THE LOVES OF ALONZO FITZ CLARENCE
AND ROSANNAH ETHELTON
I
It was well along in the forenoon
of a bitter winter's day. The town of Eastport, in the state of
Maine, lay buried under a deep snow that was newly fallen. The
customary bustle in the streets was wanting. One could look long
distances down them and see nothing but a dead-white emptiness,
with silence to match. Of course I do not mean that you could see
the silence—no, you could only hear it. The sidewalks were merely
long, deep ditches, with steep snow walls on either side. Here and
there you might hear the faint, far scrape of a wooden shovel, and
if you were quick enough you might catch a glimpse of a distant
black figure stooping and disappearing in one of those ditches, and
reappearing the next moment with a motion which you would know
meant the heaving out of a shovelful of snow. But you needed to be
quick, for that black figure would not linger, but would soon drop
that shovel and scud for the house, thrashing itself with its arms
to warm them. Yes, it was too venomously cold for snow-shovelers or
anybody else to stay out long.
Presently the sky darkened; then
the wind rose and began to blow in fitful, vigorous gusts, which
sent clouds of powdery snow aloft, and straight ahead,
and everywhere. Under the impulse
of one of these gusts, great white drifts banked themselves like
graves across the streets; a moment later another gust shifted them
around the other way, driving a fine spray of snow from their sharp
crests, as the gale drives the spume flakes from wave-crests at
sea; a third gust swept that place as clean as your hand, if it saw
fit. This was fooling, this was play; but each and all of the gusts
dumped some snow into the sidewalk ditches, for that was
business.
Alonzo Fitz Clarence was sitting
in his snug and elegant little parlor, in a lovely blue silk
dressing-gown, with cuffs and facings of crimson satin, elaborately
quilted. The remains of his breakfast were before him, and the
dainty and costly little table service added a harmonious charm to
the grace, beauty, and richness of the fixed appointments of the
room. A cheery fire was blazing on the hearth.
A furious gust of wind shook the
windows, and a great wave of snow washed against them with a
drenching sound, so to speak. The handsome young bachelor
murmured:
"That means, no going out to-day.
Well, I am content. But what to do for company? Mother is well
enough, Aunt Susan is well enough; but these, like the poor, I have
with me always. On so grim a day as this, one needs a new interest,
a fresh element, to whet the dull edge of captivity. That was very
neatly said, but it doesn't mean anything. One doesn't want the
edge of captivity sharpened up, you know, but just the
reverse."
He glanced at his pretty French
mantel-clock.
"That clock's wrong again. That
clock hardly ever knows what time it is; and when it does know, it
lies about it—which amounts to the same thing. Alfred!"
There was no answer.
"Alfred!... Good servant, but as
uncertain as the clock."
Alonzo touched an electric bell
button in the wall. He waited a moment, then touched it again;
waited a few moments more, and said:
"Battery out of order, no doubt.
But now that I have started, I will find out what time it is." He
stepped to a speaking-tube in the wall, blew its whistle, and
called, "Mother!" and repeated it twice.
"Well, that's no use. Mother's
battery is out of order, too. Can't raise anybody down-stairs—that
is plain."
He sat down at a rosewood desk,
leaned his chin on the left-hand edge of it and spoke, as if to the
floor: "Aunt Susan!"
A low, pleasant voice answered,
"Is that you, Alonzo?'
"Yes. I'm too lazy and
comfortable to go downstairs; I am in extremity, and I
can't seem to scare up any help."
"Dear me, what is the matter?" "Matter enough, I can tell
you!"
"Oh, don't keep me in suspense,
dear! What is it?" "I want to know what time it is."
"You abominable boy, what a turn
you did give me! Is that all?"
"All—on my honor. Calm yourself.
Tell me the time, and receive my blessing."
"Just five minutes after nine. No
charge—keep your blessing."
"Thanks. It wouldn't have
impoverished me, aunty, nor so enriched you that you could live
without other means."
He got up, murmuring, "Just five
minutes after nine," and faced his clock. "Ah," said he, "you are
doing better than usual. You are only thirty-four minutes wrong.
Let me see... let me see.... Thirty-three and twenty-one are
fifty-four; four times fifty-four are two hundred and thirty-six.
One off, leaves two hundred and thirty-five. That's right."
He turned the hands of his clock
forward till they marked twenty-five minutes to one, and said, "Now
see if you can't keep right for a while—else I'll raffle
you!"
He sat down at the desk again,
and said, "Aunt Susan!" "Yes, dear."
"Had breakfast?"
"Yes, indeed, an hour ago."
"Busy?"
"No—except sewing. Why?" "Got any
company?"
"No, but I expect some at half
past nine."
"I wish I did. I'm lonesome. I
want to talk to somebody." "Very well, talk to me."
"But this is very private."
"Don't be afraid—talk right
along, there's nobody here but me." "I hardly know whether to
venture or not, but—"
"But what? Oh, don't stop there!
You know you can trust me, Alonzo—you know, you can."
"I feel it, aunt, but this is
very serious. It affects me deeply—me, and all the family—-even the
whole community."
"Oh, Alonzo, tell me! I will
never breathe a word of it. What is it?" "Aunt, if I might
dare—"
"Oh, please go on! I love you,
and feel for you. Tell me all. Confide in me. What is it?"
"The weather!"
"Plague take the weather! I don't
see how you can have the heart to serve me so, Lon."
"There, there, aunty dear, I'm
sorry; I am, on my honor. I won't do it again. Do you forgive
me?"
"Yes, since you seem so sincere
about it, though I know I oughtn't to. You will fool me again as
soon as I have forgotten this time."
"No, I won't, honor bright. But
such weather, oh, such weather! You've got to keep your spirits up
artificially. It is snowy, and blowy, and gusty, and bitter cold!
How is the weather with you?"
"Warm and rainy and melancholy.
The mourners go about the streets with their umbrellas running
streams from the end of every whalebone. There's an elevated double
pavement of umbrellas, stretching down the sides of the streets as
far as I can see. I've got a fire for cheerfulness, and the windows
open to keep cool. But it is vain, it is useless: nothing comes in
but the balmy breath of December, with its burden of mocking odors
from the flowers that possess the realm outside, and rejoice in
their lawless profusion whilst the spirit of man is low, and flaunt
their gaudy splendors in his face while his soul is clothed in
sackcloth and ashes and his heart breaketh."
Alonzo opened his lips to say,
"You ought to print that, and get it framed," but checked himself,
for he heard his aunt speaking to some one else. He went and stood
at the window and looked out upon the wintry prospect. The storm
was driving the snow before it more furiously than ever;
window-shutters were slamming and banging; a forlorn dog, with
bowed head and tail withdrawn from service, was pressing his
quaking body against a windward wall for shelter and protection; a
young girl was plowing knee-deep through the drifts, with her face
turned from the blast, and the cape of her waterproof blowing
straight rearward over her head. Alonzo shuddered, and said with a
sigh, "Better the slop, and the sultry rain, and even the insolent
flowers, than this!"
He turned from the window, moved
a step, and stopped in a listening attitude. The faint, sweet notes
of a familiar song caught his ear. He remained there, with his head
unconsciously bent forward, drinking in the melody, stirring
neither hand nor foot, hardly breathing. There was a blemish in the
execution
of the song, but to Alonzo it
seemed an added charm instead of a defect. This blemish consisted
of a marked flatting of the third, fourth, fifth, sixth, and
seventh notes of the refrain or chorus of the piece. When the music
ended, Alonzo drew a deep breath, and said, "Ah, I never have heard
'In the Sweet By-and-by' sung like that before!"
He stepped quickly to the desk,
listened a moment, and said in a guarded, confidential voice,
"Aunty, who is this divine singer?"
"She is the company I was
expecting. Stays with me a month or two. I will introduce you.
Miss—"
"For goodness' sake, wait a
moment, Aunt Susan! You never stop to think what you are
about!"
He flew to his bedchamber, and
returned in a moment perceptibly changed in his outward appearance,
and remarking, snappishly:
"Hang it, she would have
introduced me to this angel in that sky-blue dressing-gown with
red-hot lapels! Women never think, when they get a- going."
He hastened and stood by the
desk, and said eagerly, "Now, Aunty, I am ready," and fell to
smiling and bowing with all the persuasiveness and elegance that
were in him.
"Very well. Miss Rosannah
Ethelton, let me introduce to you my favorite nephew, Mr. Alonzo
Fitz Clarence. There! You are both good people, and I like you; so
I am going to trust you together while I attend to a few household
affairs. Sit down, Rosannah; sit down, Alonzo. Good-by; I sha'n't
be gone long."
Alonzo had been bowing and
smiling all the while, and motioning imaginary young ladies to sit
down in imaginary chairs, but now he took a seat himself, mentally
saying, "Oh, this is luck! Let the winds blow now, and the snow
drive, and the heavens frown! Little I care!"
While these young people chat
themselves into an acquaintanceship, let us take the liberty of
inspecting the sweeter and fairer of the two. She sat alone, at her
graceful ease, in a richly furnished apartment which was manifestly
the private parlor of a refined and sensible lady, if signs and
symbols may go for anything. For instance, by a low, comfortable
chair stood a dainty, top-heavy workstand, whose summit was a
fancifully embroidered shallow basket, with varicolored crewels,
and other strings and odds and ends protruding from under the
gaping lid and hanging down in negligent profusion. On the floor
lay bright shreds of Turkey red, Prussian blue, and kindred
fabrics, bits of ribbon, a spool or two, a pair of scissors, and a
roll or so of tinted silken stuffs. On a luxurious sofa,
upholstered with some sort of soft Indian goods wrought in
black and gold threads
interwebbed with other threads not so pronounced in color, lay a
great square of coarse white stuff, upon whose surface a rich
bouquet of flowers was growing, under the deft cultivation of the
crochet- needle. The household cat was asleep on this work of art.
In a bay-window stood an easel with an unfinished picture on it,
and a palette and brushes on a chair beside it. There were books
everywhere: Robertson's Sermons, Tennyson, Moody and Sankey,
Hawthorne, Rab and His Friends, cook-books, prayer-books,
pattern-books—and books about all kinds of odious and exasperating
pottery, of course. There was a piano, with a deck-load of music,
and more in a tender. There was a great plenty of pictures on the
walls, on the shelves of the mantelpiece, and around generally;
where coigns of vantage offered were statuettes, and quaint and
pretty gimcracks, and rare and costly specimens of peculiarly
devilish china. The bay-window gave upon a garden that was ablaze
with foreign and domestic flowers and flowering shrubs.