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The poems in this rich and imaginative debut collection speak of people, life, loss and love. They weave threads of myth and fairytale into commentaries of society, explorations of self, nature and humanity.
Some surreal and sinister, others playful and light, the poems in A Book For Pandora encompass an array of flavours that will delight any reader.
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Veröffentlichungsjahr: 2022
A Book For Pandora
Kathryn Rossati
Copyright (C) 2019 Kathryn Rossati
Layout design and Copyright (C) 2019 by Next Chapter
Published 2019 by Next Chapter
Cover art by Cover Mint
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the author's permission.
As the weightless wings brush my face,
fluttering against my vision,
I feel the path open up again.
A shallow wave licks my ankles
and fills the rock pools
with miniature lifeforms
that have no idea I'm here.
Like full lips parting,
the wave draws back.
My feet follow,
ignoring the jagged rocks
that threaten to pierce the skin.
In the distance,
I see the family beckon to me,
holding out their hands for me to grasp.
But I'm bodiless,
my grip lost
to the horizon.
Once again,
I must turn away.
We build up walls
to hide our little cocoon
of love,
with bright threads
woven into a snug blanket
and a casing of polished ebony.
The heat of the sun warms us
as time passes,
grasses grow up around us
and wildflowers bloom year after year.
Our hands are constantly entwined,
and will be
until they are hands no more.
The hard droplets pound
away at the pavement;
the dainty daisies growing in the cracks
stand no chance
against this sudden onslaught.
They fall flat,
squashed not only by the weight of the rain,
but crunched by wheels and feet,
all rushing past as though
they
are the ones
whose petals
are being washed
into the dark drain.
A gathering of columns,
decorated with bright, orange blooms
that cascade their scent
on the decayed air,
stand bold against the grey river.
To them,
Satan is just a song
that drifts down on the wind.
But for those who sail,
unwillingly,
beyond the columns' reach,
the song is more
a delighted warning of what awaits –
hellishly reminiscent
of the jaw-jarring scraping
of human fingernails on a blackboard,
drawn so fiercely across
that the nails are ripped away
from the cuticles.
The song instils anxiety into every
body.
What kind of creature
could possibly make such
a sound?
Red sweeps across the heavily veined
fingers clutching tightly
at the bulbous purple node;
a ruby mass fails to plug the seam
that widens with each breath.
The stain soaks deep
into the carpet fibres,
already building its resistance to being cleaned.
A perpetual reminder,
unless covered by a rug
so full of patterns that the looker
feels nauseated if their gaze lingers.
But, of course,
even so garish a distraction
is preferable to the plans
lurking beneath it.
So they say.
Forked, flecked like an
open mouth covered in spittle
in the midst
of an argument.
It sits in the shade,
biding its time,
watching for the perfect moment.
A suggestion here,
a remark there,
growing and growing
like a green, coiled snake
guarding every movement,
day and night.