Back to Methuselah - George Bernard Shaw - E-Book

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George Bernard Shaw

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Beschreibung

Back to Methuselah” is a play by George Bernard Shaw, an Irish playwright who became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

Back to Methuselah by George Bernard Shaw consists of a preface (The Infidel Half Century) and a series of five plays: In the Beginning: B.C. 4004 (In the Garden of Eden), The Gospel of the Brothers Barnabas: Present Day, The Thing Happens: A.D. 2170, Tragedy of an Elderly Gentleman: A.D. 3000, and As Far as Thought Can Reach: A.D. 31,920.

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Avia Artis

2022

ISBN: 978-83-8226-610-8
This ebook was created with StreetLib Writehttps://writeapp.io

Table of contents

Part I

Act I, § I

Act I, § II

Act II, § I

Act II, § II

Part II

Part III

Part IV

Part V

Credits

Part I

Act I, § I

The Garden of Eden. Afternoon. An immense serpent is sleeping with her head buried in a thick bed of Johnswort, and her body coiled in apparently endless rings through the branches of a tree, which is already well grown; for the days of creation have been longer than our reckoning. She is not yet visible to anyone unaware of her presence, as her colors of green and brown make a perfect camouflage. Near her head a low rock shows above the Johnswort.The rock and tree are on the border of a glade in which lies a dead fawn all awry, its neck being broken. Adam, crouching with one hand on the rock, is staring in consternation at the dead body. He has not noticed the serpent on his left hand. He turns his face to his right and calls excitedly.

ADAM. Eve! Eve!

EVE'S VOICE. What is it, Adam?

ADAM. Come here. Quick. Something has happened.

EVE [running in] What? Where? [Adam points to the fawn]. Oh! [She goes to it; and he is emboldened to go with her]. What is the matter with its eyes?

ADAM. It is not only its eyes. Look. [He kicks it.]

EVE. Oh don't! Why doesn't it wake?

ADAM. I don't know. It is not asleep.

EVE. Not asleep?

ADAM. Try.

EVE [trying to shake it and roll it over] It is stiff and cold.

ADAM. Nothing will wake it.

EVE. It has a queer smell. Pah! [She dusts her hands, and draws away from it]. Did you find it like that?

ADAM. No. It was playing about; and it tripped and went head over heels. It never stirred again. Its neck is wrong [he stoops to lift the neck and shew her].

EVE. Dont touch it. Come away from it.

They both retreat, and contemplate it from a few steps' distance with growing repulsion.

EVE. Adam.

ADAM. Yes?

EVE. Suppose you were to trip and fall, would you go like that?

ADAM. Ugh! [He shudders and sits down on the rock].

EVE [throwing herself on the ground beside him, and grasping his knee] You must be careful. Promise me you will be careful.

ADAM. What is the good of being careful? We have to live here for ever. Think of what for ever means! Sooner or later I shall trip and fall. It may be tomorrow; it may be after as many days as there are leaves in the garden and grains of sand by the river. No matter: some day I shall forget and stumble.

EVE. I too.

ADAM [horrified] Oh no, no. I should be alone. Alone for ever. You must never put yourself in danger of stumbling. You must not move about. You must sit still. I will take care of you and bring you what you want.

EVE [turning away from him with a shrug, and hugging her ankles] I should soon get tired of that. Besides, if it happened to you, I should be alone. I could not sit still then. And at last it would happen to me too.

ADAM. And then?

EVE. Then we should be no more. There would be only the things on all fours, and the birds, and the snakes.

ADAM. That must not be.

EVE. Yes: that must not be. But it might be.

ADAM. No. I tell you it must not be. I know that it must not be.

EVE. We both know it. How do we know it?

ADAM. There is a voice in the garden that tells me things.

EVE. The garden is full of voices sometimes. They put all sorts of thoughts into my head.

ADAM. To me there is only one voice. It is very low; but it is so near that it is like a whisper from within myself. There is no mistaking it for any voice of the birds or beasts, or for your voice.

EVE. It is strange that I should hear voices from all sides and you only one from within. But I have some thoughts that come from within me and not from the voices. The thought that we must not cease to be comes from within.

ADAM [despairingly] But we shall cease to be. We shall fall like the fawn and be broken. [Rising and moving about in his agitation]. I cannot bear this knowledge. I will not have it. It must not be, I tell you. Yet I do not know how to prevent it.

EVE. That is just what I feel; but it is very strange that you should say so: there is no pleasing you. You change your mind so often.

ADAM [scolding her] Why do you say that? How have I changed my mind?

EVE. You say we must not cease to exist. But you used to complain of having to exist always and for ever. You sometimes sit for hours brooding and silent, hating me in your heart. When I ask you what I have done to you, you say you are not thinking of me, but of the horror of having to be here for ever. But I know very well that what you mean is the horror of having to be here with me for ever.

ADAM. Oh! That is what you think, is it? Well, you are wrong. [He sits down again, sulkily] . It is the horror of having to be with myself for ever. I like you; but I do not like myself. I want to be different; to be better, to begin again and again; to shed myself as a snake sheds its skin. I am tired of myself. And yet I must endure myself, not for a day or for many days, but for ever. That is a dreadful thought. That is what makes me sit brooding and silent and hateful. Do you never think of that?

EVE. No: I do not think about myself: what is the use? I am what I am: nothing can alter that. I think about you.

ADAM. You should not. You are always spying on me. I can never be alone. You always want to know what I have been doing. It is a burden. You should try to have an existence of your own, instead of occupying yourself with my existence.

EVE. I have to think about you. You are lazy: you are dirty: you neglect yourself: you are always dreaming: you would eat bad food and become disgusting if I did not watch you and occupy myself with you. And now some day, in spite of all my care, you will fall on your head and become dead.

ADAM. Dead? What word is that?

EVE [pointing to the fawn] Like that. I call it dead.

ADAM [rising and approaching it slowly] There is something uncanny about it.

EVE [joining him] Oh! It is changing into little white worms.

ADAM. Throw it into the river. It is unbearable.

EVE. I dare not touch it.

ADAM. Then I must, though I loathe it. It is poisoning the air. [He gathers its hooves in his hand and carries it away in the direction from which Eve came, holding it as far from him as possible].

Eve looks after them for a moment; then, with a shiver of disgust, sits down on the rock, brooding. The body of the serpent becomes visible, glowing with wonderful new colors. She rears her head slowly from the bed of Johnswort, and speaks into Eve's ear in a strange seductively musical whisper.

THE SERPENT. Eve.

EVE [startled] Who is that?

THE SERPENT. It is I. I have come to shew you my beautiful new hood. See [she spreads a magnificent amethystine hood]!

EVE [admiring it] Oh! But who taught you to speak?

THE SERPENT. You and Adam. I have crept through the grass, and hidden, and listened to you.

EVE. That was wonderfully clever of you.

THE SERPENT. I am the most subtle of all the creatures of the field.

EVE. Your hood is most lovely. [She strokes it and pets the serpent]. Pretty thing! Do you love your godmother Eve?

THE SERPENT. I adore her. [She licks Eve's neck with her double tongue].

EVE [petting her] Eve's wonderful darling snake. Eve will never be lonely now that her snake can talk to her.

THE SNAKE. I can talk of many things. I am very wise. It was I who whispered the word to you that you did not know. Dead. Death. Die.

EVE [shuddering] Why do you remind me of it? I forgot it when I saw your beautiful hood. You must not remind me of unhappy things.

THE SERPENT. Death is not an unhappy thing when you have learnt how to conquer it.

EVE. How can I conquer it?

THE SERPENT. By another thing, called birth.

EVE. What? [Trying to pronounce it] B-birth?

THE SERPENT. Yes, birth.

EVE. What is birth?

THE SERPENT. The serpent never dies. Some day you shall see me come out of this beautiful skin, a new snake with a new and lovelier skin. That is birth.

EVE. I have seen that. It is wonderful.

THE SERPENT. If I can do that, what can I not do? I tell you I am very subtle. When you and Adam talk, I hear you say 'Why?' Always 'Why?' You see things; and you say 'Why?' But I dream things that never were; and I say 'Why not?' I made the word dead to describe my old skin that I cast when I am renewed. I call that renewal being born.

EVE. Born is a beautiful word.

THE SERPENT. Why not be born again and again as I am, new and beautiful every time?

EVE. I! It does not happen: that is why.

THE SERPENT. That is how; but it is not why. Why not?

EVE. But I should not like it. It would be nice to be new again; but my old skin would lie on the ground looking just like me; and Adam would see it shrivel up and—

THE SERPENT. No. He need not. There is a second birth.

EVE. A second birth?

THE SERPENT. Listen. I will tell you a great secret. I am very subtle; and I have thought and thought and thought. And I am very wilful, and must have what I want; and I have willed and willed and willed. And I have eaten strange things: stones and apples that you are afraid to eat.

EVE. You dared!

THE SERPENT. I dared everything. And at last I found a way of gathering together a part of the life in my body—

EVE. What is the life?

THE SERPENT. That which makes the difference between the dead fawn and the live one.

EVE. What a beautiful word! And what a wonderful thing! Life is the loveliest of all the new words.

THE SERPENT. Yes: it was by meditating on Life that I gained the power to do miracles.

EVE. Miracles? Another new word.

THE SERPENT. A miracle is an impossible thing that is nevertheless possible. Something that never could happen, and yet does happen.

EVE. Tell me some miracle that you have done.

THE SERPENT. I gathered a part of the life in my body, and shut it into a tiny white case made of the stones I had eaten.

EVE. And what good was that?

THE SERPENT. I shewed the little case to the sun, and left it in its warmth. And it burst; and a little snake came out; and it became bigger and bigger from day to day until it was as big as I. That was the second birth.

EVE. Oh! That is too wonderful. It stirs inside me. It hurts.

THE SERPENT. It nearly tore me asunder. Yet I am alive, and can burst my skin and renew myself as before. Soon there will be as many snakes in Eden as there are scales on my body. Then death will not matter: this snake and that snake will die; but the snakes will live.

EVE. But the rest of us will die sooner or later, like the fawn. And then there will be nothing but snakes, snakes, snakes everywhere.

THE SERPENT. That must not be. I worship you, Eve. I must have something to worship. Something quite different to myself, like you. There must be something greater than the snake.

EVE. Yes: it must not be. Adam must not perish. You are very subtle: tell me what to do.

THE SERPENT. Think. Will. Eat the dust. Lick the white stone: bite the apple you dread. The sun will give life.

EVE. I do not trust the sun. I will give life myself. I will tear. another Adam from my body if I tear my body to pieces in the act.

THE SERPENT. Do. Dare it. Everything is possible: everything. Listen. I am old. I am the old serpent, older than Adam, older than Eve. I remember Lilith, who came before Adam and Eve. I was her darling as I am yours. She was alone: there was no man with her. She saw death as you saw it when the fawn fell; and she knew then that she must find out how to renew herself and cast the skin like me. She had a mighty will: she strove and strove and willed and willed for more moons than there are leaves on all the trees of the garden. Her pangs were terrible: her groans drove sleep from Eden. She said it must never be again: that the burden of renewing life was past bearing: that it was too much for one. And when she cast the skin, lo! there was not one new Lilith but two: one like herself, the other like Adam. You were the one: Adam was the other.

EVE. But why did she divide into two, and make us different?

THE SERPENT. I tell you the labor is too much for one. Two must share it.

EVE. Do you mean that Adam must share it with me? He will not. He cannot bear pain, nor take trouble with his body.

THE SERPENT. He need not. There will be no pain for him. He will implore you to let him do his share. He will be in your power through his desire.

EVE. Then I will do it. But how? How did Lilith work this miracle?

THE SERPENT. She imagined it.

EVE. What is imagined?

THE SERPENT. She told it to me as a marvellous story of something that never happened to a Lilith that never was. She did not know then that imagination is the beginning of creation. You imagine what you desire; you will what you imagine; and at last you create what you will.

EVE. How can I create out of nothing?

THE SERPENT. Everything must have been created out of nothing. Look at that thick roll of hard flesh on your strong arm! That was not always there: you could not climb a tree when I first saw you. But you willed and tried and willed and tried; and your will created out of nothing the roll on your arm until you had your desire, and could draw yourself up with one hand and seat yourself on the bough that was above your head.

EVE. That was practice.

THE SERPENT. Things wear out by practice: they do not grow by it. Your hair streams in the wind as if it were trying to stretch itself further and further. But it does not grow longer for all its practice in streaming, because you have not willed it so. When Lilith told me what she had imagined in our silent language (for there were no words then) I bade her desire it and will it; and then, to our great wonder, the thing she had desired and willed created itself in her under the urging of her will. Then I too willed to renew myself as two instead of one; and after many days the miracle happened, and I burst from my skin another snake interlaced with me; and now there are two imaginations, two desires, two wills to create with.

EVE. To desire, to imagine, to will, to create. That is too long a story. Find me one word for it all: you, who are so clever at words.

THE SERPENT. In one word, to conceive. That is the word that means both the beginning in imagination and the end in creation.

EVE. Find me a word for the story Lilith imagined and told you in your silent language: the story that was too wonderful to be true, and yet came true.

THE SERPENT. A poem.

EVE. Find me another word for what Lilith was to me.

THE SERPENT. She was your mother.

EVE. And Adam's mother?

THE SERPENT. Yes.

EVE [about to rise] I will go and tell Adam to conceive.

THE SERPENT [laughs]!!!

EVE [jarred and startled] What a hateful noise! What is the matter with you? No one has ever uttered such a sound before.

THE SERPENT. Adam cannot conceive.

EVE. Why?

THE SERPENT. Lilith did not imagine him so. He can imagine: he can will: he can desire: he can gather his life together for a great spring towards creation: he can create all things except one; and that one is his own kind.

EVE. Why did Lilith keep this from him?

THE SERPENT. Because if he could do that he could do without Eve.

EVE. That is true. It is I who must conceive.

THE SERPENT. Yes. By that he is tied to you.

EVE. And I to him!

THE SERPENT. Yes, until you create another Adam.

EVE. I had not thought of that. You are very subtle. But if I create another Eve he may turn to her and do without me. I will not create any Eves, only Adams.

THE SERPENT. They cannot renew themselves without Eves. Sooner or later you will die like the fawn; and the new Adams will be unable to create without new Eves. You can imagine such an end; but you cannot desire it, therefore cannot will it, therefore cannot create Adams only.

EVE. If I am to die like the fawn, why should not the rest die too? What do I care?

THE SERPENT. Life must not cease. That comes before everything. It is silly to say you do not care. You do care. It is that care that will prompt your imagination; inflame your desires; make your will irresistible; and create out of nothing.

EVE [thoughtfully] There can be no such thing as nothing. The garden is full, not empty.

THE SERPENT. I had not thought of that. That is a great thought. Yes: there is no such thing as nothing, only things we cannot see. The chameleon eats the air.

EVE. I have another thought: I must tell it to Adam. [Calling] Adam! Adam! Coo-ee!

ADAM'S VOICE. Coo-ee!

EVE. This will please him, and cure his fits of melancholy.

THE SERPENT. Do not tell him yet. I have not told you the great secret.

EVE. What more is there to tell? It is I who have to do the miracle.

THE SERPENT. No: he, too, must desire and will. But he must give his desire and his will to you.

EVE. How?

THE SERPENT. That is the great secret. Hush! he is coming.

ADAM [returning] Is there another voice in the garden besides our voices and the Voice? I heard a new voice.

EVE [rising and running to him] Only think, Adam! Our snake has learnt to speak by listening to us.

ADAM [delighted] Is it so? [He goes past her to the stone, and fondles the serpent] .

THE SERPENT [responding affectionately] It is so, dear Adam.

EVE. But I have more wonderful news than that. Adam: we need not live for ever.

ADAM [dropping the snake's head in his excitement] What! Eve: do not play with me about this. If only there may be an end some day, and yet no end! If only I can be relieved of the horror of having to endure myself for ever! If only the care of this terrible garden may pass on to some other gardener! If only the sentinel set by the Voice can be relieved! If only the rest and sleep that enable me to bear it from day to day could grow after many days into an eternal rest, an eternal sleep, then I could face my days, however long they may last. Only, there must be some end, some end: I am not strong enough to bear eternity.

THE SERPENT. You need not live to see another summer; and yet there shall be no end.

ADAM. That cannot be.

THE SERPENT. It can be.

EVE. It shall be.

THE SERPENT. It is. Kill me; and you will find another snake in the garden tomorrow. You will find more snakes than there are fingers on your hands.

EVE. I will make other Adams, other Eves.

ADAM. I tell you you must not make up stories about this. It cannot happen.

THE SERPENT. I can remember when you were yourself a thing that could not happen. Yet you are.

ADAM [struck] That must be true. [He sits down on the stone].

THE SERPENT. I will tell Eve the secret; and she will tell it to you.

ADAM. The secret! [He turns quickly towards the serpent, and in doing so puts his foot on something sharp.] Oh!

EVE. What is it?

ADAM [rubbing his foot] A thistle. And there, next to it, a briar. And nettles, too! I am tired of pulling these things up to keep the garden pleasant for us for ever.

THE SERPENT. They do not grow very fast. They will not overrun the whole garden for a long time: not until you have laid down your burden and gone to sleep for ever. Why should you trouble yourself? Let the new Adams clear a place for themselves.

ADAM. That is very true. You must tell us your secret. You see, Eve, what a splendid thing it is not to have to live for ever.

Act I, § II

TEXT IS AVAILABLE IN THE FULL VERSION.

Act II, § I

TEXT IS AVAILABLE IN THE FULL VERSION.

Act II, § II

TEXT IS AVAILABLE IN THE FULL VERSION.

Part II

TEXT IS AVAILABLE IN THE FULL VERSION.

Part III

TEXT IS AVAILABLE IN THE FULL VERSION.

Part IV

TEXT IS AVAILABLE IN THE FULL VERSION.

Part V

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Credits

George Bernard Shaw

BACK TO METHUSELAH

Cover design: Avia Artis

Picture of George Bernard Shaw was used in the cover design.

Picture by: Underwood & Underwood

All rights for this edition reserved.

© Avia Artis

2022