A Snail's Broken Shell E-Book

Ann Kelley

• Herausgeber: Luath Press
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2013

Beschreibung

For the first time in years Gussie can run, climb and jump. Every breath she takes is easier now, and every step more confident, but Gussie can't help wondering about her doner. Was she young? Had she been very sick or was there an accident? And with her new life comes a whole new set of problems. She is going back to school at last - but she doesn't know anyone her own age, with the exception of Siobhan, the girl she hates most in the world. With school not meeting up to her expectations, Gussie turns to her old pastimes of bird watching and photography, but troubling news awaits her there too. And the lightning strikes and Gussie must act at once.

Leseprobe

ANN KELLEY is a photographer and prize-winning poet who once nearly played cricket for Cornwall. She has previously published collections of photographs and poems, an audio book of cat stories, and some children’s fiction, including the award-winning Gussie series. She lives with her second husband and several cats on the edge of a cliff in Cornwall where they have survived a flood, a landslip, a lightning strike and the roof blowing off. She runs courses for aspiring poets at her home, writing courses for medics and medical students, and speaks about her poetry therapy work with patients at medical conferences.

The Bower Birdis the sequel toThe Burying Beetle was shorlisted for the Brandford Boase Award and was selected for the WHSmith New Talent Initiative.

The Bower Bird won the 2007 Costa Children's Award and the UK literacy Association Book Award. The Bower Bird also won the 2008 Cornish Literary Guild's Literary Salver.

Other Books in the Gussie Series

The Burying Beetle

The Bower Bird

Inchworm

Other Books by Ann Kelley, published by Luath Press

Runners

The Light at St Ives

A Snail’s Broken Shell

ANN KELLEY

LuathPress Limited EDINBURGHwww.luath.co.uk

First published 2010

eBook 2013

ISBN (print): 978-1-906817-40-4

ISBN (eBook): 978-1-909912-51-9

The author’s right to be identified as author of this book under the Copyright, Designs and Patents Act 1988 has been asserted.

The publisher acknowledges the support of the Scottish Arts Council towards the publication of this volume.

© Ann Kelley 2010

Contents

Fairy Godmother

PROLOGUE

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

CHAPTER SIXTEEN

CHAPTER SEVENTEEN

CHAPTER EIGHTEEN

CHAPTER NINETEEN

CHAPTER TWENTY

CHAPTER TWENTY-ONE

CHAPTER TWENTY-TWO

CHAPTER TWENTY-THREE

CHAPTER TWENTY-FOUR

CHAPTER TWENTY-FIVE

CHAPTER TWENTY-SIX

CHAPTER TWENTY-SEVEN

CHAPTER TWENTY-EIGHT

CHAPTER TWENTY-NINE

CHAPTER THIRTY

CHAPTER THIRTY-ONE

CHAPTER THIRTY-TWO

CHAPTER THIRTY-THREE

CHAPTER THIRTY-FOUR

CHAPTER THIRTY-FIVE

CHAPTER THIRTY-SIX

Enjoyed the Gussie Series?

Runners

More books from Ann Kelley

To Dr Kate Dalziel, with thanks

‘The flowers of life come to everyone.

One has to be ready not to miss them.’

Compay Segundo

Fairy Godmother

Forgive me if I do not bestow

the usual gifts of riches and beauty.

I would rather grant stillness in your life

for regarding small things:

the angle of a wren’s tail, for example,

or the slow flowering of lichen,

a quietness in your heart

allowing you to notice snowdrops

lighting the darkness under an apple tree,

how at 4pm on the last day of January

wet sand is the blue of a robin’s egg,

how a single bluebell has no smell

but a bluebell wood has a cold fragrance,

how an olive leaf is like a silver fish,

and a severed cypress bract

is the green foot of a hummingbird.

May you be watched over

by the god of simplicity –

a piece of smooth beach glass,

an ermine moth on muslin,

a god who brings joy at the sight of a daisied meadow,

who shows one palm leaf waving while others are still,

and offers calmness

to watch the healing of a snail’s broken shell.

PROLOGUE

DARK CLOUDS SHROUDthe hills of Camborne and Redruth, but the little town of St Ives is bathed in bright light. The white, huddled houses, the orange roofs and the pale harbour beach shine like a beacon showing me the way home.

CHAPTER ONE

MARCH 2000.Ibreathe in the clean, sweet air, filling my new lungs with the familiar smell of home.

‘Don’t worry, puss, we’re nearly there,’ I whisper to Bubba, as Alistair drives us up Barnoon Hill. She’s been so good on the long journey, and was a great hit on the train, entertaining children and charming the ticket man, who very kindly didn’t charge us for her.

‘Go in, I’ll bring the luggage,’ Alistair tells us.

Mum unlocks the back door and we go in.

Flo and Charlie are on the stairs, looking down between the rails.

‘Charlie! Flo-Flo!’ I put down the pet carrier and go to stroke them. Charlie mews loudly and Flo runs away up the stairs. Rambo’s not to be seen – he’ll be hiding under a bed. Charlie lollops upstairs with Flo, not sure if she should be welcoming or grumpy. I’m sure she’s put on weight.

‘Flo-ee, Flo-ee, Charlie!’ Cats are generally unforgiving when you leave them to cope without you for just a day or so, and we’ve been away for nearly four months.

‘Oh, so many daffodils!’ Mum says. ‘How lovely!’

The sitting room is yellow with flowers, as if the sun is shining from the room. They are on every surface, filling all our jugs and vases.

There’s a knock on the back door.

‘Come in, come in,’ trills Mum. ‘It’s open.’ And in comes Mrs Thomas from next door. She hugs us both, tears in her eyes.

‘Oh, my dear, you look ’ansome, my girl.’

‘I know,’ I say. ‘Look, I’m pink. And thank you so much for looking after our cats.’

‘Back from the Darlings yesterday, they were,’ says Mrs Thomas, dabbing at her eyes with her apron. ‘They brought the flowers.’

‘Lovely,’ says Mum again, inhaling the cold smell of the petals. ‘Oh look, Gussie, so many cards!’

Welcome home dearest Gussie!

Love from Claire, Moss, Fay, Troy, Phaedra,

and last but not least, Gabriel.

Hugs and kisses, The Darlingsxxx

There’s a whole pile of cards. I search for Brett’s handwriting, remove an envelope and put it in my pocket.

‘I think the cats knew you were coming. Sat in the window all day, they ’ave.’ Mrs Thomas absent-mindedly rubs at a mark on the table with the hem of her flowery apron.

‘And how are your eyes?’ Mum asks her. Mrs Thomas had cataracts removed while we were in London havingouroperations: Mum’s emergency hysterectomy and my new heart and lungs.

‘Perfect vision, my cheel. No problems at all. Can read theEchoand watch my programmes – it’s marvellous. Now, before I forget, steak and kidney. It’s in the Rayburn. Should be ready at six.’

‘Oh, you shouldn’t have,’ says Mum, smiling. ‘Stay and have some, Marigold.’

‘No, my queen, I want to get back to my programme. I’ll see you tomorrow when you’ve both rested. Cats ’ave ’ad their tea.’

‘Did I hear steak and kidney?’ Alistair has taken the luggage up to our rooms and has come back down, rubbing his hands together.

‘Let me shower and change first,’ says Mum.

‘It’s okay, Lara, I’ll do some potatoes,’ says Alistair. ‘I’ll just park the car.’

‘Potatoes is done,’ says Mrs Thomas. ‘What’ve you got there?’ She points at the pet carrier, from which a squeak sounds.

‘A kitten. Her mother abandoned her.’

‘Another cat? Oh my soul!’ She shakes her grey head solemnly and leaves without seeing the new kitten.

Should I get Beelzebub out and introduce her to the other cats or leave her downstairs and go to make peace with them first? She’s mewing and might need a wee. I lift her out of the cardboard box and cuddle her. Her eyes, blue until a week ago, have changed now to a daffodil yellow. Perhaps I should have called her Daffodil. But my new kitten is coal black, even her whiskers and paw pads, and the name Beelzebub suits her very well. She was a little devil when we were staying at Daddy’s flat in London, ruining his suede sofa and the black mosquito net over his bed. Her claws are needle-sharp.

I show her the water bowl and the leftover cat food. She laps at the water but isn’t interested in biscuits. She’s more interested in exploring her new home. I show her the inside loo – Rambo’s litter tray – and leave her to find her way around the downstairs rooms before I go to my room. Cats are very independent and need to explore new territory completely. So they know where they are.

I can climb all the way up to the attic room without stopping several times to get my breath. I feel like Superman – Superwoman, rather. Before I had my transplant I could hardly get to the first floor without having to sit on a stair for several minutes before carrying on. It was like mountaineering in thin air. My lungs and heart were so badly diseased that even crossing a room made me breathless and dizzy.

From my room at the top of the house I see right over the town and harbour, Smeaton’s Pier, and to the far lighthouse at Godrevy and beyond. I see the weather coming at us from the horizon, the huge clouds building into orange and brown bouncy castles, squalls of rain like muslin curtains across the bay. A tiny slice of rainbow colours the sky to the west.

The cats are on my windowsill. Flo flies off in a huff, back and tail fluffed up, but Charlie mews and waves her tail and waits for me, looking confused and happy at the same time.

‘Oh, Charlie, I’ve missed you so much.’ I pick her up and she leans her head against mine, quiet at first. I whisper sweet nothings to her, she purrs. But she soon leaps down.

I tear open the envelope to find a card with an illustration of two swans, their heads touching, their necks making a heart shape.

Welcome home Gussie,

See ya soon for some birding.

Brett

I look in the mirror and see what I suspected: my cheeks are rose pink from pleasure. Blue-grey was the usual hue,BT(before transplant). How strange that Brett should have chosen swans!

There are flowers in my room, too: a dense bunch of Paper Whites in a blue jug. They smell of spring and hope.

I unpack Rena Wooflie, smooth down her checked dress, put her on my bed, and sit on the striped cushion to gaze out at the gulls on the roof. Two mature gulls, a large handsome male and a trim female, stand and preen, their feathers quivering in the wind. The town looks just the same, except that there’s scaffolding and polythene shrouding a few buildings on the harbour and on the opposite hillside. Building going on all over town.

I unpack my clothes, putting the dirties in a pile to go downstairs to the linen basket.

I look under my bed and yes, it’s Rambo, curled up pretending to be asleep. I lie on the floor on my right side – the left side is still rather sore – and stroke the shy tabby.

‘Poor Rambo, did you miss me? I’m sorry we’ve been away so long.’ He purrs loudly, opens his big amber eyes and gazes lovingly at me. He’s so forgiving.

‘Gussie, come and see!’

‘Come and see the new kitten, Rambo,’ I whisper, and slowly stand up. ‘What’s the matter?’ I shout down to Mum.

I practically fly down the stairs. Oh, it’s so wonderful to feel so energetic. I still can’t believe the difference my transplant has made to the way I feel and breathe. This must be what it’s like to be normal. If it wasn’t for all the drugs I have to take (only twice a day now, not five times as it was at first) and the various medical tests I have to record each day, and the monthly biopsies, I would be absolutely normal. Apart from the huge scar of course. But that’s nothing to bother about. It’s healed nicely, no more seeping. It’s rather keloid: raised and red, and itches still, but that’s a Small Price to Pay – as Mum says. If I hadn’t had the transplant I would probably have died within the year.

‘Nothing’s wrong, darling. Look at that.’

Flo and Charlie are flat on their bellies peering under the sofa, ears back, tails flailing. Presumably Bubba’s hiding from them.

‘Oh no, they’re in hunting mode.’

‘They can’t get at her, don’t worry.’

‘But she’ll be terrified.’

‘Come and have supper, Guss. She’ll be all right. Let them get on with it,’ says Mum.

Alistair, wearing Mum’s blue apron, puts the pie-dish on a breadboard on the table and goes back to the kitchen for the mashed potatoes.

‘Wasn’t it thoughtful of Mrs Thomas to prepare our supper?’

‘Mmm, smells good.’ I have a ferocious appetite since my transplant. At first I lost my sense of smell, so food didn’t taste of anything. But it’s okay now.

Alistair has opened champagne and poured some for all of us. He’s good at champagne – always finding occasions to open a bottle.

‘New beginnings!’

‘New beginnings!’ we chorus, clinking glasses.

‘And thank you to my donor.’ I’ll always be thankful to her and her family. I know it was a female under the age of twenty, but I don’t know any more. Maybe the family will write to me, when the pain of losing their loved one has eased, but who knows when that might be? Maybe they’ll never want to contact me. I could write to them of course, via the transplant centre, but I don’t know what to say, except thank you.

We are all quiet for a moment, thinking of what might have been.

‘Look!’ The new kitten has appeared behind the other two cats, who are sitting with their front paws curled under them, eyes closed. Bubba sniffs the black and white fur of Charlie’s huge bum. Her little black tail quivers in excitement. Flo opens her eyes and stares at the kitten. She doesn’t move though, just watches with amazement. Flo is quite old – well, older than me, so about thirteen, which is old for a cat, and hasn’t seen a kitten since Charlie was introduced to her, which was when I was ten. Bubba is patting Charlie’s bottom, and Charlie’s fur twitches. She turns suddenly and seeing Bubba, leaps backwards in surprise and takes off out of the room, followed closely by Flo, tail fluffed up again. They tear up the stairs, falling over themselves in terror of the tiny black kitten.

We all laugh. Bubba goes to the open door and goes to follow them. I don’t think she can make the steep stairs and I get up to help her.

‘They’ll sort themselves out. Eat your nice pie before it gets cold.’

I watch my mother and Alistair. They can’t stop smiling at each other. He’s looking at her as if he loves her, even though she is fifty-two and is pale and thinner since her hysterectomy. I think she looks old and plain but he doesn’t seem to notice. They laugh and chat and I’m content to daydream and eat.

CHAPTER TWO

THE SUN ONmy face wakes me – that, or Charlie mewing at the door. I let her in and get back into bed but keep my hands over my chest so she doesn’t step on my tender scar. She’s so pleased to see me. Flo is here too, sitting on the bedside table, trying to look cheerful. She usually looks cross, as she has black blobs each side of her nose by her eyes, which give her a permanently bad-tempered expression, but this morning she’s purring. Where’s Bubba? Have you eaten her? I ask Flo, and she smiles. Oh dear, I hope she hasn’t.

Beelzebub, or Bubba as I call her when she’s good, was playing on her own last night, chasing a toy mouse, the two older females sitting high up out of her way on the sofa back, staring with disgust at this tiny intruder. Then in came Rambo, swishing his handsome tail like he does all the time, even when he’s pleased, saw the kitten, squinted at her, and solemnly sniffed her all over. She cringed from him, ears flat on her skull, back arched. Then he started to lick her tiny head with firm slow licks until she relaxed. He licked her all over, and then curled up with her to sleep on the rug. Just like that. He’s adopted her. The other two ignored them both, or pretended to. I bet they’re really fascinated though. A new kitten for Flo to bully, a companion perhaps for Charlie, and a surrogate daughter for dear old Rambo, who has always been treated with disdain by the two females. Can a cat be an underdog? Or last in the pecking order? Mixed metaphors, I think.

I have to have my pills now and wait an hour before I have my breakfast. There’s no eating one hour before or one hour after the tabs. It’s a drag, but part of my PT (Post Transplant) regime. No probs, as Brett would say. I look at his card again. The loving swans. Swans mate for life and if one dies the other never mates again. I wonder if it’s a message. A sign of his undying love? Some hopes!

Note: Mute Swan,Cygnus olor. Actually, they aren’t without a voice – they hiss loudly. Because they were all once the property of the crown, and prized food, their wing tips were clipped on one side to prevent them from flying, and the bell-beat of their wings was virtually unknown in Britain for five hundred years. Mutes have mainly orange beaks, Whoopers and Bewick’s have black bills with diagnostic patterns of yellow. Head on, the yellow of Bewicks forms a letter B, and the yellow of Whooper is a W. The semi-tame mute swan is known for its gentleness.

Bewick’s swans’ calls are high-pitched and musical; in concert, can suggest the ‘baying of hounds’. Whooper swans make a ‘whoop-a’ call, and so the name. It sounds honking and goose-like, a bit like a trumpet or a child’s musical bicycle horn. Whoopers have deep strong calls. Apparently a dying bird makes a prolonged ‘final expiration of air from the convoluted wind-pipe, producing a wailing flute-like sound given out quite slowly’, hence the myth of the swansong.

And here’s a quote from Cicero:

Death darkens his eyes and unplumes his wings,

Yet the sweetest song is the last he sings:

Live so, my love, that when death shall come,

Swan-like and sweet it may waft thee home.

I have decided to write nature notes in my journal between pills and breakfast to stop me thinking about bacon and eggs, sausage and baked beans, not that Mum ever cooks all that. But we do go to the Cinema Café for a Full English sometimes.

I like it there. It’s a microcosm of life in St Ives. Visitors and locals packed close together, and the family that runs the place – gran, mum, daughter – cooking, serving, chatting, laughing, arguing. And a little one, chirping like a sparrow to the customers. And sometimes, at the outside table, a bearded handsome man, who looks like a pirate, with a handsome, bearded dog.

Note: 23 March 2000. Clouds build into massive grey hippos. The roof gulls bicker – one pecking at another’s wing as it takes off. So sneaky.

Mum had a letter from the council yesterday that stated that our roof gulls have had no eggs for the last three years, so they won’t be coming to prick the eggs. Mum thinks there is aménage à trois– whatever that is. I think it means that the gulls are just good friends. But, actually, there is nest building going on. If you can call it a nest – a few twigs and bits of moss from the gutters.

I read for a while then go down to find Mum drinking coffee with Alistair.

‘Fed the cats?’ I accuse her.

‘Yeah, yeah.’

‘And Bubba?’

‘Yes, Gussie.’ She’s in her tatty, tartan dressing gown. Her hair is dishevelled and fluffy and she has bags under her eyes. Alistair must have stayed the night. I don’t mind; I’m broad-minded. I realised when we were in London at Daddy’s, that Mum and Daddy weren’t going to get together again. He’s too young for her for a start. Mum says he’s a Peter Pan; he’ll never grow up. Alistair’s also younger than her, but then any single man would be – she’s in her fifties. She had me when she was forty-one. But Alistair’s more mature than Daddy. Because he’s a doctor. You have to be serious if you are a doctor. Except that once I saw a movie about an American doctor called Patch Adams who was a clown and made children laugh. He ran a free hospital in New York, I think.

Medical care in America is not free. You have to pay lots of money for treatment. And if you are poor you don’t get cared for. Even if you have medical insurance you only get a small amount of the care that you get here without paying for it. I saw a film about it. If you have cancer they won’t pay for expensive drugs, they charge you extra. You get nice rooms though.

To get back to Daddy. Mum says that Daddy was unable to cope with my illness when I was a baby, and escaped whenever he could, travelling for work – he’s a film archivist. I screamed a lot. She couldn’t escape and says she seriously thought about strangling me or putting a pillow over my face, so she could sleep. Even if she’d been sent to prison she would’ve been able to sleep, she said. And if I ever did sleep, she thought I was dead.

She says that one night she woke with a shock to hear no screams and she thought I was probably dead, and she went back to sleep, because she knew that if she looked and I was dead, she wouldn’t be able to sleep the rest of the night. She’d have to phone for a doctor, and start being distraught, and the need for sleep was the most important thing in her life at that moment. There was plenty of time to be distraught in the morning.

I think women should only have babies when they are young enough to stay awake all night and not mind. If they can dance all night then they can look after a baby that doesn’t sleep. Perhaps she should have tried dancing with me, maybe then I would have slept.

‘Mum, did you dance with me when I screamed in the night when I was a baby?’

‘Did I what? Don’t remember. It’s all a Dreadful Haze, Gussie. I’ve blocked it from my mind. Eat your porridge. Wait. What time did you take your medication?’

‘S’orright, Mum, I know what to do by now.’ I sit at the table with my dish of porridge, spoon in a little runny honey and some yoghurt and eat. ‘Alistair?’

‘Mmm?’ He is in his weekend clothes, not his suit, and is without a tie, for once.

‘Did Mum tell you about my exhibition?’

‘Exhibition? No, Gussie, what exhibition’s that?’

‘Daddy’s organising an exhibition of photographs. Mine and my great-grandfather’s.

‘Jeepers! That’s wonderful! Well done Gussie.’

‘I’ll believe it…’

‘When I see it.’ I finish it for her. She doesn’t trust Daddy to do what he’s promised. But he won’t let me down. It would be too hurtful of him. I know he’s let me down in the past, but this exhibition was his idea, not mine, and he is enthusiastic about it. I’ve seen some of the huge black and white prints of images I’d made of the old men in the fishermen’s lodges, and the staff in the transplant unit. He said they were good enough to exhibit. Good enough to be seen with a professional photographer’s work. It’s very exciting. I don’t know why Mum can’t be happy for me. Just because Daddy let her down, doesn’t mean that he can’t change. But she says, ‘Don’t hold your breath.’