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- Herausgeber: Orenda Books
- Kategorie: Krimi
- Sprache: Englisch
Hamburg State Prosecutor Chastity Riley has been side-lined to prevent her from causing trouble, but her new job turns out to be far from dull when she finds herself involved in taking down an Albanian mafia kingpin. First in an addictive, wildly original series from the Queen of Krimi… 'Stripped back in style and deadpan in voice, Blue Night is a scintillating romp around the German criminal underworld and back' Doug Johnstone, Big Issue 'By turns lyrical and pithy, this adventure set in the melting pot of contemporary Hamburg has a plot and a sensibility that both owe something to mind-altering substances. Lots of fun' Sunday Times ***WINNER of the CWA Crime in Translation Dagger 2022*** ***WINNER of the German Crime Book of the Year Award*** _______________ The career of Hamburg's most hard-bitten state prosecutor, Chastity Riley, has taken a nose dive: she has been transferred to the tedium of witness protection to prevent her making any more trouble. However, when she is assigned to the case of an anonymous man lying under police guard in hospital, Chastity's instinct for the big, exciting case kicks in. Using all her powers of persuasion, she soon gains her charge's confidence, and finds herself on the trail to trouble… Fresh, fiendishly fast-paced and full of devious twists and all the hard-boiled poetry and acerbic wit of the best noir, Blue Night marks the stunning start of a brilliant new crime series, from one of Germany's bestselling authors. _______________ 'Simone Buchholz writes with real authority and a pungent, noir-ish sense of time and space … A palpable hit' Independent 'Disgraced state prosecutor Chastity Riley chases round the dive bars of the port city pursuing and being pursued by a beguiling cast of cops, criminals and chums, delivering scalding one-liners as she goes' The Times 'Blue Night has great sparkling energy, humour and stylistic verve … and the story itself is gripping and pacey' Rosie Goldsmith, European Literature Network 'A must-read, stylish and highly original take on the detective novel, written with great skill and popping with great characters' Judith O'Reilly, author of Killing State 'Constantly surprising, Blue Night is an original, firecracker of a read' LoveReading 'If Philip Marlowe and Bernie Gunther had a literary love child, it might just explain Chastity Riley – Simone Buchholz's tough, acerbic, utterly engaging central character' William Ryan
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Seitenzahl: 257
Veröffentlichungsjahr: 2017
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PRAISE FORBLUE NIGHT
‘If Philip Marlowe and Bernie Gunther got together in a Hamburg speakeasy and had a literary love child, then that might just explain Chastity Riley – Simone Buchholz’s tough, acerbic and utterly engaging central character’ William Ryan, author of The Constant Soldier
‘A must-read, stylish and highly original take on the detective novel, written with great skill and popping with great characters’ Judith O’Reilly, author of Killing State
‘Simone Buchholz’s witty and original Blue Night, beautifully translated by Rachel Ward, introduces us to maverick state prosecutor Chas Riley. Assigned the case of a badly beaten man, she embarks on a gripping investigation that’s also a moving love letter to Hamburg and the bonds of friendship’ Dr Kat Hall, author of Der Krimi: Crime Fiction in German
‘Blue Night has great sparkling energy, humour and stylistic verve … and the story itself is gripping and pacey. Simone Buchholz’s homage to Raymond Chandler and Jonny Cash is affectionate and deliberate. Then there’s the interplay of author and translator, like musicians in the same band … creating an all-female tour de force’ Rosie Goldsmith, European Literature Network
‘Blue Night hits hard from page one with its beautifully atmospheric noir feel and a divisive, engaging main character in Chastity Riley – one to watch’ Liz Loves Books
‘A smashing thriller … highly recommended’ ReiseTravel
‘Buchholz gives us a declaration of love for all the grime of a city of contrasts. Dripping with local colour, soaked in beer and infused with cigarette smoke, this is not your typical police procedural’ Katy Derbyshire, Love German Books
‘Not a word out of place – memorable characters – an absolute treat!’ Michael J. Malone, author of A Suitable Lie
‘The nonchalant, concise tone that’s never too chummy nor too flippant or fixated on punchlines makes the story charming and interesting’ Frankfurter Allgemeine Zeitung
‘Chastity Riley belongs amongst Germany’s most complex crime heroines: a lone wolf who looks into the chasms of human society’ Brigitte
‘Simone Buchholz just writes very, very well, all the while sure of her milieu, atmospherically confident and full of empathy for her characters’ Bücher magazin
‘Had me in its clutches from the very beginning. Exciting, unique and highly more-ish’ The Writing Garnet
‘A truly fresh narrative style which slowly lays out an intriguing and complex story. Chastity Riley is a unique and ultimately likeable character in a richly drawn world of vice’ Jen Med’s Book Reviews
‘Explosive writing, larger-than-life characters, a killer mystery … Loved it!’ LV Hay, author of The Other Twin
‘Incredibly refreshing … with a fabulous cast of characters and a delicious sense of humour that won me over within the first few pages’ NovelDeelights Blog
‘I don’t know how Chastity Riley does it … A woman who has plenty of compassion, and is loyal, funny and down to earth. A woman who has some of the best observations on life that I have read in fiction’ Steph’s Book Blog
BLUE NIGHT
SIMONE BUCHHOLZ
translated by Rachel Ward
v For Rocco Willem Bruno
vi
‘I had my favourite easy chair right near the elevator and smoked my cigar. When I got sleepy, I retired to the Missing Persons office for a little snooze, leaving word with the cop at the information desk not to disturb me unless something really hot came over the teletype’
—Weegee (Arthur Fellig), police photographer in New York from the 1930s to the 1960s.
CONTENTS
BLUE NIGHT
A kick in the right kidney brings you to your knees.
A kick in the belly, and you go down.
Kidneys again, left one this time, to really shut you up.
Then they whip the coshes out from under their jackets.
Three jackets, three coshes.
Left leg, right leg.
Left arm, right arm.
And six feet for twelve pairs of ribs.
Your very own many-headed demon.
Tailor-made to order.
Then out come the pliers.
Right index finger.
A clean crack.
But you’re left-handed; they don’t know everything.
One final kick to something broken.
Then they leave you lying there.
It took one minute, maybe two.
The pain is clear and confusing and hot and cold all at once and everywhere; your blood runs almost comfortingly warm from your right hand.
So this is what it’s like. 2
CANDLES ALL ROUND, PLEASE
Under a dark sky the engine gives one last cough, clears its throat like an old man, then floods.
I get out, sit on the rusty-gold bonnet and raise my face to the heavy, cold air.
Cigarette.
First things first: I’m going to smoke this damn fog dry.
A weekend in the country: bullshit.
What was I thinking? It was a bloody stupid idea in the first place. So much for get yourself a car, get yourself out, have a change of scenery.
Bloody marvellous.
The car’s a heap of junk and my driving’s worse than a cow on ice. Which means, if I want to drive anywhere, nobody will come with me. So there’s nobody but me. I can deal with that in town – better than anywhere else, anyhow. Driving through the countryside alone is like eating Sellotape.
Someone’s waiting for me in town – I’m finally needed again – but now I’m trapped out here. Of course, the guy who’s waiting for me doesn’t know that he’s waiting for me, because he’s lying in hospital, smashed to bits. They called me because they always call me in cases like this.
They haven’t called anyone else, because they don’t know who he is.
I phone Faller, thanking God we still know each other. Nothing’s happened yet that could have forced us apart.
He answers after the second ring. ‘Good morning, my girl.’4
‘Good morning, Faller.’
‘Well?’
‘The Ford’s dead.’
‘Oh.’
‘Can you pick me up, please? I need to get into town – urgently.’
‘Where are you then?’
‘In the middle of fucking nowhere,’ I say.
‘Where exactly?’
‘Mecklenburg. Between Zarrentin and Wherethehellever. Somewhere on the B195, north of the motorway.’
‘Aha.’
He’s in the west of Hamburg, having breakfast probably. He could be here in an hour or so, if he puts his foot down.
‘Don’t go anywhere,’ he says. ‘I’ll be there. Might take a while though.’
‘I’ve got cigarettes. Call me when you get close, yeah?’
I hang up and grab the bonnet with both hands – it’s already nearly cold. We’ve just never hit it off, this old car and me. Maybe it looked pretty good at first, maybe there was a superficial spark, maybe you could have been forgiven for thinking: genius! Why didn’t anyone think of getting those two together! But in the end it was just one of those briefly exciting bar encounters, the kind that don’t last ten sentences on closer inspection, and definitely not in daylight.
I turn up my coat collar, grab my bag from the boot and start walking down the road. Heading west. A vast landscape lies ahead of me: farmland and meadows and fields and a few isolated trees – a bit of ochre here, a bit of green there. I light my next cigarette and listen to my boots. We soon find a rhythm; we like walking on asphalt, my boots and me.
Faller will find me.
Behind me to the east, behind the wet, grim clouds and a long way away in this uniquely big Mecklenburg sky, there’s a miserable scrap of morning sun.
I feel like a cowboy whose horse has been shot.
5Faller’s currently going through some kind of belated midlife crisis. I still can’t believe he’s bought a Pontiac. Sky blue, Catalina model, from the seventies. When he started spending more and more time openly checking out pretty young things his wife asked him if he wouldn’t mind getting himself an unsuitable car instead. In fact, to put it another way, when he started claiming that the pretty young things were checking him out, his wife told him, ‘You need something to do.’
And he’s got that now – the Pontiac’s always broken down. I’m in luck that his banger happens to be running just when mine isn’t. ’Cos who the hell else could I have called?
Calabretta’s got a big sign up saying No Servizio; it’s nailed to his heart. I couldn’t have dealt with that kind of misery this morning.
Klatsche will still be asleep. And he will have been behind the bar until just a few hours ago, so even if he were awake I couldn’t assume he’d be able to drive.
And then there are Carla and Rocco. But they don’t have a driving licence between them, and anyway, they’re still officially on Calabretta-watch.
Seems me and my friends are a pretty immobile bunch.
He drives up slowly beside me, the Pontiac spluttering. He stops and rolls down the passenger window.
‘I said to stay where you were.’
‘Couldn’t help it,’ I say.
‘But apart from that? Have a good weekend?’
I open the door, chuck my bag into the back seat and drop onto the black leather.
‘Fantastic. That was definitely my last bloody trip out into the bloody country.’
He looks at me and shakes his head. ‘Why do you do these things, Chastity? Just take off out of town? You need your concrete.’
6What do I know? I thought I’d listen to my friends for once. Something had to give. All that sitting around just isn’t for me. Since the business at the port, I’m still officially a public prosecutor, but unofficially I’m sidelined. They took a long time fretting over what to do with me. From the outside you’d imagine accusing your boss of corruption would get you promoted, but it’s not looked on so kindly within the service.
And then there was the unauthorised use of firearms.
Having saved Calabretta’s life is one thing; having shot a loser in the crown jewels instead of the leg is quite another. I don’t know what happened to the guy after that; I never heard another word about it, and there wasn’t even a murmur in the press. No idea how they wangled that, and I don’t want to know either. They assured me that I had nothing to fear – just swiped my dad’s army pistol and took me out of circulation for a while. And then, after months and months in the arse-end of nowhere, up they popped with the offer of a new job. A position created specially for me: victim protection.
If anyone gets half killed in a beating or a shooting or a hit-and-run anywhere in Hamburg, if anyone gets pushed off a bridge or a building and survives, it comes under my jurisdiction.
But only the victim, not the investigation.
Thrilling job.
Let me through, I’m here to hold his hand.
For the first few weeks, I stayed out of sight like a good girl and did as I was told. I’ve widened my horizons since then. Now I get a firm grip on the few cases that fall at my feet, even if that wasn’t really the plan. Nobody’s said anything yet though. What could they say? We’re all in the same boat, after all, and the boat’s called ‘the good ship Let’s Just Not Make a Fuss about the Bloke with No Balls’.
So there you are.
All things considered, no wonder I’m not wild about my temporary role.
All things considered, I was going stir-crazy.
Hence the crackpot idea of going away.
7‘Where to, then?’ Faller does his taxi-driver voice. ‘Home?’
‘I’ve got to go to St Georg. To the hospital.’
‘Aha,’ he says, ‘new patient.’
‘New client,’ I say.
‘What about your car?’
‘Let it make someone else happy.’
He accelerates and the Pontiac roars under my arse. It’s a bit like driving a tank.
Always follow your heart. Or bury it at Wounded Knee.
My dad liked to trot that one out whenever I asked him what I should do. An old Native American proverb, I guess. Those boys had a snappy one-liner for every situation.
My heart says: Sit down and hold his hand. He doesn’t look as though he’s got anyone else to do it. I can recognise a lonely face from ten miles off.
The hand is warm and dry, and surprisingly soft for its size – it’s a proper paw. I try to put both my hands round it. Ridiculous.
He was brought to the ward in the early morning, just after four. There are multiple fractures to his arms, legs and ribs; his right clavicle is smashed. There’s a thick bandage round his right hand. The nurse says he’s lost his index finger, but you can’t just lose an index finger. He has no head injuries and his lungs aren’t damaged. His kidneys are swollen but basically working. There’s a single main doorway in his neck. That’s where the drugs go in – the glittering disco stuff from the bags hanging on the drip stands. He’s getting something to make him sleep and presumably all kinds of stuff for all kinds of pain. It’s clearly working ’cos he looks strangely peaceful, and his face is unscathed, apart from a few scratches from the asphalt.
Forensics took his clothes; he had no papers on him.
He’s really tall: with all the splints on his arms and legs he hardly fits the hospital bed. His hair shines silver-grey and it’s close-cropped at the sides, a bit longer on top. His face is one of those angular 8models that men only grow into at a certain age. I’d put him at early-to-mid fifties. A man in his prime, if he weren’t so broken.
Yeah, if he weren’t so broken, he’d look a bit like a tall George Clooney.
The machines on the wall behind his bed start beeping. The nurse comes in and presses a few buttons. She smiles sympathetically around the room, as if I were a relative, even though she knows I’m not.
That keeps happening to me.
I don’t always react to it very well.
‘What was he wearing?’ I ask her. ‘Before the gown, I mean?’
She switches off her smile, question marks blinking dully in her eyes.
OK. Sorry.
‘Where was he found?’
‘I don’t know exactly,’ she says. ‘Somewhere near here.’
Her stare is getting harder.
She seems to resent me: even if I’m not a relative, I could at least act like one.
She idly moves a few things from one side of the bed to the other, then hastily leaves the room before I can ask any more impudent questions.
I stay beside the tall, sleeping man and look at him.
I stay by him until the clouds finally seize power in the sky and it grows gradually dark; then I head home.
As I get out of the taxi in my road, cold rain falls on my head.
Yellow light rolls from Klatsche’s window.
He’s standing in the kitchen, making us cheese sandwiches; I’m sitting on the living-room floor watching two bottles of beer to stop them getting warm. We’ve turned the lights off and lit the candles. Klatsche started doing this a few years ago. A candle for each of us who needs it. Right now there are three: one for Calabretta, one for 9me, and one for Klatsche’s gran. She’s lying in bed in a care home in north Hamburg, with no idea what’s what. At night they strap her down because she keeps wanting to run to the Moorweide bunker to get away from the bombs.
I never had a grandmother.
‘Maybe we could start skipping my candle,’ I say.
He stands beside me at the window with the plate of sandwiches. He’s put gherkins on the cheese.
‘Can you open the beer?’ he asks. He says nothing about my candle.
‘I don’t need it any more.’
‘The beer?’
‘The candle. I’m fine.’
‘Sure,’ he says.
We clink glasses and drink, then we bite into the sandwiches.
‘What’s our Italian friend up to?’ he asks, chews twice, swallows, next bite, big one. Big bloke, big appetite.
‘I rang Carla yesterday,’ I say. ‘Calabretta was watching sport on TV. Before that he spent the day on the sofa, but without a blanket. He even answered occasionally if she asked him something. And he ate a plate of pasta. Carla reckons he’s starting to pull himself together.’
‘Rocco says he looks awful.’
‘No wonder,’ I say, biting into a slice of bread and cheese. It tastes rich and deep. The gherkin crunches between my teeth. A good cheese sandwich can save lives, I’m convinced of that.
Calabretta had actually tried his luck with Betty, our elegant pathologist. She’d given him the cold shoulder a couple of times in the last few years, probably because he’d acted like an idiot. In matters of the heart, Calabretta’s as big a loser as I am. But this time she’d gone with it, for whatever reason. And then it had actually worked out between them; maybe it was the stars, or the moon, or the harbour air, or maybe Betty had just gone soft. They’d been glued to each other for a whole year – he was at home with her, and she 10with him and everything was full of happiness. There was something almost creepy about it – as if they’d ordered the sun to takeaway. But then, overnight, Betty switched to a better sun, at a forensic medicine conference in Munich. A Swiss professor. She chucked in her life in Hamburg. And Calabretta.
That was last winter, and since then he’s been black inside.
We drink beer.
I mention that I was at the hospital and what was going on.
‘You don’t know who the guy is?’ asks Klatsche.
‘Nope. And nobody seems to be missing him yet.’
‘What are you planning to do?’ he asks.
Do my job, I think. I say: ‘Have a look at his stuff. And sit by his bed and wait for him to wake up.’
‘Is he under guard?’ asks Klatsche. He’s a street kid. He hasn’t lost the instinct for when someone’s in danger. His bristly hair pricks up like antennae; his green eyes have snapped to attention.
‘I don’t know why he was beaten up, but there’s always a policeman sitting outside his door,’ I say.
Klatsche nods, settles his antennae again, swigs his beer and says: ‘Should we light a candle for him?’
11
1982, summer.
FALLER, GEORG
So two evenings a week, just before the cemetery shuts its gates, I go to visit Minou. There aren’t many people about between the graves at that time. Only the old trees look at me. Branches nodding towards me now and again are quite enough company.
Nobody knows about me and Minou. My colleagues on the squad don’t and nor do my two-and-a-half friends. Nobody knows that she had to die because I fell in love with her.
If you want a girl from the Kiez – the red-light district – and you’re not her pimp, you have to pay him for her. I knew that, of course. But I thought nobody would notice.
It was almost nothing really. Whenever I saw her it was still under the heading of services offered. Nobody can look into people’s hearts, can they? Or so I thought.
And suddenly she was dead.
The price that Minou had to pay for me wanting her.
They just shot her.
Come on, boy, girls in the Kiez are part of a business model. You knew that. So don’t make such a fuss.
But I do make a fuss. I miss her. She’s on my conscience. You can twist it how you like. I could bash my head through solid concrete for it.
When I stand by her grave, I drop to my knees. Whether I want to or not.
Sometimes, someone puts flowers on her plot.
It isn’t me. I can’t. I write her little notes and bury them.
And then I’m there at her grave, half kneeling, half curled in a ball, waiting for night to fall from the sky.
12They won’t do anything like that to me again.
Or to anyone who belongs to me.
The girl from Herbertstrasse and the love-sick cop.
Sounds like a shit story.
RILEY, CHASTITY
The last summer holiday before high school tears us apart. Some of us are going to one place, others are going to another.
The last summer before things get serious, says Dad.
As if it had been a barrel of laughs till now.
I wear cut-off jeans and Dad’s old army shirts and sometimes clogs. Mostly I go barefoot. I like the warm streets under my feet. I like needing to be careful.
We play James Bond on the banks of the Main. The boys want to play James Bond. Or we play World War II. Then we ride through Sachsenhausen on our folding bikes. Germans versus the Allies.
I’m always the Americans.
Of course.
The boys go nuts for Dad’s army shirts.
We play war or James Bond till the sun ducks behind the houses.
All of Frankfurt glows gold and orange and pink. It comes from the red sandstone that they built the city from.
At night in bed I think that sometimes I’d like a girl friend, but I don’t know how to get one. And I think that I’d like a mother – a mother who’s here, that is; here with me. Really, I want my mum.
Every evening I think about her and ask myself over and over again how she could do that, just go off. And Dad stands outside my door and sheds secret tears for me and my childhood and our broken family. And I act like I don’t notice, and try to damn well pull myself together again.
He really can’t help it.
She just wanted to get away. Out of the country bombed by the war when she was a kid. 13
And then this man – this other officer – took her with him.
That’s what I tell myself. In bed at night.
Dad really can’t help it.
But he still thinks it’s all his own fault.
KLASSMAN, HENRI
I hadn’t even been born. So I’ve got nothing to say.
Perhaps my mum had just met my dad. Whoever he was.
I do know one thing: my mum wanted a son called Henri. Because of all the sailors she used to know.
CALABRETTA, VITO
Through the streets of Altona. Alone.
I like running around alone. I run to and fro and to and fro. And whenever I go past my parents’ supermercato, I pop in.
It sucks me in, the shop. Because an Italian can’t walk past his family, says my dad.
But I don’t like to stay long. I usually go straight out again. It’s cold in the shop. The chiller’s too big.
And if my mum catches me, I have to sort things. Into boxes, out of boxes, in and out. I hate sorting boxes.
It’s not complicated or anything, but it makes me crazy. Because it seems so pointless. As if I only have to do it so I’ll stay in the shop. So I won’t run around outside.
But running around outside is the only thing that untangles my brain. When I’m running around outside I can cope.
It’s my way of sorting things, I tell my mum.
She doesn’t understand. She wants me to sort the boxes.
VELOSA, CARLA
Early morning at Grandma’s in Lisbon. Down in the Alfama.
14She beats octopuses against the wall. As many as she can, she beats against the wall.
It softens the brutes up, she says.
My grandpa caught them. The octopuses.
But me too, says Grandma.
Later, Grandpa sells everything at the fish market.
But not Grandma, he says.
The wall next to the door to my grandparents’ ground-floor flat is all black. From all the ink.
Soon, when I go to school and finally learn to read and write, I’ll pinch a bit of ink, then I’ll write things on the road.
The sky over the Tejo is purple and red. From all the octopus souls, says Grandma.
Is the sky a different colour everywhere in the world?
Yes, says Grandma, because it depends who is dying under that sky.
MALUTKI, ROCCO
My mum is the most beautiful hooker of all. Not just in St Pauli. In the whole world.
She has the biggest and most beautiful boobs in the whole world.
My dad played the violin in an orchestra. Nobody knows where he is now, but that’s not so bad, says Mum.
She says: Some people weren’t meant to stay put.
We manage just fine as it is. Fresh money comes in every night.
In the morning, when she gets in from work, she stands at the ironing board and irons the money.
There, she says, when she’s finished and has folded up the board, now it’s clean again.
JOE
Hey.
Hamburg.
ONLY THE ROAD (AND ABOVE IT THE PRETTY LIGHTS)
Watch out.
Early-rising day in the Klatsche household.
The Blue Night is shut on Mondays and the boss goes shopping. Schnapps, pretzels, butter, liquorice. Then in the mornings, there’s the beer delivery. Bottled beer. Klatsche had draught beer poisoning a few years ago. Badly cleaned beer lines. It happens, I said at the time.
‘Not at my place,’ he said when he took over from fat, old Ali at the Blue Night.
So there’s been a sign hanging over the bar ever since:
‘drink with confidence no draught beer poisoning here – guaranteed’
He brings me a coffee in bed, drops a kiss on my brow.
What a lovely alarm clock.
Then he’s gone.
I get up and gather my clothes from last night. My jumper’s in the living room, right next to the window sill, my jeans too. My underwear is somewhere else entirely. He always does that. I put some clothes on and go over to my flat to shower. I take the coffee with me.
Later, in the taxi, the city slips past the corners of my eyes. It’s like somebody intentionally thought up the dirty grey of advanced February but then just spewed it out instead of putting their heart into 16it. Outside, it’s so sunless the streetlamps are on the point of coming on but not quite dark enough for them to make it.
A lousy fake of a day.
The suit feels heavy and black in my hands. Expensive fabric, no label. Clearly made to measure. The black shirt is a British brand, the shoes come from the USA.
The walls around me are light grey and they glisten. The smooth lino under my feet swallows up every sound and every odour; the neon light absorbs all warmth.
I’d almost like some company.
It’s always the same when I hold this kind of thing in my hands: clothes, or a murder weapon, or some bloodstained item from a person who didn’t get out of an incident in one piece. I think that these things ought to tell me a bit about what happened. As if objects have a memory. But as always there’s only a feeling. This time it’s:
It wasn’t a surprise.
I put everything back in the plastic wrappers, take off the gloves and thank my colleagues from forensics, hunched over a couple of microscopes in the room next door. Then I get into the lift at the end of the corridor and go up a couple of floors to have a closer look at Calabretta.
Once I went in and out of police headquarters all the time. Now I avoid coming here. Because it makes me feel watched. A few years ago I couldn’t shake off the feeling that I was screeching round the bends all the time, but really I was going dead straight compared to the lurching zigzag of my current life.
Calabretta looks like shit, of course, but at least he’s more than just physically present now. I can actually make out signs of life in his eyes. In the first few weeks after he and Betty split up, they were just two glowering holes, scattering darkness, and not entirely belonging 17to the body curled in a foetal position under the blankets on Carla and Rocco’s couch.
But something seems to have happened since Saturday. Carla hinted as much.
At least Calabretta’s no longer lying on that couch. Calabretta’s sitting at his desk and tapping at his computer keyboard. When he spots me, he looks up.
I lean against the wall opposite him. ‘Well?’
‘Nice to see you,’ he says.
‘Nice to see you,’ I say.
He breathes in deeply, and out again, and looks out of the window.
Ah. End of conversation. In my imagination, I can hear the half-fossilised heart in his chest. It’s trying to knock on the walls, to send a signal perhaps, but nothing’s coming through properly.
He starts typing again.
I look at him a bit longer, but there’s no further reaction. I head into the room next door, to my colleagues Schulle and Brückner.
‘Hey, boss.’
‘Mornin’ boss!’
‘Hello gentlemen. I’m not your boss any more. Remember?’
‘Don’t matter, boss.’
‘Yeah, fuck ’em.’
I like these two so much that I could buy them an ice cream every time I see them.
‘How’s business?’ I ask, sitting on the ripped, black leather sofa in the corner.
‘Fine,’ says Schulle. ‘We’re watching a guy who’s probably taken out his wife, but we’re still looking for the body.’
‘Are you still looking after your depressive colleague?’ I ask quietly.
‘Naturalmente,’ says Brückner.
‘Does he go out with you now and again?’
‘Jesus!’
They slap their thighs as if I’ve asked if they’ve heard the rumour that the moon’s been seen wearing ears and a false nose. 18
S
