved thence, But blessedly holp hither.
MIRANDA
O, my heart bleeds To think o' the teen that I have turn'd you to, Which is from my remembrance! Please you, farther.
PROSPERO
My brother and thy uncle, call'd Antonio— I pray thee, mark me—that a brother should Be so perfidious!—he whom next thyself Of all the world I loved and to him put The manage of my state; as at that time Through all the signories it was the first And Prospero the prime duke, being so reputed In dignity, and for the liberal arts Without a parallel; those being all my study, The government I cast upon my brother And to my state grew stranger, being transported And rapt in secret studies. Thy false uncle— Dost thou attend me?
MIRANDA
Sir, most heedfully.
PROSPERO
Being once perfected how to grant suits, How to deny them, who to advance and who To trash for over-topping, new created The creatures that were mine, I say, or changed 'em, Or else new form'd 'em; having both the key Of officer and office, set all hearts i' the state To what tune pleased his ear; that now he was The ivy which had hid my princely trunk, And suck'd my verdure out on't. Thou attend'st not.
MIRANDA
O, good sir, I do.