Wild Quiet E-Book

Roisín O'Donnell

• Herausgeber: New Island
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch

Veröffentlichungsjahr: 2016

Beschreibung

A memory-eating, closet-dwelling beast escapes its confines; a Somali girl in a Donegal school is tougher than she seems; under a jasmine tree in Andalucía a woman waits for her stolen son; at the edge of a city, two brothers step unwittingly into a game that turns deadly. The scope and diversity of these stories knows no bounds, sitting somewhere between the real and imaginary. Wild Quiet contains a world viewed from unexpected angles, where the ordinary is rendered extraordinary and the extraordinary sublime. These are stories woven with compassion and humour, announcing the arrival of a fresh new voice in Irish literature. In this astonishingly innovative and bold collection, Roisín O'Donnell examines the hurts and triumphs of being human, and the wild, quiet moments that approach something like grace.

Leseprobe

Praise for Roisín O’Donnell

‘Roisín O’Donnell is among the most talented of the new generation that are extending the range of the Irish short story and updating it for a twenty-first-century readership. Reading her is like picking through a treasure trove of the human imagination – you can’t but be enriched by it. Highly recommended.’

– Dave Lordan

‘Roisin O’Donnell breaks the bounds of the short story… O’Donnell has innovated with a texture and depth not often encountered in the short form.’

– Deidre Conroy, Sunday Independent

‘This impeccably written story is magnificently structured; the language is witty and intelligent, and every so often you find yourself shaking your head in amazement at how O’Donnell captures a fleeting feeling.’

– Berni Dwan

‘O’Donnell shapes a bittersweet sad comedy that is an absolute masterpiece.’

– San Diego Book Review

‘Roisín O’Donnell is playful and exuberant in her approach to the multi-racial society Ireland is becoming.’

– The Times Literary Supplement

‘O’Donnell’s assured writing mixes shifts in pace and tense seamlessly.’

–Minor Literatures

‘The poetry is lush and poignant in the prose of Bennett and Roisín O’Donnell.’

– Anne O’Neil, Headstuff

‘[O’Donnell] delicately intuits a metaphor, which resonates throughout the collection, for the complexities of a nation increasingly not at home with itself.’

– The Times Literary Supplement

‘I first ran across her work in the Young Irelanders anthology released earlier this year. At the time I thought, “Holy Jaysus, there’s another Dorothy Parker been born.” Infinite Landscapes reinforces that judgement.’

– Hubert O’Hearn

‘I love the style of this story: a series of things learnt, some obvious, some less so; a gradual supplanting of hope with hard certainties. It’s intelligent, involving and beautifully written.’

– Donal Ryan

‘From the rich, luxurious language of love to the bleak austerity of Loch con Nualla ... an amazingly skilled and talented author with a freshness and vitality in every sentence.’

– Garry Bannister

WILD QUIET

Roisín O’Donnell

WILD QUIET

First published in 2016

by

New Island Books,

16 Priory Hall Office Park,

Stillorgan,

County Dublin.

Republic of Ireland.

www.newisland.ie

Copyright © Roisín O’Donnell, 2016.

Roisín O’Donnell has asserted her moral rights.

PRINT ISBN: 978-1-84840-500-4

EPUB ISBN: 978-1-84840-501-1

MOBI ISBN: 978-1-84840-502-8

All rights reserved. The material in this publication is protected by copyright law. Except as may be permitted by law, no part of the material may be reproduced (including by storage in a retrieval system) or transmitted in any form or by any means; adapted; rented or lent without the written permission of the copyright owner.

British Library Cataloguing Data.

A CIP catalogue record for this book is available from the British Library.

New Island Books received financial assistance from The Arts Council (An Chomhairle Ealaíon), 70 Merrion Square, Dublin 2, Ireland.

For Mam and Dad,

for everything

Contents

Ebenezer’s Memories

How to be a Billionaire

Infinite Landscapes

Titanium Heart

Under the Jasmine Tree

On Cosmology

How to Learn Irish in Seventeen Steps

Kamikaze Love

Wild Quiet

When Time Stretches

Death and the Architect

Crushed

Acknowledgements

Ebenezer’s Memories

I first found out about him during one of the Christmases we spent in Derry in the mid 1990s, when I was six or seven and my brother, Jack, was four or five. We’d been playing hide-and-seek in Grandad’s red-brick terrace, when Jack had hidden in the cupboard under the stairs and I’d got lost between numbers on my countdown from a hundred, and had forgotten (probably deliberately) to find my brother until it was nearly teatime. By then, woolly dust was clinging to Jack’s flaxen hair. His eyes were so red from crying that his irises blazed technicolour blue. His face was so dirty that he resembled aMary Poppinschimney sweep.

Mammy sat us down on Grandad’s hard brown sofa and shouted,‘Catherine. Jack. Yous are never, never, never to play in that cupboard again! What would your dad say? God rest him. Of all the places in this bloody house ...’.

‘Maggie,’ Grandad put a hand on Mammy’s shoulder, ‘go an’ stick the kettle on. Let me have a word with these two.’

Wiping her eyes on the cuff of her sleeve, Mammy turned in to the kitchen.

Grandad sighed, as if heavily burdened by the weight of the forthcoming conversation, and eased himself down onto the rocking chair. Damp black socks laddered the white radiator behind him, making it look like a melting piano. From the scullery came the hiss of the kettle and the mustiness of boiling spuds. Grandad smoothed his corduroys with hands leathery from a life spent delivering oil around the farms of Ulster, from Lisnaskea to Cushendall, from Castlewellan to Dungiven. He adjusted his heavy glasses, leaned forward and whispered, ‘Now then. Can yous two keep a secret?’

Our heads bopped like the novelty nodding pup in the back window of our family Fiesta, and Grandad checked over his shoulders both ways, twice. This was the way of my storytelling grandfather. A veteran with a never-spoken-of limp dating back to the battle of El Alamein, who would stand outside Aunt Ruby’s kitchen window, double check to make sure I was watching, and carefully eat one of her prize lemon roses, petal by petal. Who, years later, when I was informed at school about the Birds and the Bees, promptly led me up the yard and pointed out with great authority the gorse bush under which he’d found me when I’d been delivered by Norwegian stork one starless September night.

‘Let me tell yous,’ Grandad whispered, ‘there’s a monster living in that cupboard—stop pickin’ your nose, Jack—and his name is Ebenezer.’

Jack wiped his nose on the back of his skinny wrist, ‘Aww, Grandad.’

‘You think I’m jokin’, Jack Donnelly?’ Grandad shook his head. ‘Did ye not hear somethin’ scary when you were in there? Think about it now, Jack. Think really carefully.’

My brother chewed his lower lip. Cupboard dust and grime streaked his forehead, turning his narrow face into a charcoal sketch. Being a bit of a daydreamer, my credulity was instant, but Jack was already less willing to believe. Behind the distorting blur of his heavy lenses, Grandad’s small eyes flashed the unexpected blue of a kingfisher on a riverbank. His sincerity was palpable; you could practically inhale it.

‘Maybe…’ Jack conceded, ‘yeah, maybe I did.’

‘So ye heard it?’ Grandad gave a single nod. ‘Aye. That’s coz Ebenezer’s hungry. I’ve to feed him newspapers every day, and other things. What things, Catherine? Scary things, pet. Things we’d rather forget. But do yous know what his favourite thing to eat is?’

We shook our heads, and Grandad leaned closer. ‘His favourite snack is wee wains from England. So yous are not to go playin’ in that cupboard again, understand?’

The arthritic brass pendulum of the fireplace clock wheezed the half hour. As if the chimes had broken the spell of his storytelling, Grandad stood. ‘Now then.’ Readjusting his glasses, he pottered into the kitchen, whistling the opening refrain of ‘Be Thou My Vision’, leaving Jack and me in a silence so thick we could have swum right through it.

The next day, a bitter December afternoon, I was hopscotching down Glendermot Road when I overheard Miss Annie from number 46 say to Miss Carmichael from number 3, ‘There’s that poor wain from the Mixed Marriage.’

‘And the daddy. Mercy on his soul.’

I stumbled over a pavement crack, suddenly feverish in my duffle coat. I wanted to cry, but instead I gritted my molars and shoved my fists into my pockets. A feeling like fear made my pulse quicken, and the moment was stored in my memory as a hurt foretold, something that upset me now and would anger me later, in a way I didn’t yet understand. Mixed Marriage. I continued skipping, reminded of cake mix and the way my Granny Nora’s ruddy elbows used to work the batter like pistons.

Things we’d rather forget. I fastened the toggles of my coat up to my chin and hurried back to number twelve, trailing my skipping rope behind me.

I’d never found it odd that none of my aunts, uncles or cousins appeared in my parents’ wedding album. I’d always presumed that all weddings featured a London street, bell-bottom trousers, a skinny tie, an ivory dress with three-quarter-length sleeves, and a total of four wedding guests. After my parents eloped to England, both families refused to speak to them. Letters went unanswered. Phone calls rang into silence. The families remained locked in a stand-off that lasted nearly a decade.

Jack and I were still toddlers when Dad died, at which point my grandparents finally got back in touch. Soon after, Mammy moved the family to Sheffield, returning to Derry each Christmas and almost every summer to visit my two surviving grandparents. We’d visit Granny Donnelly, who was ensconced in the mahogany darkness of St Augustine’s Nursing Home, on a wind-scoured hill in Rosemount. But we’d always stay with Grandad Williamson, who lived in the treeless maze of the Waterside. With steely resolve, Mammy maintained our tradition of visiting Derry, no matter what. Once or twice a year she’d wake us in the ‘wee small hours’ and we’d journey overnight, through the larynx of England and the tonsils of Scotland, arriving in the bleak Stranraer dawn for the early crossing to Larne.

Derry was a city visited rarely enough for it to have retained its mythical quality in my imagination. In the absence of schoolbook histories, my sense of Derry’s past was woven from family legends. I’d heard about the scuttled U-boats in the Foyle basin, and I imagined them trawling the dark. The city walls, intact and off-limits, knotted a noose around the town centre. Under dripping archways, dank with moss and lichen, my footsteps bounced back at me. The ‘City of Oaks’, on whose dark corners angels whispered, could change her mood as quickly as light shifted on the Foyle.

Compared to the open horizons of the seven-hilled English city where we were being raised, Derry was a secretive place, full of fenced-off quarters. Corrugated sheets of khaki metal shielded Ebrington Barracks. Concrete warehouses fortified the deserted docklands, where Dad had gone for an early run on the last morning of his life. A canopy of dark-leafed sycamores cloaked the north bank of the river. Even when viewed in panorama from St Columb’s Park, the city seemed to shrink from view, hidden by an illusion of the soft grey light, the angle of the low-lying hills.

A few days later, an overcast morning in the unwrapped wake of Christmas, Jack and I had been playing hospital, but my useless brother had fallen asleep on the sofa, leaving me alone with a pram of half-bandaged teddies. Mammy had gone into the town to pick up something in the January sales, and Grandad was milling about the yard, humming ‘How Great Thou Art’ whilst clipping back the ivy on the backyard wall.

Alone, I squiggled my name in the condensation on the living-room window and watched the letters stream into each other. With a technique developed through many years of painful practice, I carefully climbed onto the back of the rocking chair, balancing to manage its sway, and sneaked a Mikado biscuit from the Bovril tin above the wireless. Next, I had a go at winding and unwinding the mangle in the scullery, which Grandad said was used for squeezing the badness out of bold wains. Entertainment options exhausted, I climbed upstairs and sat on the hard single bed, where Mammy and Aunt Ruby had slept as wains, their nocturnal battles making Grandad threaten to put a plank down the centre of the bed to separate them.

It was as I sat swinging my legs, chewing the end of my braid and imagining a bed with a pine plank down the centre that I first heard it: a low moan, with the sadness of whale song, drawn out and muffled as if reaching me from across oceans, yet close enough to make the windowpanes shiver. It got louder and louder, like a train tunnelling under the house. And again that low moan sounded; the saddest, lowest echo you can imagine.

Clinging to the bannister, trying to avoid the steps that creaked, I climbed back down the stairs. In the hall the sound was like the warning groan of a foghorn from a floundering ship. With my heart in my throat, I traced the sound to the cupboard under the stairs. As I knelt, the groans stopped and were replaced by a crashing growl, like waves pounding the rocks of Magilligan Strand. And there was a pulse inside the sound, a watery, pre-natal heartbeat, the paced and laboured breathing of something waiting to flee or to pounce.

My hand reached for the cupboard door of its own accord while I watched with the helplessness of nightmares. The door was locked, but my fingers slipped under the crack at its bottom. I winced, expecting something sharp, the quick gnash of teeth. Instead, a cold head rush spread over me, the chill experienced when you’ve been caught lying. A tug, like when you stand in the surf at high tide and feel the sand dragged from under you. I felt a sudden dizziness, and dots of blue danced before my eyes, like the wake of a camera flash. Blue turned to blazing white and then cleared into flickering light-filled images.

It was as if the moving pictures were being projected inside my eyelids from an invisible cinema reel. I saw half-remembered faces, and others I had only seen in photographs. Looking closely into the fan of light, I saw Grandad manning the big guns. I felt the breath, tight in his chest, the sweat stinging his eyes. I felt his lurch of terror as three Luftwaffe planes appeared on the horizon, the flares of their ammunition trained on the spot where Grandad’s five Waterside pals were manning another set of artillery. I saw the black sheen of the big guns, and felt the still desert night stretching in all directions. Through Grandad’s eyes, I felt momentum dragging me towards the magnet of a terrible moment. But the desert images then became spotted with purple light, so all I could see were the whites of eyeballs and pieces of somebody’s knees.

Blinking, I saw other images so small it was hard to work out what they were. There was a shard of black metal, which turned out to be the helm of a surrendered U-boat, towed into the Foyle with drowned German sailors inside. In another flickering film of images, an iridescent orb turned out to be a button on my dad’s polo shirt as he knelt to tie his laces before his morning run. I saw him pausing on his way out of the cheap hotel room to check on the cots where Jack and I lay sleeping. I realised that I must have been seeing our parents’ first time back in Derry since they had eloped. I felt the pride swelling in my dad’s chest. And as I watched, his shirt button turned into the moon, floating above the Arcadia Dance Hall on the night my parents met.

Again the images shifted, and I heard my Granny Nora’s laughter and smelt her fresh-baked soda bread. I saw my mammy getting ready for a date, twisting her hair into a bun on the top of her head and turning to my Aunt Ruby. ‘How do I look?’ On and on the images came. When the vertigo-inducing montage made me dizzy, I pulled back my hand, from which the blood had drained almost entirely.

Spots of blue and purple light faded into white, and the hall became visible. Sounds from within the cupboard subsided, and all I could hear was the ticking of the grandfather clock and the lull of traffic from the road outside. As my pulse steadied, there was a stilling in me, a levelling off of emotions as fear morphed into relief. It was like that moment when you wake from a nightmare and it takes a few minutes to readjust to reality. My ears rang, and I kept recalling Grandad’s words: ‘Things we’d rather forget.’ And I gradually began to realise that as well as being a great devourer of unwanted newspapers, Ebenezer was a fairly ferocious consumer of unwanted memories too.

Hardly believing what I had seen, I stumbled to the sofa where Jack lay sleeping with his mouth wide open. I cuddled up next to my brother and plunged into the type of murky sleep from which the sleeper emerges exhausted.

A long while later I awoke, hungry, remembering nothing of my dreams.

It was always on lonely afternoons that the sound would come, calling me back to Ebenezer’s cupboard once again. No one else could hear Ebenezer’s calls, which thrilled and terrified me. Each time I slipped my fingers under the door, blue dots would dance and turn to white, and I’d witness episodes of family history, like snatches of a stolen documentary.

The images and sounds I witnessed were gnarled and broken things, almost impossible to decipher. A sudden rush of blood on the petunias could have been the first baby Aunt Ruby lost. But it could just as easily have been Granny Donnelly’s tears staining the roses on my dad’s coffin. Because each scene was crackly and fizzled towards its close, I decided that Ebenezer had been chewing these images, that what I witnessed were his leftovers, so gloopy and well-chewed they often melted into each other. Mammy’s orange miniskirt and auburn beehive (‘How do I look?’) had become knotted up with army razor wire. Two cats fighting in the yard had become bullets ricocheting through the quiet of the docklands.

No one believed in Ebenezer, only me and Grandad. He lived in the cupboard under the stairs and waited for Grandad to breathe in the door and feed him his memories. Waiting, Ebenezer cowered like a cud-chewing Friesian in the dark, gnawing love letters down to their syllables. He didn’t know how he’d got there, or who he was before he existed. I was his chance of escape, and each winter he felt me coming from across the water to ask Grandad strange questions. How come Granny Donnelly doesn’t like Mammy? How come we have to live in England? Why can’t we stay in Derry with you?

To Ebenezer, my voice was soothing. Grandad’s replies trembled like autumn branches hassled by the wind. And when I slipped my fingers under the cupboard door, Ebenezer jangled the broken charms of his memory scraps. He knew that I would set him free. He knew this because I was more nosy than afraid.

Each winter morning I would watch Grandad scraping the fireplace clean, fetching coal from Ebenezer’s cupboard—‘Stay there now, Catherine, careful Ebenezer doesn’t catch sight of ye’—and feeding Ebenezer the previous week’s Londonderry Sentinel or Derry Journal.

But in all these mornings of watching and waiting, and all the furtive minutes spent with my cheek to the rough red carpet, peering under the cupboard door, I never saw Ebenezer himself. I imagined him scaled like a dragon, dredged up from the Foyle, with the river’s misty mornings still reflecting in his eyes. I knew he had sharp teeth; with these he had made mincemeat of my family’s unwanted memories. And I knew he had a heartbeat.

When we returned to Derry, it was summer. And until that summer of ’98, I thought Northern Ireland was just something that happened on the TV. It was something that would surface between the construction of the Millennium Dome, the investigation into the death of Princess Diana, and ads for Cornflakes and baked beans. The Troubles were confined to the six o’clock news, after which the weather woman would stand with the left shoulder of her suit blocking out the republic. Northern Ireland had nothing to do with Grandad’s house, which we continued to visit each Christmas and almost every summer.

And yet in that summer of ’98 I began to notice things about Derry that I hadn’t heeded before. The grey rainbow of the New Bridge arced across the Foyle. Bands of red-white-and-blue paint wrapped the kerbs of the Waterside to the point of strangulation. Stripes of green-white-and-orange lined the pavements of Rosemount. The skull of a paramilitary was painted on a gable-end near Grandad’s house with the words No surrender written on a scroll above it. A tricolour tied to a machine gun adorned a gable-end at Rosemount, and the words You are now entering Free Derry guarded the Bogside. Checkpoints were manned by British soldiers cradling long black rifles, their eyes scanning the area just above our heads.

I’d grown taller by that summer, all elbows and knees, flowery leggings and a jumper with a pink mouse on it. As soon as we arrived at Grandad’s house, I knelt by Ebenezer’s cupboard and placed my ear against the door. ‘Catherine, what are you at?’ Mammy asked.

I jumped back, ‘Just messin’.’

And Grandad watched on, knowing, but saying nothing. He knew Ebenezer’s breath could corrode the memory of a face down to its outline. Ebenezer was always hungry because Grandad never fed him enough memories, and always flatulent because those memories were tough to digest. Poor Ebenezer, it must have been terrible always to be this gassy. One belch and a kneecap shattered. One fart and a petrol bomb exploded across the Foyle. He wanted to leave Grandad’s cupboard and breathe his memories back to their owners, but he was trapped, hungering for that which poisoned him.

Lying by Grandad’s hearth one August morning, reading the Beano while Mammy sliced stacks of sandwiches to bring to the beach, I was jolted out of my daydream by an outburst from Ebenezer’s cupboard—a sound so different from his previous noises that it sent goosebumps crawling up my arms, like an army of ice-legged ants creeping over my skin. I looked around for Grandad to see if he was hearing this too. But I then remembered that he was upstairs napping; older now, and less prone to fits of storytelling.

This time there were no growls and whines. Instead, a type of vocalised heartbreak seemed to originate, not just from the foundations of Grandad’s house, but from the belly of the hills on which the city of Derry stood.

Tiptoeing into the hall, I knelt by the cupboard and listened. Tortured groans came from within: the whimpering of an animal with a fractured bone or a limb torn from it.

What had Ebenezer eaten? The unsayable and unsaid. Which memory had finally made him sick to his stomach so he couldn’t eat any more?

I tugged at the brass latch of the cupboard door, and to my fright it gave way a little. It rocked on its rusty nails, creaking in slight complaint as the brass hinge bent. For the first time the blistering door opened a chink, through which I could peek.

Again came the dots of purple, blue, and then a blazing white glare. The memories were fuller now, and I was standing in the middle of them. The faces were sharper and less mottled, as if Ebenezer had found them impossible to chew.

I saw my dad running in bluish docklands light, proud to be home in Derry for the first time in a decade, and wondering what Granny Donnelly would say if he were just to turn up on her doorstep with the two wains. What would she say? Surely she’d be pleased. Maggie had begged him not to run until it got light. ‘Derry’s changed, Gerard,’ she’d said. ‘We don’t know the city now, so we don’t.’ But he hadn’t run for a fortnight and was getting out of shape. He’d never make the Sheffield Marathon at this rate, and there’d be no chance to run later once the kids were up and about.

The image faded, and I saw my dad’s brown eyes losing focus. His body slumping, not in a crisp-sheeted hospital bed as Mammy had described it to me, but in a docklands alley. I felt the life ebb out of him, his blood wet and dark as ink. He stared right at me, as if seeing through my skull. I wanted to pull my hand back, to step out of the memory, but I couldn’t.

Heart threatening to burst like a smashed piñata, I blinked and saw Mammy kneeling by the electric fire and telling Grandad, ‘Dad, I’ve met someone.’ I felt their joint fear, the heat of the fire on their faces. Grandad knowing before she continues, in the way some stories are known before they are heard, that the boy is Catholic. His silent tears were made horrific by the reddish hue of the electric fire. I saw bars of brightness ticking as they cooled, and felt Mammy aching with love for him. For my dad. For both of them.

Blinking again, I saw the Trinity knot tattooed on my dad’s shoulder. Nothing more. Just his shoulder. This close-up lasted and lasted, until the sense of doom that welled up in me was unbearable.

At that moment, the brass handle in my hand became light. As the cupboard door broke from its hinge, an unholy roar sent me scarpering backwards on all fours, crab-like on the maroon carpet.

‘Catherine?’ Mammy lifted me by the elbow. ‘What in God’s name is the commotion? Would you ever stop messin’, you’re holding everyone up.’