William Blake, the Immortal Artist - Complete Drawings & Engravings in One Edition E-Book
William Blake
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- Herausgeber: Musaicum Books
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
- Veröffentlichungsjahr: 2017
William Blake's book 'William Blake, the Immortal Artist - Complete Drawings & Engravings in One Edition' showcases the masterful artworks of this prolific artist. Known for his mystical and symbol-laden works, Blake's drawings and engravings are a testament to his unique vision and talent. The book provides a comprehensive collection of his artwork, allowing readers to delve into the intricate details and profound meanings behind each piece. Blake's literary context is of great significance as he was a key figure in the Romanticism movement, influencing the likes of Wordsworth and Coleridge with his innovative approach to art and literature. His fusion of visual art and poetry in his works sets him apart as a true visionary of his time. William Blake's deep spiritual beliefs and mystical experiences are evident in his artwork, making 'William Blake, the Immortal Artist' a must-read for art enthusiasts and scholars alike. The book offers insight into Blake's intricate artistic process and the symbolism that permeates through his work. His unique style and revolutionary approach to art continue to captivate readers and art enthusiasts to this day, solidifying his legacy as an immortal artist. I highly recommend 'William Blake, the Immortal Artist - Complete Drawings & Engravings in One Edition' to anyone interested in exploring the visionary world of this iconic artist. Blake's timeless artwork and profound themes make this book a valuable addition to any art lover's collection, providing a deeper understanding of his artistic genius and lasting impact on the art world.
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William Blake, the Immortal Artist - Complete Drawings & Engravings in One Edition
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Table of Contents
List of Illustrations
The Penance of Jane Shore. (About 1778). Tinted drawing, varnished
The Breach in a City. (1784). Indian-ink, with slight colour
Youth learning from Age. Indian-ink and water-colours.
Har and Heva bathing, Mnetha behind. Design for Tiriel. Indian-ink
Har and Tiriel, Heva and Mnetha. Design for Tiriel. Indian-ink
The Blossom, from Songs of Innocence. (1789). Coloured print
The Divine Image, from Songs of Innocence. (1789). Coloured print
The Bard, from Gray. Tempera.
The Agony in the Garden. Tempera.
Title-page of Thel. (1789). Coloured print of the design without the title
Page 4 of Thel. Lightly tinted
Page 4 of Thel. (1789). Coloured print without text
The Flight into Egypt. (1790). Tempera.
The Nativity. Tempera
Bathsheba. Tempera.
Job’s Complaint. (About 1792). Indian-ink.
Two Engravings for The Gates of Paradise. (1793).
Two Engravings for The Gates of Paradise. (1793).
Visions of the Daughters of Albion. (1793). The Argument. Coloured print.
Page 7 of America. (1793). Uncoloured.
Page ii of America. (1793). Uncoloured.
Youth carrying a Cherub. Frontispiece to Songs of Experience. (1794). Coloured print.
Hear the Voice of the Bard! Introduction to Songs of Experience. (1794). Coloured print.
Page 2 of Urizen. (1794). Coloured print (without text)
Page 7 of Urizen. Coloured print (without text).
Page 8 of Urizen. Coloured print.
Page 19 of Urizen (Los, Enitharmon and Ore). Coloured print
Page 20 of Urizen. Coloured print.
Page 26 of Urizen (The Nets of Urizen). Coloured print
The Ancient of Days. Frontispiece to Europe. (1794). Coloured print
The House of Death; The Lazar-House of Milton. (1795). Colour-printed drawing.
Hecate. Colour-printed drawing
Oberon and Titania resting on Lilies. Page 5 of The Song of Los
Glad Day. Coloured print
Unknown Subject. Coloured print.
Pity, from Macbeth. Colour-printed drawing.
The Elohim creating Adam. (1795). Colour-printed drawing
Satan exulting over Eve. (1795). Colour-printed drawing
Oberon and Titania. Water-colours.
The Sacrifice of Isaac. Tempera
Christ interceding for the Magdalen. Tempera.
Elijah in the Chariot of Fire. (1795). Colour-printed drawing
Job confessing his Presumption to God. Water-colours
The Crucifixion. (1801). Water-colours.
The Entombment. Water-colours.
The Stoning of Achan. Water-colours.
The Eagle and the Child. (1802). Indian-ink drawing for illustration to Hayley’s Ballad.
The Death of the Virgin. Water-colours.
The Death of Saint Joseph. Water-colours.
The Rainbow over the Flood. Indian-ink.
The Three Maries at the Sepulchre. (1803). Water-colours
Nelson guiding Leviathan. Tempera.
Mary Magdalen washing the Feet of Jesus. Water-colours
Ruth and Naomi. Water-colours.
David delivered out of Many Waters. Water-colours
Page 4 of Milton. (1804). Coloured print.
Page 36 of Milton. (1804). Blake’s Cottage at Felpham. Coloured print
Page 38 of Milton. (1804). Coloured print.
Design on page 8 of Jerusalem. (Begun 1804). Uncoloured
Design on page 28 of Jerusalem. Uncoloured.
Page 31 of Jerusalem. Uncoloured
Page 35 of Jerusalem. Uncoloured.
Design on page 41 of Jerusalem. Uncoloured.
Page 70 of Jerusalem. Uncoloured.
Page 76 of Jerusalem. Uncoloured.
The River of Life. Water-colours.
Fire. Water-colours
Famine. (1805). Water-colours
Dedication to the Queen, for Blair’s Grave. (1806). Pencil and tint (not engraved).
Satan watching the Endearments of Adam and Eve (Paradise Lost). (1806). Water-colours.
The Finding of Moses. Water-colours.
The Infant Jesus praying. Water-colours.
The Woman taken in Adultery. Water-colours.
The Burial of Moses. Water-colours.
The Temptation. Water-colours
The Ascension. Water-colours
Angels hovering over the Body of Jesus. (1808). Water-colours
The Angel rolling away the Stone from the Sepulchre. (1808). Water-colours
Jacob’s Ladder. (1808). Water-colours.
The Creation of Eve (Paradise Lost). Water-colours.
Queen Catherine’s Dream. Water-colours
The Judgment of Paris. (1817). Water-colours.
Four Subjects from A. Phillips’ Imitation of Virgil’s First Eclogue. (1821). Woodcuts, first state.
Four Subjects from A. Phillips’ Imitation of Virgil’s First Eclogue. (1821). Woodcuts, first state.
The Wise and Foolish Virgins. (1822). Water-colours
Mirth. Design for Milton’s L J Allegro. Stipple-engraving
The Fire of God is fallen from Heaven. Job, pi. 3. Line-engraving.
Then a Spirit passed before my Face. Job, pi. 9. Line-engraving
I am Young and Ye are Very Old. Job, pi. 12. Line-engraving
The Lord answering Job out of the Whirlwind. Job, pi. 13. Line-engraving
The Morning Stars singing together. Job, pi. 14. Line-engraving.
Job and his Daughters. Job, pi. 20. Line-engraving.
Study for Job and his Daughters. (A different design). Pencil and Indian-ink.
So the Lord blessed the Latter End of Job. Job, pi. 21. Line-engraving
Satan smiting Job. Tempera
The Tempter (Paradise Regained), No. 7. Water-colours
The Tempter Foiled (Paradise Regained), No. 10. Water-colours
Paolo and Francesca. Dante, Inferno, Canto V. Line-engraving, first state
The Falsifiers. Dante, Inferno, Canto XXIX. Line-engraving, first state
Lucia carrying Dante in his sleep. Dante, Purgatorio, Canto IX. Water-colours
The Angel in the Boat. Dante, Purgatorio, Canto II. Pencil and slight colour-wash.
The Earthly Paradise: Beatrice in the Car. Dante, Purgatorio, Canto XXIX. Water-colours
Portrait of Mrs. Blake. Lead pencil.
Portrait of William Blake at work, 1820. By John Linnell. Lead pencil
Portrait of William Blake on Hampstead Heath, 1821. By John Linnell. Lead pencil
